When they put together this costume I said, "Imagine an African, white Christ from space." And this is what they came back with: An African white space Christ. Well, that's just the concept, you know, obviously and I'm not saying I'm African white space Christ, that's not for me to say. That's for other people to say. It's for other people to say if they think I'm like Jesus.A common trope in 18th and 19th century adventure fiction, when vast swathes of the world were being explored and properly documented by Europeans for the first time, Mighty Whitey is usually a displaced white European, of noble descent, who ends up living with native tribespeople and not only learns their ways but also becomes their greatest warrior/leader/representative. Extra points if he woos The Chief's Daughter along the way; an unfortunately common variation that perpetuates into present-day media is that she will continue to love our hero even if he is directly responsible for the death of her husband, brother or even father. Sometimes the foreign societies are shown to be realistic, three-dimensional and actually rather pleasant places to live. Indeed, sometimes the native peoples are shown to be better in some way than European society and the white man begins to despise his old home. All this is a setup for the white man to adapt to the Native's ways, thereby making him superior both to the natives and the Europeans back home. In modern-day fiction, sometimes the Mighty Whitey is there to lead or inspire the Hollywood Natives or bring some aspect of modern technology or knowledge to their aid, something they presumably could not do before he showed up. One particular version has it so that the sympathetic Author Avatar whitey is not only now the Great White Hope for the non-white Noble Savages, but is very often defending them from other evil whites. In modern-day fiction — particularly in Hollywood movies — Mighty Whitey pops up as the result of creative types trying to appeal to as broad a cross-section of society as possible to get their cash back. And since the majority of major Hollywood stars are white Americans (despite the fact that only a small minority of their audiences are Americans at all, let alone white Americans), it's almost inevitable that the all-singing, all-dancing hero is also going to be registering low on the melanin count... which can become a self-perpetuating mess. Of course, these writers might also just be doing the respectable thing, and be writing what they know. Perhaps not in the 'I'm a badass Adventurer Archaeologist' sense, but in the 'I'm used to the cultural norms of my race/gender, and would be terrified of offending people with incorrect cultures cues' sense. Or in the 'What I know has been mostly informed by what has already been established in fictional story-telling and I'm subconsciously perpetuating those same ideas' sense. Or it might be a combination of their or the audience's preference for a protagonist that looks like themselves combined with the natural desire to see the protagonist become the Chosen One. See Jive Turkey as well. On a more subconscious cultural level, this trope often resolves (or attempts to resolve) two conflicting desires within Europeans and their descendants: both to still be relevant in a 21st-century world in which they are often outnumbered (increasingly even in their own countries) and to remake themselves as "foreign" and "exotic" rather than being merely boring and uncultured "civilized" people. Remakes of shows/movies with the original trope often subvert this; for instance, making the Mighty Whitey into a dunce, and their Ethnic Scrappy sidekick into a smart, street-savvy Bad Ass. Sometimes this goes a little too far. This trope can also occur as an unintended side effect of writers trying to show the equality of all races and cultures — in a tone-deaf and more than potentially offensive kind of way. Non-American media can exhibit versions of this trope tailored to their home audiences (i.e. the awesome guy in an Anime/Manga series being Japanese). But Not Too Foreign is often used as a way to set up this version of Mighty Whitey. Can be a Justified Trope as it did happen in real life. Explorers from another civilization had access to nutrition, education, technology and general skills and experience that a native who never traveled further than the neighboring village didn't. Especially as only those who were already among the strongest and bravest in their home countries did have the courage and motivation to become explorers in those dangerous times. The Unfortunate Implications came in when people began to assume that they were better because of their culture, beliefs, or genetic stock, rather than access to tools and benefits derived from hundreds of years of accumulated advantages. As the following examples will show, the trope tends to be used pretty liberally, especially because of the historical difficulty of defining the term "white" (i.e., whether it should primarily refer to Europeans, Caucasoids, light-skinned people, or even Christians). It's most convenient to define this trope as a "modern" character achieving mastery over "ancient" or "backward" characters, not necessary with respect to race per se. See also White Male Lead and (especially) Going Native. Compare The Man Is Sticking It to the Man (basically the same trope but removed from race), Mighty Whitey and Mellow Yellow and Instant Expert. Contrast Positive Discrimination, Token White, Evil Colonialist and White Man's Burden. The inversion is Majored in Western Hypocrisy. And of course not to be confused with Tighty Whitey.
— Aldous Snow, Get Him to the Greek
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Anime and Manga
- Played straight in Sword of the Stranger. The strongest of the Chinese warriors is Luo Long, who is a six foot tall blonde-haired blue-eyed man. Possibly the main character, Nanashi/Nameless as well. He has red hair, but is otherwise indistinguishable from a normal Japanese person. It's theorized that he is of mixed race.
- Code Geass plays it straight with Lelouch vi Britania, a white man leading a war to drive out evil white men from Japan, but also inverts it with Suzaku Kururugi, a Japanese man who is the best Knightmare Frame pilot in the white man's army. Both examples are somewhat justified, however, since it's implied that Lelouch had been scheming to take down the Empire since his mother was killed and Suzaku's physical skills effectively a Charles Atlas Superpower.
- Fatal Fury, especially the anime, is founded on blonde-haired white guys mastering eastern martial arts teachings beyond everyone else. The two Japanese members of the main cast are respectively The Chick and the goofball.
- Played with in Freezing. All the top Pandoras in the world seem to be of Caucasian descent, even the ones situated in Asian countries. However, the one Pandora touted as the most powerful Pandora ever who lived ( Kazuya's sister Kazuha) was Japanese, while the currently-living most powerful Pandora is Korean.
- In Ouke no Monshou, the girl who carries on the story of Ancient Egypt and changes it for the better is — a blue-eyed blonde lass, Carol Reed, mistaken as a goddess or goddess avatar due to her hair and eyes.
- Subverted brutally in Fullmetal Alchemist. Edward thinks he saved Lior, whose citizens are Ambiguously Brown in the 2003 anime (but white in the original manga), after he exposes their religious leader as manipulating them. The homonculus kill Cornello and Envy impersonates him which helps cause a violent civil war. When the soldiers come around they only make things worse and it becomes something of a parallel to the Ishval War. So basically Edward caused an entire town to go from prosperous to a war zone within months of him 'saving' it, which also caused Rose, a girl he met there, to have a Child by Rape which also causes her to go from a Mama Bear to a mute Broken Bird.
- Lampshaded in The Firesign Theatre's High School Madness movie-within-an-album from Don't Touch That Dwarf, Hand Me The Pliers. After the school disappears, a bunch of Latino students arrive out of nowhere and ask Porgie for advice because he's a white man and will know exactly what to do. Porgie is beside himself, asking where all these Mexicans suddenly came from.
- Although it's certainly not the only - or even the main - facet of his personality, Batman is a good example. He was trained in martial arts by the Korean master Kirigi and the half-Chinese warrior-woman Lady Shiva, learned stealth skills from Japanese ninjas, studied the tracking techniques of African hunter-gatherers, and bested Ra's al-Ghul in a battle of scimitars.
- IronFist was adopted and raised in mystical city of K'un-L'un to take the title and powers of Marvel's ultimate martial artist.
- And not just the current one either; his predecessor was a whitey too. Both of them did start training when they were very young though.
- This is Lampshaded in Avengers Academy, where Hazmat (who is of Japanese descent) refers to him as "Mr. I Wish I Was Asian".
- Immortal Iron Fist, on the other hand, reveals that Iron Fist is just one of several Immortal Weapons. Most of the others are Asian, and most of them are better than Iron Fist.
- The Phantom, a generational line of more than twenty white males who protect the African jungle, including tribes of native Africans.
- Legion of Super-Heroes, set in 30th Century earth, for decades managed to have blue-skinned members, orange-skinned members, and green-skinned members, but no blacks or Asians. They were still almost entirely Northern European body-types right into the 1980s. When they decided to have a martial arts expert join the Legion—in 1966, before it was fashionable—they got Val Armorr, Karate Kid raised on an earth colony, allegedly of mixed human genetics, but with features and curly red-brown hair that suggested Irish ancestry, if anything.
- There was a (probably unintentionally) funny bit in the issue which examined Val's origin, where he's absolutely SHOCKED to discover that he's not actually entirely Japanese. Despite his appearance being as white as possible without making him blond, and his name being decidedly non-Japanese.
- Jim Shooter originally wanted Ferro Lad— who joined the Legion at the same time as Karate Kid to be of African descent but got vetoed by Mort Weisinger (likely out of fear of offending readers in the South.) So Shooter had him make a Heroic Sacrifice seven issues after his introduction. Later iterations of the character would be white.
- Inverted in the early-'80s comic Arak: Son of Thunder, in which a Native American crosses the Atlantic to become the greatest swordsman in Scandinavia.
- Recycled IN SPACE! in the Adam Strange comics, which used a concept nearly identical to the John Carter Of Mars books. On Earth, Adam is just an archaeologist, but he uses his jetpack to make himself the hero of the space planet Rann. Popular comic author Alan Moore later subverted this by having the Rannians still treat Adam with contempt because they have superior intellects.
- Note that Moore's interpretation was a Retcon, and has been ignored since.
- B'wana Beast, originally appearing in the DCU's Showcase #66 (1967), is called "the White God of Kilimanjaro". During Grant Morrison's run on Animal Man (1989), he passes the title to a (black) successor, who rechristens the character "Freedom Beast".
- Snake Eyes, in the Marvel comics G.I. Joe series is an interesting example, as he was essentially invited to adopt another culture by Tommy Arashikage AKA Storm Shadow, a friend who was doing much the same thing himself at the time (being a traditionally-trained ninja then serving in the US Army), nor did he excel his friend in skill and ability, but rather became his equal (though the one is said to be slightly better with a blade, the other with a bow).
