Deconstructed Trope / BoJack Horseman

Raphael Bob-Waksberg in an interview with Indiewire: A big part of the show for me is what is the silliest thing I can think of, and then how do we take that really seriously? How do we find the beating heart underneath that?

For the Deconstructed Character Archetype page, go here.

One of the main reasons why Bojack Horseman has received much critical and audience attention is its harsh and successful Deconstruction of Hollywood, life, true love, narcissism, depression and the eternal search for happiness.
  • 100% Adoration Rating: There are no shortcuts to being loved. It's hard, takes a lot of time and work and even then, it might not work out. Furthermore, one's reasons to achieve it might not be good or altruistic at all.
  • Aesop Amnesia: There are only so many times you can fail to learn your lesson before you screw up irreparably. Bojack's perception of the world has been predicated on the belief that life, especially in the one he had on his old sitcom Horsin' Around, is basically rinse-and-repeat: someone does a bad thing, s/he learns an important lesson and is forgiven by the people around them. This would be fine and well, except he thinks this also applies to real life. While it could be attributed simply to him being a moron or an immature jerk, it's instead shown to be a response to the complexity and overbearingness of real, day-to-day life and how Bojack wishes it would be. Of course, Bojack's ability to forget each lesson he's taught and bad action he has done hasn't stopped others from remembering his misdeeds in painful and resenting detail or calling him out... or refusing to speak to him again... or hating his guts... or just plain sabotaging his chances to become a better person. Part of Bojack's arc is the realization of how this worldview has destroyed most of the good things he once had.
  • Animal Stereotypes: While mostly being Played for Laughs, most of the animal characters presented in the show have one or two characteristics that have always been linked to their species and quickly underline how such mixture of characters can create some pretty awkward or even life threatening situations.
  • Blackmail: Two bird paparazzo take compromising pictures of Bojack and Sarah Lynn making out and decide to squeeze as much money as they can out of it. Not only are they constantly rebuffed and fail to even get in touch with Bojack, when they finally manage to contact his agent and expose their reasons and demands, the tables are turned against them with threats of legal action for a) taking pictures on private property and b) attempted blackmail, with the only way to stop it being delivering the pictures and receiving no compensation at all. All for Nothing, indeed.
  • Brilliant, but Lazy: Todd is shown to have a lot of skills, to the point of being Renaissance Man material. One particular instance of this is his Rock Opera which Bojack eventually helps him produce, which manages to get a producer interested in the project. However, Todd eventually reveals a weakness: his laziness and addictive nature toward Decapathon, a videogame from his old college years, that eventually cost him his friends, family and education due to his inability to stop playing it. Todd's reinmersion in the videogame causes him to miss the deadline to present the Rock Opera to potential investors and ends up ruining the chances of it ever getting made.
  • Catharsis Factor: In BoJack's words, "Closure is a made up thing by Steven Spielberg to sell movie tickets." Real-life drama doesn't wrap up in a neat little package once all is said and done, especially for those living with clinical depression, for whom the simple act of "being happy" is an elusive concept. Therefore, neither do any of the episodes or story arcs, meaning that the tension is never released and the audience, like the character, have that cloud of anxiety hanging over them as the series goes on. Had Herb not rejected BoJack's apology, it would cheapen the message that BoJack owes a lot of people apologies, but he doesn't deserve a single acceptance, whether we want to see him get it or not, and Todd has no choice but to jump to conclusions when BoJack tries to apologize for something which is, ultimately, not his fault for once. Lampshaded by Diane in "One Trick Pony," when she tells Naomi Watts that, while she enjoyed her wedding a lot, she now has to actually live the "happily ever after" part, which has its share of high highs and low lows.
  • Contractual Genre Blindness: Bojack, being a former TV star, can often predict the way things are going to turn out in a given situation and he is quite savvy about his life, the people around him and his actions. However, he still does what's expected of him because of a stubborn and desperate belief that no matter what he does, the workings of typical cliches will come to his aid or his actions will end up invoking them in Real Life. Needless to say, this turns the advantage of his genre savviness into a flaw.
