Silas: That old shack, well it went tumbling right off that cliff.
Steve: With Frank James still in it?
Silas: Yes sir.
Dwight: But... Frank James is still alive, living in Missouri. Showing folks around the the family farm for 25 cents a tour!
Silas: I didn't say he died in the fall, now did I?A minor character or group of minor characters who offer commentary and/or opinions on the actions of the main characters, usually by Breaking the Fourth Wall and addressing the audience directly. Often, they say what the audience thinks (or should think). While a lead character can do this himself, it doesn't make him a Greek Chorus; a proper Greek Chorus differs by being removed from the action and thus able to view it with something approaching objectivity. The role is frequently played by Those Two Guys. It's one use for the First-Person Peripheral Narrator. Strictly speaking, an omniscient narrator usually wouldn't qualify as a Greek Chorus. However, the lemony type who repeatedly breaks the Fourth Wall and makes asides to the audience to the point that they're a "character" unto themselves might reach the point where they overlap with it. If the narration is revealed to be by an actual main member, retroactively telling the story to someone else, it may count, but the important qualifier is that their opinions are objective and express what the audience would think (if they are retroactively self-deprecating of even their own actions, etc.). Named for the choruses of ancient Greek theatre, who did exactly this. Aristotle discussed them in Poetics and warned that they should be used as little as possible, because (in modern paraphrase), what they do is, by definition, commentary, not story — and so the story-teller should avoid being sidetracked by using more than it needed to help the story. The Snark Knight, if not the main character, often fits this role. See also Fourth-Wall Observer. Compare this to Mystery Science Theater 3000, where the comments come from outside the story.
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Anime and Manga
- The Mind Members in Ichiko's brain from Poison Berry in My Brain act like this to an extent.
- Its very common for Shōnen works to have side characters play this role during fights as the Combat Commentator, especially if it's a Tournament Arc, and usually to explain strategies and other important information in regards to the characters battling each other for the readers or viewers benefit..
- The Durarara!! anime features segments with online chatrooms with unidentified people casually discussing various events and rumors related to the plot. This seems to function as a Greek Chorus, except for the fact that over time, the audience will realize that several main characters are the participants in these conversations, and some of the conversations are spoken in deliberately misleading voices to keep you guessing as to who's who.
- A debatable example is Neya from Infinite Ryvius: For most of the show she is mostly there to echo and accent the feelings of the cast.
- "Babbit" from Kodomo no Omocha is a Greek Chorus. Whether or not it is acknowledged by other characters depends on the situation (it seems to not really exist in serious situations, but may be noticed and perhaps smacked in sillier situations).
- The Japanese senior citizens (identified in the anime as the town council elders) in the town around the Hinata Apartments act as a Greek Chorus in Love Hina. However, their pronouncements can be heard by any character who is close by, and they even give Keitaro a hard time once by keeping his sketchbook away from him, Monkey In The Middle style.
- Mahou Sensei Negima!
- The aliens observing Becky on Pani Poni Dash!.
- In Pokémon, Ash's friends will frequently take the role of a Greek Chorus during battle scenes between Ash and another trainers, commenting on the 'surprising' nature of certain moves or counter-attacks.
- An interesting case where the Greek Chorus is a rather important character in and of himself is Drosselmeyer, from Princess Tutu. It is, after all, a living storybook, and he is the author.
- In addition to the above example, Princess Tutu Abridged adds another in the form of the flocks of crows.
- In the anime Revolutionary Girl Utena, the Kashira Shadow Players (or Shadow Play Girls) act as a Greek Chorus. Their shadow plays usually parallel the events of the episode, with varying degrees of subtlety. Once, though, they actually invite some characters (Utena, Anthy, and Akio) to see one of their plays, a subtle-as-a-kick-to-the-head story about Anthy and Akio's past. Additionally, when the shadow play (each of which ends with a question) is performed near Utena, Utena answers the question that is posed at the end.
- The character Manzo the Saw when serving as narrator of Samurai Champloo. Often explains the history and culture behind the show's Anachronism Stew concepts.
- Fuu and Ryou from Sketchbook often fulfill this role, although their comments don't always seem to have any direct bearing on the show — which isn't helped by the fact that they're Cloudcuckoolanders..
- Alpha Q is a Greek Chorus of one after his death in Transformers Energon. He keeps assuring the audience at the beginning that something cool will happen. Something cool does indeed happen: the end of the series.