- It should be noted that Larry Hama, the writer of the comics, is Japanese-American.
- Doctor Strange. A wealthy, spoiled, arrogant Dr. Jerk travels from Manhattan to the Far East seeking a cure for his injured hands, meets The Ancient One, and within a matter of years he has surpassed all other students in The Ancient One's temple to become the next Sorcerer Supreme. In both the comic and animated adaptation, the second-best student is consumed with jealousy and becomes Baron Mordo. In later years, the mighty whitey implications have been softened. His replacement as Sorcerer Supreme was Doctor Voodoo, a Haitian psychologist.
- Both parodied and played straight in the comic book Charisma Man, produced for English-speaking expatriates in Japan. The title character was a dorky Canadian unsuccessful with women in his own country - until he arrives in Japan where he instantly becomes suave and supercool, admired by all the locals and able to pick up any girl he wants. His mortal enemy is "Western Woman", the only one aware of what a loser he really is.
- In the Marvel Universe, Daniel Lyons was chosen by a "Black Feet" (sic) Indian chief (not specifically tied to the real-life Blackfoot tribe) to be a champion of justice, after besting 100 challengers by outrunning a deer, outswimming a salmon upstream, hitting the bullseye while blindfolded and then catching arrows that were fired at him, and then wrestling a bear, finally winning by breaking its neck with his bare hands. He was given a long bow into which he carved a notch whenever he performed a good deed. When he had attained 100 notches, would be judged worthy of having taken the mantle of the Black Marvel.
- There is actually a Blackfeet tribe, separate from Blackfoot tribal bands. 
- Asterix and Obelix come to mind in Asterix and the Great Crossing and its animated adaptation Asterix Conquers America, since they quickly excel at everything the natives challenge them at, though it certainly helped that they were aided by the magic potion that gives superhuman strength and speed.
- Doctor Doom is one of the villain examples. Stumbling upon yet another clan of monks in Tibet, he quickly surpasses them at their disciplines to become their new master. They loyally forged his mask and armor.
- This is debateable due to the fact Doom was already a very experienced and extremely talented occultist before heading to Tibet. It wasn't a discipline he just picked up and suddenly became good at, but a continuation of his training since childhood.
- Tarzan is parodied in Youngblood: Judgment Day with Zantar, the White God of the Congo. The narration in his story is casually racist towards the natives, but heaps accolades upon Zantar. A descendant of his remarks upon discussing Zantar's adventures that it's all pretty offensive.
- Subverted in ElfQuest. Although Leetah is definitely The Chief's Daughter, Cutter and the Wolfriders mix pretty thoroughly with the Sun Folk and their cultures support each other relatively equally (and the white Wolfriders are considered the Noble Savage types). It's further subverted with Dart, who teaches the Sun Folk warfare as a child, but it's because he's lived in the village all his life; he stays living there for most of the rest of the series.
- DC Comics Western hero Firehair subverts the mold — he's a white man raised by Native Americans, taught to be a great hunter, fighter, tracker, and survivalist like all the other men in the tribe, but neither the whites nor the natives ever truly accepted him as one of theirs. This caused him to start Walking the Earth in search of a place to call home.
- Sheena, Queen of the Jungle is a fairly conventional 'white woman Raised by Natives' example.
- Tintin had a notorious example in the album Tintin in the Congo, in which the boy reporter goes to the Belgian Congo, bests the childlike natives in both physical and mental prowess and explains to them about their homeland, which is here identified as Belgium. Later versions of the album would remove some of the more extreme stuff. Current English editions feature a prominent disclaimer, having spent many years out of print. In fairness to Hergé, he acknowledged this as Old Shame, and the trope is (mostly) absent from later albums.
- Deconstructed with White Wolf, archenemy and adopted brother of Black Panther. He was raised by T'Chaka the former king of Wakanda and has always loved the country. However Wakanda is a fairly xenophobic country, so he was never accepted or treated with respect by people outside his family due to being white. Add T'Challa generally being treated far better than him by both their father and the people of Wakanda, and the result is a deep resentment of his brother combined with a desperate desire to be loved by others. All he wants is to help Wakanda and gain the acceptance of his adoptive culture, but his desperation to do so and the natives' constant refusal of his help drove him into supervillainy.
- There are a lot of fanfictions in which an Original Character, or a self-insert lands in a pre-established setting and becomes the strongest warrior or the leader of it. Though there are non-white examples, and even between canon character examples, it isn't uncommon to see stories about American teenagers landing in Japanese land due to mysterious ways and unlocking their potential power.
- Lawrence of Arabia (1962) is one of the most well known examples of this in cinema, with an Englishman leading the Arabs in a rebellion against the Ottoman Empire during World War I. It's based on the real Lawrence.
- The Indiana Jones franchise plays with this trope, playing it straight (Belloq and the Hovitos), inverting it (bumbling Marcus Brody, given extra comedy by Indy's describing him as the ultimate Mighty Whitey, immediately cutting to his being hideously out of his depth in only-barely-non-Western Turkey), and subverted, inverted and played straight at various times with Indy himself. As the movies are inspired by the tone of old adventure serials, this was probably intentional.
- Deconstructed in Apocalypse Now, in which Colonel Kurtz becomes the leader of a native tribe, but in doing so goes absolutely bonkers. This subversion originates in Joseph Conrad's Heart of Darkness, where a white trader had made himself god to an African tribe before losing his marbles.
- In The Proposition, Arthur Burns is essentially the evil version of this. He lives up in the hills, and the Aborigines are terrified of him and think he's a werewolf.
- Crocodile Dundee: Averted by the eponymous Mick Dundee, a white Australian bush expert who was raised by Aborigines. As such, he knows a lot of mystic secrets and survival tricks that serve him well in the bush. However, he's never shown to be any better at it than his Aborigine friends. He simply has one foot in the urban world, allowing him to make a living showing off to tourists and newspaper reporters.
- Although each mummy they've encountered has had its own particular native guardians/jailkeepers who have been watching over it for centuries, only the white O'Connell family of The Mummy Trilogy can actually destroy the mummies, even if the guardians are the ones who have made the means for doing so. This is true to just about all Mummy films, though the second one has the hero trained by the Middle Eastern guardians as a youth.
- In The Quest, Jean-Claude Van Damme plays a street criminal who is shanghaied and sold into slavery to a Thai boxing camp. Without any past training as a fighter, within two years he is one of their top-ranked members, despite the native boxers having trained from early childhood. And this just from watching the classes on the beach...
- Step Up is a good example. As one critic aptly put it, sellable wholesome white guy\girl with enough street in them to be hip but not too much to be unsellable to middle America out-dance and out-hip their rivals who are usually not as talented, or pale.
- Avatar : Jake Sully becomes one of the Na'vi, goes native, convinces their "Goddess" to assist the protagonists, gets the girl, and gets chosen by a dying Tsu'tey to replace him as chief of the Omatecaya.
- Deconstructed in The Last King of Scotland, in which the white protagonist Nicholas Garrigan is at first presented as a likable young man who wins the favor of Ugandan leader Idi Amin, but descends into Fallen Hero territory as he allows himself to be seduced by the power and luxury Amin offers (even as the evidence of Amin's brutality mounts). When Garrigan finally has his Heel Realization and decides to resist Amin, he's laughably out of his depth, and nearly every Ugandan who aids or gets involved with him is punished horribly for it. For all this, the movie ends with Garrigan getting on a plane out of the country, as happened in real life.
- In G.I. Joe: The Rise of Cobra, Snake Eyes is a white street urchin in Hong Kong who fights Storm Shadow to a draw on their first meeting, even though presumably Storm Shadow has been combat-trained since he could walk, by virtue of throwing every object he can get his hands on at Storm Shadow. After being accepted into the dojo, it takes Snake Eyes only a short time to surpass Storm Shadow's skills, though it seems Storm Shadow retains the edge with a Katana—in their climactic fight, Storm Shadow disarms Snake Eyes and breaks his Katana, and the Joe is only able to win after switching to bladed tonfas.
- The French film, White Material, looks like it's heading in this direction. Taking place in an unnamed African country torn by a rebellion, Maria, a fierce and fearless white woman, refuses to abandon her coffee crops and to acknowledge the danger to which she is exposing her family. Maria puts the farm in even more danger when she looks after a wounded rebel officer known as 'The Boxer'.
- The title character of His Majesty O'Keefe starts out as a Evil Colonialist, but becomes a Mighty Whitey after being shown the error of his ways and undergoing a Heel-Face Turn. Hey, it was made in the '50s.
- Black Rain. The Japanese Police Are Useless, it's up to the white American protagonists to catch the criminal. Neither side is portrayed as flawless, but in the end the white guy wins after persuading an uptight sympathetic local officer to loosen up a little.
- Save Our Students movies with a white teacher in minority classrooms:
- Dangerous Minds has ex-Marine and sassy white girl Michelle Pfeiffer inspiring a class room full of angry ethnic minority teens to learn (and, in one scene, kicking their asses). Based on a true story, though the Hollywood treatment given to the story isn't reflective of reality in many ways.
- Freedom Writers
- The Principal
- Music Of The Heart
- Pathfinder has an 11-year-old Viking boy raised by Native Americans and becoming their greatest warrior. The boy is the best because he learns to combine the savage Viking combat skills he learned as a child, with the patience and cunning ambush skills he picked up as a teenager. He does accidentally wipe out his own side in the process, though...
