Flavor 2: America, the Boorish, or Yeah, Fuck America! (Goddammit America!)
A wretched country full of ignorant assholes who got lucky and like to hide behind their inflated military budget. Americans come into your country either as tourists or invaders, thinking that they own the place and that they rightfully deserve everything. Not only are they less intelligent and less cultured than you, but they also have the gall to look down and patronize you, while proudly waving around the little flags which they carry around everywhere. They're either fat (with a diet solely consisting of fast food and TV dinners), Moral Guardians, trigger-happy cowboys from the Deep South, or shameless anorexic rich bitches from Hollywood California. Oh, and they suck at geography. Always.
Aspiring to complexity and objectiveness, some present the United States Of America less simplistically. Others series just decide to split the difference, treating America as the Boisterous Bruiser of nations—rude, crude, clueless, obnoxious, and vaguely psychotic, but still good-natured beneath it all. A famous Winston Churchill quote sums up this portrayal: "You can always count on Americans to do the right thing—after they've tried everything else." And he should know- his mother was American.
This trope is about outsiders looking at the US, so some information here might be heavily stereotyped and culturally offensive to actual Americans. If you happen to see a work that portrays the United States or Americans as a whole as Flavor #2, but it's an American production, that's a case of Cultural Cringe or Boomerang Bigot; likewise, an American indulging in Flavor #1 is merely a case of Creator Provincialism. If the work in question doesn't delve into judgment but refers to the US culture and history by both structuralist and functionalist examples then you're probably reading an in-depth history book.
Gangsterland: South Central Los Angeles is infamous for this, but other depictions of Gangsterland may be based on Newark and Camden (both in New Jersey), and some areas of Philadelphia. Older ones are usually based on Al Capone-era Chicago, or in New York in the 19th Century or the post-WW 2 period.
Hollywood California: A large portion of American films and TV shows are made and/or filmed in California, and even then in only a few select sections of it. This gives a biased impression to the rest of the world (and sometimes even to the rest of the United States itself, including other parts of California) of what the U.S.A. is like.
Joisey: If Hollywood (more specifically Jersey Shore) is to be believed, everyone in New Jersey is apparently of Italian descent, speaks with a nasally accent, uses insane amounts of hair gel, goes to nightclubs, and spends their summers doing nothing but tanning at the shore. And New Jersey's citizens, especially the tourism industry, are not very happy about it.
Aries of Mai-Otome and Mai-Otome Zwei has some definite parallels to the US, from a suspiciously Pentagon-like structure to the attitude of Brigadier General Haruka Armitage, a Determinator to the extreme who often charges in with little to no plan. Aries itself is mainly type 1 being one of the good nations with Yukino being a calm assertive leader who balances out Haruka.
GaoGaiGar is probably one of the most positive depictions of America by non-American properties. Swan White and her brother Stallion are kind, noble, and friendly—if a bit histrionic, tending toward cries of "Oh No!" or "Oh My God!" (or, once, "Jesus!"), as well as speaking in odd accents; Dr. Liger, who presumably emigrated from Japan, is a genius scientist well as a hoverboard-riding mohawked iconoclast; and the American Brave Robo Mic Sounders the Thirteenth, while speaking in gratuitous Engrish in his childlike Cosmo mode ("MAI FRENDZU" is a favorite phrase), is probably the second most powerful robot built by Earth. So, in general, Americans are smart, polite, friendly, a bit openly emotional by Japanese standards, and possessed of The Power of Rock. Sounds about right, actually.
Subversion: In Beck: Mongolian Chop Squad, the eponymous band was, according to the opening song, "made to hit in America," and the band trying to make it over there was the subject of much of the series. However, their idea of fitting in is wearing t-shirts that say "Jesus is Coming", and America is shown rather realistically (despite some pretty bad Engrish signage).
Kimagure Orange Road both subverts it (manga) and plays it straight (OVA). In the manga story, Kyosuke, Madoka, and a new girl Sayuri (not Hikaru) find themselves on vacation in Hawaii. One day, Sayuri disappears after going to her room to change. After unsuccessfully searching for her, they believe her to have been kidnapped. Later, they get a phone call in their hotel room, telling them to go to certain locations, ending in a yacht in the harbor. The owner of the yacht tells them to spend the night, and that he'll be back in the morning with their breakfast. Since neither of them know what "breakfast" means, they assume it is something rather sinister. After a night of drinking, the owner returns, brings them their food, and produces a gun...which happens to be a lighter for his pipe. Turns out they were mistaken for a newlywed couple who had ordered a honeymoon package of sorts, and told to go to their locations. And Sayuri had gone off to a bar to hunt guys, completely forgetting about her friends. The OVA, however, had Hikaru actually being kidnapped by crazy mooks with guns, and ended with a final shootout, with the police (or any sensible Americans) nowhere to be seen.
The Yoroiden Samurai Troopers/Ronin Warriors OAV "Gaiden" takes place mostly in New York City, although they manage to feature some action in Los Angeles towards the end for good measure. Apparently, the OAV's Big Bad carries out his attacks in Manhattan even though his base of operations is located in L.A. The 3000-mile distance between the two cities doesn't mean anything to him...or to the writers.
Within the wider Marvel Universe, second generation immigrant creation Captain America is one of the most respected and admired heroes for being Type 1 incarnate.
Superman, who was created by a Canadian and is himself an illegal immigrant fills much the same role for the DC Universe.
Blackhawk Down: The Dragon sarcastically claims that Americans are Type 1, who don't drink, don't smoke, and live long, healthy, uninteresting lives.
Orvil Newton from Those Magnificent Men in Their Flying Machines (or How I Flew From London To Paris in 25 Hours and 11 Minutes) is a classic Type 1: loud and rough around the edges, but the most honest, fair and likable guy you'll care to meet. He even throws the race (and the astronomical prize he needs to get home again) to save another pilot in distress.
Dracula has a pretty good example of type 1 in Quincey Morris. One of Lucy's three suitors, he's presented as a cowboy-type from Texas, informal but friendly and honorable. Strangely, although repeatedly described by his friends as a man of action, he doesn't engage in all that much of it until he suffers a mortal wound fighting the gypsies that protect Dracula's coffin at the end and striking one of the fatal blows to kill Dracula.
Subverted by Oscar Wilde in The Canterville Ghost. "Americans have everything in common with us now-a-days except the Language."
A Bit of Fry and Laurie used this trope more than once, most memorably in song form, when Hugh Laurie, wearing a plaid flannel shirt and a headband (he was making fun of Bruce Springsteen, obviously overlooking the fact that the song "Born in the USA" is actually highly critical of America), sang a song that consisted only of the words "...America, America, America..." and "...the States, the States, the States..." and ended with Stephen Fry punching him in the stomach.
An episode of Samurai Sentai Shinkenger features an American who's more eager than intelligent when it comes to learning the ways of the samurai.
"American Woman," originally by The Guess Who, painted the U.S. as Flavor 2. Then Lenny Kravitz covered it up with a funk remix and a music video with American flags, hot girls on choppers and muscle cars, and Heather Graham dancing on top of a bus. Because of that, it's today regarded as more Flavor 1 in style regardless of its lyrics. Incidentally, The Guess Who claimed American Woman was never intended to be anti-American in the first place.
The song Hollywood by Marina and the Diamonds provides a subversion. The visuals and constant reference to the American Dream are in the patriotic, freedom-searching-immigrants, dream-granting ideal of America—but the message is negative, causing a sort of Stepford Smiler result.
blur's song "Magic America", which is about a man who moves to America entirely because of this view of the country.
US Boy by french singer Jena Lee. The song includes mentions of US celebrities and TV shows and this chorus line "US boys sont le ręve des French girls! /On veut un American boyfriend forever" which does not need translating to know it's Flavor 1.
On June 5, 1973*
(as the U.S. was pulling out of the Vietnam War while facing economic hardship and intense internal and external criticism)
, Canadian commentator Gordon Sinclair did a piece on his daily radio series Let's Be Personal titled "The Americans," in which Gordon emphasized how much the U.S. has done to aid other countries (with a little Cultural Posturing on America's behalf included). To say the least, it was a significant shot in the arm for American self-esteem. After The War on Terror sparked a huge surge in people who view Americans through a Flavor 2 lens, the broadcast again made the rounds, this time on the Internet.
Eagleland, the setting of the EarthBound/MOTHER franchise and an an affectionate homage to America as viewed through the lens of a foreigner interpreting the place based on American media, that falls squarely in the bounds of Type 1. MOTHER actually flat-out called it "rural America". MOTHER 3 is an interesting example. It starts with a more rural version of Type 1. This gets twisted into Type 2 when the villains arrive and is unrecognizable by the final chapter.
In Pokemon Red And Blue, their sequels, and their remakes, the Gym Leader Lt. Surge is Type 1. He appears to have the usual good sportsmanship required to be a gym leader and he is even said to be a war hero (as noted below, though, many adaptations make him a Type 2).
The setting of Pokemon Black And White, called Unova (Isshu in the Japanese versions), is based on New York City, where the previous games were based on regions of Japan. There are football players, southern belles, talk about the greatness of diversity, and so on—it even includes a literal American Eagle in the Pokémon Braviary.
Depending on whom you ask, Metal Wolf Chaos could be seen as a parody of the Patriotic Fervor that all Americans are assumed to have as well as an exaggeration of their supposed Boisterous Bruiser nature or the most awesome portrayal of the President of the Great United States of America (FUCK YEAH!!!) ever. Most tend to prefer the latter.
The giant mecha and the portrayal of a president saving the country by destroying large swaths of it may influence the decision.
Having any head of state personally fighting a one-man war to unambiguously defend his country's ideals makes the game fall into the "awesome" category. That the Japanese game designers chose America is simply flattering, even if it wasn't meant that way... though they did choose to slap him into the epitome of Japanese awesomeness, a suit of robot armor.
Urban Chaos Riot Response, if one disregards a lot of the Alternate Character Interpretations, tends toward Flavor 1—putting aside the fact that the player character is a member of an anti-terrorist police unit with military hardware, all of the regular police, firefighters, and paramedics encountered are courageous and hard-working, and civilian bystanders are always innocent. The bad guys happen to be anti-American milita trying to kill as many Americans as they can—and that includes using stolen nuclear weapons.
Disgaea has an odd example of this trope. Although not blatantly stated to be American, CAPTAIN GORDON, DEFENDER OF EARTH! and his crew are an Affectionate Parody of the classic view of American sci-fi heroes and television shows from the mid-20th century, particularly Flash Gordon and Lost in Space. The rest of the Earth Defense Force seems to also be fashioned after classic American sci-fi as well. Interesting in that the two sets of characters seem to represent both of the above types, with the heroic Defenders of Earth crew portraying the first type, and the Earth's invasion army portraying the second.
