Literature / A Christmas Carol
Ebenezer Scrooge in a decidedly non-festive mood.

"Bah! Humbug!"
Ebenezer Scrooge

A Christmas Carol is a novella by Charles Dickens, first published in 1843, that few people have read but everyone knows the story of. But for the record...

Ebenezer Scrooge, a hard-hearted, crotchety old moneylender living in Victorian London, is visited on Christmas Eve by the ghost of his late partner, Jacob Marley. Marley, wrapped in chains and weighted down with lock-boxes that symbolize his obsession with money, warns Scrooge that his life of greed and misanthropy will condemn him to an equally miserable afterlife, and that his only hope for redemption is in heeding the advice of three spirits who will be visiting him that night.

The Ghost of Christmas Past is the first to arrive, and shows Scrooge (and the reader) the ups and downs of the life that had driven Scrooge to become the man he is today. Next is the Ghost of Christmas Present, who shows Scrooge that folks who have suffered worse than he has (including Bob Cratchit, Scrooge's overworked and underpaid clerk, and his family, especially Bob's sickly son Tiny Tim) still find a place for happiness in their lives. Finally, the Ghost of Christmas Yet to Come shows Scrooge's future: Tiny Tim will succumb to his illness, and Scrooge himself will die alone and virtually unmourned.

When Scrooge awakens to find it's still Christmas day, he makes good on his resolution to change his ways, and becomes a respected and generous figure.

Christmas as we know it is largely the result of the book's wild popularity, having taken what had become, in Anglo-Saxon Protestant countries, a relatively minor and disparaged holiday (due to Puritanical and/or anti-Catholic sentiments) and elevating it in the public consciousness. Before its release, many Protestant churches preached against the drunken debauchery associated with the holiday, and it was even illegal to celebrate Christmas in some parts of the US. Dickens' book basically saved Christmas.

Possibly the most widely-adapted story of all time, including versions with the Muppets as well as in The Present Day, resulting in lots of Adaptation Expansion (explaining events and Back Story the book didn't cover). As the era of television wore on, countless shows did at least one episode thrusting a character into their own Christmas Carol-like scenario, with varying levels of quality. In fact, versions with pre-existing characters are so common that they have led to the creation of the Yet Another Christmas Carol trope. It's possibly also the source of the Pensieve Flashback.

You can read the original story on Wikisource for free.

The website (which focuses on Disney news and rumors) did a whopping 40-part series in 2007 called "Scrooge U" which examined many adaptations of this story, both famous and obscure, live-action and animated, serious and parodistic, with all kinds of alternate settings.

The British Film Institute has posted the earliest surviving (though in-complete) film version of the story on YouTube; for its time it was a very modern undertaking, special-effects wise (1901). The earliest surviving complete film adaption is the Thomas Edison version of 1910.

Not to be confused with actual Christmas Carols.

This book provides examples of:

  • Acid Reflux Nightmare: What Scrooge thinks Marley is at first.
  • Ain't Too Proud to Beg: Scrooge, at the end of his spiritual journey. Of course, his cold and uncaring haughtiness has already been irreparably shattered.
  • All Just a Dream: Or so Scrooge would like to think, at any rate. Though it's really left up to the reader as to whether it was really All Just a Dream, or if what transpired was very real, or even if it was some strange mix between the two.
  • Ambiguous Gender: The Ghost of Christmas Past, who is also of Vague Age. Some adaptations make it a child to settle the confusion (it's harder to tell whether someone is male or female if it's a kid), while others make it explicitly a man or a woman.
  • Ambition Is Evil: When Belle calls off their engagement, telling him that a "golden" idol has displaced her in his heart, the young Scrooge attempts to defend himself by invoking (and mocking) the trope:
    "This is the even-handed dealing of the world. There is nothing on which it is so hard as poverty; and there is nothing it professes to condemn with such severity as the pursuit of wealth!"
  • And There Was Much Rejoicing: One family reacts to Scrooge's death in the alternate future this way, because Scrooge was their lender, and they anticipated either a kinder replacement or at least enough time during the transition to scrape together the money they needed.
  • Armor-Piercing Question: The Ghost of Christmas Present throwing Scrooge's "Are there no prisons?" line back at him might count as this, but right at the start of the book Scrooge replies to Fred's "Merry Christmas" by asking "What reason have you to be merry? You're poor enough", to which Fred responds "What reason have you to be so dismal? You're rich enough". This is the first time Scrooge is lost for words, and can only reiterate his famous "humbug!". Finding out the answer to this question is the whole role of the Ghost of Christmas Past.
  • Bad Future: The vision shown by the Ghost of Christmas Yet to Come. At first this seems like the trope is Inverted: It's a bad future only for Scrooge, because his death is shown to make the world a happier place! But because Scrooge continued his miserly ways in this future, it means Cratchit still wasn't paid enough money to provide Tiny Tim the medical treatment he needed, and Tiny Tim dies.
  • Benevolent Boss:
    • Fezziwig, Scrooge's first employer.
    • By the end of it all, Scrooge becomes one too.
  • Big Brother Instinct: Scrooge was this to Fan before her death.
  • Big Fun: The Ghost of Christmas Present is the largest and most jovial of the three spirits.
  • Breaking the Fourth Wall: At the beginning Charles Dickens speaks directly to the reader to impress upon them that Jacob Marley was Dead to Begin With. He explains this one fact is absolutely crucial to the story, and therefore warrants extensive Word of God confirmation, from death certificate to door-nail.
    "This must be distinctly understood, or nothing wonderful can come of the story I am going to relate."
    • Dickens continues to do this throughout the book, at one point telling the reader that "I am standing, in the spirit, at your elbow."
  • Canon Welding: When Marley shows Scrooge the wandering ghosts, Scrooge notices "one old ghost in a white waistcoat," who he realizes is an old friend of his, crying at being unable to assist an unwed mother. It's quite likely that Dickens slyly meant this ghost to be "the gentleman in the white waistcoat" from Oliver Twist, a character who is very harsh to Oliver and denies him food.
  • Catchphrase: Scrooge's iconic "Humbug!" Sometimes prefaced with "Bah!"
  • Catchphrase Interruptus: "He tried to say 'Humbug!' but stopped at the first syllable."
  • Character Development: One of the main points of the story. (The other being that the rich and powerful should help the poor, particularly in Victorian England, which is still somewhat related to this trope, seeing as that's what Scrooge is implied to do after his Character Development. So, you could say that Scrooge's Character Development is the entire point of the story.)
  • Chew-Out Fake-Out: The day after Christmas, Scrooge pretends to be his old grouchy self and scolds Bob for coming in late.
    Scrooge: And therefore, and therefore, I am about to raise your salary!
  • Christmas Carolers: Scrooge chases one off without even opening his office door.
  • Creepy Child: Possibly Creepy Twins, though it's never specified. The Ghost of Christmas Present keeps a silent, wraith-like boy and girl — Ignorance and Want, respectively — under his cloak, telling Scrooge that they are mankind's children, born of poverty.
  • Cruel to Be Kind: The Ghost of Christmas Yet to Come shows Scrooge an incredibly disturbing future. However, this is in the efforts to avoid that future. This also applies to the other ghosts, including the otherwise jovial Ghost of Christmas Present, who pulls no punches in throwing Scrooge's own words back at him.
  • Dark Is Not Evil: A famous example: the Ghost of Christmas Yet To Come is deeply frightening, resembles the Grim Reaper in his heartless pallor, is cold, pitiless, and silent as the grave, and shows what is by far the most horrible of Scrooge's visions, but is just as kindhearted as the rest of the spirits and shows him the grim truth only so that he may finally realize what it means and change it for the better. Lampshaded by Scrooge himself, who states that whilst he fears this ghost more than any of the others, he knows it is acting for his benefit and so follows it without question.
  • Dead Person Conversation: Scrooge has one with Jacob Marley, where Marley informs Scrooge of just what awaits him if he keeps being such a crotchety old miser.