- Big Trouble in Little China subverts this by presenting a big, brawling, two-fisted white guy who thinks he's the hero, but who often gets his ass handed to him in the battle against the Big Bad. The real hero of the movie is Jack Burton's competent, martial-arts savvy, Chinese-American "sidekick," Wang Chi. According to the DVD commentary both the director and the star wanted to make the subversion more obvious but Executive Meddling prevented it.
- The Last of the Mohicans is an excellent example of Mighty Whitey in traditional American literature and, hence, in classic movies. Imitations and similar characters appear in Westerns. Although Chingachgook is just as much of a badass as Hawkeye — and he's the one who kills the main antagonist in many adaptations and he's the guy who the entire book/movie is named after.
- In the Americanized live action version of Fist of the North Star, Kenshiro and Shin, who are both inheritors of secret assassination styles, are played by Caucasian actors Gary Daniels and Costas Mandylor, whereas Julia, Bat, and Lynn, the Love Interest and the two kid sidekicks respectively, are played by Asians. Moreover, Kenshiro's Old Master, Ryuken, is played by another Caucasian, Malcolm McDowell.
- Farewell To The King: The blond, blue-eyed American Learoyd deserts his command, flees into the Borneo jungle, winds up with a tribe there, slays their best warrior in a duel, marries a beautiful princess, and becomes their chief.
- Played with in Bananas, in which Woody Allen gets mixed up with a revolution in a fictional Latin American country. Of course, since he's Woody Allen, he isn't exactly competent, but when the revolution succeeds and the Great Leader immediately goes crazy, his underlings get rid of him and force Woody Allen to become the new dictator because Woody Allen is an "educated American."
- The Ghost and the Darkness, a pair of lions are killing scores of local tribesmen, so two white men, Patterson and Remington, go off to kill them. Patterson is the one who survives, and he's just a military engineer by trade. The film is based on a true story and actually makes Patterson less badass than he really was. Patterson was an experienced hunter and took both lions down himself.
- Parodied in Beverly Hills Ninja where Chris Farley's character is adopted by a tribe on ninja who think he'll be the prophesied Great White Ninja. As it turns out, Farley is a blundering klutz, who is far outmatched by his Japanese brother. Though they do end up playing it straight in the end.
- Dances with Wolves is often accused of being an example, though it's a weak example at best. Kevin Costner's character does learn to become an entirely competent member of the Sioux. He acquits himself well in battle, but not significantly better than his fellow tribesmen, and he was already a professional soldier before joining them. His background gives him better insight into the upcoming conflicts with the American military, but that is to be expected.
- Referenced in a throwaway remark by Jack Sparrow in Pirates of the Caribbean: The Curse of the Black Pearl while recounting his adventures, "And then they made me their chief!" We see the tribe he became chief of in Pirates of the Caribbean: Dead Man's Chest. However, this trope is subverted because even as the chief, Jack can't stop the natives from doing what they've already made up their minds to do, like keeping his crew imprisoned or honoring Jack by having him ritually sacrificed and eaten. It's also worth noting that the throwaway line itself was a reference to The Fast Show, which Johnny Depp was a big fan of.
- Hidalgo has the underdog whitey beating Arabs and Bedouins in their race, on their own lands, which he had never before visited. He gets the bonus points for having a good chance with the Sheik's daughter, whom he rescued. Then again, it's almost a subversion because the hero is supposed to be part American Indian - but in Real Life, this turned out to be a lie).
- 1937 John Ford film Wee Willie Winkie absolutely reeks of this. The story is about a British unit on the Afghan frontier, trying to subdue the Afghans and force them to acknowledge Queen Victoria as their sovreign. Col. Williams explains to his cute little granddaughter Priscilla (Shirley Temple) that all the British want to do is facilitate trade and bring order and make the natives "become civilized". When Priscilla winds up in the Afghan camp, she tells them all that the Queen wants to make all her subjects happy and rich. She eventually gets them to make peace with the British.
- On Deadly Ground is more an environmentalist fable than anything else (if a particularly demented one), but Seagal's character puts it upon himself to speak for the Inuit who are being screwed over by the oil companies. Because, well, the Inuit have no voice. There's even a scene where undergoes a Vision Quest to essentially purge himself of white guilt.
- Blind Fury has a dash of this, with Ruger Hauer playing a Vietnam veteran who gets blinded and adopted by a local tribe. Under their tutelage, he becomes a Master Swordsman despite being blind.
- The Last Samurai has many elements of this. After being captured by the samurai leader, Nathan Algren (Tom Cruise) adopts their ways, falls in love with the widow of one of the men he killed, and becomes a key advisor for those he was originally ordered to defeat. However, he's never really shown to be any better than the Japanese. As a career soldier, after lengthy training he's finally shown to beat his trainer just once, and he was an advisor mainly because he trained the people they were going to fight (in that case simply due to his familiarity with the weapons). Algren even states in his journal that the Japanese treat him mostly with a "mild neglect." Even when they begin to begrudgingly respect his combat skills (if giving better odds on how long he lasts before getting his ass kicked in training counts as respect), one samurai jokes that even if he has gotten better, he's "still so ugly." Of course, Algren is still an Instant Expert in fighting in full armor with which he's never trained.
- Kingdom of Heaven has an scene where Balian, fresh from Europe, has to teach a bunch of lifelong desert-dwellers how to dig a well.
- A little-known film called American Guerrilla in the Philippines, wherein the titular American soldiers are stranded in the Philippine Islands during World War II and end up leading the rebellion against the Japanese. The main character even meets and falls in love with a white woman who went native, and she falls in love with him after her Filipino husband dies.
- 2013's 47 Ronin is a very, very loose adaptation of the original story, but with fantasy elements and a character played by Keanu Reeves, a half breed who nonetheless charms his samurai lord's daughter, wins a spot of honor among his fellow samurai, and all but orders all the Japanese men around him about in the second act.
- The 1991 Dolph Lundgren/Brandon Lee buddy cop movie Showdown in Little Tokyo. A blond, tall, muscular American cop raised in Japanese culture slaughters an army of Yakuza and is physically and martially superior to anyone, including his comic relief half-Asian partner. His sexual prowess is commented on while the Yakuza boss is implied to be impotent unless he beats women and he romances an Asian woman whom the boss had kidnapped and previously raped.
- In the 1970 Western A Man Called Horse, Richard Harris plays English aristocrat John Morgan who is captured by the Sioux. After various trials and tests, he becomes not only a tribe member but eventually its leader.
- Exploited in The Man Who Would Be King. Our antiheroes are two conniving ex-soldiers who decide that it will be a snap to go to Kafiristan and become kings because, after all, they're Britons! With the aid of 20 rifles and their military experience, the pair do in fact conquer all of the local tribes and become kings. One of them is worshiped as the son of Alexander the Great, the last Mighty Whitey to steamroll through the region.
- Dick Lestrange, son of the original couple in Henry Stacpoole's 1908 novel The Blue Lagoon. He appears in the sequel, The Garden of God and the followup novel The Gates of Morning. He can best be described as an intelligent, likeable and very easygoing Surfer Dude. Katafa, something between a Jungle Princess and a Broken Bird, washes up on the shore and causes trouble. She isn't really a Kanaka, but a Spanish girl who was Raised by Natives. To ensure the plotline, she's been cursed as an untouchable. After sundry how-likely-is-that events, Dick and Katafa fall in love. Katafa becomes touchably soft and takes him home with her, where he is immediately hailed as King, the old King having died in Katafa's absence. More to the point, laid-back ol'Dick immediately accepts, as a matter of course! (Having earlier picked up a Royal MacGuffin probably helped with this decision.) Stacpoole (usually fairly nonracist) clearly implies that in their present predicament, the natives need a white couple to save them.
Dick was, in all but blood, a kanaka, a savage—and yet the white man was there. He could think forward, he could think round a subject and he could imagine possibilities.
- Lord Greystoke, AKA Tarzan, was shown in the original books to be far better suited to life in the African wilds than any of the black natives. The original books explicitly said that his European noble ancestry (and not being raised by apes) is what allowed him to shine. Eugenics was a popular topic at the time. However, Burroughs seemed to be more interested aristocratic blood than racial blood, considering his characterizations of lower class whites and upper class blacks.
- Burroughs' John Carter of Mars is an (white) Earth man who bests people of nearly every color on Mars. He even weds the Red Men's Princess.
- And then, just to complete the Edgar Rice Burroughs set, there's Pellucidar:
- We start with David Innes and Abner Perry using SCIENCE! to overthrow the reptilian overlords and free the humanoid natives, culminating in David being crowned emperor.
- When David is lost through Pellucidar again, captured and made a slave, the chief's daughter wants him...
Chief: You can't marry a white man! It is beneath you!David: How interesting! In my world, it is the white people who are superior.
- The long-running pulp serial The Destroyer is predicated on a prophecy that a white man will become the greatest master of the phlebotinum-laden Korean martial art of Sinanju. Main character Remo Williams is not just the prophesied white Sinanju master, he's also the incarnation of the Hindu god Shiva.
- The primary distinguishing feature of the Cimmerians of Conan the Barbarian fame, and the original explanation for why they were smarter, stronger, more articulate and just essentially better than all the members of other tribes/civilizations was that they were white and everyone else wasn't. In many of the stories, they are in fact obviously intended to be white Americans, complete with America's tradition of taking other nation's technology and traditions and trying to improve on it.
- The 1632 novel series averts this trope. While the 2000-era Americans do have far superior technology, and want to spread American ideals, history teacher Melissa Mailey quickly points out, after finding a 1632-era doctor is fluent in at least a dozen languages, "You didn't actually think you were smarter than these people, did you?" In addition, the most respected American doctor is the African-American James Nichols, who is instantly trusted because in 17th century Germany, the best doctors were usually Moorish.
