"I think we might have killed the franchise."Sometimes a sequel sucks. Sometimes it sucks, but leaves the possibility open that the followup will be better and that this is just a blip in the quality of the franchise. Then sometimes it sucks so much that it kills the franchise stone dead, destroying the producers'/publishers' hopes for further sequels. In the most extreme cases, it can even take the producer/publisher down with it. Occasionally a few Franchise Killers over too short a period (or one really bad one) can put a whole genre out of favour for a while. Even the executives could tell when it's time to stop following the leader. Note that sometimes the franchise turns out to be Not Quite Dead, and can be salvaged with a Continuity Reboot. If the franchise experiences what should have been a Franchise Killer but carries on regardless, it's a Franchise Zombie. Occasionally it's a Stillborn Franchise, an all-new product for which plans for sequels were made and then scrapped when it was discovered that the product was crap, or so hyped up that the creators have unrealistic expectations of its success. Or it just didn't profit enough, even though it was a Cult Classic. For many Video Game companies, shipping a Franchise Killer is also a Creator Killer, either through bankruptcy, no-one wanting to forward them the funding to continue making games, or in the modern world of mega-corporations owning every studio as a subsidiary of the larger corporation, the executives in charge of the conglomerate deciding to shut the studio having wrung the last vestiges of profit out of the intellectual property the studio was bought for, or using them as scapegoats for poor performance financially speaking. Or in some cases, actual poor performance as a studio. Compare Torch the Franchise and Run, where a writer is deliberately trying to kill a franchise by making such a big mess of it so that no one can continue it without using Prequels, Retcons or just rebooting the whole thing.
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Anime & Manga
- The Gundam franchise had been on shaky grounds for several years, in part due to low ratings, but also the conflicted leadership of Sunrise, the studio behind the series. Victory Gundam, the last televised installment to take place in the Universal Century continuity, was under massive pressure from main sponsor Bandai, resulting in a reshuffling of early episodes to showcase the titular mecha of the show earlier, and the addition of several toyetic mechs later in the show's run. Yet the show did not prove to have satisfactory sales, and combined with Sunrise being bought out by Bandai, was replaced with the extremely different Alternate Universe G Gundam, which featured many, many Gundams, and has an extensive toyline. The ratings for the series did not improve, but the toy sales went up, setting a precedent for future TV shows to always be set in alternate universes. The Universal Century still lives on though, quite successfully at that, with OVAs like The 08th MS Team and Gundam Unicorn setting sales records.
- Gundam X's ratings almost killed the franchise, presumably due to there having been Gundam on screen every week for 4 years at that point. The series disappeared off TV for 3 years until the similarly unsuccessful Turn A Gundam (although the series continued on Video and Film with The 08th MS Team and Endless Waltz). It was not until the massively successful Gundam SEED that the series was revitalized. Gundam X is one of only two Gundam TV series to be cut short of a full two-season run. The first? The original Mobile Suit Gundam; it's easy to forget given what a massive franchise it has become when the original installment had poor ratings.
- In America, it was Gundam SEED that killed the franchise. In this case, one can blame the heavy edits Toonami made. Desperate to air the show in a daytime slot, Cartoon Network's cuts turned the show into a complete mess, most notably by forcing the series to Never Say "Die", drastically changing battle scenes, and featuring the use of the notorious "Disco Guns." In spite of the show's serious nature, the bizarre and drastic edits caused the fanbase to not take the show seriously and it showed in the ratings. By episode 26, the series could only be seen at Friday at midnight. After its shaky run, Gundam would go back to being only seen on DVD until SyFy revived the franchise by airing Mobile Suit Gundam 00.
