"The bipedal body shape is a very practical solution for a human-sized thing made of bones and meat. But thanks to the square-cube law it stops working as well as it gets bigger. And even if we replace the bones and muscles with steel and fishing line, there are so many other problems with large, walking, combat machines. Compared to something like a tank, they're slower, harder to armor, and have a preposterously large surface area to hit. There's no reason this thing should even exist."The intentional use and exploration of a trope, typically for ironic or satirical purposes. This differs from subverting a trope and Lampshade Hanging because the trope is not altered in any way, nor is any attempt made to make it more believable. It is used straight - far straighter than normal, in fact - and is examined in great detail, usually to try and show what circumstances would cause the trope to manifest in real life and/or what the real-life consequences of this trope would be, revealing some flaws beneath, like saying, "Be careful: this is what happens when you have this trope." Alternately, the trope can be used in a manner that differs greatly from its usual context. For example, many characters in comedies display behavior that, though played for laughs in the show, could in Real Life be the end result of a mental or social anxiety problem - Yanderes, Hard Drinking Party Girls, Tsunderes and Lovable Sex Maniacs, to name a few. A more serious show might play with these tropes by presenting identical characters as unstable or even dangerous. If an entire genre gets this treatment (which usually happens over the course of an entire story), then it's a Genre Deconstruction, and they belong in that article, not here. Deconstructed Tropes occur in Deconstructions, but they can just as easily appear in straight examples of a genre, or even in Reconstructionist works. It's (probably) Older Than Dirt. Ancient people might not have the term "deconstruct" or "trope" and it's hard to know exactly what tropes existed in earliest human history, but what might be the oldest preserved story, the Gilgamesh epic, deconstructs the idea of a perfect Femme Fatale. The goddess Ishtar lures men to their destruction, but when she tries this with Gilgamesh word about what happens to her lovers has gotten around. Not being completely ruled by his private parts, Gilgamesh simply says "no". Likewise the story of Helen of Troy seems to deconstruct what really happens if there was such a thing as a woman that was clearly the World's Most Beautiful Woman. It ain't pretty... It should be noted that a deconstruction doesn't have to be Darker and Edgier than its source. If a negative trope is taken apart and shown to not necessarily be as bad as it's generally made to look, that's a Lighter and Softer deconstruction. Also, just because the trope is taken in a darker direction, it doesn't mean it's been deconstructed. Tropes darkened unrealistically don't provide the meaningful insight that a deconstruction is supposed to. For more examples of what a deconstruction is not, see Not a Deconstruction. Deconstructed Character Archetype is a subtrope (insofar as character archetypes are tropes in their own right): examples of character types being deconstructed go on that page. See also Playing with a Trope for comparison with the other ways tropes can be used. May lead to Reality Ensuing. When a Trope Maker seems to have done this, it's because it was an Unbuilt Trope. Examples from Fan Fic are to go in Deconstruction Fic.
Examples go in subpages:
- Animated Films
- Anime and Manga
- Live-Action TV
- Video Games
- Web Comics
- Western Animation
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- This Skittles commercial deconstructs turning everything you touch into candy. A woman brings a normal guy in to see a man who turns everything he touches into candy. After a demonstration, the normal guy says "That's awesome!" Then, the man with the candy hands explains how depressing it is to turn everything you touch into candy ("Did you feed or dress yourself this morning? I didn't.").
Linda Stimus died yesterday at age 37. She is survived by husband Jim and two children, Louis and Emily, both under 24 hour pscyhiatric care. Police found Stimus in her home face down in a susbstance the autopsy report labeled a "mixture of 3% blood and 97% rays of sunshine" confirming her as the 6th victim of what the media has labeled The Citrus Strangler. A memorial service will be held Saturday in Benton Park where Stevie Wonder will sing his hit song "You are the Sunshine of my Life."
- This YouTube comment says it all:
- This PSA for gun control destroys the appeal behind Stuff Blowing Up, by showing a bullet passing through targets of food in magnificient showers of debris, then applying that imagery to the head of a child.
