Hedda Gabler is an 1890 play by Henrik Ibsen. Full of hidden meaning, double entendres, hints, and angst, it is often considered Ibsen's finest work. Critics hated it when it first appeared saying that the character of Hedda Gabler was immoral, and even suggesting that such a woman could not exist in real life. The play challenged the Victorian view of women as frail, feminine and obedient.Hedda, a spoiled, beautiful aristocrat, has married Jørgen Tesman. Tesman is a silly but well meaning man who utterly adores her. She, however, used to higher society and a luxurious life, is hopelessly bored and stifled. She resorts to playing cruel mind games with Aunt Julle, Tesman's aunt and former guardian, and Thea Elvsted, a beautiful, innocent woman who has fled from her home. Also involved is Ejlert Løvborg, Hedda's former lover, although Ibsen is unclear on that point. There is also Judge Brack, who lends Tesman money but actually lusts after Hedda. Spoilers ahead!It's well worth noting that Ibsen is considered the father of Modern drama.
All Love Is Unrequited: Oh boy, where to start. Tesman loves Hedda who does not love him. Ejlert loves Hedda who does not love him. The Judge lusts after Hedda who denies feeling the same way. Can you see a pattern here?
Anti-Villain: Hedda. She's like Iago seen through a sympathetic point of view.
Beta Couple: Subverted with Ejlert and Thea; they have feelings for each other, but Eljert was, and is, madly in love with Hedda, or at least his idea of Hedda.
Chekhov's Gun: Literally, guns; the pistols that Hedda's father gave to her become the most important objects in the play.
Completely Missing the Point: Tesman. He's not stupid exactly, just sweet, naive and innocent to the point of being really, really silly; Aunt Julle points out that Hedda has 'filled out' a lot, and tells him she's expecting a special surprise, but he still doesn't realise what she's getting at. He also misinterprets pretty much all of what Hedda says; he isn't aware of Hedda's distaste for him and thinks he's happily married, and is utterly shocked at the end when she commits suicide by shooting herself in the head.
Daddy's Girl: Hedda was very close to her father. In fact, the play is called "Hedda Gabler" because it's more about Hedda as her father's daughter than as the wife of her husband.
Or, possibly faking it to hide her lesbianism (even more grave in a society like hers).
Downer Ending: For Hedda. After she encourages Ejlert to commit suicide, telling him to 'do it beautifully,' Ejlert goes to a brothel and is accidentally killed by a shot to the stomach. She is unaware of this until Judge Brack informs her that he knows she caused his suicide, and furthermore, he also knows she burnt the manuscript. He implies he'll force her into a sexual affair, and she, who cannot stand the thought of anyone controlling her, shoots herself in the head.
Dogged Nice Guy: Ejlert is probably the most sympathetic person in the play, yet he still can't catch a break.
First Girl Wins: Sort of. Hedda had some kind of a relationship with Ejlert first, and isn't bothered by his relationship with Thea Elvsted because she thinks she can manipulate him into doing whatever she wants. She's kind of right: Ejlert tries to do whatever Hedda wants him to, but he usually fails.
For the Evulz: Hedda seduces Lovborg and drives him to suicide because she hated Thea and burns his manuscript because it amused her.
Give Geeks a Chance: One of the reasons that Hedda married Tesman was because she felt sorry for him; the irony of course is that one of her few kind acts leads to her boredom, misery and eventual suicide.
Good People Have Good Sex: Subverted once again. Hedda might be pregnant, but she and Judge Brack both insinuate that she's not very satisfied.
Life's Work Ruined: the loss of the manuscript for Ejlert and Thea. Subverted when it turns out Thea and Tesman together might be able to reconstruct it.
Love Dodecahedron: Tesman loves and is married to Hedda who has feelings for Ejlert who loves Hedda but is also in love with Thea Elvsted who loves Ejlert but used to date Tesman. Tesman is Brack's best friend but Brack also has feelings for Hedda. Whew.
Love Makes You Dumb: Tesman to Hedda, Thea to Ejlert. Ejlert to Hedda. If you're in love with someone in this play, odds are they don't feel the same way.
Love Makes You Evil: Or rather, in Brack's case, lust makes you morally questionable. When Tesman finds out Hedda has burned the manuscript, she claims it was out of love. Snort.
Love Triangle: Sort of, with Hedda, who feels a vague affection towards Ejlert, the best she can do; Thea who both loves and hero worships Ejlert, and Ejlert, who loves Thea but is obsessed with Hedda. Considering the Les Yay implications on Hedda and Thea, the confusion is complete.
No Accounting for Taste: Everyone is a bit shocked that a woman as beautiful, cultured and intelligent as Hedda chose to marry Jørgen Tesman; in the first act, Aunt Julle is tells her maid, Berte, that she never thought the two would end up together. Hedda of course is horrified once she realises how simple and common Tesman is.