"What are you doing here in the middle of the night? It's almost 9 PM."The Ingenue is a young virginal woman with the purity of a child. She is kind, sweet-natured, polite and optimistic, and on the Sliding Scale of Idealism vs. Cynicism, she falls very much on the idealistic side. Her innocence will often inspire protective feelings in heroic characters, and she is frequently one of the more beautiful characters because of the convention that Beauty Equals Goodness. Unfortunately, her innocence often makes her woefully naive, making her a prime target for a villain seeking to take advantage of her, often in an I Have You Now, My Pretty fashion. As a result, the ingenue is one of the most common Damsels in Distress. She is also immune to sexual innuendo. In a worst-case scenario, the character will be given no personality beyond her purity and innocence. The ingenue is a Stock Character found throughout all media but is especially popular in Opera where it is almost always voiced by a lyric soprano. The Princess Classic is one of the most common examples of this. If this character is played straight and not in a traditionally romantic setting, she may be Wrong Genre Savvy, and will usually be screwed over. A young actress in a theatre troupe is often called an ingenue, as she is frequently cast in this role. Expect the White-Dwarf Starlet to wax poetic on how she was The Ingenue once. If an Ingenue grows up it's likely she will become Silk Hiding Steel. Partially because All Men Are Perverts is live and well in our culture, there is no direct Spear Counterpart to the Ingenue that shares the same characteristics and positive connotations. The closest equivalent for male characters, Manchild, is often viewed as immature and emotionally weak, with the emphasis being more on the lack of adult traits in the manchild versus their childlike purity. The trope name is standard theatrical terminology and is derived from French for 'guileless'. Compare Manchild, The Pollyanna, Princess Classic, The Cutie, Purity Sue, Parasol of Prettiness, Proper Lady. Contrast The Vamp, Femme Fatale, Heroic Seductress, Innocent Bigot, Seemingly Wholesome '50s Girl, Stepford Smiler, Wide-Eyed Idealist, Covert Pervert, Coy, Girlish Flirt Pose, Old-Fashioned Rowboat Date.
— Mary Lane, Reefer Madness (2005)
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Anime & Manga
- Ah! My Goddess: Belldandy. Her pastimes include cleaning, talking about how much she loves cleaning, and coddling various inanimate objects because love makes machines work better. She'll give any and every stranger on the street a hug, but hasn't gotten past second base with the boyfriend she's lived with for years. There are occasions where she is shown as being aware of the situation, but these are typically the exceptions rather than the rule.
- For example, her knowledge of sexual innuendo is woefully limited, allowing her to misunderstand comments such as how Keiichi doesn't get much sleep when he's with her. She also misses Keiichi's hints about moving their relationship forward sexually, such as when they were standing in front of the love motel during an Urd-created rainstorm. On the other hand, she is at least somewhat aware that Keiichi has sexual desires, but admits she is not ready to fulfill them.
- Another example, is when they were at the hot Springs and Keiichi was trying to cover up his nakedness. Belldandy was totally unaware of Keiichi's embarrassment at being nude in front of a group of girls, and thought that Marller had hurt him. Both Marller and Urd considered her complete obliviousness to be scary ◊
- Krista Renz from Attack on Titan actively cultivates this kind of image, as part of her overall issues with herself. She desperately wants to be thought of as a virtuous, innocent, and gentle girl to the extent she puts herself (and others) into harm's way. She is a kind person, but not nearly as innocent or virtuous as most people are lead to believe.
- Eve Genoard from Baccano!, who is the only character in the entire series who isn't a crook, psycho, or dabbling in organized crime in some way - as far as she knows. In Drugs & the Dominoes she demonstrates that even Moeblobs of the Baccano! universe are prepared to remorselessly blow your head off in revenge.
- Chobits: Chii is a justified example. Her memory and personality were wiped clean so she has the maturity and awareness of a child.
- Code Geass
- Nunnally Lamperouge is a sweet young girl unaware of anything beyond her brother and school. Then R2 rolls around, and we see that despite being blind and wheelchair-bound, she's still her father's daughter...
- Euphemia is the only pacifist in her family of soldiers and strategists.
- Shirley is the nicest girl in the series and only peripherially connected to the war theme.
- Light's little sister Sayu in Death Note arguably counts as this.
- FAKE: A rare male version is Ryo. He is not a Manchild and a very mature Straight Man to contrast his partner Lovable Sex Maniac Dee. However, he is extremely naive when it comes to intimate matters and often nearly taken advantage of as a result. Sexual innuendo tends to fly over his head, has little experience in relationships and is hardly able to keep his partner's (or his boss's) sexual advances at bay. In the English version, other characters call him 'Sandra Dee', an actress known for playing the Ingenue in many roles.