- Life Sucks deconstructs every vampire trope it can get its hands on (and its fangs sunk into), and towards the end it lists them off as it does so. The main thrust of it is that most vampire stories portray ordinary humans as mindless cattle and vampires as liberated beings that can do whatever they want, whereas the protagonist is enslaved both by the rules necessary to uphold The Masquerade, and by the older vampire who sired him and can kill him at will. It also touches on just how alienating the inability to go out in sunlight can be, how humiliating it is to steal from blood banks (and how dehumanizing it is to obtain blood more directly), and how the ability to charm and enslave humans is tantamount to rape, with an ultimate message that nobody should ever want to be a vampire. Whew!
- Irredeemable deconstructs Face–Heel Turn by exploring reasons behind superhero making such decision as well as consequences of world's greatest protector turning into the bad guy - Plutonian's entire life was full of experiencing fear, mistrust and alienation, followed by a nasty case of Samaritan Syndrome and a disaster he unintentionally caused which turned his best friend against him and which he himself considers his Moral Event Horizon and his rampage brings Type I Apocalypse. Its Spin-Off series, Incorruptible does the same with Heel–Face Turn - Max Damage turns into a good guy because of cold logical calculation that with all the damage Plutonian did and typical threats any superhero universe faces, without somebody taking his place humanity would be at the edge of extinction, rather than Power of Love or Power of Friendship. He also has no idea how to be a hero, aside doing opposite of what he was doing before (He is however Genre Savvy enough to gather several people to be his Morality Pets and teach him).
- Batman's Papa Wolf and his Berserk Button of "killing a couple in front of their son" was deconstructed in "Broken City", in which he pursues a criminal who had shot and killed a couple, leaving the boy in a state of shock. Batman naturally is bent to get the criminal. It turns out the guy he was chasing never really had it in him to shoot a gun, and the boy had shot and killed his parents while the criminal was just nearby. Batman's Berserk Button made him chase after the wrong person.
Batman: Everything I've done in the past three nights, I've been doing for the wrong little boy.
- The Commissioner Gordon is deconstructed at Batman: No Man's Land: Sarah Essen explains that Gordon tried to get a job outside Gotham City when No Man's Land was declared, but had been laughed at because he couldn't keep his city safe without the help of a Vigilante Man. She warns the officers to not speak about Batman around him anymore.note
- A Golden Age story called The cop who hated the Batman deconstructed The Determinator: Batman is attacked and challenged to a fight by a cop who mistakenly thinks that Batman killed his dad, that incident happened five years before Batman built his reputation with the cops. The fight goes as you'd expect from Batman. As expected of the trope, the cop keeps getting back up, but it's very clear that he's outmatched, having trouble standing up before passing out. And since Golden Age Batman was formally made an honorary cop by Commissioner Gordon, the cop is arrested for assaulting a fellow officer, and it's only because of Batman's good will that the charges are dropped.
- The Batman comics arguably deconstruct Thou Shalt Not Kill and If You Kill Him, You Will Be Just Like Him. Batman repeatedly refuses to kill anyone, and even goes so far as to Save the Villain whenever possible. This even extends to the Joker, despite knowing that the Joker is evil and Ax-Crazy beyond any hope of redemption, and Batman's repeated refusal to kill him only allows the Joker to continue killing people, especially since the Joker loves committing such atrocities merely for the sake of rubbing them in Batman's face.
- This reaches a point in Detective Comics (Rebirth) #975 — two issues earlier, Batwoman is forced to kill Clayface to stop his out of control rampage and to save Cassandra Cain. Batman calls in Batgirl and the Robins to figure out how to punish Kate for her actions. While Dick and Tim side with Bruce (and Damian just thinks they don't deserve to call themselves a "Bat-Family"), Jason and Barbara side with Kate and call out Bruce for his actions. Jason thinks that Bruce is upset because someone didn't follow his rules and doesn't think Kate should be punished for his double standards while Barbara accuses Bruce of acting the way he was because he was scared of losing his last connection with his mother, Martha, and even more damning, being afraid that, had Martha been alive when this happened, she would have sided with Kate, effectively killing any argument against his rule.
- The Knightfall storyline deconstructs the Anti-Hero Substitute. After Batman is broken by Bane, Bruce appoints Jean-Paul Valley to be Batman. However, the System kicks in and Jean-Paul finds himself lost in the brainwashing, being driven slowly insane in a war of ideologies before ultimately slipping back into his Azrael persona and decided to just try to kill criminals, forcing Bruce to take back the mantle.