- Its sequel Gundam SEED Destiny managed to kill Sunrise's official English-language Gundam message board (the centerpiece of the English language website), despite not even airing outside of Japan until years later (and even then it only aired in Canada). Numerous American fans were watching fansubs of the SEED Destiny episodes within days of their air dates (or even sooner in the case of American fans who speak Japanese, which in the Gundam fandom turns out to be a surprisingly large number) and thus it was the biggest topic of discussion the message board (without, of course, the fansub aspect being mentioned; it was the official message board after all). The extremely divided fan opinion about SEED Destiny is well known, but the disagreements were kept mostly civil. And then the final episode aired, and the opinions voiced on the message board were almost universally (and often quite vehemently) negative, even among those who'd generally approved of the way the story had gone in the second half. Shortly afterward (and without advance notice), Sunrise pulled the plug on the message board entirely, leaving GundamOfficial.com little more than an empty shell that to this day no longer gets updated (when Gundam 00 aired on SyFy, it was given its own separate English-language website).note In fact, given that the SEED Destiny finale aired in Japan less than six months after the SEED finale aired in North America (many Gundam fans, especially those newly-introduced to the franchise, went straight from watching SEED in English to watching fansubs of SEED Destiny), this incident may have even played a role in Gundam's long disappearance from American TV broadcasts, with Sunrise drawing the (ridiculously false) conclusion that negative reaction to the SEED Destiny finale meant that Americans just didn't like Gundam. A movie meant to tie up the Cosmic Era timeline has been stuck in Development Hell for years (due to the declining health of one of the writers), and its fate is uncertain.
- And well before the fallout of G Gundam and Gundam SEED, there was Toonami's broadcast of the original Mobile Suit Gundam, a series that was made in 1979 and had yet to receive any sort of modernization. It didn't help that Mobile Suit Gundam was following onto Mobile Suit Gundam Wing, a series that (at the time) was one of the more modern Gundam series (made in the 90s and all). The result? Mobile Suit Gundam never finished its initial run, with Cartoon Network claiming that it had been pulled due to 9/11. That being said however, it was briefly revisited during a New Year's Eve special, in which series belonging to favorite Toonami block villains (as voted upon by fans) were broadcast on the Midnight Run. Surprisingly, Char Aznable was voted near the top slot (beating out The Joker no less), and as a result Toonami ran the final two episodes of the series (specifically the Battle of A Bao A Qu) in his honor.
- In Japan and amongst the world, the almost-franchise killer was Mobile Suit Gundam AGE. Stylistically, it was attacked for appearing to be a "kiddie" version of Gundam, but the series was actually one of the darkest in Gundam canon, with the series being introduced during a violent invasion attack, featuring a Villain Protagonist, and the first major antagonist being a seven-year-old. During much of the series, it was criticized as being the Cliché Storm of Gundam, drawing forth all the various tropes and themes that were utilized in the other installments to fill out the story. The overall reaction and viewership decline of the series resulted in Gundam being kicked off of the Tokyo Broadcasting System, where it had been part of the lineup for years. It would have killed off the franchise if not for the release of Gundam Build Fighters, which made up for the countless flak it received.
- The main point of contention towards AGE was the Kio/Three Generation Arc. Up until that point, the series had actually been doing good, especially with its more likable second protagonist Asemu Asuno. When Kio took over, things looked like it was going to head in that same direction, but when Kio took Kira Yamato's famed pacifism to new levels that infuriated fans, that is when AGE took a nosedive and nearly killed the franchise.
- The anime Digimon Frontier, which followed the popular Digimon Tamers, killed the anime franchise for three years due to leaning back on a Henshin Hero concept instead of the Mons that the entire intellectual property is based on. Its successor, Digimon Savers, didn't do well enough to keep the franchise on hiatus for another three years until the release of Digimon Xros Wars.
- In America, Savers (re-titled as Digimon Data Squad for English audiences) killed the franchise. In this case, Toon Disney's treatment of the series is probably to blame. Desperate to get the Digimon craze over with, Toon Disney's edits ended up turning Data Squad into a 4Kids-like disaster, removing numerous references to Japanese culture and replacing it with American-oriented ones, turning a villain in one episode from a giant bomb to a giant orange fruit and threatening to flood an amusement park instead of blowing it up, forcing characters to Never Say "Die" and removing all scenes of characters dying or brandishing firearms. The mess Toon Disney made was so distressing that pre-existing Digimon fans refused to watch it. Once the dub ended its run, Disney sent the Digimon license back to Saban in 2010note , and Savers' successor, Digimon Fusion, was finally picked up by Nickelodeon for an English dub in 2013.