- May Chang from Fullmetal Alchemist is a sweet, naive and well-meaning princess. Did we mention that she can also kick your ass?
- Miaka Yuki from Fushigi Yuugi takes this trope to its logical extreme.
- Hanamaru Kindergarten: Nanako Yamamoto. Her obliviousness to romantic overtures appears to be genetic. She and her sister are both aware the other has men interested in them, but fails to notice when someone makes romantic overtures to them.
- Hidamari Sketch.: Yuno certainly has Character Development, but still is childish and naive compared to her co-tenants.
- Kimi ni Todoke: Sawako Kuronuma of fits this as a modern-day reinterpretation. Academically, she's very bright, but has almost no social skills. She falls for a guy who became incredibly popular at school due to his penchant for being nice to people. While she does get into "distress" from time to time, it's usually high school issues that pose the threat, and her friends encourage her to solve the problems herself.
- Kiniro Mosaic's Alice is small by Japanese standards (despite being an English girl!) and has the naivety of a child.
- In Lucky Star, Tsukasa leans toward this trope, while Yutaka is a definite example. She is cute, sweet, and innocent, and her ignorance of sexual themes is made clear when she asks what yaoi means.
- Both Yuuya and Inori from Nukoduke are unbearably pure, especially during their school days. After seeing the two sweetly sleeping on each other's shoulders, a teacher provocatively asked them how "far" they've taken their relationship. They innocently replied that they went all the way to another city to buy some special edition sweet. To make things "worse", they weren't even alone together, as their friend/guardian Yamato went with them.
- Sailor Moon: Usagi. when her more obnoxious traits are toned down her kind heroic traits are more apparent. Ironically, this happens most noticeably when she takes the form of Princess Serenity, who is more powerful and more mature.
- Seitokai Yakuindomo is a series full of Vulgar Humor, Deadpan Snarkers and lustful women. The only exception is the President of the Judo Club, Mutsumi Mitsuba. Every dirty joke either goes over her head, is misinterpreted, or is unheard (since Tsuda covers her ears to protect her innocence). She's so pure that when she says her dream is to be a bride, the radiance blinds everyone present.
- In Strawberry Marshmallow, Matsuri's way more easily fooled by Miu's antics than the others.
- The original Super Dimension Fortress Macross: Lynn Minmay. They made her more of a Ingenue in the American version, Robotech. However, she matures into an all around woman by the end of both series.
- Tengen Toppa Gurren Lagann's Nia Teppelin also exhibits this trait, as she was extremely sheltered until the age of 14. Her innocence and cheer enables her to become The Heart of Team Dai-Gurren and Simon's Love Interest.
- Akari Akaza of Yuru-Yuri is a prime example. She's naive, modest, charitable and tender-hearted (She gets a BSOD from stepping on what she thinks is a live snake because she thinks she hurt it); and her friends can describe her with no other words than "good girl".
- CrossGen Comics had a conscious, self-aware example: Persha of The First, a centuries-old goddess of secrets who deliberately affects the behavior of a nosy, naive teenager, and remarks aloud that she is keeping secrets from herself in order to remain innocent.
- Tailgate of The Transformers: More Than Meets the Eye is a rare non-female and non-human example, although his purity and naivety are largely the results of both his youth (having only been actively 'online' for a few years following a six-million year coma) and his having missed out on the entire Autobot/Decepticon war. True to the trope, another character takes advantage of his innocence to try and manipulate Tailgate into becoming a Fall Guy for a power play, expecting him to try and alter Megatron's memory and be murdered in the process. In the Season 2 promos, he is even referred to as 'the ingenue' - writer James Roberts was unaware that the term refers to female characters, but was pleased when it was pointed out to him, as part of his general approach to handling gender identity and assignment in a race of Mechanical Lifeforms. (Tailgate has been presented to date as having 'holoavatars' - human-appearing holograms that reflect the psyches of the users - resembling an ambiguously gendered baby and later a young child, so his 'gender' is still ambiguous.)
- In "Fluttershy's Night Out," the teenaged Fluttershy has obviously never even gone out on a friendly date with a stallion before.
Films — Animation
- In the Disney Animated Canon:
- Snow White and the Seven Dwarfs: Snow White accepts a 'magic wishing' apple from an Obviously Evil crone and uses it to wish a prince on a white horse.