  • Convicted by Public Opinion: Even if Diane had convinced some newspaper or media to believe her and publish an article about Hank Hippopopalous, it's unlikely anyone would believe her (or that Hollywoo wouldn't try covering it up). The public's point of entry (MSNBSea, newspapers and the Hollywoo hype machine) on the case against Hank Hippopopalous are biased or just plain designed to influence the people to swirl to his favor. Not helping is the way Hank is portrayed on media and how people remember him from his own talk show, which only makes them way more inclined to believe a version of reality in which Hippopopalous' wouldn't do such a thing, rather than accept the quandary and judge the morality of his actions at the cost of losing the esteem with which the public once held him. Furthermore, as the case against him recedes, the coverage starts to blindside the public into other themes, as the scandals against Hank and the interest in this fades into obscurity.
  • Doing It for the Art: When Turtletaub vetoes a scene involving Secretariat's shady dealings with Richard Nixon because he wants a more crowd pleasing film, Bojack manages to talk Kelsey into shooting it anyway (going so far as to resort to breaking and entering to get the proper set). Once Turtletaub sees the scene, he should back down right? Well, no. Once Turtletaub finds out, he simply fires Kelsey. He apparently didn't even know of all the illegal stuff involved in the shooting: he fired her for the insubordination alone, which was frankly both necessary and justified. And now that the director is gone, Turtletaub simply replaces her with a hacky Yes-Man director capable of providing the schmaltzy feel good movie Turtletaub wants.
  • Freudian Excuse: The ending of "It's You" took an axe to this trope; Todd finds out that Bojack slept with Emily, and angrily confronts him about it. Bojack attempts to justify it by saying he was completely drunk. Todd angrily cuts Bojack off and tells him that no matter how much he wants to pin everything that happens on his Dark and Troubled Past, it's extremely selfish of him to use it to justify hurting other people. The lesson here is that, yeah, Bojack had a lot of bad breaks in life (Abusive Parents, broken relationships, tons of trauma, drug abuse issues), but he's still the only one responsible for his shitty choices and actions.
  • Friend or Idol Decision: The choice Bojack made in his past with Horsin' Around had consequences that he'll have to live with. When forced to choose between Friend (supporting his best friend Herb, who got him the job on Horsin' Around in the first place, by threatening to walk if Herb gets fired) or Idol (keeping quiet, thus saving his own skin but getting Herb fired for sure and backstabbing their friendship), Bojack chooses Idol. Bojack keeps quiet, and Herb is fired. While Bojack feels extremely guilty about it, he makes no effort to contact Herb for twenty years, until Bojack finds out Herb is dying of cancer. Their last meeting before Herb dies sees Herb reject Bojack's apology, and makes it clear that Herb will never forgive Bojack for his decision, even if it made sense at the time.
  • Hilariously Abusive Childhood: Beatrice and Butterscotch Horseman, Bojack's parents and pretty much the ones who turned him into what he's today ended up married due to an unexpected pregnancy and Beatrice's unwillingness to abort. There was no love lost between them and each of their shattered dreams and lives fed their increasing resentment of little Bojack. Each one of their "The Reason You Suck" Speeches were just as much as directed to Bojack as to themselves. And even when it's all said and done, each one of them were as screwed and as unhappy as Bojack would become. As mentioned above, Diane's abusive childhood is basically "What if the exactly kind of abuse Meg Griffin suffered from was taken seriously?"
  • Love at First Sight: Bojack and Wanda met each other through Pinky and fell in love the first time they talked and laid eyes on each other, which only increases when Bojack finds out that Wanda might be the only woman in all Hollywoo who doesn't know who he is, believing her to be a chance to start anew, since they clearly love each other. This instead blinds them to each other's flaws and different personalities, which only exacerbate the other's life. Eventually, they realize that although they still care about one another, they rushed things and can't be together anymore.
    Wanda: It's funny. When you look at someone through rose-colored glasses, all the red flags just look like flags.

http://tvtropes.org/pmwiki/pmwiki.php/DeconstructedTrope/BoJackHorseman