- In Umi Monogatari, the shrine maiden comments on the plot at times, and her song delivers clues to its resolution.
- The (usually civilian) supporting cast of a superhero title are usually this trope, sometimes extended to the superhero's hometown. For example, Lois Lane, Perry White, and Jimmy Olsen (and frequently the rest of Metropolis) for Superman, the Gotham police department for Batman, the staff of the Daily Bugle for Spider-Man, etc.
- The Little Archie story "The Long Walk" gives this role to three of Betty's toys: a naive panda teddy, a conceited sailor figure, and a wise witch doll.
- The Vertigo Comics book Greek Street, being a Setting Update of Greek mythology, features a Greek chorus of strippers.
- In Lucky Luke the two middle Daltons William and Jack usually function as this to their brothers Joe and Averell, who are more fleshed out as individuals. Which helps to explain why even Goscinny and Morris on several occasions forgot whether William was shorter than Jack or vice versa.
- Cain and Abel were brothers who hosted the "Mystery" line of comics for DC in the 60s and 70s. They were brought back by Neil Gaiman for The Sandman.
Film — Animated
- The Muses in the Disney version of Hercules also take the "chorus" part as its more musical meaning. And the "greek" part as its more Greek meaning.
- The mariachi owls in Rango.
- The slugs in Flushed Away dabble with this. Most of the songs they perform are reminiscent of what's going on in the story at that moment, to the point that it starts to feel like narration. For example, they sing a parody of "Bella Notte" in a scene where Roddy and Rita are falling in love.
- Timon and Pumbaa in The Lion King 1 1/2.
- Allan-a-Dale (voiced by Roger Miller) in Disney's animated version of Robin Hood.
- In Tangled, Pascal. Without one word.
- The Shadow Puppets in Sita Sings the Blues.
- The enchanted houseware play this role in Beauty and the Beast.
Film — Live Action
- C3P0 and R2-D2 in Star Wars.
- The comic relief pirates Ragetti and Pintel (the skinny one-eyed one and the short bald one) in the Pirates of the Caribbean movies.
Pintel: [watching Norrington, Will and Jack fight whilst Elizabeth is screaming and throwing rocks] How'd this go all screwy?Ragetti: Well, each wants the chest for hisself, don't 'e? Mr. Norrington, I think, is trying to regain a bit of honor. Old Jack's looking to trade it, save his own skin. And Turner there, I think 'e's trying to settle some unresolved business twixt him and his twice-cursed pirate father.Pintel: Sad.
- The Oompa-Loompas in Willy Wonka & the Chocolate Factory.
- The film Mighty Aphrodite, despite being set in the present, features an actual ancient Greek chorus that the main character has conversations with. This may be the only time you'll ever hear an ancient Greek chorus shouting, "Don't be a shmuck!"
- Not Another Teen Movie featured various random Genre Savvy characters who made snarky comments in regards to the trite teen movie cliches/conventions the main characters were expressing.
- Gonzo (playing Charles Dickens) and Rizzo the Rat in The Muppet Christmas Carol.
- The narrator of 300, who doesn't bother to hide his bias favoring the Spartans. Sensible, considering that he was one himself and telling of the tale to other Spartans.
- Shinoda's Double Suicide features the black-clad bunraku stagehands. They are silent with emphasis.
- The DJ from The Warriors.
- Stubby Kaye and Nat "King" Cole as the Balladeers in Cat Ballou.
- The band in There's Something About Mary.
- In Stardust, the princes who were slain linger behind as ghosts, unable to pass on to the afterlife until the next heir to the throne is found. Being unable to interact with the physical world, either, they can only observe and comment on whatever unfolds before them.
- Senor Love Daddy and the three people sitting across from the Korean grocer in Do the Right Thing.
- The two local farmers in State and Main.
- Four guards comment on Lord Washizu's fortunes in Throne of Blood.
- The dishwashers in the Danish hospital horror The Kingdom.
- The cowboy at the bar in the bowling alley in The Big Lebowski. Subverted in that the Cowboy thinks the story is a Western, when its actually a parody of Film Noir.
- The Criminologist ("THAT MAN HAS NO NECK!") in The Rocky Horror Picture Show.
- The Grave-Robber of Repo! The Genetic Opera.
- Corey Feldman's character (you heard me) in The 'Burbs.