- Sleeping Beauty: Aurora was raised by three fairies who have no idea how to raise a girl into a woman. She's lucky the man she met in the woods was her Prince Charming.
- The heroine of Cinderella maintains her optimism and purity even while living a crapsack life.
- Enchanted: Giselle harkens back to this archetype comments on it in the general theme of the "Disney Princess in the Real World" that goes on through the whole movie. Maturing into a grown woman is a plot point and she's a business woman by the end; the childlike innocent helps her connect with like minded children seen in the epilogue.
- Tangled: Rapunzel is more confident and capable than the classic archetype, but fits as a result of being cut off from the world.
- Frozen: Anna was sheltered from the outside world at a young age because of her sister's dangerous powers. When the castle finally opens to outsiders, she promptly falls in love with the first handsome man she sees who turns out to be taking advantage of her naivete and when her sister blankets the kingdom in Endless Winter, she rushes headlong into the cold to find a way to reach her without bothering to put some winter clothes on at first and nearly freezes to death as a result.
- Elizabeth from The Legend of the Titanic is this to a ridiculous extent.
- Thumbelina, to the point that she cannot defend herself in any way until the end of the movie.
Films — Live-Action
- Reefer Madness: Mary Lane. This is played for laughs in the musical and gives us the page quote.
- Grease: Sandy Olsson is mocked for this by the other girls in "Sandra-Dee" song.
"Look at me I'm Sandra-Dee, lousy with virginity....I don't drink I don't swear, I don't rat my hair.."
- Metropolis: Maria wholeheartedly believes that a violent worker's uprising can be averted by a single person's intervention - even after the uprising takes place.
- Silent film actresses Mary Pickford and Lillian Gish were famous for such roles.
- Melanie Wilkes of Gone with the Wind. It's the same reason why her husband Ashley married her and why Scarlett is jealous of her and of him marrying her. Her actress Olivia de Havilland was often cast in similar roles.
- Laura in Logan blends some elements of this with Feral Child. Although 11 years old in the film, she demonstrates many behaviors — such as playing with the buttons on an elevator, or eating mashed potatoes with her hands — of a much younger child. A Freeze-Frame Bonus of her Transigen records directly states she has the emotional IQ of a child of around six years old.
- Pride and Prejudice: Jane Bennet. Her sheer, blinding goodness, which includes never thinking or speaking ill of someone who is clearly mistreating her, frustrates Grumpy Bear heroine Lizzie.
- Almost every Dickens novel has one, including Lucie Manette (A Tale of Two Cities), Agnes Wickfield (David Copperfield), Rose Maylie (Oliver Twist), Amy Dorrit (Little Dorrit) and Ada Clare (Bleak House).
- Cosette from Les Misérables, spent her school days in a convent before moving into a very secluded house with her secretive father.
- In the Victor Hugo vein, Esmeralda in The Hunchback of Notre Dame. How she remained pure and naive when hanging around with a bunch of thieves and prostitutes, and doing sexy dances in public is confusing. Most adaptations deal with this by making her a much more worldly woman.
- In New Grub Street Marian Yule is an ingenue who grows up by becoming less naïve, more independent and self-assured; but still dutiful and nice.
- Invisible Man:Sybil is a deconstruction of this. Not just in the sense of being a Seemingly Wholesome '50s Girl (which she technically is), but in the sense of having herself more than a few issues relating to how she's been sexually stifled. She feels she will be liberated if she's raped by a black man, and when the main character gets her drunk enough to convince her that he did the deed (without actually having done it), he remarks that she was "raped by Santa Claus," as he was to her just as much of a fantasy gift-giver.
- The Little Drummer Girl: Charlene plays these roles in her theatre troupe, but is anything but.
- Night World novel Witchlight:Iliana's behavior is explained this way by another character. "She's too pure to deal with this kind of stuff." Considering that her life has been that of a normal teenagers' but she is in fact in a world with vampires, witches, werewolves, and shapeshifters, and that she is well-liked enough that people try to be good people around her, this is understandable. She toughens up some later.
- A Song of Ice and Fire: Sansa Stark shows how this character type cannot exist in the Crapsack World of Westeros. She's acquired some Jade-Colored Glasses since the series' beginning.
- From The Night Angel Trilogy, we have Doll Girl in spite of being horribly scarred. When Azoth as Kylar Stern meets her as Elene Cromwyll, she is a highly religious ingenue. This continues to be true until the events at the end of book 2, involving her stabbing a Khalidorian but that hardly stops her.