  • Deliberately Painful Clothing: Marley's ghost wears heavy chains as penance for his sins in life.
  • Did Not Get the Girl: Scrooge does not end up with Belle. The fact she dumped him around Christmastime helped contribute to his hatred of the holiday.
  • Don't You Dare Pity Me!: Belle dumps Scrooge while she's in mourning.
  • Drowning My Sorrows: With money, not alcohol.
  • Dying Alone: Scrooge's fate in the visions of Christmas to come. No one cares that he's dead; some even celebrate it. And he's only put in a grave as a matter of formality.
  • Earn Your Happy Ending: Scrooge vowing to change his ways and become a good man earns him a second chance at life, and it's so implied that he did manage to avoid the same fate the Jacob Marley did.
  • Easily Forgiven: Everyone who Scrooge has been tormenting for years forgives him instantly upon his Heel–Face Turn, with no sign of a thought of carrying a grudge. Potentially justified in that most of them are still Scrooge's employees or debtors, and therefore might not want to risk turning him bad again by rejecting his change. They literally can not afford to not forgive him. Luckily for them that Scrooge's turn is legit.
  • Empty Chair Memorial: The Ghost of Christmas Present foresees Tiny Tim's empty chair and his crutch tucked into a corner by next year's Christmas if things do not change from their current course of events. The Ghost of Christmas Yet to Come does him one better and shows Scrooge the empty chair, along with Tim's grieving family.
  • Evil Uncle: Subverted with Scrooge. He's not necessarily evil, but he's truly a bitter man towards everyone, including his only living relative Fred. He gets better in the end.
  • Extremely Short Time Span: The visions encompassing several decades notwithstanding, the story takes place between close of business on December 24th, and ends shortly after opening on December 26th.
  • Fashion Hurts: Peter Cratchit's collar isn't comfortable, but he's still proud to be wearing it.
  • Flanderization: No, Scrooge's primary character flaw is not that he hates Christmas, nor that he's a miser, but you could be forgiven for thinking that from some of the adaptations. In the original story, those flaws are meant to indicate that Scrooge Stopped Caring about the less fortunate, i.e., anybody other than himself, and a side-effect of his callousness towards everyone he knows.
  • Flying Dutchman: Marley. He doesn't get a happy ending either.
  • A Foggy Day in London Town: The fog is mentioned several times in the novel.
  • Food Porn: The Christmas Day feasts are described in as much mouth-watering detail as possible.
  • Freudian Excuse:
    • Seeing how many of Scrooge's unpleasant memories happened at Christmas time, as shown in the Christmas Past sequence, it's little wonder he's so down on the holiday.
    • It's implied he spurns his nephew because the lad reminds him of his dead sister.
  • Future Loser: Sort of. Scrooge isn't remembered with any fondness in the future shown to him by the Ghost of Christmas Yet to Come.
  • Future Me Scares Me: Well, yes, being a white corpse wrapped in a sheet while people on the streets either laugh at your death or are glad that you are dead is a pretty scary thought.
  • Good Feels Good: Scrooge is a much happier man when he opens his heart to others.
  • Good Is Not Nice: The Ghost Of Christmas Yet To Come is the most famous example, but all three ghosts are fairly harsh on Scrooge - particularly Present, who is incredibly sardonic.
  • Ghostly Gape: In most versions, including the original book, Marley's ghost wears a bandage around his head to keep his jaw from hanging down, unhinged, and at one point takes it off in order to frighten Scrooge even more.
  • The Grim Reaper: The Ghost of Christmas Yet To Come's appearance suggests that he may be associated with this.
  • The Grinch: Scrooge is the Trope Codifier, even though most adaptations of the story play up this trait more than the original work.
  • Grumpy Bear: Scrooge spends most of the story in a dour mood about Christmas, contrary to everyone else in Dickens' Victorian London making merry.
  • HAHAHA–No: Amusingly inverted at the end of the story. Scrooge pretends he is about to blast his employee for being late, and suddenly laughs and shouts "Merry Christmas"!
  • Happily Married: Mr. and Mrs. Cratchit, Fred and his wife, The Fezziwigs, and Belle and her husband.
  • Have a Gay Old Time:
    • When the Ghost of Christmas Present was showing Fred's Christmas, there was this line of narration: "Uncle Scrooge had imperceptibly become so gay and light of heart,..."
    • Scrooge "had no further intercourse with Spirits, but lived upon the Total Abstinence Principle." By that, Dickens meant that Scrooge did not have any future interaction or communication with ghosts after his reformation. Meanwhile, "Total Abstinence Principle" was a phrase commonly associated with teetotaling, i.e. never drinking any alcohol or "spirits". (Yes, Dickens is indulging in a pun.) However, the meanings of "intercourse" and "abstinence" have changed to the point where even those who are (old enough to be) grandparents will raise their eyebrows at that particular passage.
  • Heel–Face Turn: Scrooge. But everybody already knows that.
  • Honest Corporate Executive: Scrooge had several faults before his Heel–Face Turn, but being a Corrupt Corporate Executive wasn't one of them. It was stated how good his word was when it was mentioned he was one of those who signed Jacob Marley's death certificate. So he's not dishonest; he's just heartless.
  • Humanoid Abomination: If its physical description is to be believed, the Ghost of Christmas Past certainly qualifies. It looks human, but it's impossible to tell if it's old or young, male or female - and it flickers like a candle flame, so that it looks like it has multiple heads or other limbs.