- The color commentators in a number of sports films qualify by default.
- The goldfish in the tank in Monty Python's The Meaning of Life.
- If you tried to actually make sense of David Lynch's Inland Empire, you could see the hookers as such.
- Alternate Character Interpretation: Radio announcer Harry Doyle of the Major League film series can be viewed this way for the on-field action.
- The theater servants in the film of the musical The Phantom of the Opera. They say nothing, but their reactions are enough.
- Crystal, Ronette and Chiffon in Little Shop of Horrors.
- Back to the Future Part III: Word of God describes the three old-timers, played by western veterans Dub Taylor, Harry Carey Jr., and Pat Buttram, who hang out at the 1885 saloon as this.
- Who's Singing Over There?: The Gypsy musicians, quite literally: Several times throughout the movie, the two of them break into a sad song about the state of the world, commenting the events of the movie so far.
- Vanishing Point: Super Soul.
- The Oompa-Loompas from Charlie and the Chocolate Factory which fits in quite nicely because they are a chorus.
- The Narrator fulfills this role in The Dark Tower, except for the parts where he actually appears in the book.
- Illium by Dan Simmons plays with this in its intro. The story begins with the narrator laying out the basics of the story in dramatic fashion, much in the same style as an actual Greek Chorus ("Sing, O Muse..."). Then it's revealed that the narrator is, in fact, the main character speaking in the first person and that he has, in fact, been resurrected from the dead specifically to tell you the story. He actually lampshades the trope:
If I am to be the unwilling Chorus of this tale, then I can start the story anywhere I choose. I choose to start it here. [And the plot begins]
- The dead princes in Stardust.
- The teenage boys in The Virgin Suicides.
Live Action TV
- The purpose behind Mystery Science Theater 3000 was for the main characters to serve as an external sort of Greek Chorus for really, skin-peelingly awful or just poorly-made but sorta goofy cinema.
- Buffy's Andrew filled this role in "Storyteller". However, like most tropes in the show's later days, it was pretty ruthlessly deconstructed: Andrew realized he was putting a rhetorical spin on death and suffering for the sake of his own vanity (he's talking to a camcorder throughout the episode).
- A Bound and Gagged Lorne found himself in this position on Angel's "Spin the Bottle". The events are being retold to an actual audience, so we know he gets free at some point, but the slowness of his rescue is commented on frequently. At the end of the episode we see that the whole time the bar was totally empty. Mind Screw, anyone?
Lorne: (still tied up) "I know I'm supposed to be unconscious right now, but can you believe these mooks?"
- The marvelous narrator (Jim Dale) in Pushing Daisies.
- Jimmy Olsen and Perry White fill this role in Lois And Clark: The New Adventures of Superman, spending undue amounts of time commenting on the titular power couple. They even lampshaded this in one episode, when Jimmy complains about never having their own plotlines — only for the scene to instantly switch back to Lois and Clark.
- Lizzie McGuire's animated self.
- Statler and Waldorf in The Muppet Show are a heckling Greek Chorus.
- Don and Herb Penguin in Beakman's World.
- Angel, Animal, Wimp, and Genius in Herman's Head
- Doctor Who
- In the First Doctor story/The Gunfighters called/A ballad kept track of/Events to befall/Lynda Baron performed it/Tristram Cary wrote the tune/And the song was called "The Ballad/Of the Last Chance Saloon".
- In the later serial Vengeance on Varos, this role falls to married couple Arak and Etta, who are watching the events of the episode on television.
- Hurley, Miles, and Frank Lapidus act like this in the later seasons of Lost.
- On Friends, Phoebe's guitar songs often take this form.
- Early in the fourth season of Hannah Montana, Rico had one in the form of a gospel choir that followed him around and sang about his words and actions.
- Future!Ted in How I Met Your Mother often qualifies, providing a great deal of snarky, hindsight-enhanced commentary on his and his friends' actions. He often freezes the entire universe so that he can basically say "lol no" whenever a character makes an inaccurate prediction or does something that is going to eventually bite them in the ass.
- Suzuki St. Pierre, the recurring comedic news reporter in Ugly Betty.
- In the Sports Night episode "Sally", Will, Chris, Dave, Kim and Elliot end up being this. Kim lampshades this when she brings up the analogous characters in The Merchant of Venice.