- And Then There Were None. Vera Elizabeth Claythorne is a gentle, sweet, naive girl who genuinely loves her boyfriend Hugo, but he can't marry her since he's got no money to do so. She loves him so much that she murders Hugo's nephew Cyril, who was her charge, by letting him drown in the sea so Hugo could inherit the family estate and marry her.
- Sepulchre: Leonie is naive and idealistic, something the villain uses to his advantage. It is also used as a reason why other characters keep secrets from her. Unfortunately, this is just playing into the villain's hands.
- The Chronicles of Magravandias: Ellony Leckery down to disliking sex when her husband finally deflowers her. Her best friend turned (unknowingly to Ellony) rival Pharinet wonders at certain points if Ellony represses memories to remain as innocent as she is.
- The Monk: Antonia is extremely sheltered from having grown up in an isolated castle with her mother. She read an edited version of the Bible because her mother believed the text to be too violent. Things do not go well for her when she meets the Villain Protagonist and title character of the book.
- The Sharing Knife plays with this trope in the form of Fawn, who still manages to be innocent and vulnerable as a child while fighting Eldritch Abominations and eagerly enjoying mind-blowing sex with Dag.
- Invoked in Replica: the protagonist, Nadia, and all other women in the Executive class are expected to behave like demure, innocent ingenues.
- Pansy Osmond in The Portrait of a Lady, who retains a childlike innocence and devotion to her father despite being fifteen when she is introduced. Her naiveté is a cause of some annoyance to Henrietta Stackpole, who finds her "incomplete".
- Hard to Be a God: Kira is one of very few natives on the planet that Anton identifies as a good person. That is more or less her only trait, but in a Crapsack World, it counts for a lot.
- Shallan Davar falls under this trope near the beginning of The Stormlight Archive. By Words of Radiance, however, she is beginning to settle into her true nature as a Lightweaver Radiant, and mostly only uses The Ingenue as a mask.
- Danusia, a Lady-in-Waiting of princess Anna and the protagonists (courtly) Love Interest in The Knights of the Cross is unbelievably sweet and cute.
- Anastasia Steele from Fifty Shades of Grey. Twenty-one, naïve, and so virginal she never even masturbated before meeting Christian Grey.
- Kenneth the pageboy from 30 Rock is a male version of this trope — differing only in that his youthful appearance hides the fact that he's at least 40 or 800.
- Parodied in one episode when Liz is growing cynical about New York. An innocent-looking young woman steps off a bus, and enthusiastically asks: "say, where does a young prostitute go to get a start in this city?"
- Trance Gemini of Andromeda likes to give this impression, but it's not true.
- Drusilla from Buffy the Vampire Slayer was originally this, before Angelus broke her. Her innocence, purity and innate goodness and belief in God are what drew Angelus to her.
- Carnivàle: even though she has been working as a prostitute and stripper since her early teens, Libby fits surprisingly well into this trope. Her characterization relies heavily on her attempting to reconcile the realities of her life with her identity as a normal 1930s-style ingenue. She is extremely trusting and innocent (at least, with regards to human nature and life), has few social ties outside and information sources outside of 30s popular media and her immediate and extended Carnival family (who, despite farming her out at an early age out of necessity, obviously love and protect her). She dresses and behaves like the traditional ingenue, has unrealistic dreams and is genuinely very vulnerable and sweet. She also seems to be somewhat misinformed about sex (for example, telling Sophie that you can't get pregnant your first time). When she becomes romantically involved with Sophie and Jonesy, she is no more equipped or experienced than your average ingenue would be (despite knowing a lot more about sex): her shyness and vulnerability is presented as genuine.
- Despite being in her early to mid twenties, Sophie knows almost nothing about sex. Her mother Appollionia actively prevented her from interacting with the strippers and other performers, and her few social contacts (Appollionia, Jonesy, Samson and Libby) are very protective of her and actively discourage attempts to explore her sexuality. Although she dated Jonesy prior to the start of the series, their relationship was not sexual and she remains a virgin until the incident during the dirtstorm with a man she knew was probably married. It is subverted particularly brilliantly when Sophie seduces and sexually humiliates Libby for the sake of revenge . Consequently, her occasional nastiness, as well as her active attempts to explore and express her own sexuality might prevent her from being a completely straight example of this trope, but it certainly doesn't stop everybody around her seeing her as the classic Ingenue.
- Annie in Community gives this impression; and, despite her efforts to subvert it (and her personal history), it's mostly true.
- Foyle's War. 'Sam' Stewart is always cheerful, loyal, kind, well behaved and seldom has a bad word to say about anyone. However she does engage in activities her vicar father would not approve of, such as helping with murder investigations. However she also shows great strength of character, bravery, and generally sees through anyone who tries to fool her.
