COPS is a reality show that is "filmed on location with the men and women of law enforcement", which means it's incredibly cheap to make. It is also the longest-runningreality show on television (it premiered in 1989); the show has a proven formula that has remained popular for years, and it was part of the longest unchanged nightly schedule in American television (Fox's Saturday night schedule; the other show in that schedule was America's Most Wanted, before its Channel Hop). COPS is arguably the most realistic reality show on television: there is absolutely no script and no narration outside of the opening credits; everything you see is real people in real situations.The basic premise is as follows: camera crews follow police officers in various cities as they go about their jobs. While your average police officer's job is generally mundane, COPS makes it look rather... well, not glamorous, but certainly more action-packed than usual. There's generally a few chases, a few drug busts, a couple of prostitution busts, and more than a few instances of (usually shirtless) trailer trash. Only Jerry Springer has more trailer trash per episode than COPS.COPS deals with issues from basic domestic disturbances to neighborhood disputes and complaints; the camera crew, it should be noted, is wearing body armor, and in some cases, they're peace officers themselves (and occasionally, they get involved in the action — one member of the camera crew in a particular episode was an off-duty sheriff's deputy, and had to drop the camera at one point to assist in subduing a rowdy suspect!).It's been parodied more than a few times, but you can't argue with success: COPS seems like it'll be here to stay (in one form or another, see below).There have been disagreements between police departments and production companies, especially when it comes to the "right to privacy" provisions of US (and Canadian) law; film and television crews fight hard for the public's right to know and "freedom of information", but police agencies cooperating with COPS crews protest that the "right to know" does not trump the individual's right to privacy and security of person.Eventually, it was decided, in consultation with the producers of COPS, that the individual's right to privacy should be respected, and that the faces, license-plates, and addresses of those featured on the show must be obscured in post production. People who sign waivers appear without pixellation, so every drunk, naked ranting guy being handcuffed said at some point, "Yes, I want to appear on TV like this." Ninety percent of arrested suspects opt to appear without blurring.COPS's 25-year run on the Fox network ended in 2013. The program moved to Spike TV that fall.Not be confused with the animated series COPS.
Bald of Awesome: What would appear to be a higher-than-average number of police officers appear to favor this or near-bald buzz cuts. Understandable since they don't want to give a suspect anything to grab onto in the event of an altercation.
Often averted with undercover officers, since letting their hair grow out would help them blend in better and therefore not tip off suspects.
Blatant Lies: Yes, of course the police can't tell you are drunk.
Similarly, the opening of any prostitution sting will begin with "Are you a cop?" "No." (This often works to a police officer's advantage: There's a common urban legend that a police officer is required to tell you that he's a cop if asked. Patently untrue, given that undercover police work is a thing that exists.)
Breaking the Fourth Wall: The show did try to maintain something of a journalistic or documentary feel (at least initially) and has a protocol of maintaining the fourth wall, but occasionally a judgement call will dictate breaking it, such as a cameraman helping an exhausted police officer perform CPR on a subject.
Deep South: Averted. The show is somewhat famous for the shirtless, toothless morons, but they're seen all over the country. It isn't just hillbillies folks, trailer trash is nationwide. When the show is in the Deep South, the officers shown are diverse in both gender and ethnicity, in fairly good shape, and well spoken (with perhaps a hint of a drawl to give away a locale). It's a far cry from most Hollywood portrayals of southern law enforcement.
Eat the Evidence: Don't try this with your entire stash of crack cocaine at once.
Evil Is Cool: Subverted in-universe. Most of the criminals are not-very-bright losers.
Fair Cop: Sometimes yes, sometimes no. There's a lot of criteria for who gets filmed, such as service record, camera presence, and yes, appearance. Most of the cops are at least average looking, with a few particularly handsome/beautiful specimens.
Fan Disservice: For all the jokes about male suspects being shirtless, it's just as likely they're people you don't really want to see shirtless, since quite a few have been pretty beaten up by years of drug and alcohol abuse, and generally the types of people cops frequently deal with aren't usually the most fitness-minded.
Idiot Ball: Running from the police once they've cuffed your hands behind your back. Once there was a clip that involved a man calling the cops because someone had stolen his marijuana.