- Waylon Jennings as The Balladeer in The Dukes of Hazzard.
- In The Wire, Norman Wilson plays this role to the Carcetti and political storylines as well as the serial killer hoax, once City Hall has been brought into the loop. Notably, David Simon specifically names him as this in the DVD commentary.
- Augustus Hill In Oz. A prisoner who uses a wheelchair who also serves as the show's surrealistic narrator, breaking the fourth wall by talking to the audience about the themes of each episode (often serving as a vehicle for beliefs of the show's creator). He also introduces every prisoner, and informs us of their crime and sentence.
- In Professional Wrestling the color commentators serve as the Greek Chorus, modeled after real Sports Casters, but also commenting on the drama and story-lines, and sometimes being made a part of them.
- Traditionally there is a Face commentator and a Heel commentator, if there are 3 rather 2 it's always 2 Faces. Sometimes one of the active wrestlers will join for one match, involving a rival he's in an angle with.
- Used quite literally in Sound Horizon's Moira, where the six goddesses of poetry are called upon to help tell the story.
- Spiritualized's "I Think I'm In Love" brings in a gospel choir to comment on J Spaceman's attempts at positive thinking.
I think I'm in love (Probably just hungry)I think I'm your friend (Probably just lonely)I think you got me in a spin now (Probably just turning)I think I'm a fool for you babe (Probably just yearning)I think I can rock and roll (Probably just twisting)I think I wanna tell the world (Probably ain't listening)I think I can fly (Probably just falling)I think I'm the life and soul (Probably just snorting)I think I can hit the mark (Probably just aiming)I think my name is on your lips (Probably complaining)
- In the tragedies of Aeschylus, Sophocles and Euripides, the choruses usually represent women or old men who do nothing except comment on what's happening. There are exceptions to this, especially The Suppliants by Aeschylus, in which the chorus represents the protagonists, and The Eumenides, also by Aeschylus, in which the chorus represents the antagonists.
- Many of the comedies of Aristophanes are named after the roles played by chorus: The Frogs, The Birds, The Wasps, etc.
- Aristotle complained about the later ones in Poetics, though, pointing out that the chorus was becoming more and more detached from the plays, and so less and less commentary on them.
- Inherit the Wind has the reporter E. K. Hornbeck providing commentary... in verse. He is a Deadpan Snarker who ends up in conflict with both of the play's main characters - Henry Drummond accuses him of being a mean-spirited cynic and he is openly derisive towards Matthew Brady's religious views.
- Crystal, Chiffon and Ronnette in Little Shop of Horrors are an interesting example, going back and forth between standing outside the action and commenting on it to the audience, and interacting with the other cast members using no special out-of-character knowledge. You can keep track by the costumes; when they're characters the girls wear worn-down clothing appropriate to residents of Skid Row, and when they're a Greek Chorus they've changed into sparkly dresses.
- Che in Evita, both the stage and film versions.
- The Rodgers and Hammerstein musical Allegro relies heavily on its Greek Chorus to voice characters' thoughts, particularly during the protagonist's childhood when he is neither seen nor heard.
- In Mamma Mia!, this trope is taken literally: citizens of the Greek island where the main characters live often provide a chorus for the songs. They also make their own opinions on the action obvious on occasion.
- A host of dead-eyed townsfolk at dramatic junctures in the stage version of Sweeney Todd: The Demon Barber of Fleet Street.
- A Little Night Music has Mr. Lindquist, Mrs. Nordstrom, Mrs. Anderssen, Mr. Erlanson and Mrs. Segstrom, a quintet of characters known as the "Liebeslieders" who play no part in the plot.
- The Bird Girls from Seussical The Musical play this role, actually narrating the story more than the Cat in the Hat, despite his self-assigned role as narrator.
- Trouble In Tahiti has a jazz vocal trio described in the Dramatis Personae as "a Greek Chorus born of the radio commercial." Their odes to Suburbia ironically contrast with the play's action.
- Legally Blonde, Elle's sorority sisters, the Delta Nu girls.
Elle: Margot, Serena, Pilar? What are you doing here?
Serena: This (indicating Elle's ex with a new girlfriend) is a tragedy. And every tragedy needs a Greek Chorus!
Chorus: Greek Cho-rus! (forms a Delta-Nu pose)
- The Dreamers in The Secret Garden, a chorus of ghosts who haunt the house.