- Game of Thrones: While not stupid by any means, Sansa is woefully naive, to the point where "Mhysa" reveals her belief that the vulgar way of saying dung is "shift". One suspects this is part of the reason so many characters in King's Landing seem to take it on themselves to try and protect her (though, unfortunately, just as many as seek to exploit her). Later, she shows the effects of a Crapsack World on this type of character.
- Rachel Berry of Glee calls herself this in the very first episode, though she doesn't fit the archetype very well.
- Ironically, the character closest to The Ingenue would be Brittany. Despite not being a virgin, she is rather naive to extreme levels and yet is pure-hearted and idealistic enough to still believe in Santa Claus and magic combs.
- Outside of the Glee club, Emma is something of a modern-day Deconstruction of The Ingenue.
- Season 2 gave us Sunshine, though she was never able to do anything with the club after getting snatched up by Vocal Adrenaline. Season 4 gave us Marley, who fits the trope to a T.
- Pandora of Skins series 3 (and occasionally series 2) is sheltered and naive, self-confessed to be useless, and often is the unwitting source of innuendo. Part way through the third series she falls in love with Thomas, an African immigrant, and a true gentleman. But later in Thomas' absence, she is seduced by Cook, and quickly loses her blissful ignorant disposition as this complication comes to light.
- Captain Kirk and his many female conquests in Star Trek: The Original Series: "What is this, 'love?'" Andrea Android from "What Are Little Girls Made Of?", Shahna from "The Gamesters of Triskellion", and Kelinda from "By Any Other Name" comes to mind.
- Carla and Jessie from Dancing on the Edge are both young singers who join the jazz band and are completely overwhelmed by the attention and success that follows. It's deconstructed a bit in Jessie's case, as she lets the fame go to her head and gets into deep trouble over it.
- Minnie in "Lark Rise to Candleford" fits this trope. She had a drink with a man and thinks she's pregnant.
- Daisy in Downton Abbey is a kitchen maid who has no idea of the ways of the world.
- Lucy of The Bletchley Circle is younger than the other women, and much more innocent.
- In the opening episodes, at least, Mia Kirshner plays this part very straight (well...) as Jenny in The L Word.
- Sister Mary Eunice in American Horror Story: Asylum... briefly. Then she becomes possessed by a demon and quickly transforms into The Vamp.
- Rebecca in Crazy Ex-Girlfriend sometimes attempts to present herself this way (it's even in the theme song for the second season: "I can't be held responsible for my actions!" "She's an ingenue!"). But while frequently naive, Rebecca is actually very sexually experienced. The whole show is a deconstruction of female stereotypes and relationship tropes, as well as a pastiche of musical theater, so it's no surprise that the series plays with the concept of the ingenue.
Myths & Religion
- As said above, this has always been a popular trope in opera, where the Ingenue is usually played by a lyric or lyric coloratura soprano with a sweet voice to match her innocent personality.
- Mimi from Puccini's La Bohème falls under this category. Listen to her aria "Si, mi chiamano Mimi" for further details.
- Cio-Cio-san from Puccini's Madame Butterfly. She's sweet, innocent, and slightly childlike with a strong sense of hope.
- Lakmé from Delibes' Lakmé definitely counts: She's a sweet, virginal Hindu priestess who falls passionately in love with Gérald, a British officer. Listen to her aria "Les fleurs me paraissent plus belles" in Act I, which she sings after falling in love with Gérald.
- Micaela from Bizet's Carmen, the sweet and innocent village girl engaged to Don José, and a stark contrast to Femme Fatale Carmen.
- Tatiana from Tchaikovsky's Eugene Onegin is this to a T. A young girl who loves romance novels and dreams of finding love with the titular character, she writes a letter with mad hope of him reciprocating her feelings.
- Zerlina from Mozart's Don Giovanni. She's a young bride who's almost seduced into sleeping with Don Giovanni and she doesn't realize it until Donna Elvira shows up and puts a stop, declaring that she would protect her.
- Lucia from Donizetti's Lucia di Lammermoor has traits of this.
- Gilda from Verdi's Rigoletto, since she falls in love with a womanizer and is so happy to be in love, yet she is sadly killed by the end of the opera.
- Rusalka from Dvorak's Rusalka is this, as she sings a sweet song about wishing to fall in love and be human, and gives up her voice and immortality to fall in love with the Prince.
- Pamina from Mozart's The Magic Flute.