  • Humans Are Good: It is Christmastime of course, so this is the time of year that gets the best out of everyone. Scrooge becomes a much better person after his Heel–Face Turn.
  • I Gave My Word: Belle can see that Scrooge doesn't love her any more and that he intends to stick by their engagement only because he sees it as a contract he's bound to. She decides it's better for them both if she releases him from the obligation.
  • I Hate Past Me: A classic example: upon witnessing them firsthand, Scrooge is decidedly not proud of his past self's actions.
  • Ill Boy: Tiny Tim. Though the cause of his illness is never specified, tuberculosis, polio, or renal tubercular acidosis seem like good candidates. Rickets is another one. Medical papers on Tiny Tim are numerous.
  • Incorruptible Pure Pureness: Fred, Bob Crachit, and Tiny Tim compete to see who best exemplifies this. Fred is always jovial, Bob is a good man caught with a terrible boss, and Tiny Tim is purely innocent in every respect.
  • Infant Immortality: Double Subversion. Christmas Present considers it a serious likelihood that Tiny Tim will die, and Christmas Yet To Come shows Scrooge the future in which this happens, complete with the full emotional repercussions on the Cratchit family. However, thanks to Scrooge's Heel–Face Turn, Tiny Tim does not die after all.
  • Intangible Time Travel: Actually, just shadows of things that had been, are, and will be happening.
  • Ironic Echo: Used twice, both times by the Ghost of Christmas Present to Scrooge. The relevant parts are bolded below.
    Scrooge: Oh, no, kind Spirit! say [Tiny Tim] will be spared.
    Ghost: If these shadows remain unaltered by the Future, none other of my race will find him here. What then? If he be like to die, he had better do it, and decrease the surplus population.
    • Later, when Ignorance and Want step out from under the Ghost of Christmas Present's robe:
    Scrooge: Have they no refuge or resource?
    Ghost: Are there no prisons? Are there no workhouses?
  • Ironic Hell: Jacob Marley is forever chained to moneyboxes and safes, symbolizing his greed - all his wealth in life is now beyond useless to him. Scrooge sees other ghosts of rich men he knew, roaming the streets of London - now they're forced to witness firsthand the misery of the poor whom they scorned to help in life.
  • I Want My Beloved to Be Happy: Belle reasons that Scrooge would only be miserable and filled with regret if he married a poor girl like her, so she breaks off their engagement.
  • Jacob Marley Apparel: Worn by exactly whom you think, although Scrooge notes that the trope is older than that and ghosts in haunted houses are often said to drag chains. Dickens adds the twist that Marley's chains are made from the moneyboxes and ledgers that symbolize his selfish ways. Marley is also dressed in the clothes he was wearing when he died, but has the added accessory of a scarf that was bound around his jaw to keep it shut in the coffin.
  • Jacob Marley Warning: Another Trope Namer. Jacob Marley represents what could happen to Scrooge if he doesn't mend his ways.
  • Jerkass: Scrooge at the start of the story, oh so much. Morphing into Jerkass Woobie as more of his background is revealed.
  • Kick the Dog: Much of the first chapter is largely an exercise in showing how mean and bitter Scrooge is.
  • Kill the Poor: Although he doesn't advocate outright killing the poor, Ebenezer Scrooge does advocate the poor offing themselves...
    Solicitor for the Poor: Many would rather die than go there [to prison or to a workhouse].
    Scrooge: If they'd rather die, then they had better do it and decrease the surplus population.
  • Knight of Cerebus: The Ghost of Christmas Yet to Come. No matter which adaptation of this story you read or watch, he will always, always turn the story into Nightmare Fuel. No exceptions.
  • Lemony Narrator: As with a lot of Dickens' books. Take, for instance, this little digression at the beginning of the story:
    "Old Marley was as dead as a door-nail. Mind! I don't mean to say that I know, of my own knowledge, what there is particularly dead about a door-nail. I might have been inclined, myself, to regard a coffin-nail as the deadest piece of ironmongery in the trade. But the wisdom of our ancestors is in the simile; and my unhallowed hands shall not disturb it, or the Country's done for."
  • Littlest Cancer Patient:
    • Unbuilt Trope version. Unusual in that Tiny Tim's illness is not necessarily fatal, it is just that the Cratchits are too poor to afford treatment, which is why he dies in the alternate future. So when Scrooge has his change of heart and increases Bob's salary, Tim presumably doesn't succumb to his illness.
    • It's now believed that Tim suffered from rickets, thanks to smoky conditions at the time in London as well as malnutrition. Poor children were particularly susceptible, and those afflicted were vulnerable to other diseases like tuberculosis and pneumonia. It was a problem that would be solved by eating vitamin D rich foods such as fish, cheese and liver, Scrooge probably made sure Tim was well-fed and helped cure his rickets. This theory was aided by the fact that 20 years after the novel was published, Dickens railed against malnutrition and rickets in children.
  • Lonely at the Top: The firm of Scrooge & Marley has been just Scrooge for the last seven years (though Scrooge has been too cheap to change the sign), and Scrooge lives alone in a big, mostly empty and dark house.
  • Long Title: The full title is in fact A Christmas Carol in Prose, Being a Ghost Story of Christmas. But when was the last time anyone called it that?