- Kylie Chan's Dark Heavens trilogy in which a young, white Australian nanny with no previous training develops superhuman martial-arts skills and magic qi powers in just a few years, beats up demons and generally proves herself an equal to to Chinese gods, never mind mere mortals. Then she gets upstaged by a half-American, half-Chinese six-year-old. Justified to an extent as the most recent book has revealed that this is largely a result of her half-Shen heritage.
- Natty Bumpo, hero of James Fenimore Cooper's The Leatherstocking Tales, is a white man who was raised by Delaware Indians and becomes a remarkable warrior and hunter.
- In Arthur Conan Doyle's The Lost World, Lord Roxton becomes the best hunter in the native village he visits.
- H. Rider Haggard's King Solomon's Mines has a white character who instantly masters forms of combat that the natives have been trained in since childhood, while the natives can't touch a rifle without it exploding.
- H. Rider Haggard's She features an immortal white queen, "She Who Must Be Obeyed", who rules over a primitive tribe of Africans and has magical powers due to her ancient wisdom. She is of Egyptian origin, and the book implies that white people made up the oldest civilizations.
- Both used and subverted in Elizabeth Peters' Amelia Peabody mysteries. Amelia and her husband, son, daughter-in-law, and grandchildren are all white, and regarded with awe, admiration, and dread by the Egyptians they work with, but one of the causes they champion is equal rights for Egyptians, and they cultivate some impressive Egyptian sidekicks (though none in their own league). In The Last Camel Died at Noon, Amelia and family visit a Lost World, where Amelia is irritated to discover that the heroic native prince believes in the Mighty Whitey trope.
- Played with in Terry Pratchett's Jingo, an extended Lawrence of Arabia reference. Some of the (overtly racist) Ankh-Morporkian generals refer to Klatchians as the finest soldiers in the world - provided they're led by white officers - but it's quite clear that the seasoned Klatchian leaders are very competent, while the nobles leading Ankh-Morpork's hastily-assembled forces think an ideal landing spot is a desert peninsula three days' march from anything but a Klatchian fortress. On the other hand, once he visits Klatch, the white Carrot almost immediately starts fitting in and is able to order around a fearsome tribe of desert nomads, but that's more because he's Carrot than because he's white.
- Olaf Stapledon's Odd John both subverts and plays this straight. Roughly half of the super-intelligent mutants are of East Asian descent and there seems to be no racial discrimination between them. However, the protagonist and de facto leader is still a white man of mixed European ancestry. Though it's made clear that there are several members of the mutant species/ race with powers and intelligence far in advance of Odd John, including a Tibetan and an Arab, and most of them think of John's venture as another Children's Crusade.
- Subverted in the H. G. Wells story The Country of the Blind, where the outsider assumes his ability to see will automatically make him the ruler of a primitive blind tribe. But the blind villagers have adapted perfectly to their environment, and fail to see why they should do anything the newcomer says when their own ways make more sense. They have been blind for such a long time that they've forgotten what sight is, and think that the man is insane.
- Lords Of Creation:
- Present to a limited degree in The Sky People. Justified not only by Venus' lower gravity, but by the fact that the only Earthlings who make the cut to go to other planets are literally the best, brightest and strongest that Earth has to offer. Also contains Cynthia, who is perhaps the first Black example of this trope.
- In the Court of the Crimson Kings, subverts the trope. The Earthling who finds himself caught up in political intrigue on Mars is certainly heroic, and he's physically much stronger than the low-gravity Martian natives... but for most of the book, he's playing second fiddle to his native Martian girlfriend, who's better at most of the things he's good at, with the sole exception of brute muscle power.
- Played mostly straight in The Blue Sword, although it takes place in a fantasy setting.
- Subverted in James Clavell's Shogun. While John Blackthorne does eventually integrate into Japanese society, he has a lot of difficulty learning the new ways, becomes only moderately competent, does not impress people, and is usually irrelevant, except as a Spanner in the Works who unwittingly derails everybody's schemes, save for Toranaga, who plays him like a fiddle.
- Saul Bellow's Henderson the Rain King plays this trope brazenly straight. Eugene Henderson is a disaffected middle-class American who goes to Africa and quickly impresses the local tribe enough for him to have the title honor bestowed upon him.
- Subverted in Joseph Conrad's Heart of Darkness. Kurtz is an extremely talented and intelligent white man ("all Europe contributed to the making of [him]") who ventures into Africa to make a fortune from the ignorant savages he finds there. However, Africa awakens the darkness in his heart, turning him into a monster who dies an ignominious death.
- Solomon Kane, rides the line between straight and subversion, depending on story and author. He is a paleface if ever there was one, and he spends an awful lot of time kicking around Darkest Africa all alone and straightening out the local tribesmen and righting wrongs as he sees them, which usually involves killing lots of people. However, Kane is a former soldier and established very early as an exceptional fighter.
- In the third Song of the Lioness, when Prince Jonathan becomes the Voice of the Poeple to the Bazhir Tribesmen and Alanna becomes a respected shaman to the Bloody Hawk Tribe. Pierce later realized that she was playing into this trope and in subsequent series made efforts to avoid it.
- Daughter of the Lioness: The white protagonist goes to the Copper Isles and becomes the spymaster of a developing rebellion by the native, dark-skinned raka against the white-skinned luarin conquerers. Granted, Aly was raised by Tortall's spymaster. It's also stated that they need a Token White on the rebel side to stop a general slaughter of luarin, but given that their own Chosen One is half-luarin and loves that side of her family, it's possible she could do that on her own. The other rebel leaders are mostly raka, but spying and clever plans are shown as being basically the most important thing. In the second book (and likely as a result of complaints about the first), it attempts to show that Aly is still only a small cog in a rebellion that represents generations of work by the raka.
- Peekay in The Power of One, who acquires a cult of personality with the black prisoners at Barberton Prison when he is still just a small kid - because of his multilingualism, boxing prowess and the sophistication of the smuggling system he helps to set up for the prisoners, they start to see him as some kind of saviour. Slightly subverted in that said cult of personality is mainly due to how prisoner Geel Piet keeps talking up & promoting him with the other prisoners, but the fact that the prisoners buy into it is a case of Mighty Whitey.
- Shows up in Lost Horizon, which is notably progressive for featuring a modern Mighty Whitey in the 1930s, when the old-fashioned version was still in vogue. When a plane full of white passengers finds themselves in Shangri-La, the mostly Chinese and Tibetan monks there prove themselves to be wise, intelligent, competent, and well-rounded characters. However, the white Conway turns out to be better at being a monk than the best of the Tibetans, and it turns out that the founder and leader of the monastery is a European who arrived in the 15th century.
- Madoc in A Swiftly Tilting Planet, though he has completely abandoned his Welsh homeland. He is still admired for his spiritual wisdom and prowess as a warrior, and is on the verge of marrying The Chief's Daughter.
- Madi in The Grimnoir Chronicles is a rare villainous example. Japanese Iron Guard are considered badass if they can survive taking up to five kanji brands. Madi, a white man, has thirteen and is second only to the Big Bad in power. That said, there are other Caucasians in the Iron Guard and none of them are as badass as Madi or the Japanese members.
- Orson Scott Card's Hidden Empire spends pretty much 70% of its length dealing with well-meaning white Americans saving Africa from itself. There's even a scene where the male lead has to instruct Nigerian natives on how to treat an aggressive strain of cholera, which you'd think they'd know all about.
- In The Mystery of Urulgan by Kir Bulychev, Douglas Robertson is a deconstruction of the Mighty Whitey. He can hunt well, but he is violent, rude, arrogant, racist, cowardly, vain, and responsible for a lot of trouble in the story.
- Literature/Temeraire repeatedly subverts this trope in Lawrence and Temeraire's travels across the world.
- In Empire of Ivory, Lawrence is captured by the Tswana people of the modern Zimbabwe and discovers that they have already successfully replicated European military technology with no friendly white people to help; all they want Lawrence to do is to improve their map of Europe. Later, Lawrence, Temeraire, and their squadron are completely unable to save Cape Town from the Tswana army.
- While Temeraire, as a Celestial, gets a lot of respect in China, Lawrence doesn't really have much to offer and is looked down upon by the Chinese.
- In Soviet-era novel Aelita, the Queen of Mars by Aleksei Tolstoy (a distant relative of the more famous Tolstoy), a group of stranded Soviet astronauts on Mars lead a communist revolution by technologically advanced, but ideologically backwards masses against the ruling class of that planet!
- Winnetou: The narrator/protagonist embodies this trope.
- Played with in the final volume of The Wheel of Time. Shara is an isolationist empire, at least partially populated by dark-skinned people (Sharans of varying shades are described), who accept the pale-skinned foreigner Demandred as their messiah and happily march to war under his overlordship. Of course, Demandred is a manipulative, vengeful villain and Shara is a brutally repressive slaver society both pre-and-post Demandred, so this is a very dark take on the trope and the association doesn't make either side look that good. Not to mention that Demandred's mightiness comes from his being an immortal who dates back to a golden age milennia ago and was the considered the second-most Badass person on the planet even then, so he's mighty next to just about everyone- Shara just happened to be where they had prophecies about him.
- Flashman discusses this trope in Flashman and the Redskins, and points out the ridiculousness of it (with a clear Take That at King Solomon'sMines as an example of the trope). While he does best an Apache warrior, it is made very clear that Flashman chose to fight using a weapon he knew he could handle better than the warrior, and the warrior in question is indicated to be generally mediocre. Having been accepted, he is not held in any high regard and, indeed, is on the whole less skilled than the rest of the tribe.