- Princess Elisabeth from Wagner's Tannhäuser, who pines after the titular hero who never acknowledges her feelings.
- Elsa of Brabant from Wagner's Lohengrin, who naively asks the titular hero for his name, despite her not supposed to do so.
- Subverted by Rose Maybud in Ruddigore, who appears innocent at first until it turns out she's not so much innocent as obsessed with etiquette and gold-digging.
- Johanna in all versions of Sweeney Todd that include her, but especially the original penny-dreadful.
- Anne from A Little Night Music is young, vivacious, virginal (despite being married) and extremely shallow.
- Lois Lane, a character in Kiss Me Kate, plays the ingenue in the Show Within a Show, but is decidedly less virginal off that stage.
- Lampshaded in the Flying Karamazov Brothers' adaptation of William Shakespeare's The Comedy of Errors - a letter to one of the characters is changed to a telegram, addressed to "The Ingenue".
- In spite of her manner of dress, Audrey from Little Shopof Horrors.
- Nikki Harris in Curtains fits this trope to a T.
- Cosette in Les Misérables, mainly because she does little other than wonder why she almost never leaves the house, and then fall in love with a boy who followed her home and hopped her fence in order to tell her that he loved her after saying less than 10 words to her.
- The White Singer in Alegría — according to the All There in the Manual material, she represents the goodness that existed and endured in the otherwise corrupt old order. She also has a touch of mischievousness about her, as seen during the Act Two opening sequence in which she brings a man from the audience onstage to dance with her.
- A Streetcar Named Desire: This is the image Blanche Dubois tries to project around others. It turns out not to be the case.
- Maria in The Sound of Music. And, even more, Liesl.
- Margot in The Desert Song. Her "I Want" Song is even called "Romance."
- Romance, a playboy who is born in spring, to teach the nightingale to sing a very pretty song: "I love you."
- Sarah in Tanz Der Vampire subverts this trope. She's a pretty, sheltered, pure girl on the cusp of womanhood who longs for romance and excitement. She's also a shameless flirt who lies to get what she wants and spends hours at a time quite possibly pleasuring herself in the tub, vocalizing orgasmically about it.
- Alfred is quite honestly a better fit for this trope, despite being, you know. Male.
- Christine Daaé in every incarnation of The Phantom of the Opera except (Gaston Leroux's original novel where she may be a daydreamer (and Genre Savvy victim of Stockholm Syndrome)) but also a Well, Excuse Me, Princess! whose pluck and stubbornness unnerve Raoul several times before he realizes how wrongly he's misjudged her just because she isn't a meek little ingenue-type.
- The ingenue version of Christine is parodied in Maskerade, where she's so woefully oblivious to her complete lack of operatic talent that she completely misses the fact that a dowdier but sonically gifted woman is actually doing all the singing!! She's self-centred as a gyroscope and finishes every sentence with two exclamation marks!!
- In Andrew Lloyd Webber's musical, Christine is actually called "your precious little ingenue" (by her rival).
- Miranda from The Tempest. Of course, this is mostly to do with the fact that she was raised on a desert island and was apparently unaware of the existence of humans other than her father until well into her teens. When Ferdinand turns up, she immediately falls in love with him.
- Likewise for Miranda from Amaluna, Cirque du Soleil's loose adaptation of this play.
- Amelia Wildenhaim of Lovers' Vows.
- Jemima from Cats is this in cat form.
- Cyrano de Bergerac: Deconstructed by Roxane, who is highly intelligent and practical, but is completely convinced her (and Christian) lives are like the Romance Novels she had read. Notice that no one of his suitors tries to force her to accept reality until Christian wants her to choose between Cyrano and him at Act IV, and that her Hidden Depths and Character Development demonstrate that she could handle reality very well.
- Hope Harcourt from Anything Goes. Main character Billy is completely smitten with her despite sexy Reno Sweeney hanging on his arm.
- Phoebe D'Ysquith from A Gentleman's Guide to Love and Murder up until the end where it's revealed she might be more of a Good Bad Girl than we all thought.
- Wendla Bergmann from Spring Awakening, to tragic effect. Her mother refuses to give her The Talk, so she doesn't understand how having sex with Melchior caused her to become pregnant. To make matters worse, her mother never explains, and she dies of a botched abortion without ever having learned the truth.
- Eliza Schuyler Hamilton from Hamilton starts off as this trope; she's wealthy, lovestruck, and naive. This changes after Hamilton slights her and she loses her eldest son.
- Kingdom Hearts:
- Kairi and Namine. Every single Disney Princess appearing in this series seems to be watered down to fit this trope quite nicely too (save for Snow White, Cinderella, and Aurora, who always were Ingenues).
