Theatre / Spider-Man: Turn Off the Dark

Spider-Man: Turn Off the Dark is a Broadway musical based on the Marvel Comics superhero. Directed by Julie Taymor (director of the Broadway version of The Lion King) with the score and lyrics by Bono and the Edge of U2. As of this writing, it is the single most expensive Broadway musical ever produced, costing about seventy-five million dollars. note 

The musical is best known for its very, very Troubled Production. Several actors were injured during rehearsals and the preview period, falling while performing the show's elaborate aerial stunts, causing many to joke that it should have been called Spider-Man: Notify Next of Kin. The script underwent Retooling more than once, and Julie Taymor was fired, during this time. The whopping one hundred and eighty-two performances, spanning 2010-2011, before the show officially debuted was the longest preview period in Broadway history. This production closed in January 2014; while it looks to be one of the biggest flops in Broadway history with its backers looking at losses of $60 million, the producers intend to stage it elsewhere in years to come.

Storywise, the final product is largely based on the first two Sam Raimi films, with the myth of Arachne and the Maximum Carnage story arc added into the mix.

Spider-Man: Turn Off the Dark provides examples of the following tropes:

  • Abusive Parents: Mary Jane's father, as implied in her part of "No More." This was more explicit in the first version, where he actually hit her with a beer bottle in the middle of the song.
  • Adapted Out: Harry Osborn.
  • Affirmative Action Girl: Swiss Miss. In the first version, Miss Arrow even states that she added her into the story because the Six needed "a woman's touch".
  • All Just a Dream: Spider-Man's foes being resurrected and destroying the city in Act Two in the original script was all an illusion created by an angry Arachne up until its climax.
  • Ambiguously Gay: Norman may have been married, but the Green Goblin "said goodbye to [his] straight life ..."
  • All of the Other Reindeer: Peter even has a song about it.
  • Angry Mob Song: "Bullying By Numbers" is a slightly less vitriolic version of one, about how much fun beating up Peter is.
  • The Artifact: Several bits, most notably everything involving Arachne (including the title song!), have no impact on the story and clearly only exist because Julie Taymor had already paid for the costumes and props.
    • Swiss Miss was thrown in by Miss Arrow because said "Geek Chorus" member thought she sounded cool.
  • Ax-Crazy: The Goblin, natch. Carnage is stated to have murdered his grandmother and tortured his mother's dog when introduced in "A Freak Like Me Needs Company".
  • Big Bad: Arachne in Version 1.0, the Green Goblin in 2.0.
  • Brought Down to Normal: Peter, in Version 1.0.
  • The Cameo: The villain Hammerhead briefly appears as a bank robber during Spider-Man's introduction.
  • Composite Character: This Green Goblin is a cross between the Goblin and Dr. Octopus from the Sam Raimi films.
    • Most likely unintentional, but his insanity as a result of severe mutations and sudden ability to break the fourth wall afterwards gives him shades of a certain other Marvel character
    • The Green Goblin was also the result of a physical mutation, much like the Ultimate version of the character.
  • Creator Cameo: A few U2 snippets appear in the soundtrack. And "Bouncing Off the Walls" is suspiciously similar to "Vertigo."
  • Curb-Stomp Battle: Spidey has one with each of the Sinister Six that lasts just a few seconds. In the first version, he even did it without any of his powers.
  • Demoted to Extra: Arachne in Version 2.0. In Version 1.0, she's serves as the Spirit Adviser-turned-Big Bad. In the new version, her role as Peter's Spirit Adviser is left intact, but her stage time is reduced to only three scenes. The role of the Big Bad ultimately went to the Green Goblin.
  • Disc-One Final Boss: The Green Goblin in Version 1.0. The first act builds up to Norman's transformation, but he's dead by intermission and Act Two makes it clear that the true Big Bad is Arachne.
  • Did They or Didn't They?: Peter blows off fighting crime for a night at home with Mary Jane. A night which he later said was spent with no TV or radio...
  • Disney Villain Death: How the Goblin dies. During the final confrontation, Spidey webs him to a piano he'd been using for a musical number, and when the Goblin unintentionally pulls it off the Chrysler Building, he's dragged down with it.
  • Dramatic Irony: Mary Jane gets on Broadway, playing the girlfriend of The Fly.