Jennifer, in the Japanese version, routinely blurts out incredibly stereotypical American things: "Jesus!", "Oh my gaw!", and "OH!", for starters.
Turn the Greek Chorus on in the DS port, and when Gordon tells Carter to have a parade ready for his triumphant return, and the Prinny says "This is a typical American victory speech. And let's not forget the 'smart American' joke, either."
Subverted in EVE Online: the Gallente Federation is clearly modeled on the United States (more type 1). Everyone drinks their soft drinks and watches their entertainment, they bang on about freedom all the time, and their government has a Senate, President, and Supreme Court. The subversion? They're actually French.
Street Fighter II introduced Guile. Guile is a tattooed, buff military man, but he's a decent guy and is considered one of the good guys, even becoming the main character in some Western adaptations.
Persona 2 has Mr. Tominaga, a chiropractor who is obsessed with American culture. He has patches such as NASA and FBI on his jacket, wears a red and white striped shirt and a blue with white stars tie, has an American flag in his office, and is convinced that his Goldfingeeeeers can cure anything. Interestingly enough, he's Japanese but studied chiropractic in America. Amusingly, wearing a FBI patch, depending on context, could be a full on federal crime in the United States. Pretending to be a law enforcement officer is serious business.
Sonic's personality is said to be derived from free roaming western heroes who go where the wind takes them, a type 1 style America. Imagine the typical "free spirit" cowboy (in contrast to the "law man" cowboy) and you have Sonic in a nut shell.
Captain Rush of Time Crisis 4 is an extremely proud American who even chides a villain for not having any patriotism.
May be a subversion, in that it's made by the U.S. Military for Japanese children...
The Big Guy from Big Guy And Rusty The Boy Robot is an in story Type 1(being part of a collaboration with the US and Japan). Lines like "have to shoot carefully...each shot costs millions of taxpayer dollars" and "I pledge allegiance to only one flag!" are said with perfect sincerity. It's probably a deliberately-crafted image; Lieutenant Hunter is a soldier, and a loyal one at that, but he's not that cheesy.
The Danger Mouse episode "The Trip To America" has Texas Jack McGraw, who Penfold describes as "this weird cowboy." Jack clearly isn't too bright (getting tricked by Greenback very easily), but he's definitely a good guy and, in classic cowboy movie fashion, shows up to rescue DM and Penfold at the last minute.
Anime & Manga
In one of the earlier books in the manga version of Ah! My Goddess, Keiichi races against two students from a California technical institute. They are shown as hypercompetitive, cheating, and, in the girl's case, obsessed with looks.
Carrie from Bamboo Blade is depicted as a somewhat stereotypical American type 2. She is obnoxious and in-your-face, extremely arrogant, and generally disregards the traditional rules of Kendo in favor of practices she thinks are more cool. However, by the end of the anime series, she and her rival Miya-Miya do seem to have a grudging respect for one another.
The third episode of the 1990s OVAs of Black Jack features the "Federal Unites," complete with shots of the Statue of Liberty. This Eagleland is a corrupt, imperialist bully bent on controlling and oppressing weaker nations for the sake of their resources. This makes it very satisfying when Dr. Black Jack beats the crap out of the Vice President for murdering his patient. Black Jack is generally a very anti-establishment work anyway, so it's likely that this was just more of the "anyone with power is a corrupt dick" mindset than an anti-American one.
Blood+: This one wins hands-down for Eagleland #2 in anime (Condi and Rummy are raising an army of vampires. Well, not personally. Yes, this is seriously the anime's plot). The writers balanced this (somewhat) through the characters of David and the American members of Red Shield.
In the Japanese version they outright left the French Van Aragano to die because he wasn't American(this was changed in the English dub to the more plausible reason of "you caused all of this so you can stay".)
Flavor 2 shows up in Darker than Black a couple of times. In the first season, the guy overseeing the American embassy is a stuck-up idiot who deliberately gets in the way of Misaki Kirihara's attempts to prevent a terrorist attack by The Syndicate, and won't even let the Japanese police in to help security when "someone" drops a smoke bomb outside as an obvious distraction, which leads to the immortal line: "Don't test my patience-" * KABOOM* . In the second season, attempts by the American government to restore their superpower status are one of the causes of the Męlée ŕ Trois.
It's too mind-screwy to really tell, but the ending of the second season seems to cement America as this version it essentially implies they successfully invade/conquer Japan.
An episode of Excel Saga was set in Flavor 2 Eagleland, with a humongous New York that seemed to be nothing but Mafiosi and slums. Obviously Played for Laughs, though; Excel immediately recognizes that she is in America by landing "...in the very definition of a slum."
She tries to interact with the locals on their own level, hilariously badly. In the dub, she just spits out as many stereotyped gang-slang phrases she can think of; the trivia tags feature notes that in the original version it was an even more eclectic collection of vaguely offensive faux- (and not-so-faux) Americanisms.
In Eyeshield 21, Leonard Apollo, the coach of the Nasa Aliens, is definitely an example of the latter type. His players are pretty nice guys, but Apollo is an overbearing blowhard who's bitter about his own failed dream of becoming a pro football player. This is actually a step down from the manga, as there Apollo is actually blatantly racist.
Ironically enough, Hiruma actually exhibits the most type 2 qualities, despite being ethnically Japanese and having lived in Japan his entire life. He list of type 2 qualities include:
Loudness, lack of personal space, rudeness, crudeness, violence, sadism, trigger happy, militant leadership, boisterousness, use of intimidation, a "might-equals-right" (bully) mindset, ruthless ambition, fluency in English, cheerful psychoticness, and, of course, an undying love of football. He's even blonde and pale skinned! Just about the only traits he's missing are being fat and stupid (two things he's the complete opposite of).
Episodes 10 and 11 of Genshiken Season 2. Angela is shown as riding roughshod over all cultural sensitivities in Japan, in an almost painful caricature.
Ghost in the Shell: Stand Alone Complex contains a particularly obnoxious example of type 2 in the infamous episode 10; a major plot point revolves around the Imperial Americana AKA the American Empire sanctioning their forces to commit atrocious war crimes in South America, which might have been marginally forgivable given the series' alternate-future setting (in which supplemental materials reveal that America has undergone a second Civil War during Non-Nuclear World War IV), but the depiction of the Japanese-American characters as ugly, condescending, manipulative cowards really has no excuse.
It is worth noting that the extreme right-wing conservative American Empire is NOT the United States of America, but one of two break-away nations from the USA (the other being the far-left Russo-American Alliance.) While this is barely touched on in the series (Most of the information on the three countries is detailed in Apple Seed's background information- Same universe,) besides a shot of the US territories split into 3 on a map in the background, and brief mentions of the USA itself, it becomes more apparent in the second season, particularly at the end of the final episode, where the three Americas are each mentioned, separately. Also worth noting that the CIA agents in the aforementioned episode look even more Japanese than the Japanese main characters, and the American Empire is seen working with Japan later in the series (In part due to the AE's new aggressive foreign policies and part because of the Manipulative Bastard antagonist working inside the government itself.)
Stacked together as a whole, Shirow Masamune's design of putting all the worst aspects of America into it's own country comes off as a very conscious, if hesitant use of type 2 in order to protect all the Type 1 flavors of the United States of America.
The You're Under Arrest!: No Mercy special had the two Lovely Angels of the show, already with a reputation in their traffic department back in Tokyo for excessive "enthusiasm", go on an exchange program of sorts to Los Angeles, where they are allowed to hunt down stolen car and gun dealers with shotguns. The other Inexplicably Identical Individuals — members of the LAPD, for that matter, see nothing wrong with threatening to shoot a suspect for being "criminal scum".
Given the reputation that the LAPD has inadvertantly fostered since the Rodney King beating incident and the Rampart corruption scandal, many Angelenos might think the LAPD's depiction as just this side of Truth in Television.
Early '90s show Mad Bull 34 sends a Japanese policeman on exchange to New York's 34th precinct to be buddies with "Sleepy" John Estes, the most violent cop on the force, who cleans up the Big Apple's crime problem with shotguns, grenades, and a wanton disregard for legal procedure.
Majin Tantei Nougami Neuro features possibly the pinnacle of type II Eagleland, ironically during a trip to a traditional Japanese Hot Spring. As well as ticking all the Phenotype Stereotype boxes (blond hair, blue eyes, large nose), and having a surprisingly plausible accent (until he has to speak English...), he whistles the "Star-Spangled Banner" to himself, hates Japanese culture, but pretends to love it just to get close to a woman, threatens to sue for the slightest slight, keeps a massive revolver in his pants, kills a woman for refusing to give him "her resources" (her love), thinks that losing his pride is reasonable grounds for self-defense and is obsessed with working out to the point of walking around shirtless, dressed like someone from an L.A. street gang. Oh, and he calls America "a law enforcing Empire" which "raised [him] to have an emotionless heart". The kicker is that the episode ends as An Aesop about how people shouldn't be so narrow minded and intolerant of other people's culture.
In a later chapter that arc's first villain reveals that he used the poor man as the first test subject for the electronic drug, which exaggerates something people like in order to warp them into killers making this an Exploited Trope: he most likely picked the American instead of his other graduate students because he thought people would fall for it, and he was right. This turns that story's moral about xenophobia into a Space Whale Aesop: don't miss important clues because of xenophobic assumptions about Americans or a computer might take over the world.
The Marmalade Boy anime has several characters who incarnated diverse variations of Eagleland #2. The one who shows up more often is Michael Grant, who started learning Japanese after watching several Japanese movies, acts like an overactive Genki Boy and is quite fixated on his host sister, Miki. Also, we have Yuu's American friends and schoolmates: a Hot Blooded semi Jerk Jock (Brian), a blonde Clingy Jealous Girl (Jenny), a sweet and homely Cool Big Sis (Doris) and young man who pretends to be sexually ambiguous to a degree (Bill).
The German/Japanese Asuka Langley Soryuu of Neon Genesis Evangelion has American citizenship and lived there for a time, possibly just to hint at her loud showboating personality. On the other hand, at the time the anime begins, she's thirteen, and she has already graduated from college "last year"—which does at least run counter to the Americans-are-idiots cliche. Of course, the only person who ever mentions that Asuka is a college graduate is Asuka herself, and given her personality, that might be best to take with a grain of salt...
She also knows physics second-nature, being able to answer all Shinji's homework without even being able to read it, and also speaks at least two languages fluently (it can be assumed she also knows English from living in the States). I think her word is pretty good.
In the Anime Ping Pong Club the tall, hairy, blonde-haired, blue-eyed, extremely smelly Mitchell Tanabe is..you guessed it. American.