- Genially deconstructed at Jorge Luis Borges short story "The Dead Man", the seemingly imposible life and death of Benjamín Otalora, a corageous argentinean White Guy hoodlum who emigrated to the Brazilian frontier and became the leader of a band of racially mixed smugglers in only three years. All the Natives smugglers are pulling a Massive Multiplayer Scam to mock Otalora, who is naive enough to fall for it and is murdered by them.
- Subverted in The Cumerian Unraveling trilogy by Jason Letts. When one of the characters is stranded in an impoverished foreign city, she is told she must be the savior of that city, and for a time she believes it. However, after her family discovers large deposits of mineral wealth, they decide it would be best to let the citizens bring themselves out of poverty than to "help" them and use it for their own advantage
- In Greek Waters, a group of white Brits sail to the Ottoman Empire to aid the revolting Greek minorities against the Turks. The British protagonists are described as superior in strength, morality, skills and intelligence than the Greeks and Turks, who are seen as savage, ignorant, violent and incompetent without the Brits. At best, a few Greeks and Turks get the Noble Savage treatment a couple of times.
Live Action TV
- Mystery Science Theater 3000: During the Joel era, when films like Jungle Goddess or Rocketship X-M were experiments, Joel would inevitably roll his eyes and say something along the lines of, "Thank you, Mr. White Male Reality!"
- Doctor Who: The Doctor himself is immune to this trope due to not being human in the first place (though he has always been portrayed by a white British man). However, in the early seasons of this trope, some of the Doctor's white companions can brush against this trope. For instance when Ian Chesterton, a science teacher, is forced to compete for command of the armies of the Aztecs with the best soldier in the empire. Rather than realistically being portrayed as out of his league, he manages to beat the Aztec warrior with one thumb and later the Aztec has to resort to poisoning him to stand a chance of beating him.
- Subverted in Heroes; when Hiro goes back in time and meets the great Japanese hero Takezo Kensei, he discovers that Kensei's actually a white man. He then goes on to discover that Kensei is not nearly the patron of bravery and honor that myth has made him into, and finds himself trying to hammer Kensei into the role that history has made for him. Kensei eventually undergoes a Face-Heel Turn and it is Hiro who ends up inspiring the Takezo Kensei legend.
- Stargate SG-1.
- Colonel Mitchell is captured by the Sodan tribe, "the best Jaffa warriors ever", who are offshoots of humans and dark-skinned. He's taught their fighting style prior to a ritualistic one-on-one deathmatch. Mitchell rapidly learns their fighting style, and even uses it in later episodes to easily dispatch Jaffa Mooks. However, both his teacher and Teal'c (who in addition to being non-human, also happens to have dark skin) still effortlessly beat him on multiple occasions.
- The first season episode, "The First Commandment," had a rogue SG team set themselves up as gods to a primitive tribe on a world they had been sent to explore, exploiting the natives for their own benefit.
- In the eighth season episode, "It's Good To Be King," former NID agent — and thorn in SG-1's side — Harry Maybourne had been exiled to a remote planet. He used his knowledge of future events (from his ability to read the notes left behind by a time travelling Ancient) to elevate himself to command of the local population. He turned out to be a benevolent ruler who truly improved the lot of the people under his rule so much that when they found out about the con that had placed him in command, they chose to keep him.
- 1984 TV series The Master: Lee Van Cleef plays a man who stayed in Japan after WW2 to learn the ways of the ninja, and became the head of a ninja clan. He abandoned it to search the US for his daughter. Naturally the ninja clan thought his abandoning them was dishonorable, and sent his best student after him to exact revenge.
- Kung Fu is a borderline example - the half-white child is stronger than all the Chinese mercenaries sent to recapture him. The character was originally going to be played by Bruce Lee (who has white ancestry himself), but television studio executives recast the role with David Carradine, a completely white actor (but a thoroughly incompetent martial artist).
- Parodied in The Armstrong and Miller Show with the arrogant Dr Tia ("I live in Botswana, saving lives- do you?"). He sees himself as a much-loved figure among the Botswana natives and is oblivious to the fact that they all hate him.
- On The Office (US), Michael and Vikram talk about the latter's Worthless Foreign Degree from Pakistan, where he was a surgeon. Michael, not really understanding that trope, thinks he'd be Chief of Medicine there.
- General John Doe from the Kraft Suspense Theatre episode "Jungle of Fear" is a villainous example. He's a white 19th century American who claims to have been raised in China, although it's more likely that he's a US Navy deserter who jumped ship there to escape hanging for murder. By 1850, he's a general in the Chinese army and the chief adviser to the Emperor's brother, and he plans to make the brother Emperor so he can rule behind the scenes as an Evil Chancellor.
- In the live action series for Planet of the Apes, there are definite hints of this; where the human's tech and knowledge thereof gives them a great advantage.
- "The Good Seed" is one of the earliest and best examples of this. Virdon and Pete's advanced old-time knowledge lets them educate their hosts, a family of ape tenant farmers, on using a block and tackle (making it easier to store hay), the importance of using the best kernels of corn to grow next year's crop and of using horizontal ploughing on hills rather than vertical (to control erosion), build a rail fence (better than the simple planted sticks fence they were using) and a windmill for them, and midwife a cow having trouble calving. It's further justified by Virdon having been a farm boy before he became an astronaut.
- There's an episode where Virdon gets shot and Pete has to retrieve a book on human medicine to teach the ape doctors to perform the life-saving surgery Virdon needs. He also has to educate them on how to properly match blood types for blood transfusions.
- "Tomorrow's Tide" hinges on them teaching a fishing colony how to make fishing nets rather than rely on just individual fishing spears.
- "The Cure" revolves around them helping a village that is being plagued by malaria, teaching them how to identify the tree that makes the antidote and instructing them on the importance of avoiding mosquito bites and draining the stagnant water where the plague-carrying mosquitoes breed.
- The final scene of the third season of Game of Thrones. Lily-white Daenerys Targaryen has just liberated a city's slaves, and they come out to hail her as "Mother." In the book the slaves were all kinds of races, but in the show the scene was filmed in Morocco, with the crowd made of entirely of locals.
- Arrow: Besides Oliver Queen's an odd habit of appropriating Asian people's skills (it was even how he learnt to use archery), this trope is played with in the third season. Oliver takes on the League of Assassins, a Middle Eastern guild of warriors who all take Arabic titles, where his superior skills lead to him essentially playing out this trope: He becomes the next in line for leadership and is set to marry the leader's daughter. However, the leader himself is white, having been a Mighty Whitey himself who took leadership centuries ago, who seems to be invoking this trope by electing to position Oliver, an outsider, as his heir, and forces his daughter, who is a lesbian, to marry Oliver against her will to ensure that the eventual heir is still a blood descendant. In the end, its Malcolm, another white outsider, who takes leadership...but not through his own skill, but rather through Loop Hole Abuse and making a deal with Oliver.
Stand Up Comedy
- Discussed and justified by Dave Chappelle with regards to predominantly black street gangs in his "Killin' Them Softly" show:
David Chappelle: You'll be walking down the street and you'll see a bunch of black dudes walking, not just any old black dudes, we're talking 'thugs'. And in the group, they got one, or two, sometimes as many as three white guys with them, you ever seen that shit? Well let me tell you something about those white guys. Those white guys are the most dangerous motherfuckers in them groups. It's true, man. There's no telling what kind of crazy shit they've done to get them black dudes respect, but I'll tell you they've done some wild shit.
- Zig-Zagged in Warhammer 40,000's backstory. The Primarchs were the Emperor's twenty clone-sons, who were scattered across the galaxy and became (with the exception of Angron) legendary leaders on their adopted homeworlds. But when someone is a gene-enhanced demigod with physical, intellectual and in some cases psychic powers well beyond those of mortal men, this is only to be expected. The degree to which the Primarchs integrated into their homeworlds also varied - Fulgrim reversed a dying world's decline and allowed a cultural renaissance, Leman Russ and Jaghatai Khan became barbarian conquerors, Guilliman simply led an already spacefaring civilization into a golden age of expansion, while Konrad Curze was little more than a vigilante killer who ruled the populace by fear. As an aside, while most of the Primarchs were white, several had darker skin tones, two were freakishly pale, Vulkan's skin was pitch black, and Magnus the Red, well...
- The trope is played mostly straight in some of the Primarchs' backstories when the Emperor arrived to collect them. In many cases they immediately recognized and swore fealty to their father, but in others they impressed the locals and only won their sons over after competing with and besting them at various challenges. This is particularly true in Vulkan's story, since he and Nocturne's people were puzzled by the "pale outlander" who appeared before them. That said, the Emperor was actually from ancient Anatolia, so "pale" is relative here.
- The outdoor drama Blue Jacket, performed every year in Ohio from 1981 to 2007, was based around the idea that the titular warchief was actually a white settler captured and adopted into the Shawnee tribe before rising to lead it against the early United States. The increasing amounts of historical evidence against this Mighty Whitey myth may have contributed to the eventual closure of the drama.
- The Book of Mormon: Parodied with the song "I am Africa", in which the white Mormon missionaries sing about how they represent Africa. It's ultimately subverted, since none of missionaries are actually able to inspire the Ugandans, who have to deal with a dangerous warlord, AIDS, and maggots in their scrotum. Even Arnold's stories aren't actually believed by the Ugandans, but provide good life lessons.
- The protagonist of Far Cry 3 is a rich, entitled white guy who stumbles into the midst of the Rakyat tribe after escaping his captors. He's promptly given his own set of sacred Rakyat tattoos for no particular reason and proceeds to more or less single-handedly liberate the tribe from the pirates oppressing it - a feat the entire tribe apparently wasn't able to muster.
