"What's the word for when something that started out being funny ends up depressing the hell out of you? Insert that word here."A Tone Shift towards Dramedy over the course of a comedy series' run, named for the process undergone by the print comic Cerebus the Aardvark.note It's any story/series which starts out light, episodic, and comedic, and then assumes dramatic elements and a more coherent continuity. It chiefly occurs in works where parts have been broadcast/published before other parts have been written, as that means the older parts can't be revised into conformity. Often seen in media where artists are expected to write a few short stories first to see how the public will react, and then start writing longer and more serious story arcs once the magazine/tv channel/company gives the go-ahead. It can also be intentional, with the lighter mood at the beginning allowing readers to meet and become attached to the characters before the story arcs with the dramatic elements begin. Many newspaper comics undergo the opposite process as a cartoonist puts some fairly serious storylines the first few years but then lapses into recycled gags. This condition also has a temporary version. After a while, many shows will begin to get enough respect to be considered for awards, and will create a specific episode for this. Since there's a Comedy Ghetto in effect, an episode of a show made as Emmy Bait will have fewer laughs and will usually tackle a more intense theme. When watching a show on DVD or in syndication, these episodes can stand out. If the series has previously been fueled by high weirdness, then the transition can be rocky. Some comics tie themselves in painful knots trying to Retcon an accumulated pile of weirdness with invented physics. Others sweep the stranger things under the rug and try to present a more respectable face. More often, the weird is left in place, but retrofitted into a more dramatic role. In a good case, the combination of drama and high weird can be invigorating. In a less successful case, it can be excruciating. An instance of Mood Whiplash. When this entire process happens in a single moment, it's a Gut Punch. If the change is only temporary, it's A Very Special Episode. A Sudden Downer Ending incorporates this by default, as downer endings are rarely seen as humorous. May be a case of Growing the Beard if it actually works. Otherwise, fans may respond with They Changed It, Now It Sucks. Compare to Shoo Out the Clowns, where the Plucky Comic Relief is written out of the show (or possibly killed off) to show that things have become serious. See Big Damn Movie for when this applies to The Movie of an otherwise episodic series. When this happens to actors in Real Life, it's known as Tom Hanks Syndrome. Compare and contrast Denser and Wackier and Leslie Nielsen Syndrome. This process may also involve Going Cosmic, with the work beginning to incorporate highly philosophical and theological themes. Please note that this doesn't automatically mean Darker and Edgier, though it often does. It's Cerebus, not Cerberus; not that the latter's reputation helps any.note It is entirely possible for a work to get more serious, but still keep its lighthearted tone. Likewise, a work can get Darker and Edgier, but still be just as zany.note
— Jenny Lawson, Let's Pretend This Never Happened
- Cerebus Retcon: A retcon turns a joke in an earlier episode into something with much more serious and often grim implications, something like an intentionally created "Funny Aneurysm" Moment.
- Cerebus Rollercoaster: A work constantly switches between Comedy, Dramedy, and Drama.
- Knight of Cerebus: The shift coincides with the appearance of a new (or reimagined) villain.
- Reverse Cerebus Syndrome: A work that is dark and serial becomes lighter and episodic.
- Sudden Downer Ending: A work is entirely comedic up until its final episode/chapter.
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