- The Love Of The Nightingale has two, a male and female. The male chorus are the ones recounting the plot. The female chorus is Procne's tribal women companions who warn her of danger.
- Britten's The Rape Of Lucretia has a Male and a Female chorus - a tenor and a soprano. Kinda one-person choruses...
- Spider-Man: Turn Off the Dark has a "Geek Chorus" of comic book nerds in Version 1.0, and in the original version the play was an in-universe fanfiction they were coming up with. They were dropped for the rewritten version that actually opened on Broadway.
- Those Two Guys Salarino (or Salerio) and Solanio in The Merchant of Venice extract plot details from other characters and discuss plot-relevant offstage happenings (Bassanio's departure, Shylock's attempts to take legal action, etc).
- Rusty, Urleen and Wendy Jo in Footloose. Rusty is less detached, being a character from the original movie (and part of the Beta Couple), but Urleen and Wendy Jo were written into the musical version to provide both this trope and 80's-style backup singing. (Wendy Jo also appeared in the movie.)
- Woody Allen's play God mocks this trope.
- The Players in Pippin, who introduce the play to the audience and guide Pippin through the spectacular finale (too bad for them it doesn't go as they planned). The majority of them are Monster Clowns trying to manipulate Pippin into suicide - the Leading Player in particular is the true villain of the play.
- The studio audience fill this role in Jerry Springer: The Opera. When Jerry goes to Hell partway through the play, the audience is locked up in cracks in the walls.
- In Eurydice, a Perspective Flip of the story of Orpheus and Eurydice by Sarah Ruhl, a group of stones fill this trope. They offer commentary on the story and advise the characters throughout the play, encouraging them to become unfeeling and cold like the stones themselves are.
- Most of the characters in How I Learned to Drive, with the exception of the protagonist Li'l Bit and her abusive uncle, are represented by a chorus that takes on their roles in turn.
- A Greek chorus is used in Mac Wellman's play Bad Penny, commenting on the action entirely in cryptic language and stock phrases. They are suggested to be otherworldly in some way.
- In Henry V, a character simply known as the Chorus comes onstage, generally at the beginning of each act, and describes the current situation of the play. The Chorus also closes the play by explaining that Henry VI would lose everything that Henry V had gained.
- A chorus consisting of the women of Canterbury provide the commentary during Murder in the Cathedral, foreshadowing Thomas Becket's conflict with King Henry II and his murder.
- The stage version of Aladdin has Babkak, Omar, & Kassim, who were originally written as supporting characters for Aladdin in the film, but dropped from there.
- The stage version of A Christmas Carol will sometimes include Charles Dickens as a character, narrating the events, setting up scenes, and sometimes interacting with the other characters.
- As Mourning Becomes Electra by Eugene O'Neill is a retelling of The Oresteia by Aeschylus set in a 1930's American town, the various townsfolk fill the role of a Greek chorus, commenting on the events of the play and the main characters' behavior.
- In Doctor Faustus by Christopher Marlowe, the play is opened, commented on, and closed by a character designated as the "Chorus".
- The Firebugs, a play by Max Frisch, includes a chorus of bungling firemen who speak in verse and comment on the main story.
- In Hamilton, weirdly enough it's a villain (albeit one who never directly interacts with the main characters) who plays this role: after You'll Be Back, where King George sings about the revolutionary war from his perspective, his next two songs pretty much stick to commenting on the state of America depicted in the musical at the time, from his own quite unique perspective:
Oceans rise, empires fall
Next to Washington they all look small!
All alone, watch them run
They will tear each other into pieces, Jesus Christ this will be fun!
[..] President John Adams... good luck!
- There's also a very brief moment at the beginning of The Election of 1800 where, after a run of songs all about Hamilton's personal life (most of which being pretty depressing), Jefferson comments "Can we get back to politics?" and Madison, dabbing at his eye with a handkerchief, tearfully adds "Please?"
- Lazarus and Eliza in Deus Ex: Human Revolution. Eliza is a mainstream newscaster, whereas Lazarus is a radio talk show host who deals with conspiracy theories. Usually more often than not, their broadcasts will deal with the current situation at hand with the player.
- Super Smash Bros.
- The Star Fox (and Wolf) pilots in Super Smash Bros. Brawl. Snake's allies from the Metal Gear series arguably count, but differ slightly, in that Snake himself is contributing to the discussion while he fights.