- Averted in Far Cry 4 in response to criticism. The protagonist is a native-born Kyrati, but grew up in the United States, which explains his unfamiliarity with the country. Big Bad Pagan Min can be considered a variation of this trope, being a half-British criminal from Hong Kong who overthrew the original regime to become the local dictator.
- Soul Series
- Rock was a white English boy who marooned in the New World and raised among Native Americans, though they were afraid of the "white giant." His immense size and strength make him one of the most toughest fighters in the world. In this case, his being White is just a coincidence.
- Setsuka is a European woman who was raised in Japan. Despite discrimination for her European features, she's one of the deadliest fighters in the world.
- Although it's also subverted in that the only person she has found who would accept her white heritage was her master, which would go a long way in explaining why she's a great fighter. Otherwise she had a very hard time fitting in.
- Sub-Zero in the Mortal Kombat series is a white man (offically half Asian but you wouldn't know it by looking at him) that was born and raised in Minnesota. He moved to China with his father after his parents divorced when he was a teenager, and became leader of the Lin Kuei; he even moved the ancient tribe to America after they were discovered, instead of just relocating somewhere in China.
- The Lin Kuei are also shown to be a very diverse organization; Cyrax is Motswanan and Smoke is revealed to be Czech.
- He was portrayed by an Asian actor in his ending in Mortal Kombat II though, but he was masked for the rest of the game.
- Speaking of fighting games, Ken in the Street Fighter Universe is born to a rich Caucasian father and a Japanese mother. Compared to his best friend and rival Ryu, he is the most out-going and coolest. However, it's how he's portrayed in the American animated TV series that qualifies him for savior status. By the final season, Ken is given the title greatest martial artist of all time, and the only one who can beat Akuma. Interestingly enough, the Anime motion picture would avert this, by making Ken a victim of Bison, and Ryu being the only one who can save him. And lets not forget the live motion picture, which portrays Guile - played by Jean Claude Van Dam - as the hero and savior, when in the fighting game universe, he's not a main character. Ken and Ryu, who are the main characters, are portrayed as traveling con-artist who get in over their heads.
- Ryu spends every moment of his life wandering the world to challenge the greatest fighters he can find and hone his martial arts. He breathes, eats, sleeps, and craps his style 24 hours a day. Ken on the otherhand spends a wild time in American nightlife, gets married, has a kid, and lives life like a rich guy. He practices martial arts to avoid getting rusty, but nowhere near the level Ryu does. When Ken and Ryu fight, it's often described that Ryu is better... but not by a whole much, and Ken can give Ryu a serious workout.
- In the Fatal Fury universe, Terry and Andy Bogard are Caucasian boys adopted by Jeff Bogard and taught his martial arts style. After Geese Howard, Deceptive Disciple of Tung Fu Rue, murders him, the brothers set out to stop him, with Terry being the ultimate hero in the end. In the anime movies, Terry is always portrayed as the strong, silent hero while the highest-profile Asian character from the games, Joe Higashi, is relegated to comic relief.
- Subverted in Jade Empire, with Sir Roderick Ponce von Fontlebottom the Magnificent Bastard. "Mighty Whitey" is his mantra, and he's a card-carrying supremacist through and through... but if your "Asian" hero can out-debate him, actually fighting him isn't that hard.
- Possibly played straight. He does manage to defeat several challengers before you meet him, though. Then again, that may be more because martial arts don't mean much if the other guy has a blunderbuss.
- The reward for fighting him is his Tactical Manual, a treatise on the art of warfare which gives you a bonus to your fighting ability by teaching you what not to do. Another "reward" is a manual on trepanation, which has your character noting that this goes against every known medical practice in the land and so must be metaphorical. Or his gun Mirabelle, one of the best weapons in the game once upgraded.
- In the 2008 Turok, General Roland Kane is such a master of the ancient warrior ways of the American Indians that he ends up teaching them to Turok, a Native American marine. Somewhat justified in not everyone studies their own history extensively; simply being of Native American descent wouldn't automatically grant him in-depth knowledge and Kane had actually researched the subject. Turok also ultimately proves to be a superior warrior to Kane when he defeats him in a knife fight, after Kane turns out to be an evil Broken Pedestal.
- X: Beyond the Frontier (and pretty much the entire X series, for that matter) takes this trope and Humans Are Special and runs with it. In the first game, displaced human Kyle Brennan (a white man) is stranded in the X universe and, over the course of the series, contributes to the near-defeat of a race of genocidal robot ships, builds up a massive and influential R&D company in the hopes of finding a way back to Earth, uncovers the true nature of the Kha'ak, and through his actions eventually sets in motion the reunion between Earth and the rest of the universe. Terran Conflict plays this trope in a mechanical sense in that Terran ships, which're often faster, better shielded, and more destructive than anything else in the X universe, range from a bright polished platinum color to near-pure white.
- From BlazBlue, we have a deconstruction, a subversion and an inversion.
- First up, we have Jin Kisaragi, who despite his very Japanese-sounding name is actually an Evil Brit. He was adopted into the Kisaragi family and soon proved to be better than any of the real children at pretty much anything, including iaido, although constantly having to put up with their jealousy is one of the contributing factors that led to him becoming a big time Nietzsche Wannabe. By the time of the sequel, he admits that he's "given up on life (and) the world" and that he believes the only "truth" is death.
- It's revealed that the Kirsaragis are considered pretty strong due to adopting from all walks of life, making Jin an exemparary case.
- Next up to bat is Noel Vermillion, who gets preferential treatment over her Japanese friend, Tsubaki Yayoi despite the fact that she... well... is worse at everything you can possibly imagine than Tsubaki is. The Big Bad eventually reveals that in a previous time loop, Noel didn't exist and Tsubaki had everything she did... in the most horrible way possible, that is. This causes her to snap and pull a Face-Heel Turn out of envy and hatred. However, the real kicker is that said villain is entirely responsible for the time loops and most likely orchestrated events so that Noel would take Tsubaki's place so that he could use them ''both'' for his own personal gain further down the line.
- It's revealed that the Yayois are growing weaker due to imbreeding and that Tsubaki's the first child to survive. Her general lack of talent compared to most caused her to take a sealed weapon that causes her Face-Heel Turn.
- Arakune aka Lotte Carmine provides our inversion. He couldn't stand the fact that Kokonoe was constantly bettering him (the fact that she is a Jerk Ass of the highest order probably didn't help matters) and so he sought forbidden knowledge from beyond the Boundary. His body couldn't handle what he discovered there and so he turned into an Eldritch Abomination.
- First up, we have Jin Kisaragi, who despite his very Japanese-sounding name is actually an Evil Brit. He was adopted into the Kisaragi family and soon proved to be better than any of the real children at pretty much anything, including iaido, although constantly having to put up with their jealousy is one of the contributing factors that led to him becoming a big time Nietzsche Wannabe. By the time of the sequel, he admits that he's "given up on life (and) the world" and that he believes the only "truth" is death.
- Deconstructed in Fallout: New Vegas three times over in various ways — the central one being that all players involved save for Ulysses are caucasian, while Ulysses is black.
- First, there is the Big Bad Caesar, who formed the Legion by taking over a tribe and leading them to conquest over other tribes, assimilating them into the warrior culture Caesar was creating based on The Roman Empire, erasing the tribal identities of his followers and replacing it with loyalty to him, the Legion, and the ideals he believes in. The result is a society based on violence, brutality, slavery, rape and control, only acting as "civilization" in the sense of an organized force overseeing the people.
- The four DLCs take it further. Honest Hearts features Mormon missionaries that act as leaders to the Sorrows and Dead Horse tribes, but they only do it to protect them from the White Legs, a third tribe that is trying to exterminate them and are armed with firearms far above the simple weapons the Sorrows and Dead Horses use. The two are both uncomfortable with how the tribes worship and look up them, and both emphasize they are conflicted over doing what is right for the tribe, particularly since the two don't agree on what to do — get the tribes to flee to survive and abandon their home, or teach them to fight back at the loss of their peaceful naivete. This is why the player has to act as a third voice to solve their problems, and one of them, Daniel, is tormented by if the course of action taken was the right one or not regardless of what the player chooses.
- As for the White Legs themselves, the Lonesome Road DLC reveals that Ulysses, a frumentarii for Caesar, showed them how to find and maintain their firearms and other weapons, and taught them about warfare and other pre-war technology, promising them entry into the Legion if they exterminated the other tribes. The White Legs honored Ulysses by braiding their hair like his. The act enraged and disgusted Ulysses as the braids were a custom from his original tribe and had a deep meaning to them the White Legs could not understand, and he left them. He also never revealed that his promises of a Legion alliance were a lie, he knew that once the White Legs held up their end of the bargain they would be assimilated just like all the other tribes Caesar had conquered.
- Max Payne 3 is a double subversion. At the start, Max is an alcoholic who repeatedly fails to stop local Gang Bangers from making off with his principal's wife. As we reach the end, though, he stops the large-scale Organ Theft of Sao Paulo's poor, destroys the paramilitaries and Dirty Cops responsible and brings down the Sleazy Politician who is to blame.
- Lampshaded when one of the masterminds behind the Organ Theft scheme sarcastically calls Max "The Great American Savior of the Poor" (which is also used as the title of that particular chapter).
- Roxton A. Colchester III, though an orange Lutari in Neopets, is a character created based on this trope - a bold mighty white adventurer accompanied by a white chick and a short Asian sidekick. The Atlas of the Ancients plot even went so far as to say that their adventure is essential to saving the world of Neopia.
- This Listverse entry that purports to highlight the ten most "intellectual" rappers. Fewer than 25% of the artists mentioned are people of color, while people of color make up somewhat more than 25% of all rap artists.