Team Rocket's Meowth from the Pokémon anime comes from California, and grew up in Hollywood. He went there as a lonely kitten to find happiness but it was rough there too and he was mistreated by almost everyone from a baseball team to a chef. Meowth had to join a gang and steal food to survive. This is not a Woolseyism and is true even in the original Japanese version. The rich lady's Meowth, Meowzie, who Meowth fell in love with, is humorously named Maddo NYA in that version.
Also applied to James's background as his parents are overbearing and insensitive Gone with the Wind-style billionaires. Again not a Woolseyism.
While Lt. Surge is a Type 1 in the games, in the anime he is the stereotypical "American bully," taunting children and having his bigger Pokémon beat up on them while he calls them "babies".
Donald Curtis from Porco Rosso is an exceptional #2 example. "Make way for the American!" He plans to be a Hollywood actor and later president. Sound familiar?
Magical Project S has a brief sequence at the White House, where it shows the President as some gullible idiot willing to dump 60 billion dollars into a satellite surveillance system created by a 12 year old Genki GirlMad Scientist for "military purposes". It then suggests that the security there isn't just incompetent, but also unobservant as said scientist also converted the White House into a rocket launch pad while they were "out on their nightly business".
"Ohhhhhhhh, I'm the president."
Principal Kuno from Ranma ½, a truly bizarre character with a penchant for loud shirts and whose catch phrase is "Oh my God!" Not actually American, but a Japanese citizen who spent a few years in the States (specifically Hawaii) and "went native"—though he was already insane before then, he just picked up "Ugly American Tourist" traits by doing so.
The American team in the baseball episode of Samurai Champloo is a definite type 2. They are portrayed as blatantly cheating, violent, murderous thugs who consider the Japanese team to be ignorant savages. They also keep going on and on about American superiority. When the game dissolves into a beaning match which ends with Mugen as the last man standing, he then yells "Go back to your own damn country!" The narrator then helpfully adds that the Americans went home in shame, with a profound fear of the Japanese people.
Shin Getter Robo Armageddon: After the apocalypse, the remaining nations struggle to survive against immortal aliens. A group of Americans come onto the Japanese base and start trying to kill everyone and destroy Shin Getter. Their reason? They think the Japanese caused the disaster that flooded the surface with Getter radiation, killing about 90% of the population, and drove them underground in truth, the UN over-reacted and launched a nuke at the, at the time, highly volatile Shin Dragon. Gai calls them out on this, asking why the Japanese would drop the bomb on themselves.
They have a Heel Face Turn of sorts near the end of the OVA. One of the American pilots basically realizes he was being a jackass, and comments that using getter rays doesn't make someone evil. Later on the American pilots (along with everyone else) show up to defend a space station, so that the Getter Team can go on the offensive.
The Americans in Getter Robo Go are not the nicest people. They are grateful for Getter's help but won't share parts due Japan's past history of not assisting allies, specifically when Japan needed oil during the Gulf War and not helping. American pilot Schwartz takes the cake and is a total racist that hates everything non-white. He does start to realize he was wrong and his co-pilot was always stopping from picking on the Japanese.
Let's not forget "Bandit" Keith Steve Howard from Yu-Gi-Oh!, both an American and a ruthless dirty cheater, who has a Stars and Stripes bandanna. He even pulls a gun on Pegasus when he loses! Of course, Pegasus himself is American... and a flamboyant, childlike billionaire. Or Rebecca Hopkins/Hawkins, American champion, a cute little girl with a teddy bear... whose Catch Phrase is "God damn". Rebecca gets a little better later on, but still. Not to mention the shallow, selfish movie star Jean-Claude Magnum. In America. In the show's defense, however, as it progressed, Americans were portrayed in a less blatant way, with Pegasus instead becoming a more redeemable character, his ultimate goal was to revive his dead loved one, and helping the protagonists a few times. It is also worth nothing that (ironically) he created the game as we know it. Also, plenty of the enemies in the story are Japanese, and they are sometimes not much better.
In the Abridged Series, Yugi states it himself: "So let me get this straight. The only characters on this show who represent America are Jean Claude Magnum, Rebecca Hawkins, Maximilian Pegasus, and Bandit Keith. Is it just me, or is Yu-Gi-Oh the most xenophobic show ever?"
Kaiji Kawaguchi's The Silent Service flaunts a very strong Japanese nationalist (and anti-U.S.) message through this flavor; a submarine jointly developed by the Japan Maritime Self-Defense Force and US Navy (and crewed by JMSDF sailors) goes rogue, declaring itself an independent nation—then proceeds to sink multiple U.S. warships. A flavor-defining moment: the U.S. government draws up plans for a full-scale invasion of Japan ... over a single rogue submarine.
The manga version of Bokurano portrays America this way, even though Americans themselves are very rarely shown. Characters usually speak with disgust about the United States, saying that the country is stuck thinking it's the world's sole superpower, and worry that the U.S. may invade Japan using the manga's events as a pretext. In fact, the U.S. never actually does anything antagonistic in the manga.
While America doesn't make an appearance until one of the final episodes of Speed Grapher, the portrayal is definitely this type. The American President (very clearly George W. Bush in the dub) is among the world leaders discussing dealing with the situation in Japan, and they launch missiles into the middle of Tokyo as a response, and their motives for doing this are completely corrupt. Admittedly, the series also presents all Japanese politicians (and arguably all politicians in general) as corrupt.
Heroman, while definitely a poster child for Type 1 at first glance, seems to be headed this way as of recent episodes, with the government actively trying to capture Heroman, as he poses a threat to the country.
Dilly Dreem has a view of Americans as Type 2. When she hears that Americans will be taking over her school, she envisions the radical changes they will make, including turning the school into a New York City skyscraper, changing the school sport to baseball, and turning the local tuckshop into a soda fountain frequented by beatniks. Though it's later shown that it was just a misunderstanding on her part, and the Americans portrayed are very normal and laid back. If anything, much of it seems to be about xenophobia and stereotypes
In Untold Tales Of Spiderman #-1, Richard and Mary Parker (Peter Parker's parents) exploited this point of view in India by playing "Ugly Americans" with two goons guarding an enemy installation, portraying themselves as crude and tacky tourists while asking the guards if they'd be so nice as to take their picture. Figuring they had better send these annoying foreigners on their way as quickly and with as little drama as possible, the guards fell for the ruse, the "camera" the Parkers gave them actually being a knock-out gas dispenser.
In Adventures in the Rifle Brigade, Private Hank the Yank (as he is listed in official documentation) is an American who hopped the pond to get a jump-start on all that "war" business, and the only American in the otherwise all-British team. An explosives expert wearing a constant grimace and who only ever says "GAWD DAMMIT!", he's a lovely collection of stereotypes (you see, he's really, really stupid and violent) that fits right in with the rest of the Brigade. To be perfectly fair, the series doesn't let the Brits off very lightly, either. Captain Hugo "Khyber" Darcy is a ridiculously exaggerated caricature of a stuffy upper class Brit; virulently prejudiced against "jerries" (and indeed, all non-British people; he claims Germany's fatal mistake in the war was not being Britain), and is unshakably convinced that America is still a British colony (otherwise he would've killed Private Hank ages ago).
Garth Ennis' Punisher run portrayed America as a glass half empty type 2, to the point where the military are launching terrorist attacks to justify war.
In Watchmen the Comedian is the very embodiment of this trope.
Hector Godfrey of the New Frontiersman is also a strong example.
Iron Sky: the American President is a Sarah Palin parody. 
The movie based on Terry Pratchett's novel The Colour of Magic has the character Twoflower as a completely oblivious American tourist complete with straw hat, Hawaiian print shirt, and camera. This is different from the book, however, as Twoflower is from the Agaetean empire and is the local equivalent of a Japanese Tourist.
A montage in Godzilla Final Wars shows daily life in various world cities being interrupted by daikaiju attacks. Apparently, daily life in New York consists of pimps pulling guns on cops in the middle of the street. Also, the two American main characters are a quite possibly insane Badass Normal (emphasis on the "Badass") and a self-important Nietzsche Wannabe, neither of whom, despite living in Tokyo, ever say one word in Japanese. Kazama only really spoke English in like two parts of the movie: during the Ebirah fight and the "Watch it, X Man!" line.
In the German film Kein Bund für's Leben, the Americans (especially the commander) are mostly Flavor 2 but with a subversion: The German soldiers are worse!
The American president in Love Actually fits neatly into the second category, a combination of Bill Clinton (a sleazy womanizer) and George W. Bush (bullying behavior and accent). When England's prime minister (played by Hugh Grant, of course) tells him off, it is portrayed as his defining moment as a leader.
In Quantum Of Solace the Americans are portrayed as being generally sleazy and amoral, with the exception of Felix Leiter.
A nice prime example of Flavor 2 from Conan Doyle, in two of his Sherlock Holmes novels, no less. Both A Study in Scarlet and The Valley of Fear suffer from the more gruesome type 2 in their respective second half. The first one deals with early mormon practicioners, all taking place in Utah. The second in the fictional Vermissa Valley, curiously being vaguely inspired by true events. Both are pretty much the same, with the narration being focused on two or three characters who're steadily developed as they run through their exploits. As for everyone else, well...
"A Study In Scarlet"'s second half took place during the Mormon immigration, when all the Mormons were more or less literally driven out of the rest of the country and forced to move to Utah, which was apparently the only place people hated enough to actually send Mormons; and the book itself was first published only a couple of decades after. It's not outside the realm of possibility that Doyle had only ever heard of Mormons from Americans, who, this being the 1870s and 1880s, would not have nice things to say about Mormons.
Small note on the above, for accuracy's sake: Mormons weren't "sent" to Utah. That's just where they decided to settle, and it was technically part of Mexico at the time IIRC. People just kicked the Mormons out of everywhere they tried to settle (including Nauvoo, a city they pretty much built themselves that was the second-largest city in Illinois at its height). They didn't care WHERE the Mormons went, as long as they went AWAY.
The Five Orange Pips features that fine old American institution, the Ku Klux Klan. The letters KKK that appear on a note in the story were no doubt intended to be mysterious and exotic to British readers, but it's kind of an in-story spoiler for those in the US, most of whom will immediately guess exactly what's being referred to.
In The BBS Jeeves and Wooster series the two defining features of America seem to be trigger-happy cops and security guards and businessmen who are obsessed with whatever industry they are in. Somewhat ironic, considering that Wodehouse spent the last twenty-odd years of his life living on Long Island. (And often used it as a location in his later novels.)
In Partners In CrimeAgatha Christie depicts an abrasive American who calls Europe "Yurrop" (actually this pretty much is how Americans pronouce it). He's the bad guy.