- It's almost the purpose of Marvel's Runaways. The characters are meant to be real kids who just happened to live in a superhero universe. The results of them gaining superpowers and fighting supervillains is fearing for their very lives everyday and trying to avoid actual superheroes by seeing them as the same as their supervillain parents in how immature their viewpoints are. Gert even gets into an intellectual argument with Spider-Man on his "With Great Power" philosophy.
Gert: Really? That's inane. Most people in life don't have great power, and the few that do are almost never responsible with it. The people who have the greatest responsibility are the kids with no power because we're the ones that have to keep everyone in check.
- The Sonic the Hedgehog comics produced by Archie has a deconstruction of Invincible Hero. After failing to beat Sonic after so many years, Dr. Eggman is driven insane, unable to comprehend how Sonic does it. He regains control once he realizes that something was enabling Sonic to win all those times, akin to an unpredictable chaotic factor in every experiment. Specifically, that Sonic has absorbed so much Chaos Energy, and had so many transformations, that he's become an embodiment of chaos.
- Joss Whedon's "Breakworld" arc from Astonishing X-Men deconstructed the Always Chaotic Evil trope with its portrayal of the eponymous Planet of Hats. At first glance, the Breakworlders seem to be a clear example of this, since their entire culture is built around endless war, and their governments are universally led by barbaric tyrants who consider freedom an abomination. But then there's The Reveal that the arc's true Big Bad is actually the leader of a seemingly noble resistance group that wants to end the wars forever...by destroying the Breakworld and wiping out its entire population. The conclusion points out that most people in a species like the Breakworlders wouldn't be truly "evil", since their actions would simply reflect the cultural values that they were raised with. But on the other hand, someone willing to completely reject every underlying value of their planet's culture would probably be far less sane than the common citizenry who simply follow cultural norms (even if that culture seems evil to us). At the same time this also deconstructs Token Heroic Orc by making the aforementioned "heroic" orc a lunatic who wants to blow up her own planet.
- Y: The Last Man is, among other things, a very thorough deconstruction of the male sexual fantasy of being the last man on earth. Virtually all of society has broken down in the absence of men, and Yorick is constantly at the mercy of those who want to use his scarce genes and reproductive ability for their own ends.
- Spider-Man is a deconstruction of the secret identity trope, as Peter's duties as Spider-Man have constant, lasting, and almost always negative impact on his social life, and he has to endure bullying because using his powers to get revenge would blow his cover.
- Joker was written with the title character being so monstrously evil as a way to remind fans (since The Dark Knight and Death of the Family) not to turn Batman's greatest nemesis into a Draco in Leather Pants.
- Guardians of the Galaxy, the 2008-2010 series, deconstructs the Ragtag Bunch of Misfits. Yes, the Guardians are a rag-tag bunch of misfits and they don't work well together, so much so that Peter Quill had Mantis use telepathy to convince them all to join. They immediately split up when they find out about this. Meanwhile, they have serious trouble with authority figures, who for some reason just don't trust a team which has two known mass-murders on it, along with several others members who have been arrested at one point or another, and refuse to listen to them on several occasions.
- Secret Wars (2015) deconstructs A God Am I. After vanquishing the Beyonders, Doctor Doom takes their powers and becomes a God. Instead of repairing the universe or making a reasonable facsimile, he instead makes the ultimate Egopolis, Battleworld, and makes everyone his slave. In due time, the survivors of the final Incursion of Earth 616 and Earth 1610 arrive and proceed to turn everyone against Doom, leading to a final showdown between Reed Richards and Doom. Doom is finally forced to admit Reed would have done better, only to have Owen Mercer, the Molecule Man, take that power and give it to Reed, who proceeds to fix the universe with the aid of the Future Foundation. And to add insult to injury, Reed repairs Doom's face, something Doom couldn't do to himself.