- The blog Smart Bitches Read Trashy Books warns against this trope.
If the heroine is a noble Caucasian maiden and the hero is a member of an indigenous Native American tribal people, AND the title contains the words "half-breed," "savage" or both, then you’ve got the makings of a really, really bad romance. Apocalyptically bad, even. In fact, if these romances could ride horses, they could probably substitute for War and Plague all by their little selves. If the plot of that romance involves the heroine taming the hero's wild ways while he teaches her to listen to the music of the rhythm of the night wind, and he’s not referring in any way to flatulence or El De Barge, then you’ve definitely embarked on a bad romance.
- Parodied in South Park episode "Last of the Meheecans" where Butters, dressed up as a Mexican for a game with Cartman, unintentionally inspires and leads hundreds of immigated Mexicans-Americans back into their home country to the point where America loses its propserity to Mexico.
- Parodied in the American Dad!! episode "Home Adrone." Stan Smith rides a Predator drone disguised as a dragon in a Chinese New Year's parade. An old Chinese man cries "The prophecy has been fulfilled! The Great Dragon awakens!" A young Chinese American woman sarcastically replies, "Oh, and with a white guy riding him. Awesome."
- Chuck Norris Karate Kommandos plays the trope straight. The series is full of Asian martial artists, but the greatest of them all is... guess who?
- In The Mummy: The Animated Series, Rick's son Alex gains a golden band which gives him the superpowers of a Medjai (such as telekinesis), allowing him to become the most powerful of the students training to be a Medjai.
- In Bruce Timm's Batman: The Animated Series Bruce Wayne is considered by his martial arts master, Yoru, to be his best student. This creates the friction between Wayne and Kyodai Ken who constantly refers to Wayne as "Rich Man's Son" (since this is a kids' show, race never comes up).
- In Atlantis The Lost Empire, the white person can read the ancient language of the Atlanteans, even though none of them can. An odd example of Truth in Television, though, as this was inspired by the Egyptians of the 1800s, who had no knowledge of the meaning of the pyramids.
- In Journey to Saturn, sergeant Arne Skrydsbřl says "We are the white gods" to the aliens when landing on saturn. The aliens do (presumably) not understand Danish, but it does not end well.
- The washer womyn in the controversial 1941 cartoon "Scrub Me Mama With A Boogie Beat", who shows a town full of stereotypical Afro-Americans the "advanced" way to wash clothes.
- However, some say she was actually mixed or light-skinned.
- In Homage to Catalonia George Orwell describes the Spanish militiamen he fought alongside viewing him as Mighty Whitey. Despite Orwell's total lack of training or familiarity with soldiering his compatriots were thrilled that an educated Englishman had joined up with their cause.
- In 1511 a Spanish ship sunk off the coast of the Yucatan. Those who didn't die in the shipwreck or of thirst before reaching the coast were enslaved by the natives, sacrificed or worked to death, except for a friar, Gerónimo de Aguilar, and a soldier, Gonzalo Guerrero. Guerrero won his freedom after saving his owner from a crocodile, embraced Mayan culture and religion, and rose rapidly in rank until he married The Chief's Daughter. When Cortés passed through the place on his way to Mexico and offered the two men to join his army, Aguilar readily took the offer but Guerrero chose to stay with his wife and three children. By the beginning of Montejo's conquest of the Yucatan in 1528, Guerrero was the Nacom (General) of the army of Chetumal. Montejo tried to win Guerrero to his side but once again he refused, and instead lead the Mayas to several victories using both Mayan surprise guerrilla tactics and Spanish anti-cavalry phallanx tactics that he had learned while serving in Italy. He was killed in battle in Honduras in 1536, of an arquebus shot to the chest, but Montejo had to concede defeat and it was his son who finally managed to control Yucatan a decade later. Giving his ridiculously troperiffic life, it's incredible that Guerrero's story has never been adapted to film.
- The history of the Tanegashima matchlock musket is this trope. In 1543 a few Portuguese reached a Japanese island when the Chinese ship they were on had to take shelter during a storm. The local ruler, Tanegashima Tokitaka, bought two matchlock muskets from them and set a swordsmith on reproducing them. At the time, the Japanese had both crossbows and primitive hand cannons, so reproducing one of the most advanced firearms then available wasn't too hard... except for one little thing. The matchlocks they bought used a screwed-in bolt to seal the breech which could also be unscrewed for both cleaning and to remove things stuck in the barrel (before that, something getting stuck in the barrel rendered it permanently unusable). The Japanese didn't know how to make the grooves on the outside of a metal bolt match the grooves on the inside of a metal barrel, until the Portuguese returned the next year and a blacksmith showed them the trick.
- Played remarkably straight in the case of the White Rajahs of Sarawak. English adventurer Sir James Brooke was granted the title of Rajah of Sarawak by the Sultan of Brunei, as a reward for his efforts in combating piracy in Malaysia. To the surprise and fascination of many, Brooke forged Sarawak into an independent sovereign state, introducing a modern system of government and an efficient civil service. Although there were some western influences (Brooke invited a number of Anglican missionaries to set up schools), he made a determined effort to preserve the local culture, and led the natives into battle against local pirates on several occasions. When Sarawak was absorbed into the British Empire after WWII, many locals objected and sought the restoration of the Brooke Dynasty because they felt the White Rajahs had been one of the most effective barriers to western colonisation. When the British withdrew from Sarawak in 1963 it was promptly absorbed into Malaysia, but to this day the Brookes are still remembered with considerable fondness.
- Lawrence of Arabia tells of T. E. Lawrence. It would be an exaggeration to say he alone put together a loose band of irregular tribesman that threw back the better armed, better equipped, much-more-powerful Ottoman Turks by mastering desert warfare on a level that amazed even his Arab irregulars, and thus was directly responsible for weakening the Ottoman Empire critically and thus changing the entire strategic balance in the First World War. But it would not be a gross exaggeration.
- Came about in China during the late medieval era, when the Mongol hordes (famously led by Genghis Khan) overran most of the Middle Kingdom and subjugated the Chinese people. They soon found themselves having to establish a bureaucratized government for the sake of continuity with the "Mandate of Heaven" (the ruling authority of all of China's imperial dynasties)...but being basically barbarians up to this point, the Mongols had none of the experience - and very little of the knowledge - necessary to serve as government leaders. Nor could they conscript ethnic Chinese to fill the role of civil servants, for the Chinese people were sullen under their conquerors and would surely try to sabotage their rule. So the Mongols Took A Third Option: while a Mongol Khan continued to reign as Emperor of China, he filled his government offices with people who were neither Mongolian nor Chinese - and sometimes were not even Asian. Quite a few European traders, explorers, and missionaries wound up working as Chinese bureaucrats.
- Happened again in China in the late 19th century, during the Taiping Rebellion. The Ever Victorious Army consisted of Chinese soldiers trained, armed and led by European and American officers and fought on behalf of the Qing dynasty against the rebels. Their efforts are generally considered instrumental in the Qing dynasty's eventual victory. Most notably, the most famous commander of the group, the British officer Charles George Gordon ("Chinese Gordon") was lavished with honors by the Qing for his service.
Non-White, Fantastic, or Raceless Examples:
Anime and Manga
- Pick just about any Real Robot Humongous Mecha series you can think of. The Super Robot Wars series really tends to point it out: For so many supposedly international organizations, there sure are a hell of a lot of Japanese people compared to any other ethnicity.
- And they sometimes double up on it, with a large percentage of the non-Japanese characters being American. Some games in the series, such as Alpha and Compact 2/Impact, will pair the two together.
- Super Robot Wars is making a habit of making the "better" Original Generation pilots be German as well. Sanger Zonvolt and Elzam V. Branstein come to mind. Fridge Brilliance can also elevate Elzam's brother Raidese to this level as well (And their cousin Leona, though she's mostly out of focus). See also Arado and Seolla.
- Not to mention Latooni (... well, Latun, as a proper romanization of the way her name is written), who is one of the best pilots in the game (can easily compete with Raidiese for 'ace of the younger generation') - she's Russian. Or at least her name is, since her backstory makes it rather hard to figure out her ethnicity and nationality...
- And they sometimes double up on it, with a large percentage of the non-Japanese characters being American. Some games in the series, such as Alpha and Compact 2/Impact, will pair the two together.
- Mobile Suit Gundam has a whole actually tends to play with this by having their heroes not technically be Japanesenote but rather Spacenoids. If a character is considered The Ace and can fly rings around more experienced mobile suit pilots, pick up the ability quickly or get that series version of a Super Mode then they are likely from space.
- In The Twelve Kingdoms two very successful rulers (and two noble kirin) are from Japan. In fact, a rival ruler is trying to prevent one of them from rising to power because he fears the success that he believes is inevitable if the rival nation is ruled by someone from Japan.
- Often subverted and ridiculed in Nangoku Shounen Papuwakun, a series in which Shintarou, the Number One most competent warrior in the Ganma army, is marooned on an island in the southern seas. Although Shintarou often tries to introduce elements of his own culture, it usually either goes terribly wrong or is revealed to have already existed in some way on the island. Shintarou, throughout the story, is also relegated to the role of housekeeper for Papuwa, the only other human on the island at his arrival, who is a young boy...and much stronger than Shintarou.
- In a rather odd example, Osamu Tezuka's Phoenix: Sun is about a Korean soldier who flees to Japan after his kingdom is defeated by the Tang Dynasty forces & eventually becomes a feudal lord & a major player in the historical Jinshin War. In a bit of a subversion, he is also invited to join a tribe of Noble Savage Shinto wolf-spirits (because his face was cut off by the Chinese & replaced with a wolf's), but declines because he feels he'd be a burden to them, having no supernatural powers of his own.