Let's just say most of the writers from the Latin-American Magic Realism movement had a bad image of the USA and leave it at that. García Marquez's The Autumn Of The Patriarch where americans appear as manipulative diplomats who literally steal the sea at a moment of economic trouble in the country of the dictator.
The Ugly American is about American foreign aid workers struggling to win hearts and minds for the USA while being sabotaged by a variety of Flavor 2 Eaglelanders.
The "special relationship" between the US and UK is not universally approved-of, something which comes through in depictions of the US government (although generally not its people) modern UK shows. Take the penultimate episode of Series 3 of the new Doctor Who, for example, where the President Elect arrives on UK soil to bullishly demand first contact with aliens take place under UN terms with the US in charge. The Prime Minister acquiesces. Prez sets up the meeting on a flying aircraft carrier, demanding his official seal in clear view during the proceedings and generally behaving like a bit of a dick. Of course, it turns out there's more going on than he realizes, and his hubris is cashed in when the PM reveals himself to be an Evil Genius and Magnificent Bastard, and vaporizes him. Oh, and the Reset Button of the final episode only erased the events immediately afterthe President's demise.
In the same episode there is an example that is closer to the first stereotype. A trio of Buffalo Bills supporting teens watch the President Elect getting zapped live on TV, as they don't speak they are portrayed in Letterman Jackets/a Cheerleader outfit, eating fried chicken and pizza. The fried chicken tub has a star spangled banner on it, this probably meant to simply show that they are American to UK viewers. What, no cowboy hats nor six-shooters?
Notably, the episode is presenting the President as a big prat who we want to see shot... while he's right that PM Saxon is a boob who's mismanaging the situation and not following protocol, and the President puts UNIT, a United Nations group, in charge of the operation. Which is a wee bit of a disconnect.
The first new series had the first Dalek captured by an American laboratory, populated by rich bastard Van Statten, Simmons, whose job largely consisted of torturing the Dalek, and an idiot security guard who didn't listen to the Doctor's advice. But the American women in that environment seem particularly strong and non-stereotypical, such as Van Statten's right-hand woman who eventually has him mind-wiped and put in some city beginning with "S" and the brave young female trooper who faces down the Dalek on the stairs long enough to buy Rose and Adam enough time to escape. As depictions of Americans in Doctor Who goes, it's actually one of the better ones.
During the first Christmas special of the new Doctor Who series, 'The Christmas Invasion', after aliens are clearly involved, one of the characters informs the Prime Minister Harriet Jonesnote Yes, we know who you are. "I'm getting demands from Washington, Ma'm. The President's insisting that he take control of the situation." to which she replies, "You can tell the President, and please, use these Exact words: He's not my boss, and he's certainly not turning this into a war."
It's subverted a bit with the "Children of Earth" special for Torchwood. The American general who shows up makes many (deserving) accusations against the British (in the context of this universe anyways) during his visit. There's even a bit of a nod towards the tendency towards Type 2 Eagleland when at the end, the Prime Minister intends to save his career by blaming it all on America.
Also pretty well subverted in the first two episodes of Series 6 "The Impossible Astronaut" and "The Day of the Moon", which are set in the US. The American characters are pretty sympathetic, if a bit trigger-happy (many of them are, after all, FBI agents). Even Richard Nixon gets a pretty kind portrayal.
Lexx in its Season Four is very much Type Two in its portrayal of the United States. Stupid moralistic rednecks, the prison industrial complex, crazy survivalists, suburban misery behind a facade of perfection, teenage druggies, criminals, heartless porn stars, reality TV... And the evil, crooked, and not-too-intelligent president is armed with nuclear weapons and is a puppet of a pure evil being. Of course, every country comes off badly on Lexx.
Top Gear is particularly infamous for going over the top with the second flavor in its portrayal of US. Not only do the presenters call Americans fat, lazy, and stupid with every mention of anything American, but the show proceeds to present mock evidence to all stereotypes. They took this to new heights during the American Challenge special (Series 9, Episode 3), where the presenters went on a cross-country drive; in fact, the US state department retaliated to the bad publicity of the American Challenge episode by revoking their filming visas. Among the highlights of that episode; a lawyer of a "charitable" organization tried to extort money from them. Even the "American Stig," the American version of the racing driver that tests their cars, was wearing stuffed overalls to appear obese.
They also purposely and openly trolled Southern locals with stereotypical things Southerners weren't supposed to like painted on their cars, and were chased off by people angered by the Top Gear crew being condescending assholes. Well, they got the reactions they wanted, which made for good filming—but it's hard to say if they enjoyed it.
Jeremy Clarkson once flirted with an American audience member by saying "You can't be American. You're not nearly fat enough."
Clarkson's comments about Americans are particularly ironic given that if he were American, he'd bethe archetypal Type 2. Which is the reason a lot of British people don't like him any more than they do the US.
On an episode of What Would You Do, the crew planted two outrageous Type 2 Americans in Paris, just to test out that "snooty French" stereotype. It was pretty painful to watch. Oddly enough, the actual French citizens shown were all very patient and polite, if also mildly annoyed. It was actually the other American tourists who called out the actors, with one woman even scolding them like a mother and reminding them that they were guests in another country and should quit acting like a bunch of jerkasses.
In Spooks the Special Relationship between the UK and US leads to facepalm inducing situations that at the very least would be cause for armed conflict if it were occurring in a country which doesn't rollover like a dog on command. The behaviour of almost every American character, barring one, makes it seem that the US has continued the American Revolution into a Cold War.
This dialog sums up many seasons of Spooks:
US Government: 'Sup UK, can we just kidnaps this random citizen in Wales without proof of any terrorist connections? UK Government: Sure, you can even kill a civilian or two and we'll just pin it on a left-wing lobby group for the Opposition. MI-5: Sir I don't think you should do that. UK Government: Shut up you public school pissant, WE'LL BE RICH. MI-5: Shit they just offed the PM's Daughter/UN General Secretary's Wife/The PRC Premier's Son! CIA: Hey we even framed your own security services for the hit and distributed Stinger missiles and dirty bombs to every anti-Government group in sight, that way you'll be dependant on us to stop the carnage thus furthering our Neo-Conservative views and subjugating your people, also here's Chocolate coin. UK Government: Shiny Coin is Shiny! US Government: Oh and you owe us half your annual budget for that coin.
The "Waldorf Salad" episode of Fawlty Towers had an American guest staying at the hotel who wound up bullying Basil into submission. The portrayal isn't ridiculous, but you can get a kick out of hearing the expression "Hot dog!" used in total seriousness (oh, and the actor was Canadian).
He comes off as somewhat unreasonable, but not cartoonishly so, and his wife is very personable, making this more of a fair-handed type 3. As with the episode featuring the German tourists, the joke is mainly about how horribly intolerant Basil is.
In How I Met Your Mother Robin is at risk of being deported and gets Barneys help to become American. It works causing Robin to become insult someone in response to being wrong, yell "Learn English" at a cab driver and littering. Since the show is made in America the episode is a case of Self-Deprecation.
School Shock presents the Americans as aggressive diplomats with their default tactic being war threats, however backing down when some kind of resistance is shown (though the resister in this case was China). At least their president has a Funny Afro and a big smile.
The song "Amerika" by the German band Rammstein basically is all about Type 2. Don't let the beat or cheery-sounding refrain fool you, the lyrics (and music video) satirize this trope rather blatantly.
One of the lines says "this is not a love song" in case you forget it's about Type 2
"Asshole" by Denis Leary is an ecstatic ode to Type 2. The video can be seen here. Warning: Extremely NSFW.
"America" by Heavens Gate portrays USA as a country trying get rid of the black populace, among other things.
"(Let's Play) U.S.A." by Peter Schilling (best known for "Major Tom") is a nasty Type 2 with a cheery pop beat.
The Brazilian show Comédia MTV made a parody of type 2 named ""I'm American", with the singers singing in English (with Portuguese subtitles).
"Fucking USA" by South Korean activist Yoon Min-suk, another nasty Type 2 in the style of "Surfin' USA." It was highly popular among Koreans after the Yangju highway incident and controversy at the 2002 Winter Olympics.
"Dear American" by South Korean rock band N.EX.T is another song protesting the Iraq War and the Yangju highway incident, among other things. The lyrics called for the killing of American soldiers, police officers, and their "daughters, mothers, daughters-in-law and fathers," slowly and painfully.
PSY and a number of other popular Korean artists jointly performed this song with N.EX.T at an anti-American concert in 2004 (he did not write the song, despite some claims). When news of this broke internationally years later, PSY issued a public statement apologizing for doing so.
Freddie Trumper, the Jerkass American chess champion in Chess.
When discussing the topic of English, Professor Henry Higgins had this to say.
Higgins: There even are places where English completely disappears. In America they haven't used it in years.
Granted, Higgins is also of the opinion that the English language is utterly butchered by most of the folks who speak it, including actual Englishmen.
In Madama Butterfly, the American sailor Pinkerton, before his wedding to Butterfly, drinks to the day he'll marry a real American wife. Ironically, the opera was based on an American play, which was allegedly based on a true story.
Dead Rising falls neatly into Type 2. The zombie outbreak was accidentally caused by the government trying to create super-cows to feed a voracious America, with the zombies themselves being described by one character as creatures that "[just] eat, and eat, and eat. Growing in number...just like you good red, white and blue Americans" (of course, he isn't much better). One of the survivors is an overweight slob who will refuse to follow you until you feed him, and later puts the entire group in danger if you don't feed him again. One of the boss fights is a family of snipers obsessed with the Second Amendment. A Black Ops team tries to cover up everything.
The Redneck Snipers in the sequel might be the best example: They are introduced in a cutscene which shows them sitting around, drinking beer and complaining about the liberals and the "gummint." In-game, they prioritize shooting living humans over zombies and start whooping and bragging about their "American steel" if they manage to kill a character.
The America of the Grand Theft Auto series is Flavor 2 to its logical extreme. Many people—including those from the UK (its actual country of origin)—are convinced that Grand Theft Auto is an American game. Granted, a great deal of the GTA Radio segments which flesh out the Type 2 elements were written by Rockstar NYC.
One of the teams in the video game Rival Schools: United by Fate is three American exchange students; an arrogant bully (Roy), a ditzy cheerleader (Tiffany), and a preacher in training (Boman). Of these three, Roy and Tiffany (especially Roy) exhibit Flavor #2. All three are cast as villains, though, due to a case of Brainwashed and Crazy after getting kidnapped by the villains of the game. By the end, all three become better people by interacting with the more cultured and honorable Japanese students. Roy and Tiffany bring their newfound tolerance back home, while Boman stays in Japan to bridge the difference between the two nations. Roy actually becomes the President of the United States some decades later, with Tiffany as his wife and First Lady.