- Avengers (2016)'s .1 issue deconstruct the Ragtag Band of Misfits trope. Set during the "Cap's Kooky Quartet" era, Captain America ends having Hawkeye, Quicksilver and the Scarlet Witch dropped on his lap when Thor, Iron Man, Ant-Man and the Wasp left the team for their own things. The public isn't keen on Captain America leading a team of super villains, Captain America himself isn't keen on it, the former villains can't stand each other and a horrified Wasp realizes they've made a mistake when they get trounced by the Frightful Four.
- Pet Shop Boys like to do this to individual songs. The most relevant example is their version of the so-often-covered "Always On My Mind", which, by putting it to a dance beat and singing it in a detached sort of way, makes it sound less like a love song and more like a half-hearted apology from a neglectful lover. The subject of the song probably wouldn't stick around if the words were spoken instead of sung.
- The works of Gustav Mahler could be viewed as deconstructions of Romantic era music, particularly his later symphonies. His 6th symphony, for example, takes apart the idea of the "Heroic" symphony that Beethoven codified in his 3rd. In Mahler's version, the hero is not quite so successful. He then went on to parody himself and his critics alike in his 7th symphony.
- Not quite so successful? The sixth symphony could be subtitled "Life's a bitch and then you die." Mahler burst into tears whenever he had to compose it, and took out one of the hammerblows because it was autobiographical and he was a bit skittish about having his own death sounded forth at the climax of the work.
- Many of the songs written by Serge Gainsbourg for the 60's French pop star France Gall were deconstructions of common themes in pop music and its role at the time in everyday life. The most well-known example is probably Poupée de cire, Poupée de son, winner of the Eurovision Song Contest of 1965, which deconstructs the idea of a star too young to actually understand love singing Silly Love Songs for cash that younger kids will believe.
- Khanate play crushingly slow music based on super-distorted guitar "riffs" stretched out for ten or twenty minutes, over which lie demented shrieking and arhythmic, cacophonic drumming. Their music is so alien that # 182 of Terrorizer magazine described their fourth album Clean Hands Go Foul as "musical deconstruction", explaining that it lacked "coherency, rhythm, melody, structure and all aspects of what would typically be associated with the art of songwriting". They also gave it an 8.5/10.
- Da Vinci's Notebook's song "Title of the Song" is a deconstruction of '90s boyband songs.
- Polish grunge band "Hey" is particularly fond of including deconstruction in their lyrics. One example would be the song "Mikimoto - król pereł" ("Mikimoto - king of pearls") which deconstructs popularity. The lyrics, roughly translated, go: "He was the king of this city/ With a cigarette in the place of a scepter/ He was the local saint/ With a halo of gray smoke/ He was the sluts' pet/ Quoted by the bartenders/ He was everyone's favourite/ Everyone wanted to be close with him/ He was found in the morning/ While everyone was still asleep/ Leaving a short letter behind/ About the unbearable loneliness".
- Which sounds like a translation and adaptation of the poem "Richard Corey, by Edward Arlington Robinson. (http://www.bartleby.com/104/45.html )
- The Temptations deconstructed the previously romantic view of being a runaway in "Runaway Child, Running Wild".
- Lil B is to Hip-Hop what Neon Genesis Evangelion is to Anime.
- "Fences" by Paramore is a deconstruction of the Rock Star Song, among some other similar stardom-related tropes. Its narrative explains how a celebrity is so reliant on their fame they've become a Stepford Smiler and are nothing without it.
Don't you know by now? You can't turn back, because this road is all you'll ever have.
- Warhammer 40,000 deconstructed The Paladin in the form of the incorruptible Grey Knights. Not one of them has fallen to Chaos or turned rogue but that's only because they were given the "666 Rites of the Emperor" which accounts to 666 brain washings.
- Exalted deconstructs every single trope that can be attributed to Heroism. If an Exalt is a hero, expect him to eventually steps on everyone even as he believes that he's doing the right thing. He's a Hero, he believes he's a hero, he won't listen to anyone who says otherwise, and he's got more than enough firepower to blow the world to smithereens. Underwent a Decon-Recon Switch later in its run, when it became clear that overdoing the deconstruction could drop you neck-deep in Darkness-Induced Audience Apathy.
- Henrik Ibsen's The Wild Duck deconstructs the Wide-Eyed Idealist in the form of Gregers, a self-righteous meddler whose belief in exposing the family's problems so they can be solved, backfires spectacularly. The play can also be said to deconstruct Gregers´ counterpart Relling, a cynical psychologist who plays on people´s illusions. Which of the two who is morally right, is under heavy debate.