- Ventus is a very good male example, though the reason that he is so pure and innocent is because Master Xehanort forcibly extracted all the darkness from his heart. Still played straight though, as the Ven in the flashback is shown to be largely the same as his present self.
- Merrill in Dragon Age II crosses this with Cloud Cuckoo Lander. Bethany is this as well.
- Fairly common in Final Fantasy, which tends to combine it with White Mage and Love Interest.
- Rosa Farrell in Final Fantasy IV looks like one, although she's really more of the Team Mom in practice—it's actually non-genue Cecil's naivete that causes the most trouble.
- Lenna in Final Fantasy V is a very Naïve Newcomer to the world of adventuring who thinks that asking pirates for a ride won't result in, say, them holding her for ransom. (Not that Galuf's plan was any better.)
- Aerith in Final Fantasy VII is a subversion. With her pink dress and flowers she might look the part, but living in the slums has made her very sharp and streetwise.
- Garnet in Final Fantasy IX is so sheltered she doesn't know what a dagger is (although that opens up some Fridge Logic considering that it's a fairly standard piece of weaponry for, say, a castle guard). She spends most of the first disc trying to overcome it.
- Yuna in Final Fantasy X, but not in the sequel thanks to having her faith shattered (and changing occupation to a gunslinging treasure hunter).
- Lucy Devlin from Blade Runner is a good example of this; she's fourteen (despite having the appearance of an eighteen year-old at the least), naive, and highly impressionable.
- Colette from Tales of Symphonia fits this to a T. She's sweet-natured, caring, likes animals (particularly dogs and turtles), and self-sacrificing. Colette believes everyone has some good inside them (even assassins who have repeatedly stated their intention to kill her), and she worries about others more than herself (to the point of not telling the rest of the party things they really wouldn't mind knowing about because she doesn't want them to worry), and any sexual innuendo flies over her head.
- Deirdre from Fire Emblem: Geneaology of the Holy War.
- Amy Rose in the older games from Sonic the Hedgehog (The 16-bit games and both Adventures) until Cream came and took her place.
- Amiti in Golden Sun: Dark Dawn is a rare male example. He is Spoiled Sweet, he has Black and White Morality (which is rare in his world), and considering that he genuinely believed that he was a virgin birth until his guardian revealed the truth, it's possible that he is clueless about sex, despite canonly being the fancy of "all the girls in Ayuthay". It is ironic because he is the oldest person in your party for a good half of the game and yet he seems to be the most naive.
- He can't be that clueless about sex; he sure knew where Eoleo was going with that "real clothes" comment.
- Aerie in Baldurs Gate 2.
- Ashara Zavros from Star Wars: The Old Republic
- Azusa Miura from The iDOLM@STER is a rather uncommon example of this. She's the oldest of the idols, making her the local Cool Big Sis. The problem is she's The Ditz who has No Sense of Direction, as well has having an innocence to match even her younger co-workers.
- In Immortal Souls, John's Love Interest Allison is a sweet little innocent woman. She's always clueless about the extent of the danger she's in, though she gets suspicious now and then.
- Samantha of Vagrant Story is an example of the trope played utterly straight; she's a commander of the VKP, but she's dressed as a schoolgirl, spends the entire game attached to her lover Guildenstern at the hip, and most of her dialogue centers either on being in love or marveling at her surroundings. In general, she's just a sweet, relatively normal young woman with a good heart. And it's intentional: Guildenstern promoted her to be his right-hand lady so he could sacrifice her to the Dark as a pure soul.
- Liara T'Soni starts this way in Mass Effect. By the time of Mass Effect 2, she has lost a lot of her innocence as a result of losing Shepard and the Normandy, going through hell and high water to recover Shepard's body, and pursuing a vendetta against the Shadow Broker for trying to sell said body to the Collectors that killed him/her, to the point that when she is re-introduced in Mass Effect 2, she's channeling her mother Benezia and threatening to flay someone alive with her mind.
- Tsuruhime from Sengoku Basara is a young miko who had a sheltered upbringing due to being an oracle. Because of this, she is quite naive and unable to realize when someone is trying to manipulate her.
- Recette from Recettear: An Item Shop's Tale. She's cheerful and friendly to a fault, and seemingly incapable of thinking anything bad about anyone else. Her innocent friendliness ends up winning over a large number of people in-game, including (to his never-ending consternation) a demon who hates humanity as a whole. Fortunately, she has Tear, a rather more down-to-earth and cynical fairy as a companion who is able to keep others from taking advantage of her.