- For the Wii U version, Snake's codec calls are replaced with Palutena's guidance, where characters from Kid Icarus: Uprising (and some other games) converse about other fighters. Given the nature of the Kid Icarus setting, this would make it an almost literal Greek Chorus.
- In the DS version of Disgaea, once you win (or get a Non Standard Game Over), an option appears to turn on a prinny commentator, who often makes snarky comments on the game's goings-on.
- In Mass Effect 3, there are Privates Westmoreland and Campbell, the two female Normandy crewmembers guarding the War-Room, who often comment about the events in the story as they occur.
- By the 7th Arc of Umineko: When They Cry, there are two pairs of these: Featherine and Ange in Dawn, and Furfur and Zepar in Requiem.
- Ultra-annoying side characters Peeper and Greasy, at the Super Hero School Whateley Academy in the Whateley Universe. They even run a semi-legal campus radio station to broadcast their usually-offensive thoughts, and they provide the running commentary for the battles during the end-of-term Combat Finals. Unfortunately, they're utterly focused on the breasts of the hotter girls on campus, with the protagonists being some of their favorite targets.
- In The Order of the Stick, the Demon Cockroaches follow Xykon and Redcloak around providing comic relief.
- They actually do get directly involved with the main action in later strips, where one of them tries to talk the Monster in the Dark out of a Heel–Face Turn, warn the others about O-Chul's escape, and then gets skewered by the paladin's improvised spear.
- Even before that Miko used one to light a fire (they can do that) to make an escape.
- Belkar also lit a fire with one, to cook stew.
- Irregular Webcomic! has a literal Greek Chorushint , and a link to this page.
- Neko the Kitty often uses a character situated outside the panels to deliver an extra gag. In later strips, this has been Neko commenting on the action whether he appears in the strip or not.
- Roll and Protoman in their coffee breaks for Bob and George. Once Roll complained about being a plot device after realizing they had just explained the significance of the last comics.
- Then again, the series as a whole has No Fourth Wall, characters who Rage Against the Author, the Author himself as a main character, and pretty much everyone gets in on the act of commenting about plot lines, Plot Holes, (there are none) the yearly attack by some random villain, the various holiday and anniversary party strips... Can your entire cast qualify for a Greek Chorus?
- Tino in The Weekenders. Although, since he's one of the main characters, he's not quite removed from the action.
- Kang and Kodos from some of the later Treehouse of House of Horror episodes of The Simpsons where they appear in a final scene and give a quick remark on the preceeding story.
- When the townspeople in 12 oz. Mouse start malfunctioning, they sing questions about the characters.
- The mouse and snake from Fish Hooks.
- In an episode of Phineas and Ferb, the band "Love Handel" follows a delivery driver around, singing songs about everything he's doing, and near the end of the episode, they reference their transformation from "a pop metal band into a rousing Greek Chorus".
- Dmitri and Sviatoslav, the clock bats in Count Duckula would often comment on the proceedings and make terrible jokes on the theme.
- The Badly-Drawn Brothers in Avenger Penguins would give their pondering reflections on the story.
- The whole purpose of the character Kiwi in Chowder.
- It was a Running Gag on the Marvel / Sunbow animated series of The '80s like The Transformers, G.I. Joe, The Inhumanoids, and Jem that most news broadcasts about the story's events were done by a Geraldo Rivera Expy named Hector Ramirez.
- This was essentially Bill Cosby's role in the live action segments of Fat Albert and the Cosby Kids.
- A live-action Patrick Stewart serves as this in the American Dad! episode "Blood Crieth Unto Heaven". Cee Lo Green does this too in "Hot Water".
- Johnny Gomez and Nick Diamond in Celebrity Deathmatch are rare main character examples, as their purpose is to provide humorous commentary on the death matches which are the real focus of the series. While Nick would sometimes get involved in a death match himself, Johnny only ever got into one over the course of the series, and even then he mostly just provided commentary on his own fight.
- Sheriff Callie's Wild West has a trio of singing prairie dogs, who provide musical commentary on events at the beginning, middle and end of every episode. This usually involves them popping out of nowhere and is never addressed by the characters themselves.
- Sportscasters sometimes adopt this approach, alternately involving themselves with the event through sideline interviews, or standing aside to comment on the action and build up viewers' excitement.
And thus ended the trope page.