Theatre: Lohengrin

Lohengrin is the sixth opera by Richard Wagner, and his last conventional opera.

Antwerpen in the 10th Century. The young duke Gottfried of Brabant has disappeared and his regent, Count Telramund, accuses Gottfried's sister, Elsa, of having murdered him. A mystery knight appears in a boat drawn by a swan and offers to fight for Elsa on the condition that she never ask him what his name is or where he comes from. He defeats Telramund and he and Elsa gets married, but on their wedding night she cannot stop herself from asking the forbidden question.

Tropes appearing in this opera:

  • Divided We Fall: The main point of the King's first speech — we must unite against the Hungarian threat. After Telramund's disgrace, his closest men argue that the King lacks the authority to take them away from their land, and if they prevailed, Germany would fall province by province.
  • Evil Sounds Deep: Ortrud and Telramund are alto and baritone respectively. They are also the villains of the piece.
  • It's All About Me: The King and chorus pray for the combat to result in justice. Telaramund is praying: "O Lord, do not forsake my honor!" Ortrud understands this part of his character and uses it consistently to deceive and manipulate him.
  • Just the First Citizen: In a likely homage to Godfrey de Bouillon, Lohengrin refuses the title of Duke, preferring to be called simply the "Protector of Brabant." (In Wagner's original libretto the title is "Leader of Brabant" — i.e. "Fuhrer" — but that is changed nowadays for obvious reasons.)
  • Lohengrin and Mendelssohn: The bridal chorus "Treulich geführt ziehet dahin" that opens Act III is one of the two constituents of this trope.
  • Pimped-Out Dress: In the 2010 production by Hans Neuenfel, Elsa and Ortrud wear the same dress to Elsa's wedding. The dresses have Opera Gloves, a sparkling bodice, and skirts covered with feathers. The difference is Elsa's dress is white like a Fairytale Wedding Dress, and Ortrud's dress is black.
  • Playing the Victim Card: How Ortrud gains Elsa's ear, after failing to have her framed and executed.
    Ortrud: Will you completely disown the poor creature
    Whom you have cast into the distant reaches of exile?...
    "Unfortunate woman!" How right you are to call me that!
    In the distant solitude of the wood
    Where I was living quietly and peacefully,
    What did I do to you? What did I do to you?
    • (The last question has some pretty definite answers, but Elsa does not know them.)
  • Reasonable Authority Figure: King Heinrich. He refuses to rule for his brave and loyal subject Telramund, no matter how strongly he's reminded of his great service. In fact he turns the case over to "God's Judgment" (i.e., trial by combat) to get his own bias out of it.
  • Summoning Artifact: The eponymous Swan Knight, forced to leave his wife, gives her a horn to give to her brother if she ever sees him again, promising that the horn will bring aid in danger.
  • The Old Gods: Ortrud secretly worships Wotan and Freya, and wishes to visit their vengeance on those who have forsaken them.
  • Trial by Combat: The swan knight fights Telramund in judicial combat as Elsa's champion.
  • Villainous Breakdown:
    • In the beginning of Act II, Telramund has an epic one over losing to Lohengrin in the ordeal, which cleared Elsa of Telramund's accusations. "For my honor, my honor, my honor is gone!" — sung with extreme rage, and he comes close to attacking Ortrud out of blind rage over it.
    • Ortrud in the end, when Lohengrin reverts her spell and turn the swan back into Gottfried, and she falls down dead on the spot..
  • Villainous Valour: Telramund might be egotistical and gullible, but he won't back down from a fight, even if his opponent seems divinely favored. "Far better dead than a coward!"