Bowling for Columbine is a 2002 award-winning documentary film by Michael Moore, which examines the effects of gun violence in the United States, and attempts to give a reason for the motivation of the killers involved in the Columbine massacre.The film explores what Moore suggests are the causes for the Columbine High School massacre and other acts of violence with guns. He focuses on the background and environment in which the massacre took place, and some common public opinions and assumptions about related issues. The film also looks into the nature of violence in the United States.Moore talks to many people — including South Park co-creator Matt Stone, the National Rifle Association's then-president Charlton Heston, and musician Marilyn Manson — as he seeks to explain why the Columbine massacre occurred, and why the United States has a high violent crime rate (especially crimes involving guns).
Canada, Eh?: Subverted; Canada is portrayed in the film as a very sensible (and very laid-back) society, where all the kids go to movie theatres, Windsor is a great place to live, and no one locks his door. Some of the people interviewed do have slightly noticable accents, though.
Could This Happen to You?: Spoken by several reporters during a montage of news broadcast clips. Lampshaded by Moore, who accuses the news media of using this trope to frighten its audience and help to create a culture of fear and xenophobia in America.
In another scene, Moore goes to a bank which was giving away a free rifle to anyone who opened an account with them. The bank clerk is shown handing a rifle to Moore immediately after he opens an account, no questions asked. This was staged; what the bank actually handed out was a certificate for a free rifle at a gun store down the street, and the gun store performed the same background checks and waiting-period requirements as if a customer had walked in to buy a rifle with cash. Even without this knowledge, one bit should clue you in: Moore immediately cuts to the title sequence after asking the guy who gives him the gun "Don't you think it's a little dangerous handing out guns in a bank?" because the answer would dispell the illusion.
The scene with Charlton Heston, in which Moore pleads for Heston not to go away. Heston in general gets a really bad misrepresentation, with Moore making it seem like he chased after tragedies to hold "big pro-gun rallies" (he never did, a fact that can be corroborated by many official accounts). Heston also had cancer and Alzheimer's by this point.
A documentary in the documentary was less on American history and more, "Dear Americans. Eat a bag of dicks, every single last one of you, then die in a terrorist attack. Hate, Michael Moore." It explained the Indians and Africans like the narrator was a vengeful spirit wanting revenge on white man.
Infamously, an interview with Trey Parker is featured right before an animated segment done in a style very reminiscent of South Park. Not only did Parker (or South Park Studios) have no hand whatsoever in making the segment, but he thought the argument it presented was complete bullshit, leading to him putting a major Take That at Moore in Team America: World Police. On the flip-side, Parker conceded that aside from the implications of the animated segment, Moore did truthfully represent his views.
Extended Disarming: At one point a clip from a video made to sell school administrators on uniforms (and/or metal detectors) is shown with a teenager pulling about half a dozen pistols out of the pockets and waistband of his baggy jeans, what looks like a MAC-11 submachine gun and its separate mag, and finally a shotgun that was in his pants. It's not clear how the kid could walk without clanking, let alone nonchalantly with that much metal on him and the shotgun acting like a leg brace. In fact, he couldn't; the scene was staged for maximum scare value.
Film the Hand: Several times, most notably by Dick Clark and Charlton Heston, who leaves his interview with Moore and walks away, slamming a door behind him.
Hitler Ate Sugar: The point of the title. Moore points out that media watchdogs and social commentary pundits were alarmingly quick to point towards all sorts of societal influences that supposedly caused Harris and Klebold's rampage, including video games, bullying, violent movies, and the like. He notes that all of the things listed are enormously popular in other countries that have violent crime rates far below that of the United States, then questions if they might as well blame the sport of bowling for what happened, as both killers were attending school classes in bowling and even played a game the morning before the shooting.
Hyperspace Arsenal: A student demonstrates how someone could walk into a school with a weapon unnoticed by removing more than a dozen guns and rifles from his pants. However, the amount of guns is incredibly unrealistic, as the student would only be able to walk very slowly at best, if he could even walk at all because of the field-length (and, we might add, NOT DESTOCKED) shotgun in one leg. If he hadn't blown his entire lower body apart from all the guns, a lot of which were in pretty unsafe places, it was a miracle. This is shown to demonstrate the culture of fear that news channels were coming up with.
Lost Aesop: Guns are bad, guns are bad, guns are bad. Whoops, no they're not. It's actually the news.
This actually happens several times over the course of the film. Moore also accuses the news media, American foreign policy, exploitative working conditions for single parents and race relations for the proliferation of violence in American society.
A more charitable interpretation of Moore's point is that gun-violence in America cannot be linked to a single 'cause' that can be pointed at to say "this is what's responsible," but all of these elements are contributing to the problem.
Probably the most accurate interpretation is that Moore didn't go into the film to try and convince you "guns are bad" at all, but with the intent of DISCOVERING what the source of America's gun violence problem is and chronicling the investigation.
Only Sane Man: Bizarrely, Marilyn Manson comes across as this. This isn't even the first time it has happened in relation to Columbine. Not so bizarre if you actually know enough about the man. Beyond his rock persona, he's a surprisingly thoughtful and well-spoken person.
Pillow Pistol: Moore interviews James Nichols, the brother of Oklahoma City bombing perpetrator Terry Nichols, who keeps a gun tucked under his pillow every night.
Quote Mine: The movie was accused of this with Charlton Heston; observant viewers noticed that his clothes changed during a single speech.
They also cut his post-Columbine speech at the line "we're already here," making his point (that NRA members were part of the emergency personnel of the tragedy) sound more like a smarmy mockery of his anti-gun opponents.
Soundtrack Dissonance: Louis Armstrong's "What a Wonderful World" plays over footage of wartime atrocities.
Title Drop: Moore's next-to-the-very-final line of narration.
Walking Armory: A clip from a metal detector manufacturer is shown arguing for the institution of a dress code in schools. To demonstrate how casual dress is dangerous, the sequence shows an adolescent boy pulling about half a dozen pistols out of his pockets and waistband, what looks like a MAC-11 submachine gun and its separate mag, and finally a shotgun that was in his pants. It's not clear how the kid could walk nonchalantly with a shotgun down the leg of his trousers. In fact, he couldn't; the scene was staged for maximum scare value.