- Ibsen also deconstructs Manic Pixie Dream Girl with A Doll's House and Hedda Gabler. In Doll's House, the heroine Nora is a (seemingly) flighty, vivacious, kooky child-woman who gradually realizes that she's been so working so hard at playing this role for her more conventional husband — even through bearing him three children — that she has never really grown up and has no idea of her true self, and that their relationship is thus only a game, not adult love. She leaves him to try and learn how to be a fully formed human being. And in Hedda, the eponymous Hedda grows to find her more conventional husband boring, and when she tries to put some spice back into her life by starting an affair with a much more interesting man, she discovers that he's a commandeering, blackmailing Jerk Ass. The play ends with Hedda being Driven to Suicide.
- A Doll's House and Hedda Gabler are best known for their deconstruction of Happily Ever After; they criticized the institution of marriage and the nuclear family.
- Doll's house also deconstructs All Devouring Black Hole Loan Sharks: the guy who Nora owes a large debt to, Nils Krogstad, is... a human person with his own set of problems instead of a mere unidimensional Jerk Ass, and he does really need the money since he's just lost his job - and the boss who kicked him out is Nora's husband.. That, and having the final paying off of the loan cause more trouble than the loan itself ever did. If not for Kristine offering her help...
- And there's Dr. Ranke and his deconstruction of Unrequited Love, since loving Nora from afar is extremely painful for a man who is actually about to die.
- Name any realistic drama of Ibsen and you will bump into some kind of deconstruction: An Enemy of the People, about a political idealist who ends up with the entire society hating him, is another good example of this. And then there is his masterpiece Peer Gynt, deconstructing Norway.
- His last play When we dead awaken, where Ibsen partly deconstructs himself!
- Swedish playwright August Strindberg used some of his plays to actively deconstruct the plays of Henrik Ibsen.
- Carmen also deconstructs Manic Pixie Dream Girl: she's a gypsy woman who seduces and enchants the lead male, Don Jose, with her free-spirited nature, but quickly tires of him as he proclaims his everlasting love for her. Turns out she's not so much for the forever love, and she leaves him for someone much more exciting. As a result, he kills her out of jealousy at the end of the opera.
- Bertolt Brecht's Mother Courage and Her Children deconstructs the idea that war can ever be beneficial to a nation, by showing how the children are all killed because of their own best traits (courage, honour and compassion respectively).
- It also deconstructs Plucky Girl and The Determinator. The main female's pluckiness, perseverance and resourcefulness were supposed to show how dehumanized Mother Courage had become thanks to her sucky life (the deaths of her children included), as a detestable personification of the evils of capitalism. The audience embraced her instead.
- Likewise, The Threepenny Opera deconstructs the idea of the Lovable Rogue and/or Magnificent Bastard with the famous character of Mackie "Mack the Knife"/"Macheath" Messer.
- The Cripple of Inishmaan by Martin McDonagh is a deconstruction of Bury Your Disabled. It plays with all three sub-types of the trope, then ends with the Iron Woobie protagonist facing the horrible realization that his days are numbered.
- Romeo and Juliet is a big deconstruction of the idea of Love at First Sight. The titular characters aren't presented as lovers who are destined to be together; they're two infatuated kids who are in way over their heads, making an already bad situation even worse.
- The fate of Ophelia in Hamlet is a sad deconstruction of It's Not You, It's My Enemies.
- Hamlet itself is a deconstruction of the revenge-tragedy genre that was extremely popular in the decades before the play was written (Shakespeare had contributed to the trend himself with Titus Andronicus). Hence, Hamlet's constant deliberation over his actions - the play has the structure of a revenge tragedy but, unlike other plays in the genre which tend not to question the motivations of their heroes, it's very serious about the moral and theological consequences of seeking vengeance.
- That Championship Season shows the viewer what would happen to the Six Student Clique when they grow up.
- Dive Quest, from the guy behind Ruby Quest, deconstructs the usual structure of Collective Games by having the "players" exist in universe, as facets of the protagonists personality, accessed through the Orb of Infinite Psyche. This proved so popular that it's been used in several other games. It also provided justification for switching the player character by having the second character find a shard of the orb.