  • Love Makes You Evil: Scrooge's miserliness stems from trying to have a comfortable future with his impoverished fiancee, but he then stopped caring about that, and just the money itself. Could also double as Start of Darkness.
  • Married to the Job: Belle accuses Scrooge of being this.
  • Massive Numbered Siblings: The Ghost of Christmas Present had more than 1,800 siblings (presumably all deceased), each representing a year of Christmas. On the mortal level, Scrooge's former fiancée's house is overflowing with children, and the Cratchits have more children than the narrator can be bothered to name.
  • Maybe Magic, Maybe Mundane: The question is left open whether Scrooge's visitation by spirits was real or All Just a Dream.
  • Meaningful Name: The word "scrooge" was originally slang for "to squeeze", as in Scrooge's tight-fistedness.
  • Mind Screw: The Ghost of Christmas Past's physical appearance, which was allegedly so confusing that the book's original illustrator didn't even attempt to draw it.
  • Mistaken Age: Scrooge is usually depicted and/or played as an old, withered man, but going by certain aspects in the story - his nephew Fred's age, for instance - by modern standards he's probably only middle-aged at the most. Then again, in the early Victorian era being middle-aged was quite likely considered to be old anyway.
  • Mood Whiplash: The story goes from bleak and depressing, to scary, to cheerful, to sad, to cheerful again, to scary and sad, to extremely sad, to scary again. It then lastly ends on a cheerful note.
  • Most Wonderful Sound: An in-universe example; the narrator considers Fred's laughter to be this:
    "If you should happen, by any unlikely chance, to know a man more blest in a laugh than Scrooge's nephew, all I can say is, I should like to know him too. Introduce him to me, and I'll cultivate his acquaintance."
  • Morally Bankrupt Banker: Marley was one when he was alive. Scrooge is at least honest with people's money, but he's such an old miserly jerk that everyone presumes he's morally corrupt.
  • Narrative Profanity Filter: When Fred invites Scrooge to Christmas dinner.
    "Scrooge said that he would see him—Yes, indeed, he did. He went the whole length of the expression, and said that he would see him in that extremity first."
  • Neologism: The term "scrooge" has become slang for a miser, especially a bitter one.
  • Nothing Is Scarier:
    • The Ghost of Christmas Yet To Come, who is completely shrouded, his true form always just out of sight. It makes sense in that he's the embodiment of a man's blindness toward his own future.
    • Erroneously expecting the Ghost of Christmas Present to come on the second night at 1 o'clock, it's stated that nothing between a baby and a rhinoceros would have surprised him much. When nothing happens, he freaks out. (It turns out the Ghost was actually waiting for him in Scrooge's living room.)
  • Obliquely Obfuscated Occupation: The book never specifies exactly what Scrooge's business is. He's referred to as being hard on his debtors, so many adaptations make him some sort of moneylender. On the other hand, it's mentioned that he's well known on "'Change," that is, the merchandise/stock exchange in London. And he did his apprenticeship with Fezziwig, who was apparently a wholesaler of unspecified goods.
  • One-Mario Limit: Any fictional character from after this story's publication named Ebenezer will be a reference to Ebenezer Scrooge.
  • The One That Got Away: Belle. She dumped Scrooge after it became clear that he wasn't in love with her, just seeing her as one more promise he had to fulfill.
  • Opinion-Changing Dream: Before four ghosts visit him in his dream Scrooge is a mean person who hates Christmas and helping the needy. After the dream his opinion is changed completely and he becomes a good person.
  • Parlor Games: The guests at Fred's party play some, including Blind Man's Buff and Twenty Questions.
  • Pensieve Flashback: Possibly the Trope Maker. In the span of one night, Scrooge sees not just his past, but the present, and what will be.
  • Redemption Equals Life: Scrooge changing his ways and becoming a better person not only saved him from dying the terrible death in the future he was shown but also ultimately saved his soul as well.
  • "The Reason You Suck" Speech: After delivering his Ironic Echo to Scrooge, the Ghost of Christmas Present takes him to task for presuming he has the right to refer to some people as a "surplus population."
    "Man, if man you be in heart, not adamant, forbear that wicked cant until you have discovered What the surplus is, and Where it is. Will you decide what men shall live, what men shall die? It may be, that in the sight of Heaven, you are more worthless and less fit to live than millions like this poor man's child. Oh God. To hear the Insect on the leaf pronouncing on the too much life among his hungry brothers in the dust."
  • Right on the Tick: Subverted. The spirits are supposed to come on three consecutive nights, at specified times. They arrive at the specific time, but all the visitations somehow happen in one night.
  • Robbing the Dead: The Future spirit shows Scrooge a scene where his possessions are callously sold off just after his death.
  • Rule of Three: Spirits of Christmas Past, Present, and Yet To Come.
  • Set Right What Once Went Wrong: Scrooge and Tiny Tim's deaths are seen, and then averted.
  • Scare 'em Straight: Both Marley and the Ghost of Christmas Yet to Come do this. In some adaptations, Marley makes one last appearance in Scrooge's mirror when Scrooge shows signs of reverting.
  • The Scrooge: The Trope Namer (even before this site). Although Scrooge has money, and is always making more, he's stingy in his home life and ungenerous to others.