Lighter and Softer: Early episodes had cases often end without resolution, and sometimes would focus on more serious incidents, such as investigating a murder scene, or examining a discovered skeleton to determine who it was and how they died. As the show went on, less serious crimes such as domestic assault or resisting arrest took the spotlight.
Long Runners: COPS has been running for over twenty years, making it the longest-running reality show in history. Also, the Fox Saturday night schedule that it was a part of was the longest-running unchanged nightly schedule on American television.
Once an Episode: Usually, segments will end in an arrest (even for ones where the segment was actually focusing on something small - usually, due to being overdue to a court hearing or a related crime on record, or because someone did something stupid like lie to a cop). If it doesn't end in an arrest, it's usually because someone was shot or injured and the suspect already fled the scene.
Any time there is a domestic disturbance call, you can almost guarantee it will involve a man who is not wearing a shirt.
Our Lawyers Advised This Trope: "Due to the graphic nature of this program, viewer discretion is advised." This is an addition to the second part of the:
Opening Narration: "COPS is filmed on location with the men and women of law enforcement. All suspects are innocent until proven guilty in a court of law."
Pixellation: Used to protect the identities of people who don't sign waivers (In return, the people left unblurred get a small performer's fee. If the editors have to do a lot of blurring, the clip has to be really good), as well as for the usual censorship purposes, and the occasional drunken, nude reveler.
Police Brutality: Two incidents - one, where a North Vegas cop was fired for police brutality, which resulted in his footage being excised (and, though footage showed up in the spin-off Street Patrol, he went unnamed), and an incident in Pierce County, Washington, where a cop was charged with brutality for roughing up a homeless man mistaken to be a burglar. While the charge was dropped, the man's suing the cop.
This is one of the reasons why cameramen aren't allowed in certain cities' police forces (such as Honolulu), as the police fear they'd be drowned in brutality complaints. Note that a majority of these police forces refusing footage have had a lot of brutality complaints.
This trope was subverted a bit in an episode where a cop shoots a suspect armed with a knife in a pretty clear-cut case of self-defense. The full footage shows multiple officers trying to both talk to the suspect and peacefully subdue him, and the suspect was clearly shown on camera lunging at the cop in question with the knife.
Real Song Theme Tune: "Bad Boys" by Inner Circle. The song was initially recorded and released in 1987, two years before Cops premiered. However, it wasn't issued as a single in the United States until 1993, where it promptly went to #8 on the Billboard Hot 100 because it was the theme song forCops.
Sound Effect Bleep: People tend to swear while being arrested. Also, whenever a name is mentioned, the last name is muted. Car reg numbers are also visually blurred.
Spin-Off: Street Patrol on MyNetworkTV consisted of previously unused COPS footage - some of which was filmed over a decade earlier - with added background music. Jail (also on MyNetworkTV, and later on truTV as Las Vegas Jailhouse) took the filming indoors.
Visible Boom Mic: One of the rare shows where this is more or less acceptable, considering that the camera and sound guys have to run after criminals as quickly as the cops do. Even still, they do their best to pull their booms out of the shot once it's all calmed down.
One episode of The X-Files, "X-Cops", was filmed this way - the policemen the camera crew were following became involved in Mulder and Scully's latest case.
TROOPS: a camera crew follows a group of Star Wars' Imperial Stormtroopers as they keep the peace in an insignificant corner of the Dune Sea on Tatooine, dealing with Jawas, bounty hunters, or a couple whose boy has run off with that crazy hermit.
Shrek 2 had something like this when the fairy tale characters living in Shrek's swamp are watching the Far Far Away Royal Ball on the Magic Mirror (repurposed as a TV) and they see a segment of K.N.I.G.H.T.S. showing Shrek, Donkey, and Puss In Boots being arrested, including parodies of the OJ Simpson car chase by showing a helicopter shot of Shrek fleeing on Donkey while the pilot reports "We got a White Bronco headed east into the forest. Requesting backup."
Saints Row 2 has the FUZZ missions, where you dress up like an officer and go assault people with blunt objects. Noted in that it's a very obvious parody of the show and you are given the missions by an opportunistic TV producer.