Super Macho Man in Punch-Out!!!!Wii could be considered a deconstruction of the standard All American Face, as the (American) audience hates his guts, and with good reason. He's a smug smarmy Californian bodybuilder, and enjoys flaunting his wealth (and pecs) over Little Mac. He's also a total Heel who knocks the referee over and showboats like there's no tomorrow.
Though you only see him for a minute in Golden Eye Wii, Sky Briggs is an unabashed Flavor 2 Eaglelander — he greets you with a friendly drawl, walks with a swaggering mosey, and confidently boasts that his "boys" are ready to face any threat with their superior firepower.
In World of Warcraft Cataclysm, the new Goblin race are basically this, in spite of not even coming from America. A group of greedy industrialists with a 'money makes right' attitude, they exhibit shocking ignorance about the rest of the world, a mercantile ruthlessness that would be shocking if it weren't Played for Laughs, the kind of taste in clothes that you'd expect from Paris Hilton, and an absolute belief that if you weren't born a goblin, you're not as good as they are. They're basically every negative stereotype of America, from trailer trash to Hollywood excess to robber barons, all rolled into one.
Ben There, Dan That! features an alternate reality where the UK has been annexed as the 51st American state. Pretty much everything here is some form or other of gentle (or not-so-gentle) Take That to America. There's the portly guy sitting around in a miniscule castle calling himself the king, there's the shut-down fish and chip shop, and just listen to what they think of our beer when they visit the "authentic English pub" (the soulless American pisswater is the only thing the barman will serve. He's such a collossal pussy that he'll demand more ID than any rational person would carry before he'll serve the robust, flavorful, and actually-counts-as-alcoholic British lager).
Survival of the Fittest: America as seen in The Program would like to see itself as Type 1, but is very much Type 2. It's basically modern culture Twenty Minutes In The Future, however the main difference is that the country has turned militaristic and nationalistic, and the characters are raised to acknowledge and embrace it.
His review of Killzone 3 also had plenty of vitriol levied at Americans. When it was pointed out to him that the developers of Killzone 3 are Dutch, he tried to justify his rancor by claiming the game was designed to pander to Americans.
At one point, Croshaw considered "moving to that steaming shithole across the ocean" because he was sick of the Australian Media Board's aggressive censorship policies, which he then likened to traditional right-wing conservatism in the States.
SCPAE-J is a Desert Eagle that shoots a bald Eagle. Said Eagle flies around, attacking anyone with "communist" leanings, and shouting things like, "CAN YOU HEAR ME NOW HUGO CHEVEZ!"
In Spoony's review of the Dead or Alive movie, there is a cameo from Bandit Keith, who espouses the belief that all true Americans wear the stars-n-stripes at all times (in his case, "a very patriotic thong").
Meriken from Afganisu-tan web series, very much the personification of Eagleland #2. She's first shown on the White House lawn, singing that the whole world was made just for her. The 9/11 attacks, where over 3,000 people were killed, are shown as a stray cat (representing Osama bin-Laden) biting Meriken. She goes marauding and rampaging over a helpless, terrified Afganis-tan in response, destroying her home while trying to catch the mischievous cat. Then gives Afghanis-tan a stern warning to take more responsibility for her house so this doesn't happen again.
The German-language version of Cats Dont Dance subtly shifts a single line of evil child star Darla Dimple's dialogue to suggest a more cutthroat and purely-for-the-money version of Hollywood:
(original) Darla: Mister Pussycat, listen to me; you don't have to be good, but you had better be...Big and Loud!...
(German) Darla: Let me tell you my philosophy: you don't have to be good, just better than them!
The Americans in the original series of Captain Scarlet have a tendency to be of the former variety- strapping men, near-glowing skin etc. They're also more likely to get the cliche lines (something that also held true in the newer series).
Flushed Away features a stereotypical American tourist (a Texan, to be exact) who teases the Royal Guards and complains how "these Brits don't know the first thing about football" while watching The World Cup.
Their first appearance has them visiting Sooga to open a fast food restaurant. The food is addictive and highly fattening, causing everyone who eats it to become really fat and out of shape. The wife is also a materialistic shopaholic who goes on a rampage of branding things she wants to buy with a freaking branding iron! Including flammable things!
They become recurring villains, and manage to be worse examples of Type 2 in their other appearance, polluting the village for no better reason than sheer disregard for its inhabitants and the environment.
John Oliver and Andy Zaltzman's podcast The Bugle has "the American" (played by Rory Albanese, whom Oliver works with on The Daily Show), whose entire character is Flavor 2 of this trope. For instance, when told that the American dollar is neither the strongest currency in the world nor accepted in other countries: "I don't believe you."
Visual NovelPhantom of Inferno actually Lampshades this a bit during the Japanese chapter of the game, where a young girl finds out that the two American exchange students in her class are really gun-toting assassins on the run. Later on when she witnesses another pair pulling weapons on each other over a disagreement she wonders aloud if ALL Americans are like this. Somewhat subverted in that Zwei is a native Japanese who had only spent a few years in America at most and Ein is from somewhere in central Asia. The assassin Drei (One of the pair mentioned) is the best example of the trope, a blond, big-breastedPsycho for Hire who engages on several long, obnoxious rants about how corrupt and pathetic the Japanese are. She's contrasted with more sympathetic examples however, and given reasons for her unpleasant personality.
This cartoon◊ comes courtesy of the May 2005 issue of "metall," a German magazine by IG Metall (Germany's largest trade union) with two million issues circulated monthly. The featured article for that issue likened American companies to parasites, draining German companies of their profitability then selling them off later. The article caused significant uproar in Germany, to say the least.
There is a hilarious chapter in David Sedaris's book Me Talk Pretty One Day where Sedaris describes something that happened to him on the subway in Paris. He was standing near an American couple who played Flavor 2 straight as an arrow. They mistook Sedaris, an American, as a Frenchman and, not realizing that he is fluent in English, kept on referring to him as a "frog" who would likely try to pickpocket them if he had the chance. They were not aware of metro etiquette and were taking up way too much space, guarding the support bar they were using (intended for use by many people at once) as if it was their personal property. Sedaris described their dress as something like denim shorts tee-shirts and remarked (paraphrasing from memory), "That's great—show up in a foreign country dressed like you're ready to mow their lawn."
The places where the USA is disliked—if not hated—the most, is Latin America, due mainly to its alleged involvement (which is by now Popcultural Osmosis whether it's true or not and let's not argue about that) during the Cold War in political movements against leftist popular governments. Specially the Cuban Revolution and the Presidential Crisis with Salvador Allende in Chile, which a lot of intelectuals blame the CIA for manipulating everything. Most books based on this events will portray Americans as hypocrites claiming words of peace while murdering hundreds and stealing the country's resources, and it's important to remember Fidel Castro and El Che are admired or idolized on a lot of parts of the continent, so the USA fear of communism and specially the Monroe Doctrine are not seen as good things. This is far from universal, tough, but it still is staggering for several Americans how hated they are in countries such as Chile and Guatemala and certain parts of others like Brazil or Mexico.
Between Latin Americans themselves, both Mexicans and Argentinians are the Spanish-speaking versions of this trope. Unlike Latin attitudes toward Americans, this is normally Played for Laughs, although less so with Mexicans. The only difference in how Mexicans and Argentinians are treated is that "like to hide behind their inflated military budget" is swapped out for "like to hide behind their oversized egos."
The anime adaptation's ending songs involving America are a little meaner, though. They really play up the Flavor 2 idea of Americans living on unhealthy fast food, whereas (in the "Draw a Circle, That's the Earth" series of ending songs) all the other countries extolled their cuisine.
This type of depiction is pretty much normal for this series. No country escapes being the butt of jokes, but most of the countries are also good at heart. (Except for Russia whose heart sometimes actually falls out of its place. But even he isn't completely and consciously evil.)
It's also sort of subverted in Billy Horide, the coach of the Seibu Wild Gunmen, who, despite being Japanese as far as anyone can tell, is loud, rude, pushy, loves shooting guns and even runs his offense in a fast, high-powered manner. He's almost sort of a weird Japanese Texas-otaku.
Leonard Apollo starts as a Type 2, but during the first game against the Deimon Devilbats comes to the realization what a despicable bastard he is and decides to become a better person. He even takes Patrick Spencer, who he previously belittled, as his protege, teaching him everything he knows.
Death Note—especially the manga—has some combination of both types 1 and 2, but surprisingly a lot of the former. The FBI are among the first to pursue Kira in the first arc; in the second arc the SPK are established and funded by the US government, and in the manga president David Hoope kills himself when he believes Mello is going to manipulate him into launching a nuclear weapon. On the other hand, Hoope's successor is a panicky coward who cuts off ties with the SPK and announces that the United States will no longer pursue Kira. The English dub (recorded in Canada) even gives him a Bush-like faux-Southern accent.
In Full Metal Panic, the third novel (and thus the final story arc of the original anime) has an American submarine captain who's obsessed with hunting down the mysterious "ghost submarine" (the Tuatha De Danaan) because he's convinced it's part of a Japanese plot, at one point attempting to rouse his men by saying "Remember Pearl Harbor!" However, the rest of the crew is portrayed as level-headed, competent sailors who are frustrated with their skipper's Ahab act and either ignore him, or try to stop him when he tries to go too far.
Chibodee Crocket from Mobile Fighter G Gundam straddles the line between Flavor 1 and Flavor 2. He's brash, boisterous, eager to pick fights with Domon (who he refers to as "Japanese", or "Neo-Japan" in the dub), and occasionally makes boasts he can't back up. He's also a Self-Made Man who looks out for the little guy, is fiercely loyal to his friends, treats women very well despite being a total flirt, and is one of the strongest warriors in the world. Initially he only fights to satisfy his own pride, but after several hardships like being infected with the DG cells and being almost abandoned by his crew to learn to truly love fighting. And his favorite song is "America the Beautiful" (though this was only in the dub, while the original Japanese version used a different song entirely).
His mobile suit deserves mention, too. If Gundam Maxter's design is any indication, the Japanese believe that all Americans are surfing, football-playing boxer cowboys. And it'd be terrible to disappoint them. In canon, you get the impression Chibodee drew up the design himself and just combined a bunch of things he thinks are cool.
Duo Maxwell from Mobile Suit Gundam Wing isn't from America proper, but rather a space colony that belongs to America. Either way, he can be seen as a combination of both types, being boisterous, flirtatious, and a bit eager to reap first and ask questions later, but is also a genuinely nice and friendly guy who's dedicated to his friends and the cause of bringing peace. Being American doesn't really influence his character apart from being the Token White in the Five-Token Band; a lot of his more outgoing traits come simply because he's The Lancer to Heero, who is very much The Stoic. That said, Duo is insanely popular, being the most popular character among Western viewers, and a close second in Japan (behind, of course, Heero).