- I'm a Marvel... and I'm a DC deconstructs The Cape tendencies of Superman, where he spends his time remembering back when righteous heroes were idolized, fully aware that his nobility and incredibly overpowered persona are frowned upon by current comic book fans, who want a hero that's full of faults so they're more relatable. Lex Luthor tries to use this to convince Superman into writing Marvel out of history. Without Marvel making flawed superheroes, everyone would still idolize the perfect, heroic good guys of yesteryear. The interesting thing about this deconstruction is that it essentially says that comics need Superman because he does still act as a standard, and that the entire basis of Marvel heroes is that they're trying to be like Superman, so without Superman, there's nothing to strive for.
- Season 2 Happy Hours deconstructs Darker and Edgier, as the Joker brainwashed almost all the characters to become more like Batman. Green Goblin tells off the Joker since if all characters are dark and there is no Lighter and Softer counterparts, then they lose what made them interesting since there wouldn't be any contrast.
- Also the Physical God tropes are deconstructed in-universe during the conversation between Darkseid and the Joker. Darkseid is quick to boast about being a god and the most powerful being in the universe, only to meet the Joker's laughter in return. The Joker then delivers a Breaking Speech Darkseid by telling him that the only reason why he's so powerful is because he's nothing but a fictional character, designed that way by a comic book writer, and that Stan Lee is the closest thing to a god that exist in their universe since he's also a comic book writer, spending his days creating characters in the ways it seems fit to him. Darkseid can't do nothing but stare in shock of the reveal.
- That season then goes on to deconstruct reboots. Namely, the idea that decades of accomplishment can and will be completely erased in order to make a quick buck is depicted as a horrifying revelation in-universe, with Darkseid himself believing it to be the true Anti-Life Equation- i.e. nothing that you accomplish will actually matter in a few years. Contrary to Darkseid's expectations, the reveal does not break the heroes.
- This Cracked article shows what happens if you try to copy romantic gestures from films to real life. They all involve jail time.
- This can sometimes happen within a fandom, such as the Furry Fandom. The "New Found Form" series is about mysterious runed artifacts which just happen to turn people into sexy animal-hybrid hermaphroditesnote , because, as Rule 34 says, some people like that sort of thing. One writer came up with "New Found Frost" and turned the story into Lovecraft-influenced psychological horror, telling the tale of a fallen-from-wealth Russian family forced to choose between their humanity and dying in their snowbound house. And that author does this sort of thing all the time.
- The SCP Foundation has a few subjects that break down some tropes. For example, SPC-085 (a.k.a. Cassy) is a living two-dimensional woman in a canvas. When she has Medium Awareness, the trope is deconstructed; instead of taking advantage of it, she slips into a deep existential crisis.
- This article written by Watson Technical Counseling, in the form of an in-universe Daily Planet op-ed by Perry White, deconstructs the amount of Stuff Blowing Up in Man of Steel and many other recent Hollywood blockbusters. It was based on their analysis of the destruction in that film and how, if it had happened in real life, it would have produced a death toll on the order of the Nagasaki bomb and an economic impact close to two trillion dollars.
- The story deconstructs the Batman-style Badass Normal-apart-from-being-a-Gadgeteer Genius with Armsmaster, who has no social life because every free moment is spent either training or building better gear. Even so, he still Can't Catch Up to "real" capes. This leads to him becoming The Resenter and a desperately attention-seeking Glory Hound.
- The superhero setting in general is deconstructed repeatedly over the course of the series. For one thing, the fact that a Traumatic Superpower Awakening is required to gain powers means that empowered individuals generally have psychological problems, struggle to cooperate and are far more likely to become villains than heroes.
- Shadow Stalker's methods deconstruct the Sink-or-Swim Mentor. She refuses to save people who don't first try to fight back against their attackers, regardless of whether they are able to, and it's portrayed exactly as messed up as one might expect.
- Aegis's fate is a deconstruction of Critical Existence Failure. His power alters his body to be massively redundant and he can run on adrenaline for hours, enabling him to keep fighting after taking injuries that should down if not kill normal people. But that also means it's hard to tell when he's seriously hurt, and when Leviathan kills him it happens very suddenly.