- Paya from The Legend of Zelda: Breath of the Wild spends most of her day doing both her own and her grandmother Impa's duties around Kakariko Village. She doesn't seem to have had any interaction with people of her own generation (who seem absent from the village) and is a major Shrinking Violet. She's so ignorant of romance that when she develops a crush on Link, she thinks she has fallen ill at first.
- Deconstructed with animal tamer Regina Berry from Phoenix Wright: Ace Attorney: Justice for All, who was so Innocently Insensitive about Acro's brother's (near) death that he plots to kill her.
- Chihiro Shindou from ef - a fairy tale of the two. tried to isolate herself due to her amnesia, until she met Renji. Though she is actually one year older than him, her mental age will always be 13 years old, which is the time when the amnesia-inducing accident hit her.
- Princess Penelope of Wellin in Seven Kingdoms: The Princess Problem is shy, inexperienced, and utterly sweet-natured. The player character may also fall into this trope if she has high levels of Romanticism, Compassion, and Humility combined with low levels in things like Self-Defense, Manipulation, and Autonomy. As both she and Penelope are delegates representing their kingdoms at an international summit filled with political intrigue, this is not entirely a good thing.
- Ambrosia of War: 13th Day is both a sweetheart and a delicate lady. Of course, given the game's Unreliable Narrator, there may be more Beneath the Mask than we realize.
- Tempest from Domain Tnemrot.
- Daisy of Giant Days; home-schooled in a tony community and sweetly naive, if occasionally a little annoyingly so.
- Oasis from Sluggy Freelance alternates between being The Ingenue and being an Ax-Crazy assassin, sometimes within the span of a single sentence. What do you expect when you take a supernatural killing machine and brainwash her to be "as giddy as a schoolgirl"?
- Ruby of Sticky Dilly Buns deconstructs the trope, at least for the first couple of volumes. She's younger than most of the rest of the main cast, woefully naive (and at least one older figure has taken advantage of this in the past), virginal, and if not immune to sexual innuendo, certainly very bad at handling it. However, she's also petulant, arrogant, and insecure, and her "purity" is treated as both a symptom and a cause of emotional damage. She's also determined to succeed on her own terms, and would probably be angry if anyone tried to play Prince Charming for her. Character Development eventually abrades away most of her naivety and some of her petulance.
- Knights of Buena Vista is a Campaign Comic covering Frozen. Mary plays Anna with exaggerations of this trope, including being scandalized at hearing The Talk from Elsa, and insisting that Hans was too much of a gentelman to "do such filthy things to me!".
- MYth has spring goddess and underworld queen, Persephone. She may be the most naive of the godesses, not even second thinking and saying straight out that Zeus is her daddy while in the mortal world and not knowing how the "bees and the birds" work in the Irresponsable omake, driving Zeus and Aphrodite insane. Also, thanks to her godly beauty and naiveness, Zeus had to put undercover gods to bodyguard her way to the place Hades can find her, so nobody does something to her.
- Penny from Dr. Horrible's Sing-Along Blog plays this straight, helping out at homeless shelters and ends up being caught up in the conflicts of Ineffectual Sympathetic Villain Dr. Horrible and Jerkass Designated Hero Captain Hammer as an Innocent Bystander. It is suggested that she has had a crappy life so far and her acts of volunteering are merely so that she can have her mind on something else.
- Whateley Universe: Generator (Jade Sinclair) is definitely The Ingenue of Team Kimba. She even looks several years younger than she really is. This changes over time.
- Miss Cooter from Me and My Dick is sweet, naive, optimistic, beautiful and caring. There's just little thing: she's the heroine's vagina. It Makes Sense In Context.
- The heroine of Holly(Woods), follows this trope to the point where another character calls her an ingenue to her face.
- Theodore in Alvin and the Chipmunks is a male example. He is the most nice and sweet member of the Chipmunk. But he is also very ingenue and nearly a dupe with Alvin take advantage of this in his schemes.
- Lola Bunny's incarnation in The Looney Tunes Show seems to be a comically hilarious variation of this, despite being a Stalker with a Crush.
- Minnie Mouse, in some/most versions. Sauciness/down-to-earth qualities may vary.
- Morning Glory in My Little Pony 'n Friends, especially in "The End of Flutter Valley."
- In the Indiana Jones parody episode of Phineas and Ferb, Isabella is an Ingenue and a Femme Fatale, having business cards for both. "A girl has to earn a living!" (She's also a certified Damsel in Distress. And a Dirty Double-Crosser.)