The depiction of Americans in the Gravitation manga is...odd. The country is represented in early volumes by a semi-realistic New York criminal underground and the gun-toting, very, very Texan (although good-hearted) K; this and some miscellaneous executives are all that made it to the anime. In later volumes, however, they actually go to New York, where we meet K's family and the even crazier Rage, who flies a giant robotic panda through cities and has a tendency to shoot people with a (non-lethal) bazooka. Notably, the escapades of the American characters get at least two bodyguards killed (one of Ryuichi's shot by Rage's and one of Judy's thrown out an airplane window by K) with no fanfare whatsoever. What takes the cake, however, has to be Yoshiaki's comment that she doesn't object to Yuki killing her brother, nor would most Americans...because gang rape is a capital crime in the US.
Hajime No Ippo explicitly has both flavors in the serious with Takamura's major opponents - In Hajime No Ippo, Type 2 is exemplified by Bryan Hawk, an exceptionally violent and crude brute who takes every opportunity to proclaim the superiority of his skills over the "weaker" Japanese. Type 1 (heck, it's in his NAME) is embodied by David Eagle, who is charismatic and honorable. However, this is played with when the Japanese crowd during his match with Takamura note that his behavior in the ring is more typical of a samurai warrior.
There's a few more examples for both flavors. For Flavor 1, Jason Ozuma is a Gentle Giant and a subverted Scary Black Man; Mike Elliot is a fairly nice yet competitive boxer who enjoys intellectual boxing matches and treats boxing somewhat like Chess. He respects Vorg, and wanted a fair match with him.
For Flavor 2, Mike Elliot's coach is a Magnificent Bastard who will gladly cheat if it helps his boxer win. He dodged a match-up with Vorg Zangief because he did not consider it to be worth the risk, only allowing his boxer to fight Vorg when Vorg had only one week to prepare for the match, as he was coming in as a stand-in when Mike's would-be opponent got injured. Even further, he paid off the referee just to be sure. Also, the referee's willingness to blatantly cheat makes it pretty clear which flavor he is. And another for Flavor 2, the crowd deserves mention as it spent most of Mike and Vorg's match yelling things at Vorg such as, "Go back to Russia you Pinko/Commie/Russkie/etc." and "Howl for us, Russian bitch" and don't forget "Don't mess with America!" and so on.
The anime series Konjiki No Gash Bell (Zatch Bell in the dub) contains a team of superheroes called the Majestic Twelve, who are portrayed as amazingly incompetent. The only female member is named Big Boing (Lady Susan in the dub) and her superpowers consist of having huge breasts, smelling like lavender (in the English dub) and commenting every moment with the word "Yeah!" But Apollo and Jeed are the American characters that we see most, and both are definite type 1s.
Lucky Star has Patricia Martin who is ostensibly an American gaijin otaku. She may represent America a bit better than most, because she speaks fluent Japanese, having learned the entirety of the language from watching anime... However, she's also depicted as being a bit air headed and somewhat undereducated in true Japanese culture outside of animeland. Patty's quite clearly modelled on the stereotypical Japanophile, so this isn't that far from Truth in Television...
Patti is somewhat an Affectionate Parody of Western Otaku as her characterization isn't mean spirited in any way and she's portrayed for the most part as a harmless eccentric. She doesn't do anything stereotypically American such as threaten to sue or pack heat or any of the things more commonly associated with Eagleland, though her physical appearence is a Phenotype Stereotype (blue eyes, big boobs, blonde).
Anthony from Doki Doki School Hours is like a male version of Patricia. At one point he shows everyone a photo of his 14 year old kid sister - an large-busted (perhaps implausibly so for her age) blonde cheerleader.
In Mahoromatic, American meddling with the remains of a giant alien crab mech causes it to go wild and tear the bathing suits off of young teenage girls on the beach. Hmmm. Could be a mixed message in there.
A case could be made that Kumogakure in Naruto is the America of the Narutoverse, particularly a mix of Type 2 and Type 1. It has the most racially diverse population of the ninja villages, the strongest military, as well as the strongest economy. In contrast, Konohagakure could be seen like Japan, having the highest population but average military and above average economy (though this may change if we see what its stats were before Pain's attack).
Konoha was loosely based on Kishimoto's hometown, which is right next to an American military base. Hence, while the cultural attitudes of Konoha are clearly Japanese, most of the main characters hold decidedly American attitudes toward combat, such as never leaving a man behind.
The Prince of Tennis features the American arc, where a team of prodigy American players gathered by a money-hungry tycoon and coach (Richard Baker) come to Japan to play against a team formed by the best Japanese junior high players. Among the stereotypes found are:
a cheerful red-neck and ex-cowboy who acts happy very happy-go-lucky (Billy Cassidy),
an angry German immigrant who is disenchanted after the loss of his American dream (Arnold Igashov),
two ultra-pretty and super close brothers raised in the Bronx and rescued from their abusive household (Tom and Terry Griffy),
The Read or Die franchise has Drake, a mixed example of Type 1 and Type 2, to contrast with the pathetic American president. As an American, he is terse, antisocial and sometimes downright rude. However he is brave and loyal to a fault, is moved to tears by the murder of one of his clients, and he cares deeply for his family.
The historical manga about post-war girls' baseball, Tetsuwan Girl, plays this both ways with the type one being the matronly woman's coach who is the wife of a Negro League player and the type two being Mr. Banks, Connie and the rest of the American team. The Harley motorcycles and cowboy outfits almost seemed to take too long to show up. Did we mention the added layer of racism not only on the Japanese players, but the black people in the series? Yeah.
Zettai Karen Children has the thinly veiled nation of Comerica taking the place of America. The Comericans (mostly ESPer team The Liberty Bells) fall somewhere between the two types of Eaglelanders. They are brash and outspoken, but more than willing to help out BABEL.
Jackie Gudelhian from Future GPX Cyber Formula. He's a very cheerful guy, doesn't take things seriously, he often wears a cowboy hat when he's off the race track and his hobby is horse riding. Also, his car in the TV series has stars on them and he wears the Stars and Stripes trunks in EP 5 of Double-One.
To Aru Majutsu no Index and its spinoff To Aru Kagaku no Railgun are somewhat ambiguous in their view of America s the majority of the plot tends to occur in Japan, England and the continents in between the two. While the Americans are occasionally referenced as the "World Police," it's not made clear whether this is positive or negative in context until the Railgun SS Liberal Arts City, which presents America as being obsessed with their status as the World Police to the point they're ready to go to some pretty atrocious lengths to gain power comparable to Academy City. The majority of the civilians in the short story are also portrayed as none to bright, thinking that very real threats are nothing more than performances. This is further muddled by the fact that the story takes place in a "city" that is essentially a movie studio theme park (think MGM) Turned Up to Eleven that is ultimately revealed to have been explicitly created for the purpose of allowing the American forces to carry out their battles with a magical cabal and acquire their power without the populace realizing it. A mixed bag overall.
The American President (an original character) makes a prominent appearance in New Testament. While he is shown to be loud, shamelessly flirtatious, and very unconcerned with decorum, he is also a friendly, decent man who does his personal best to stop the conflict in the story with the minimum amount of bloodshed.
For the most part, the author tends to focus on America's gun ownership laws whenever Americans show up in the story, implying that all Americans own one, carry it around everywhere, and are well-versed in its use. This leads to a very humorous scene where American tourists at a beach are being asked to hand in their sidearms upon entrance.
In Freezing, we are introduced to "the Immortal" Roxanne Elipton, ranked as the strongest 3rd year Pandora in America. She is shown to be supportive and respectful of others, yet still has an outgoing attitude. She also squishes Satellizer's massive boobs to see if they're real.
Terryman started out briefly as a Type 2 example, being a Choujin who only did good deeds for money. As the focus shifted from superheroes to pro-wrestling, however, he quickly fell into Type 1. Most American Choujin, as well as America itself during Kinnikuman's American tour, do not fall into any specific flavor of Eagleland, however.
In Eureka Seven AO, which unlike the original anime takes place in the modern world (though it diverged after World War II), America is more or less presented as one would expect: the modern day superpower that's constantly out to influence global affairs, much to the annoyance of the good guys. Having said that, individual Americans (soldiers anyway) are represented in a relatively good light; for example, in Episode 10, American soldiers are seen defending civilians (albeit American civilians) against Truth and the latest Secret (though to no avail on either), and when Generation Bleu came to their aid, they radioed their thanks.
As well, it should be noted that AO presents Japan in more or less the same light as America, namely in its treatment of Okinawa (which is independent in this timeline).
A lot of the comic book writers from across the pond, even those that have written Marvel and DC books for years, tend to love turning our original superheroes on their ear, basically making them even more jingoistic, or just jerkasses, for shock value or to go Darker and Edgier. A handful of heroes still hold out as the fair-minded type one idealists, and ironically their scarcity makes them the more remarkable ones. Garth Ennis has a recurring interest in America, often playing off Type 1 (the national mythology of America and what the characters strive for) against Type 2 (what tends to be the reality in his strips) and the clashes thereof. Examples of this clash include Tommy Monaghan, Hitman, genuinely respecting and idolizing Superman; and the views of British/Irish immigrants and visitors to the States, all of them noticing and decrying the Type 2 parts of America while simultaneously loving the place.
One of the recurring themes of Captain America comics is contrasting Cap's Type 1 idealism with what can often be a Type 2 reality.
During the 1970s, Cap became disillusioned by the atmosphere of political corruption, unjust war and the general jaded mood of the country, abandoned the stars n' stripes for an all-black, millitaristic bodysuit, and called himself 'Nomad: The Man Without a Country'.
A later storyline in the 1980s (by the same writer, Mark Gruenwald, no less) saw Steve Rogers replaced as Captain America when the army and government decided he wasn't acting in their best interest. His replacement was John Walker, who was as honest and upright as Rogers but had a significantly shorter temper and much more conservative values. As the stresses of the job mounted on him, and especially after his parents were murdered by his enemies, Walker became more and more a Type 2 example, graduating from "misguided" to "an asshole" to "a lunatic". With help, he managed to revert to simply being an asshole as the USAgent.
In an interesting example (at least of reader reactions), during Civil War reporter Sally Floyd accused Cap of being out of touch with modern America. While it was apparently supposed to be taken seriously, her examples of "modern America" involved American Idol, MySpace, and NASCAR so most (American) readers took it as an insulting Type 2 stereotype and began to hate her.
One of the famous Ultimate Captain America quotes is (upon being asked to surrender) "Surrender? Do you think this A on my forehead stands for France?"◊ For the record, that line was written by Mark Millar, a Scotsman. The fact that the French as cowardly is a fairly recent stereotype that Human Popsicle Cap wouldn't be aware of isn't addressed. (Mainstream Cap, probably written in response to the above, fondly remembers working with the French resistance, proving that French citizens are brave and strong, but the French government basically rolled over and spread its legs.)