  • Driven to Suicide: Arachne, as per her myth. Arguably Peter in Version 1.0, where he jumps off a bridge after Mary Jane knowing he's powerless.
  • Evil Is Hammy: The Goblin doesn't do nuanced subtlety.
    • Matt Caplan, the actor playing Flash Thompson, sometimes puts Bulk and Skull to shame.
  • Evil Is One Big, Happy Family: The Goblin refers to the Sinister Six as his family, and is understandably upset when Spider Man defeats them.
  • Evil Sounds Deep: Green Goblin again.
  • Evilutionary Biologist: Osborn already believed that humanity needed to "mutate or die", and wanted to advance human evolution for its own good; after his transformation into the Goblin, he decides to force his mutations onto the world, and kill all who opposed him.
  • Famous Last Words: "With Great Power Comes Great Responsibility" from Uncle Ben.
  • Fan Fic: The original premise in version one was that the show was an in-universe fanfiction as written by the Geek Chorus. Arachne's furies later took over from them, writing the story on their own.
  • Fashion Show: The Sinister Six have one. No, really.
  • Girl Next Door: Mary Jane.
  • Greek Chorus: The first version had a team of four Spider-Man fans narrating the story, known as the "Geek Chorus." They were eventually scrapped.
  • I Have Your Wife: Mary Jane, as usual. Happened twice in Version 1.0.
  • Incoming Ham: This little gem from the top of Act Two...
    Green Goblin: Come on New York City! Let's get your freak on!
  • In-Name-Only: In Version 1.0, the members of the Geek Chorus were named after actual characters from the comics (Miss Arrow, Jimmy-6, Grim Hunter, and Professor Cobwell).
  • LEGO Genetics:
    • This seems to be the cornerstone of Osborn's research, and is the basis for the Crowd Song "DIY World".
    • Particularly weird when it comes to Swiss Miss. Do knives have DNA in this world?
  • Loophole Abuse: The long, long, preview run led some to speculate that the producers were deliberately avoiding ever debuting the show, in order to exploit a tradition that theater critics won't issue reviews until after opening night. This eventually failed them, as the critics decided that was what they were doing and reviewed the previews.
  • Love Triangle: Arachne-Peter-Mary Jane, in Version 1.0 only.
  • Mad Scientist: Osborn. His own wife even refers to him as such.
  • Medium Awareness: The Green Goblin mocks one of Peter's songs in Version 1.0. He also directs a few comments at the audience in the current version.
  • Morality Chain: After the death of his wife, Norman grows progressively more insane and violent. (The severe mutations could also be a factor, though.)
  • Never My Fault: The Green Goblin. "Emily ... died... because of you [Spider-Man]!"
  • One-Winged Angel: The Goblin sprouts a pair of wings for the final confrontation atop the Chrysler Building.
  • Patriotic Fervor: The Viper execs try to invoke this in Osborn to get him to make them Super Soldiers.
    "Don't just think of you/think of God and country..."
  • Private Military Contractors: The Viper corporation, which offers to fund Osborn's research so he'll create Super Soldiers for them.
  • Quirky Miniboss Squad: The Sinister Six.
  • Screen-to-Stage Adaptation
  • Self-Deprecation: "I'm a sixty-five million dollar circus tragedy..."
  • Self-Disposing Villain: The Goblin ends up killing himself accidentally.
  • Shout-Out: Peter asks Mary Jane if The Fantasticks is a musical version of the Fantastic Four.
  • Spikes of Villainy: The Goblin, Swiss Miss.
  • Spirit Advisor: Arachne.
  • To the Tune of...: "Bouncing Off the Walls" sounds strikingly similar to U2's "Vertigo," at least according to Todd in the Shadows.
  • Take That!: J. Jonah Jameson on the Bugle: "This isn't The New York Times, it's not the Daily News, and it certainly isn't the Post." All three were papers that were skeptical of the show during previews.
  • Villain Song: "A Freak Like Me Needs Company" and "I'll Take Manhattan", both by the Goblin.
    • "Bullying By Numbers" and "Venom", for Flash and the other bullies. Sadly, neither make it to the official album.
    • "Think Again" and "Deeply Furious" in Version 1.0, by Arachne.
    • "Pull The Trigger" for Viper, the criminal organization trying to convince Osborne to use his genetic research for evil.
  • We Can Rule Together: The Goblin offers Spider-Man a place by his side. Spidey, naturally, refuses.
  • Word Salad Lyrics: From "No More": "I count the grass as it grows/I go to sleep in my clothes/But the shoes don't fit"...
  • Word Salad Title
  • Yandere: Arachne in Version 1.0.
  • You Are Not Alone: Sung nearly word for word by Mary Jane and Arachne in the reprise of "Rise Above".

Alternative Title(s): Spiderman Turn Off The Dark