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Chater: You insulted my wife in the gazebo yesterday evening!
Septimus: You are mistaken. I made love to your wife in the gazebo. She asked me to meet her there, I have her note somewhere, I dare say I could find it for you, and if someone is putting it about that I did not turn up, by God, sir, it is a slander.
Arcadia, Tom Stoppard

"Never do anything by halves if you want to get away with it. Be outrageous. Go the whole hog. Make sure everything you do is so completely crazy it's unbelievable."
Matilda Wormwood, Matilda

"The key is to commit crimes so confusing that police feel too stupid to even write a crime report about them."
Aubrey, Something Positive

Characters can get away with outrageous acts by making them overblown to the point of absurdity. Toning them down to realistic levels would be more offensive.

This is because, for works and characters both, pushing things past a certain level automatically knocks things into Genre Blindness. If it's genre convention, then it's okay. But if it's toned down to moderation, then the audience will think about it — and the thought makes it cease to be okay.

The name comes from a reputed quote from the Roman historian Tacitus:
"Crime, once exposed, has no refuge but in audacity."

This isn't Getting Crap Past The Radar. This is crashing the crap through the front doors and out the back doors of the radar installation in an armored car with sunglasses-wearing flaming skull decals on every flat surface and a Hieronymus Bosch reproduction on the door, hood-mounted machine guns blazing, Motörhead blasting on the jury-rigged PA system, one arm hanging out of the window making a rude hand gesture, and the tires leaving tracks painting sex and violence on the floor and walls.

Compare Sarcastic Confession, which works on a smaller scale. The Bavarian Fire Drill is also related to this: it works because no one thinks to question the (false) authority of the ones pulling it, and may be unwilling to believe or admit that they were conned afterwards. May be used to maintain the Masquerade. Setting up a Kill Me Now Or Forever Stay Your Hand situation is a subtrope.

See also Crosses The Line Twice, Refuge In Vulgarity, Beyond The Impossible, True Art Is Offensive, Refuge In Cool.

Related to Gallows Humor.

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