Steve Darnall and Alex Ross' Uncle Sam OGN for DC was an attempt to reconcile the character's Type 1 conceit with a perceived Type 2 'reality'.
One of the Yakuza in 7 Yakuza is Shugo Samon, a dyed-blond, fringe jacket/cowboy boot wearing gun nut obsessed with American culture, especially movies and comic books, despite never having even been to the US personally. He represents the Westernization (and, obviously, Americanization specifically) of modern Japanese culture, for better or for worse. He's loud and brash, but a good friend and soldier.
Moscow on the Hudson, starring Robin Williams as a Russian immigrant, is a perfect example. The joys and freedoms of Vladimir's new country are mixed with poverty and crime, but the film ends on a hopeful note after Vladimir has established his new life.
The protagonist of Forbidden Kingdom has aspects of both Flavor 1 and Flavor 2. He's eager and idealistic, but despite his encyclopedic knowledge of Chop Socky movies, he has no clue how to properly behave in another culture.
Amusingly, Persia as depicted in the Prince of Persia: The Sands of Time movie comes across as this, seemingly being an Expy/allegory for modern America; a monotheistic empire that's praised for its just and fair system of governance, but also seen as arrogant bullies by less powerful civilizations, with obnoxious taxes and a utter failure to find the Weapons of Mass Destruction.
In Les triplettes de Belleville, Belleville closely resembles New York City. All of its citizens seen in the background are grotesquely obese. Even the Statue of Liberty is a fat woman holding a cheeseburger. On the other hand, they are portrayed as polite, happy, hard-working, and if they have the time to, helpful to anyone in need. Possibly subverted, as Belleville may just be another city in France.
The Host: The monster was created in South Korea by careless Americans, who use brutal tactics to try to cover it up and deal with it. However, a vacationing American soldier bravely attempts to fight off the monster in the beginning of the film. Apparently American officials are evil, but regular Americans are okay.
Mr. Smith Goes To Washington seems to start out as Type 1 with the character of Jefferson Smith being basically a walking case of The All American Boy as a Wide-Eyed Idealist, visiting the Lincoln Memorial and quoting the Constitution. However, once Smith gets to Washington, he has a rude awakening to the reality of political corruption and graft, and sees that even senators he's idolized have sold out to rich party bosses. The film still winds up being mostly idealistic, but not so naive: American ideals are fine, but the American government may not always live up to them.
CIA Agent Jack Wade (Joe Don Baker) from the Pierce Brosnan James Bond films was loud and portly, and provided an absurdly casual contrast to Commander Bond's tuxedoed charm. However, he could be counted on to lend his government's support, either officially or unofficially, to Bond's missions.
Wade: We have no interest in seeing World War III, unless we start it.
Many popular British authors, especially pre-1965 or so (among them P. G. Wodehouse, Agatha Christie, Arthur Conan Doyle and Dick Francis) have real trouble rendering American characters accurately, providing a revealing look at common stereotypes of the era. The typical 'American' of these novels is described as taking things 'more free and easy', thus depicted as speaking in a sort of stylised gangland slang...which is nevertheless composed according to distinctly British grammar rules. The result can be a little jarring to say the least, especially if the character actually is a gangster, or supposed to be similarly menacing.
They tended to lampshade and/or justify this by saying that the American character was deliberately trying to fit in and/or be more comprehensible, or had been living in England for some time, etc.
As shows An American, Rudyard Kipling saw it as mixed, presenting flavours as best and worst sides of the same trait, which can be defined as "childishness". Specific American characters in his books may or may not exhibit it (e.g. Laughton O. Zigler in The Captive sees he had it coming and is quite calm about his misfortune).
On the other hand, Kipling married an American woman and lived in the United States for a while. He probably saw both good and bad while he lived here.
Empires of Trust describes and compares and likens early to late Republican and Imperial Roman to American psychology of Empire building through historic examples.
The Bronze Age characters in S.M. Stirling's Nantucket series refer to the time-displaced Americans as "The Eagle People." Type 1 is represented by the Republic, Type 2 by Walker's slave-based empire.
Ephraim Kishon wrote on America, among other things, that Americans believe:
You can get steaks only in America
An American family without an American boy and an American girl at the respective age of nine and seven years isn't a real American family
You can learn everything from For Dummies books, even "How to become president of the USA: In 10 easy steps".
Bismarck is a herring, Frankfurt a sausage factory and Napoleon one of the greatest brandys in world history.
Despite the previous seasons leaning more towards Flavor 2, as of Series 6 (along with Torchwood: Miracle Day) Doctor Who has tended towards a more Badass, Crazy Awesome depiction of Americans—a bit trigger happy, a bit boisterous and overconfident, but not an overtly negative portrayal (though it is clear they're still leaning on stereotypes for some characters).
The majority of the Americans in "The Impossible Astronaut" and "Day of the Moon." Aside from being a little gun-happy (which is justified in the majority of them are Secret Service Agents) it's one of the better portrayals of America in recent Doctor Who seasons. According to the producers, America appears to be a place where everyone is a jovial, if slightly thick and dim-witted, patriot, and random spurts of melodramatic processional music accompany the President everywhere.
The US President in the Doctor Who episode "Last of the Time Lords" is a subversion of Flavor 2; he acts like one and will say so himself, but at heart he was a Flavor 1, albeit misguided.
Steven Moffat does seem to be trying to take a step back from Russel T. Davies' Flavor 2 stereotype into more of a hybrid Flavor 3 on Doctor Who, but on Sherlock, he didn't have quite so much luck. He decided to switch the New Jersey native Irene Adler to British, but since that gave us Lara Pulver as a badass dominatrix,◊ there weren't many complaints about that. However, this had the unfortunate side effect of making the only American characters in the series were the operatives (CIA I believe). The only one who had any substantial characterization screamed Flavor 2, threatening to kill Watson to make Sherlock open a safe and beating up Mrs. Hudson (whose age isn't given, but her actress is in her mid-70s) to make her reveal the location of a piece of evidence. No one really cried when he "fell" out the window (multiple times.)
On JAG, Eagleland comes in a mixed flavor, but generally the military is almost always of type 1 falvor (Navy & Marine Corps in particular), while civilians and civilian life is often portrayed as type 2 flavor.
On Downton Abbey, Martha Levinson (played by Shirley Mac Laine)—Lady Cora's mother—is forward-thinking, open-minded, and loves modernness and technology. She is also meddlesome, brash, and blunt. Very much a mixed example.
The Dydo company brings you American Coffee. While the review there praises the flavor of the coffee as being rather good (a subversion of how the Japanese usually view American-made coffee), the actual packaging comes off as both a compliment and an insult—
That is why this amazingly detailed can of "American Coffee" is so attractive - all the cliche glamor of an All American Can, filled with everything the iconic sleazy American lives for! Bad taste? check. Sexy stripper girls? Check! Cool classic car? Check! There is even the American flag with groovy 60's lettering!
New Horizon has Xanadu, a mostly Flavor 1 stereotype that happens to be quite racist. Of course, this is a a faction on an alien colony in the future instead of America proper but...
From developer SNK we have TerryBogard who tends to be a bit of a mix. On one the one hand he's boisterous, proud and wears stereotypical American clothes. On the other hand, he's largely self-sufficient, at least partially self-taught, and is not only a good guy, but is considered one of the most important characters in the games. In the anime, he's the main character and basically shown to be the most powerful martial artist alive, who earns the admiration of his allies and the respect of his enemies. He also defeats Ares, the God of War, in a one-on-one fight.
Paul Phoenix from Tekken is more of a mix. While he is goofy, loud, and arrogant he is generally a good guy, and is indeed and dangerous fighter, and one of the few non Mishima characters to beat both a Mishima and a Boss character (though he still lost the tournament somehow).
Shadow Hearts: From the New World mostly takes place in the gangster-era States. Frank is a clear parody of Flavor 1 and Mao is...well...Mao—however, for the most part the shady goings-on, the humanity of those caught in the middle, and the historical context of America generally being a place that people wanted to immigrate to are all presented honestly if lightheartedly.
BioShock Infinite. The floating city of Columbia is completely festooned with American flags, as a symbol of American superiority, for good and bad. It was originally created as a showcase of American ingenuity for the World's Fair, but then the city went crazy nativist and opened fire on China before disappearing into the clouds. One of the many pieces of propaganda in the city perfectly encapsulates the mentality present: a mural depicting one of the Founding Fathers standing on a rock, holding the Liberty Bell in his outstretched hand...and the Ten Commandments on his other arm...while surrounding by a surly, grasping mob of some of the most ugly racial and ethnic caricatures you've ever seen.
Street Fighter IV runs the gamut of the flavor spectrum with its American characters:
First there's Rufus, a fat, obnoxious and dim-witted American who spends the game as the Unknown Rival of Ken, wishing to prove himself as the greatest fighter of the US. As much of a Flavor 2 Eaglelander as he appears to be, he's also got himself an incredibly hot girlfriend, his speedy fighting style in spite of his weight is complimented by many characters, he's without a doubt one of the funniest, if not the funniest, character in the game, and judging by some of his winquotes, he's rich and lives a damn good life. Combined with all his quirks, he's actually become a fan favorite.
Then there's Balrog, who's an idiotic boxer from Las Vegas who seemed to get less sadistic and a lot dumber as the series went on. Still, as a villain, he's depicted as being a serious threat to anyone he fights, and is often one of the higher-ranked characters, tier-wise, in every Street Fighter game he's been in.
Ken arguably straddles the line between Types 1 and 2. While he is arrogant and something of a showboater, he's a fairly decent guy and Ryu's best friend.
Guile is Type 1 all day long, being a strong and patriotic soldier, a family man, one of the strongest characters in canon, and the chief rival character to M. Bison, the series' main antagonist. He was even featured as one of the main characters in the animated movie. Not to mentioned he hands Ryu AND Ken their asses in Street Fighter II V. Oh, and he just happens to be among the top-ranked characters in Super Street Fighter IV, and was outright broken in early versions of Street Fighter II.
In the Metal Gear series, American society is broken beyond repair due to being ruled covertly by the Philosophers and the Patriots. Therefore, any actions America undergoes as a nation are bad for everyone, or (in the rare case they're good) had the intention of being bad for everyone (like the Navy's actions at the end of Metal Gear Solid 4 — while they ended up stopping Liquid, their actual intention was to preserve the Government's ability to control soldiers). However, on an individual level, the majority of the Americans are well-intentioned—even the Patriots. Special note—the final boss of Metal Gear Solid 2 is the ex-president of the US. However, the current President of the US genuinely takes responsibility for his selfish and power-seeking actions, and heroically agrees to die to save his country from his mistake (on the other hand, it is also heavily implied that the "power-seeking actions" were actually spawned and manipulated by the Patriots so they could trick him into participating in the S3 plan).