  • The Silent Bob: The Ghost of Christmas Yet to Come. He never speaks, but can get his point across to Scrooge nonetheless.
  • Silly Rabbit, Cynicism Is for Losers!: Scrooge learns this lesson thanks to the three ghosts. Being uncaring for his fellow man will doom Scrooge to being bitterly unhappy with what time he has left. Changing his mind vastly improves the quality of his life.
  • Silly Rabbit, Idealism Is for Kids!: Scrooge says celebrating Christmas is for fools to his nephew at the beginning of the book.
  • The Social Darwinist: Scrooge is your typical Malthusian aristocrat of the time. Suffice to say that another of Dickens's fictional followers of Malthus, Filer in "The Chimes", says the poor "have no earthly right or business to be born. And that we know they haven't. We reduced it to a mathematical certainty long ago!" Scrooge's battlefield is more market than campaign.
  • Sliding Scale of Idealism vs. Cynicism: Most of the story lays somewhere in the middle until the end where it becomes arguably on the most idealistic stories in classic literature.
  • The Speechless: The Ghost of Christmas Yet to Come.
  • Start of Darkness: The visions of Christmases past show Scrooge's descent into miserliness.
  • Suicide Dare: Charles Dickens uses this to firmly establish Scrooge as a Jerk Ass at the beginning. When told that many of the poor would rather die than go to the hellish workhouses, Scrooge replies, "If they would rather die, they had better do it, and decrease the surplus population." An alternative (though hardly much better) interpretation is that rather than actually daring them to actually commit suicide, he's just so callous that he thinks that since they're likely to die of various poverty-related issues anyway, they should basically just lie down in the street and let it happen sooner rather than later. Or, alternately still, he's calling their bluff to show they wouldn't really "rather die" and thus the workhouse isn't really a Fate Worse Than Death. Basically, however you parse it, the guy's a Jerk Ass.
  • Temporal Mutability: Scrooge desperately asks the Ghost of Christmas Yet to Come, "Are these the shadows of the things that will be, or are they shadows of things that may be, only?" The Ghost does not answer; the closing narration confirms that he was able to change his destiny.
  • Time Passes Montage: Broadly the entire visit to the past, but most especially the moment in the schoolroom when Scrooge sees his entire childhood pass in moments.
  • Troll: Post-ghosts, Ebeneezer trolls Bob and his wife by pretending to be his old strict self. Just for fun.
  • Truth in Television: By the standards of his time Scrooge wasn't a particularly harsh employer aside from the pittance he paid in wages. Many people worked right through Christmas—note that when "reformed," Scrooge expects to find a poultry shop open on Christmas Day itself, and is not disappointed note . At one point, Dickens uses a conversation between Scrooge and the Ghost of Christmas Present for an Author Tract about blue laws prohibiting bakeries from being open on Sundays.
  • Trying Not to Cry: Mrs. Cratchit wants to show a strong face for her husband when he comes back from arranging Tim's burial and hides her tears by claiming that the color of the fabric she's sewing hurts her eyes.
  • Two of Your Earth Minutes: The Ghost of Christmas Past comments that Old Fezziwig has spent "a few pounds of your mortal money."
  • Unable to Support a Wife: At first, this is a problem for Scrooge. Then he gets caught up in earning it.
  • Unfinished Business: Ghosts of people who did not take care of the poor in this life are doomed to wander the earth observing all the people they could have helped, but lacking the power to do anything.
  • Used to Be a Sweet Kid: The main focus on Scrooge's childhood is on his loneliness rather than any acts of kindness, but he deeply loved his sister and seems to have been very fond of Dick Wilkinson.
  • Victorian London: That being the time and place it was written and set in.
  • Villain Protagonist: Scrooge prior to his Heel–Face Turn. He is a selfish, crotchety miser who underpays Bob Cratchit to the point where he can't afford the treatment to cure his Inspirationally Disadvantaged son, refuses to give money to an organization providing services to the poor, after which he delivers a speech advocating the poor offing themselves since they deserve nothing better than prisons and workhouses, and only reluctantly gives Bob the day off on Christmas. No wonder he was set to walk the earth fettered with more chains than Jacob Marley had before his Heel–Face Turn.
  • Villain with Good Publicity: Dickens touches upon this with Marley's donations to the charity. One doesn't necessarily need to be altruistic to donate; at the most cynical end of the scale, it's a way of keeping the company in good public standing. But when the story begins, Scrooge is so far gone that he doesn't even consider the more cynical side of giving. Subverted at the same time—Marley expresses true remorse at his lack of genuine altruism in life.
  • White and Grey Morality: Everybody seems to be a nice, normal person where Ebenezer Scrooge is more grumpy and careless. That is until the end.
  • Workaholic: Scrooge is so adamant about working that he insists on working on Christmas Day. Bob has to point out that , since every other place is closed, he'll just be wasting money by coming in.
  • Writer on Board: Quite a bit, and not only for the social commentary. Dickens infused most of his own childhood into the Christmas Past story, particularly an extended discussion on the Arabian Nights and the importance of fantasy in childhood. Uniquely, the story would be much poorer without Dickens getting on board.

