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Reality TV shows thrive on conflict between the contestants. Theoretically, the conflict is more gripping because it's real, with no scriptwriters, second takes, or most importantly, editors. Everything that happened really happened, just as it's shown.

Yeah, right. If you believe that, I have a bridge to sell you cheap. Great view of Brooklyn.

In point of fact, there are reality TV writers, there can be "OK, can you say that again, only this time, with more emotion," and there are certainly editors. While the specific events may be outside of the producers' direct control—but that varies depending on the show, and don't count out less direct influence—each episode of reality TV often compresses days into forty-four minutes...and how the events are compressed can change a scene, a contestant's attitude, and alter "reality" to the point that it's barely recognizable as such to those who were there.

Common forms of Manipulative Editing include:

  • Cherry-picking from the Confession Cam. This one is almost too easy; only take the words wanted, without their context. Or, splice together sentences. A hint for catching this one: If the scene shifts mid-sentence, there's no guarantee that all the words came from the same Confession Cam.
  • For that matter, cherry-picking period. Imagine if your entire relationship with your best friend was to be summed up in ten minutes. Now imagine that the summation consisted of your combined worst ten minutes—your loudest arguments, your worst fights, your angriest moments ever. If someone who didn't know you or your friend saw only the summation, he might well conclude that you had once been friends, but were now mortal enemies.
  • Cherry-picking is also called a "Frankenbite" — different soundbites are stitched together to create a new whole.
  • Pointed questions. Along with the Confession Cam, there can occasionally be directed interviews, where the contestant is told to talk about X or Y. Here, the unseen interviewer may well provoke the contestant into giving better sound bites, and then cherry-pick only the worst bits.
  • Temporal shenanigans. Two events which took place days or weeks apart are shown to have happened simultaneously, or the other way around, making anger seem buried which was actually dealt with sooner, or adding additional context. If person A says something about person B just as B walks into the room, it's not impossible that person A actually said it several hours earlier and B didn't hear it.
  • Causal deletion. Sometimes, people do things for no reason. Sometimes, though, they have reasons...but if the reasons get left on the cutting-room floor, they look like they don't. This can make even the most justified anger seem petty and immature.
  • Prompting. Yes, we hate to burst your bubble, but sometimes, contestants will simply be told, "say this."
  • Worst side shooting. Reality TV can have a demanding schedule, and the days can be stressful to the point of exhausting. If it's a Reality TV Show Mansion show, then the contestants are also in near-total isolation, with no phones, no laptops, no music players...they have nothing to interact with besides each other. Twenty-four hours a day. For weeks on end. Try it sometime—you and your best friend will be at each other's throats inside two weeks, we guarantee. Couple that with the other factors above, especially the cherry-picking...

Like pretty much anything on television, Charlie Brooker has referenced it in his show, and showed how easy all of the above can be done. The You Tube nerds have put the footage here.

Compare Quote Mine.


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Im Not Here To Make FriendsReality TV TropesThe Mean Brit