- Appliance Defenestration is deconstructed when a computer thrown out a window by a player with Hair-Trigger Temper killed someone and had him end up in jail.
- The webseries also gave Mistaken for Badass a quite realistic treatment, with the mistaken character never figuring out the situation due to sheer idiocy and the person conviced that he is more than he seems ending up loosing all credibility in the eyes of anyone that is not his devoted student.
- In RWBY, Jaune shows how hard it is to be a Plucky Comic Relief and being Unskilled, but Strong. It is clear from the start that he is leagues behind everyone else in combat skills and knowledge, especially since we learn he cheated his way into Beacon using fake transcripts. He has a strong Aura but has no idea how to use it and his potential does nothing for him until he gets some proper training. He's aware he is seen as a "lovable idiot" and suffers a severe inferiority complex as a result.
- Pyrrha, Jaune's partner and Foil, deconstructs The Ace. Because she is incredibly talented, pretty and skilled, she is put on a pedestal, constantly treated like a celebrity and she finds it hard to develop a relationship with anyone because no one would talk to her. In addition, she may have made a mistake when not allowing Jaune to accompany her in her final fight against Cinder. While this was to protect him, she did not take into account how he could have helped her out, such as when she had Cinder in a choke hold and vulnerable to attack.
- The events of Vol. 3 Episodes 6-8 prove to be a deconstruction of Yang's Blood Knight tendencies when she breaks Mercury's leg. Yang thinks that Mercury was trying to attack her and she was putting him down. Everyone saw her attack her defenseless opponent in a fit of unsportsmanlike conduct. Neither realize that this was all part of a Wounded Gazelle Gambit. Either way, everyone now sees Yang as someone unbecoming either a sportsman or a Hunter at the kindest and a bully picking on the helpless at the worst.
- The leaders of the four major Huntsman academies are working together behind the scenes to protect everyone from threats people know about and the ones they don't. One of their core motivations for secrecy is to avoid causing panic which would draw in hordes of Grimm. In the Volume 3, Cinder took advantage of the secrecy and exposed it, sowing distrust amongst the people.
- Salem's faction deconstructs the typical Five-Bad Band by portraying all of the members as regular people, capable of small-talk, friendships, and even taunting the "runt" of the group. In addition, judging by Mercury and Emerald's expressions in Salem's domain, the trope Even Evil Has Standards is also deconstructed in that they are clearly disgusted but they need to continue out of fear.
- Salem deconstructs the concept of a Big Bad Team Mom. While in episode one she seemed to care for all her subjects, episode three reveals that she has quite the temper for even the smallest misunderstanding. Also, her "treatment" seems incredibly painful; and she shows a complete disregard for Cinder's pain.
- Blake's It's Not You, It's My Enemies is deconstructed in the episode "Taking Control" when Sun calls out Blake on her decision to "protect" her friends by running away constantly. While she might think she is being "selfless" in getting as much distance as possible between her, her friends, and the danger she thinks she's putting them in by being around them, she's instead hurting them by running away.
- This video deconstructs the trend of GoAnimate videos promoting both You Are Grounded and Disproportionate Retribution towards "baby shows" like Caillou by having Caillou's dad declare that he's the Only Sane Man in a house out of control (when, as Caillou points out, he's being punished for watching shows that are "too scary" or light teasing), only to have his wife tell him he's utterly out of control and slug it out, grounding him instead and putting him in the closet. A follow-up has Caillou's mom reassure him that he's not in trouble after he and his friends panic in a fire alarm and his teacher threatens to tell their parents for it. She even tells him not to listen to his dad when he attempts to ground him.
- At the end of season 10 in Red vs. Blue, Epsilon leaves with Carolina to investigate Freelancer equipment without saying goodbye to Tucker and Caboose. The rest of season 11 and 12 showed the results of this. Caboose spiraled into a depression and latched onto a very dangerous Freckles the Mantis assault droid as a Replacement Goldfish. Tucker became bitter and angry with Epsilon for abandoning them and constantly clashed with the latter when they were reunited. Epsilon later did admit it was a jerk move to do to his friends.