Adaptations with their own trope pages (year of release and actor playing Scrooge in parentheses):

Other adaptations provide examples of:

  • Adaptation Distillation:
    • In Dickens' book, the Ghost of Christmas Present takes Scrooge to see the Christmas celebrations of an isolated group of miners, a pair of lighthouse keepers, and the crew of a ship at sea. These scenes are rarely included in film or television adaptations, though Scrooge (1935), the 1971 animated short, the 1999 Patrick Stewart TV version and the 2001 version have them, and the 1951 Scrooge has the miners.
    • Another scene from the book that is rarely included in adaptions is the scene where Christmas Future shows Scrooge the family that was in debt to him celebrating his death. The 1999 and 2009 version include it, however, and the Albert Finney version takes that aspect Up to Eleven with the coffin-dancing "Thank You Very Much" song.
    • The Ignorance and Want scene is left out of many of the more family friendly versions. It is incredibly rare to find an animated version featuring it, with the 1971, 2001 and 2009 versions being some of the few exceptions. Some of the lighter live action versions also exclude it, such as the Muppets Christmas Carol and the 1938 film with Reginald Owen. Oddly enough, the 1970 musical also cuts it out, despite expanding on some of the other darker scenes in the story.
    • Marley's Ghost takes this Up to Eleven - it's so short, the other ghosts don't appear, and it falls to Marley to show Scrooge the past, present and future.
    • The Magoo version had to drop a fair amount of material, but the most notable may be Scrooge's sister and nephew. This actually serves to make Scrooge even more sympathetic. As one of the songs says, he really is all alone in the world.
    • Another common change used is having Scrooge visit the Crachits on Christmas Day to reveal his change of heart to them, when in the original story he spent the entire day at Fred's and Bob did not learn about his attitude change until the day after. Some versions work in ways to justify this - in the 1938 version Scrooge had previously fired Bob the day before, so he went to the Cratchits' home to rehire him, while in Mickey's Christmas Carol Bob originally only had half a day off so Scrooge was visiting him before he attempted to head to the office later on.
    • The Cratchits have six children in the book, but adaptations often reduce the number to five, four or three.
  • Adaptation Expansion: One of the most common changes kept in, that was not in the original work, is Scrooge meeting Belle at Fezziwig's ball. Belle is only introduced in the next scene which is their breakup.
  • Adapted Out:
    • The Ghost of Christmas Present shows Scrooge two children named Ignorance and Want, whom Scrooge must avoid. Several adaptations don't have the Ghost show Scrooge the children.
    • Scrooge's younger sister Fan also gets left out in some adaptations, which is strange, considering witnessing her kindness to him in the past is what triggers Scrooge's Heel Realization about his attitude towards her son Fred. The Mr. Magoo version leaves out not only Fan, but Fred too.
    • Many adaptations reduce the Cratchits' six children (Martha, Peter, Belinda, an unnamed boy and girl, and of course Tiny Tim) to just five, four or three.
  • Affectionate Parody: There is a seussified version where everybody speaks in rhyme.
  • Age Lift:
    • The 2001 Animated Adaptation depicts Scrooge as middle-aged, rather than the elderly man every other version makes him.
    • In the book Scrooge's sister Fan is younger than he is, but some adaptations make her older, so as to attribute their father's neglect of young Ebenezer to his blaming the boy for his mother's Death by Childbirth.
  • Anachronism Stew: Adaptations of A Christmas Carol almost universally portray Scrooge and his employees using quill pens, which were virtually extinct by the 1840s, with steel pens being standard from the 1820s onward. Notably, the book makes no mention of quills at all.
  • Bully Bulldog: Scrooge has one in the 1997 Animated Adaptation.
  • Catch-Phrase:
    • "Bah, humbug!", thanks to Lost in Imitation — the phrase is uttered only twice in the original work. "Humbug," on its own, is said seven times, however, all in the first chapter. They even Lampshade it with "He tried to say “Humbug!” but stopped at the first syllable."
    • And in "Mr. Magoo's Christmas Carol", there's Tiny Tim's fondness for "Razzleberry dressing".
  • Composite Character: In the Christmas Episode of the Animated Adaptation of Back to the Future, Marty posed as a Christmas Spirit to trick Ebiffnezer Tannen. When Tannen asked of he was Past, Present or Yet to Come, Marty said he was all of them.
    • Also, in "A Diva's Christmas Carol", Bob was a composite of himself and a male Belle.
  • Deadpan Snarker:
    • Scrooge in some versions.
    • Marley in one stage play version:
    Scrooge: (to the Ghost of Christmas Past) Are you the Spirit, sir, whose coming was foretold to me?
    Ghost of Christmas Past: I am.
    Marley: Does he take this to be a vision of his greengrocer?