- A manga version of the old Romance of the Three Kingdoms story, Destiny Of An Emperor (which was also made into a Dragon Quest knockoff RPG for the NES, which bizarrely enough managed to cross the Pacific), posits that historical warlord Lü Bu was in fact a blond European who had taken a Chinese name, thus explaining his historically-documented freakish height and strength. Hilariously, when applied to Lü Bu of all people it becomes a subversion of the trope, as Lü Bu was a lecher, a murderer, and betrayed everyone he ever met. He died alone and utterly ruined.
- In Anatolia Story, the girl who carries on the story of the Hittite Empire... is Yuri Suzuki, who is a full-blooded Japanese.
- In Monster, the brilliant, long-suffering, morally infallible main character is a lone Japanese man among Europeans.
- Likewise in Attack on Titan, Action Girl, 3D combat prodigy, and all-around Badass Mikasa also just so happens to be the only surviving person of Asian descent on Earth (the other survivors being apparently European).
- Puella Magi Madoka Magica: Madoka becomes a goddess to save the European and African magical girls.
- Oddly enough, Superman may be the earliest example of a superhero playing to a variation of this trope, except that the "mighty whitey" is actually an alien, and the entire human race are the natives who he joins (in contrast to the more common Sci-fi variant of the trope where the opposite would be the case). Kal-el learns the ways of the primitive Earth folk and ultimately becomes their greatest champion while inspiring them to bring out the best in their culture, and even turns against the race he was born to when they try to molest his new home with their advanced strength and weapons.
- De cape et de crocs has a race flip where a black former slave ends up on the shores of an island populated by white savages who dress like Robinson Crusoe. Because they'd never seen black skin before, they took him for a god, but he was quick to insist that he was just a man (he is their chieftain, however).
- The 13th Warrior features something of a reversal: the cultured Arab diplomat Ahmad ibn Fadlan leaves his country with some Vikings to go north. The Vikings don't expect him to be very useful, but he learns their language, fights alongside them, and amazes them with his literacy, though he does not surpass the Vikings in any of the skills they teach him. In fact, the Vikings treat him a bit like a child, calling him "Little Brother." He is ultimately a secondary figure in the big picture behind their leader Buliwyf. The story, taken from Michael Crichton's book Eaters Of The Dead, is very loosely based on the accounts of the real Ahmad Ibn Fadlan, spiced up with a nonmagical retelling of Beowulf
- The Karate Kid (2010): Dre Parker (black) moves to China, and with a month or so of training, beats all the experienced bullies at the local kung fu tournament. Though he did have Jackie Chan as his mentor.
- Rambo IV starts out with the half-Indian John Rambo having become a Burmese snake-wrangler.
- The movie Avatar has a paralyzed human. When his consciousness is put in a half-human, half-alien body, he eventually learns the Na'vi ways and embodies this trope by doing several things: marrying the Princess, becoming a legendary chief, getting the planetary consciousness to fight to push back the humans, and eventually transforming permanently into a Na'Vi
- In Rudyard Kipling's The Jungle Book, Mowgli, a native of India Raised by Wolves, is implied to be superior to the vast majority of Indians because his upbringing under "The Law of the Jungle" gives him a set of moral values that are closer to Europeans (which makes absolutely no sense if you think about it). This is particularly noticeable in "In The Rukh", the first Mowgli story to be written although chronologically the last.
- At Play in the Fields of the Lord is about a half-Cheyenne who organizes Amazonian peoples. Not really sure if it counts as nonwhite (since that's what the other half was), but since the Cheyenne really did modernize before the Amazonian Indians did, it fits the trope.
- In Michael Bishop's No Enemy But Time, a time-traveling black man fills this role for a group of homo habilis.
- Not strictly a non-white example, but not conventional: In Patrick Rothfuss's The Wise Man's Fear, Kvothe is a white man who learns the martial art of the white natives in a ridiculously short time. He does not become better than his teachers, but it is implied that, with a few more months of training, he would surpass his native friend (who has spent a lot more time practicing).
- The Star Wars Expanded Universe has two Fantasy Counterpart Culture examples in the "Sith" and the "Mandalorians."
- Until a few thousand years before the Battle of Yavin, the Sith were actually a Near-Human species who hailed from the remote world of Korriban. They had red skin, yellow eyes, tentacled goatee beards, and various horns or spikes on assorted parts of their bodies. Eventually some (Human) Dark Jedi came to live with them, intermarried and interbred with them (lightening their skin a good deal and removing their tentacles and horns from the gene pool in the process), learned their language and absorbed their culture, and fused the Sith religion with their own "Dark Side" Force doctrines to create the order of the Dark Lords of the Sith, who became the greatest foreign enemy of the Old Republic and later served (and headed!) the Galactic Empire. Today, racially pure Sith are pretty much extinct, and the name has been appropriated by evil Humans and other non-Korribanese species with Dark Jedi talents.
- The original Mandalorians were genetically drawn from the Taung, a race of monkey-like humanoids who once lived on Coruscant; they were defeated in ancient times by the Human warriors of the Battalions of Zhell, whereupon they fled Coruscant and escaped to the far-off world of Roon, only to relocate to a slightly less distant planet near the Gordian Reach. There the Taung war chief, Mandalore, lent his name to both the newly-colonized world and to his people and their warrior culture. As time passed, the Taung-descended Mandalorians began allowing Humans and other species to emigrate to Mandalore - and ironically, the "pure" Mandalorians eventually relocated to yet another planet. This departure left non-Taung in control of Mandalore, and these other species remade the order in their own image, resulting thousands of years later in Human Mandalorians such as Journeyman Protector Jaster Mereel, Jango Fett and his son Boba, and Sabine Wren. For comparison, imagine if modern-day (non-Native) Americans completely absorbed and internalized the American Indian way of life, began dressing in Indian garb, and called themselves "Indians" without any irony whatsoever.
- In Warrior Cats, the domestic cat Rusty joins a group of feral cats because their leader Bluestar thinks he has talent. He is renamed Firepaw and goes on to become the leader of that group (his name then becomes Firestar), despite the strong prejudice feral cats have against domestic ones.
Live Action TV
- The Doctor from Doctor Who could be considered this. He's a Time Traveling alien who originally looked down on other species, until becoming enamoured with the universe, in particular his favourite planet, Earth. He's now one of our greatest defenders, inspiring us to be better. Every version so far has been played by a white British male.
- Within Days of being on the station; Human Starfleet Commander Benjamin Sisko of Star Trek: Deep Space Nine is named as the Emissary of the Prophets by Deep Space Nun Kai Opaka of the Bajoran people. Sisko spends the first part of the series trying to ignore them, but unfortunately for him they have his home address. Eventually Sisko learned to accept his role and became one of the spiritual leaders of Bajor as well as its chief proponent for Federation Membership. By the way, Sisko was black, while the majority of the Bajoran people were played by white people.
- Rules accompanying the Classic Dungeons & Dragons game's "Hollow World" setting, which was largely inspired by works that use this trope, incorporate a Mighty Surface-Dweller element to adventures involving outer-world PCs. Most of the heavy-damage spell effects such as Fireball are unknown to the Hollow World's natives, ostensibly to evoke the feel of literature in which heroic explorers' use of firearms gives them a tactical advantage over indigenous peoples.
- Deconstructed in Tales of Rebirth. It's done with humans and beastmen rather than people of any skin colour but hey. Milhaust is the only Huma and the only non-Force user in the Five-Bad Band and, wouldn't you know it, he's also The Ace of it. It's his being so incredible and awesome that causes Agarte to fall in love with him. However, because she believes that he could never love her due to them being from different races, she gets it in her head that she needs to get herself a Huma body. Cue the events of the entire plot that ends in Agarte dying and Milhaust revealing that, actually, he felt the same way about her; thereby making everything she did to win his heart completely pointless.
- Played with and deconstructed in Far Cry 3. Delving into Rook Island's background and paying attention to the players involved in the current story indicates that it's less of a case of Mighty Whitey and more of a case of Mighty Outsider-In-General. Rook Island has a history of outside individuals coming to the island and taking control of it, only to go mad and be killed by another outsider. The Chinese general who took over island and left many of the ruins, only to be killed by his superiors, the Japanese who took over only to go mad and be killed by each other, and now Jason and Vaas/Hoyt (as well as Citra). Depending on the ending, either Citra is killed by Dennis or Citra kills Jason after he kills his friends. in either case, it's another example of an outsider effectively dominating the island being killed by another outsider. Even the mythological background of the island involves an outsider (the "prince from the northern kingdom") slaying another malevolent outside power (the giant).
- Parodied in A Trailer For Every Academy Award Winning Movie Ever, where the protagonist must fight alongside the "Native American Analogue" against the "U.S. Military Analogue".
- Double subverted by the Justice League episode "Hearts and Minds." It's set up to look like a Human, African-American Green Lantern is the only one who can stop Despero from oppressing his own people and conquering the galaxy, with some token help from the planets local La Résistance. The planet is actually saved by a green, shape shifting Martian who makes empathic contact with the Sentient Phlebotinum and helps to cut off Despero's power at the source.
- Samurai Jack: Has a subversion in "Jack in Africa.' The boy that would grow into Jack (who's Japanese), still a pre-teen, goes to train with a native African village, which is attacked by a different village, and all the inhabitance bar Jack are captured. Jack adapts to the superior weapons that the opposing village has, and fights against them, but, while Jack can fight off one or two, the reason he wins is because he frees the other villagers, who prove that the enemies better weapons are no match for their own better skills. The Big Bad is not defeated by Jack, but by Jack's mentor, and the day is won by both Jack and the villagers.