And though the former president ultimately resorts to terrorist actions with Arsenal Gear, his goal was to restore American freedom by releasing the Patriots' grip on society, which happens anyway at the end of MGS4. Come to think of it, every hero or (human) Well-Intentioned Extremist villain through the series seems to have an unwavering love of American ideals.
Comes to a bizarre head in Metal Gear Rising Revengeance. In short, both the heroes and villains are fighting to revive Type 1 values from a Type 2 society, but disagree on both the method to do so, and what the definition of Type 1 is to begin with. The Bladewolf DLC has Khamsin, who is very much a Type 2 obsessed with the idea of freedom and bringing it by force.
Jake Marshall from Ace Attorney. When you first meet him, he seems like the stereotypical cowboy who has a southern drawl, and constantly talks about how he's a cowboy, which is lampshaded by other characters. Then you find out that he's been spending the last two years trying to find out the truth behind who killed his brother. He was demoted two years ago for helping with the investigation so that he wouldn't be in a position to properly investigate.
From the same twisted mind, the No More Heroes games - that is, games made by a Japanese man obsessed with American pop culture about an American man obsessed with Japanese pop culture - make for interesting examples, insofar as they are as explicitly concerned with America and its popular culture as any Japanese game since the MOTHER series.
Vanquish uses both. The story opens up with the United States under sudden attack by the forces of the Order of the Russian Star using a captured American space colony, and sending the Marinesinto space to recapture it. However, as the plot goes on, it becomes apparent that the militant regime that is the Order of the Russian Star was installed by the current US President to give them a "bad guy" they could use to justify revitalizing the arms industry against, and that the Russians were attacking first because they knew war was inevitable.
Team Fortress 2: the Engineer is Type 1, while the Scout and the Soldier are Type 2 - specifically, Soldier's entire personality and most of his delusions are based around Type 2 cranked Up to Eleven.
Also, the aesthetic design of the game is, according to Valve, inspired by artists such as J. C. Leyendecker, Dean Cornwell and Norman Rockwell, all designed to recall Type 1. The fact that everything (no seriously, EVERYTHING) is either a desert, a badly-hidden spy base, or both makes shift just a little towards Type 2.
Brother/Sister America from Scandinavia and the World are mostly type 2 caricatures, but done in a good-natured enough way that it can be classified as a mix.
Uncle Sam from Sinfest probably counts for flavor 3, simply because, while he is portrayed as being a clueless egomaniac with borderline tyrannical habits, he is also generally portrayed as wanting to do the right thing and often just completely misunderstanding what that is and does seem to genuinely love his wife. Of course, he's mostly abandoned those aspects since he cheated on his wife inside a computer (best not to question how this happened).
The general perception of America by the people of other nations tends to be fluid, especially from generation to generation. Some examples:
The generation of Europeans who lived through World War II and saw their nations conquered by the Nazis (such as Belgium) tend to have strong Flavor 1 opinions of America—as American forces came to their country, fought for it as if it were their own, kicked the Nazis out, and then left without taking land for themselves. However, Flavor 2 is the more dominant view among later generations, who are more familiar with The Vietnam War and more recent events.
Since the Revolution, America has had something of an on/off relationship with its parent Great Britain. Sometimes, British view America in Flavor 2, with "Typical Americans" being routinely uttered when one or more act of line, while at other times the British view America in Flavor 1, to the point that Americans are looked upon as long lost relatives "from across the pond". In modern times, America suffered fallout with Britain (and the rest of Western Europe) when it went to war in Iraq, but relations have mended in the years following.
Nowadays the Philippines view America favorably, since they liberated the country from Spain and Japan, but it hasn't always been this way. From 1899 to 1902 (and an extended rebellion lasting to 1913), the Philippine–American War left somewhere between 200,000 and 1,500,000 civilians dead. Many atrocities were committed by both sides. This is acknowledged by both countries, but it's rarely brought up.
Depending on who you ask, it may have helped that the United States otherwise proved to be a very gentle colonial master—certainly far gentler than the Spanish. The Americans conquered the Philippines in 1898, and guaranteed substantial civil and political rights shortly after the first, open phase of the war was over in 1902. An all-Filipino Assembly directly elected by universal male suffrage was established in 1907, a mere nine years after the initial conquest. Nine years after that, the legislative branch of the colonial government was completely Filipinized, and by 1935, the Philippines had essentially complete domestic self-government and a plan for independence to be executed in about ten years. Despite World War II, the project occurred more or less on schedule, with the Republic of the Philippines getting its independence on 4 July 1946.
Speaking of the Cold War: many countries that fell under Allied/American occupation after World War 2 and throughout the Cold War are now some of the best places in the world. Two nations that had formerly been militaristic empires, (West) Germany and Japan, became some of the best places to live, with the third and fourth largest economies respectively. It's questionable how much America really had to do this, but it is interesting to compare them to Soviet backed or occupied countries such as North Korea, Cuba, and East Germany, as well as their earlier histories.
A survey found that Americans are a mixed bag in other countries, roughly akin to the "split the difference" view mentioned in the introduction to this trope. Respondents found Americans to be loud and fussy—but they are also the most likely to try a new language, and are generous tippers. The worst tourists are apparently the French, who are seen as really rude and stingy; they only earned good marks in cleanliness and elegance.
In a survey, the U.S. was only about the middle in being proud of your own country. The two countries made up nearly entirely of people who think their country rules? Australia and Canada. Naturally the Japanese got dead last, not even reaching 60%. (warning: ads are NSFW)
In some countries where America is not very well respected, it's not uncommon for American tourists to claim to be from Canada instead (possibly even adopting a pathetic imitation of a Canadian accent); some will even do their research, creating a fictional home in Canada.
While we're on the subject of tourism, during the 2010 FIFA World Cup in South Africa, Americans were the largest single group of tourists, and as a result their overall image has improved significantly (both as tourists, and just in general). Not only for being (unexpectedly) relatively good at soccer, but also for being generally mild-mannered and well-behaved. But hey, guys, I think you should know that since you left, people have been expecting way better tips! You realize, this means war.
Though it has partially been explored previously, it is worth mentioning to non-American readers just how tipping is viewed in American culture. To the average American citizen, the idea of NOT tipping one's server is nearly inconceivable. (So much so that, now, many restaurants will actually work the gratuity into the bill itself, although in most cases that's more because the popularity of credit cards means that people carry a lot less cash with them.) Withholding a tip, or "stiffing", your waiter/waitress is reserved only for the worst of the worst cases, and even a lackluster performance by the staff will still garner a moderate gratuity. As a result of this, American's perceive leaving a low tip or no tip at all generally rude or disrespectful. This has had a negative side effect, however, in that American wait-staff typically dread serving European tourists (who may not know that without a tip, said waiter/waitress is not properly compensated for their time and effort, regardless of quality of service) who are perceived as stingy.
That said, if after tips are added, and the employee's pay is less than minimum wage, the employer is required to compensate them the difference to bring their pay up to minimum. However, most people who take tippable service industry jobs do so with the understanding that their average pay after tips will be somewhere above the minimum (depending on how consistent their tipping is). It is still not much though, so a lot of their budget will depend on how much tipping they get. Because of this, tipping is considered a huge source of Nice to the Waiter in America.
Quite a few waitstaff actually hate European tourists because they believe that Europeans are hiding behind "cultural differences" to avoid tipping. Certainly, you'd think they'd hear about it often enough that it'd occur to them. Inversely, Americans not realizing how tipping works in other countries might come off as more generous as they'd like. For example, in France, the tip is usually included in the final check. If they aren't aware of this, they might add a tip on top of the tip.
Within America, tipping is a major bone of contention; the discussion that ensues in Reservoir Dogswhen Mr. Pink reveals that he doesn't tip is pretty much spot on. Do not bring up tipping with your American friends unless you're prepared to go to the wire, because it is a discussion which has caused heroes to rise, empires to fall, and friendships to be tested.
3rd Rock from the Sun had an episode in which Dick learns about tipping. It will give you a good idea how tipping is viewed in America and how other people will respond if you try to do it differently. It culminates with this.
Tipping in America itself has a Type 2 interpretation: because it's the rule - where in most other countries it's the exception - and playing along with it, while it may be good manners by American standards, is also tacitly condoning the economic and legal climate that makes it that way. Or to put it another way, some refuse to tip on the basis that it's not their fault that bosses are cheap assholes.
There has been a recent surge in popularity of British television in America, started by Doctor Who, but carried on by Merlin,Sherlock,Downton Abbey,Being Human, etc. The stars of the series frequently visit the States to give interviews and have actually attended a few premiers. When this happens, someone will often ask if there's a difference between US and UK audiences, and one answer that almost without fail pops up is that American audiences are much, much louder. While being loud during a movie would be seen as incredibly annoying, more than a few of them (Matt Smith, for example) have said that they enjoy it in an odd way, since it gives them an instant feedback to see what works, what doesn't, what was funny, and what fell flat. Add another to the "split the difference" column.
It should be noted that the United States is, by far, the largest donor of foreign aid to developing nations. However, this is only because the United States is really, really, rich. If you go by donations per capita rather than donations overall, than the United States is only number nineteen, with Sweden being number one; the ranking drops lower when one considers percentage of aid in the budget (the Netherlands wins that race). Then again, this does not take into account NGO or private donations, which the US has quite a lot of.
In American politics, those regions which oppose taxation and government programs the most also tend to give a disproportionate amount of private charity in comparison to other first world nations, either in terms of time or volunteer hours or in terms of money. That said, a lot of these—particularly the money—goes to churches, and while churches can and do run genuinely charitable operations, a lot of money counted as "charitable donations" by the IRS in these regions is simply going to pay the church's ordinary expenses. While this is fine, well, and worthy in its own way, it isn't what we usually think of as charity.
Private "Charity" might also include donations to universities, particularly one's alma mater.
The concept of American Exceptionalism holds that the United States has a duty to champion liberty, equal rights for all, individualism, the interests of the common people, and a generally free market. It's rooted in Flavor 1 observations from foreign observers such as the French political thinker Alexis de Tocqueville, and the phrase itself was coined by Joseph Stalin while rebuking an argument that America was immune to Communist revolt. The term is not by itself an assertion that the U.S. is superior to other nations. However, after the buildup to the Iraq War, pundits took the concept to instead mean that the United States viewed itself as above international law and could do whatever it wanted, putting a Flavor 2 spin on it.
Speaking as an American, I'd say that latter view is hardly non-existent within the US.