  • Disneyfication: Though the Disney company itself has done less of this in the many versions it has produced, than other filmmakers have when making kiddie-oriented adaptations.
  • Gender Flip: Many adaptations will do this for the characters, particularly the Scrooge character.
    • Susan Lucci in Ebbie
    • Cicely Tyson in Mrs. Scrooge There is also a sibling Gender Flip and her brother dies in the Vietnam War.
    • Tori Spelling in A Carol Christmas
    • Vanessa Williams in A Diva's Christmas Carol Another sibling Gender Flip.
    • Barbie's Christmas Carol
    • The 2009 Rod Espinosa comic has Eliza Scrooge, but is still set in the Victorian era, requiring a few other changes.
    • The 1997 version depicts the Ghost of Christmas Present as a woman, played by Whoopi Goldberg. It's also a Race Lift to African-American.
  • The Grim Reaper: In Jacob Marley's Christmas Carol, a book showing the entire story through Marley's POV, the sinister hooded Ghost of Christmas Yet To Come actually is the Grim Reaper come to collect Scrooge's soul, and it's only through Marley's Heroic Sacrifice that Scrooge is given a second chance at life.
  • Happily Ever Before: Inverted. A theatrical adaptation added Book Ends that showed Marley and the Spirits talking to an unseen figure (presumably God). This shows that rather than being sent back, Marley begged for a chance to help Scrooge, knowing no one else would. At the end, seeing his selflessness, the spirits ask permission to remove Marley's chains. God says no...he (God) will do it himself!
  • Informed Attribute: Several adaptations show the "poor as churchmice" Cratchetts living in a house that actually looks like a pretty nice, middle-class home, although some, like the Patrick Stewart telefilm, portray their poverty more believably.
  • Large Ham: The Ghost of Christmas Present, since Christmas itself is supposed to be an obviously joyful time. Depending on the actor, Scrooge and/or Jacob Marley may be this in adaptations.
    • Scrooge, after his redemption, is this in some adaptations.
  • The Musical: Many musical versions exist; among them are:
    • The Stingiest Man in Town (A 1956 TV production adapted into a Rankin/Bass Productions animated special in 1978)
    • Mister Magoo's Christmas Carol (1962)
    • Scrooge (1970) (1970, with Albert Finney; later became a successful U.K. stage musical). There is even a song where people in the bad future celebrate his death.
    • The Muppet Christmas Carol (1992)
    • An animated direct to video film in 1997 starring Tim Curry.
    • The 2004 TV movie starring Kelsey Grammer (which was an adaptation of a stage musical production that ran at Madison Square Garden from 1994-2003; music by Alan Menken)
  • Pretty in Mink: For a touch of Costume Porn many of the adaptations will have at least one or two furs, like a muff or fur-trimmed cape. The most common is the fur-trimmed robe worn by the Ghost of Christmas Present.
  • Show Within a Show: The framing story of "Mr. Magoo's Christmas Carol" is of Magoo playing Scrooge on Broadway. On stage, he plays the role straight; offstage, he the same old, nearsighted Magoo.
  • Spared by the Adaptation:
    • One play adaptation stops the Ghost of Christmas Yet to Come's Bad Future vision with Tiny Tim's death, removing the scene where Scrooge comes across his own headstone.
    • The retelling in Adventures from the Book of Virtues keeps Tiny Tim alive, but it's made clear that if the Bad Future comes to pass, he'll remain a cripple for the rest of his life.
  • Spell My Name with an "S": Fan, Fran, Fanny, you get the picture.
  • Troll: Certain adaptations have Scrooge at the counting house, waiting for Bob, who is very late, to come in before starting in on him, only to proclaim "MERRY CHRISTMAS, BOB!"
  • True Meaning of Christmas: Varies depending on the adaptation. Some, like the 1951 version, plainly mention Jesus and the Nativity, along with other Biblical references. Others, like Scrooged, barely acknowledge it at all.
    • Nearly all versions include the line "...who, upon Christmas Day, made lame beggars walk and blind men see." It's a more subtle reference, but its meaning is pretty clear.
  • Twice Told Tale: Louis Bayard's Mr. Timothy.
  • Villain Protagonist: For much of the story, anyway.
  • The Voiceless: The common depiction of the Ghost of Christmas Yet to Come. Exceptions are when established characters in a show are playing that ghost.
    • In Mickey's Christmas Carol, he appears to be voiceless for most of his appearance, but when Scrooge asks "whose lonely grave is this?" he lights a cigar, revealing himself to be Pete, and says: "Why, yours, Ebenezer. The richest man in the cemetery! Ha, ha, ha, ha, ha!"
    • In the original novel, there's one scene where Scrooge hears lines of poetry being recited in his head which definitely did not come from himself, but it never outright states that Yet To Come actually spoke (telepathically).
    • In the George C. Scott movie, the spirit of Yet to Come doesn't speak, but every time it "responds" to Scrooge, a weird metallic wail is heard in the background, reminiscent of the rusty iron gates of a cemetery.
  • Wham Shot: One of the most famous in history—Scrooge's grave.
  • Yet Another Christmas Carol: If it's not an adaptation it will be a Whole Plot Reference.