- Anime International Company's El-Hazard: The Alternative World performed poorly to the point that it was Cut Short with the show's way too many plots being wrapped up (very poorly) in only a single episode. It also killed the El Hazard franchise, with no further work of any kind being done in the decade since. And we never get to see the Stable Time Loop established in the original El-Hazard: The Magnificent World through to its completion.
- After the first season aired, The Melancholy of Haruhi Suzumiya was the hottest otaku property around. Fans clamoured for a sequel for years. Then the sequels finally happened... three years later, in 2009/2010 with a second seasonnote and the well-received Disappearance movie. What little did anyone know at the time is that during those three years and counting were planted the roots of death: A Schedule Slip of the light novels since 2007 and still going, Kyoto Animation realizing that self-owned IPs would be economically more profitable for them in the long run than animating Kadokawa's IPs (of which Haruhi is one) and the demotion of Atsushi Ito, the man at Kadokawa who primarily pushed for Haruhi in anime form, all coalesced into no person being left around to champion for Haruhi, and so the series died a slow and painful death out of inactivity; nowadays, it's only the hardcore fans left wanting a third season. It's also telling that out of all the major properties for which Bandai Entertainment still had licenses at the time it left the North American anime market, Haruhi is the last to have its license picked up by another company. Even the first anime adaptation to be greenlit in years is an adaptation of one of its spinoffs.
- Shugo Chara!'s third season, Party! bombed so badly that it prevented the rest of the manga from getting adapted, and may have even had a hand in the abrupt demise of the manga itself.
- The third season of the Slayers anime, which diverged from the continuity from the light novels, wasn't as well-received when it came out, but even then, most prefer it now, because the new fourth and fifth seasons that came out eleven years after it were received poorly (and not well-made - Continuity Snarl, Conspicuous CG, and extreme Flanderization of the leading heroine, all thrown together with a sloppy plot.)
- Tenchi Muyo!, another Anime International Company franchise, barely escaped this fate one year earlier with Tenchi in Tokyo. Despite being in most regards worse than El-Hazard: The Alternative World, Tenchi in Tokyo managed to last for a full 26 episodes, and only set back the franchise by 5 years instead of killing it altogether. In the same timeframe, attempts to adapt Tenchi Universe to the big screen were financial and critical failures, and the release of numerous alternate-timeline Tenchi media created a massive Continuity Snarl note . The poor critical and fan reception of GXP and OVA 3 (both of which went back to Kajishima's original OVA timeline) put a nail in the coffin for the traditional Tenchi lineup, and Sasami Magical Girls Club killed the Pretty Sammy stuff. What would come after (War on Geminar) didn't feature any returning characters from the franchise, and was only vaguely connected with any other part of Tenchi. The only thing the franchise has going for it now are shorts to promote tourism.
- The Animated Adaptation of CLAMP's Tsubasa Reservoir Chronicle came to a screeching halt after a lackluster second season that had almost nothing but Filler episodes when there was so much more material left to adapt. They tried to Retcon it in the Tokyo Revelations OVA (the adaptation of the Acid Tokyo arc in the manga), but the damage had already been done.
- Subverted with the Pretty Cure series. The relative failure of Yes! Pretty Cure 5 GO!GO! wouldn't kill the franchise outright, but it would lead to the series not having any more direct sequels outside of the Pretty Cure All Stars movie series.
- Zoids: Fuzors is often accused of being one of these by the English-speaking Zoids fanbase, but it was in fact the fan-favourite Zoids: Chaotic Century that killed the franchise, having gotten such low ratings during its run on Cartoon Network that it was cancelled, with the final four episodes only being shown after complaints from the fanbase. Fuzors was more of a last-ditch effort to salvage what was already a doomed franchise.
- Similarly, in Japan, Zoids: Genesis was a franchise killer; the anime got a so-so reception, but The Merch failed to sell, effectively dooming the chances of another Zoids anime being made any time soon, and causing Tomy to change its marketing strategy by pandering exclusively to Otaku rather than general audiences as they did before.
- Doctor Who was technically canceled three times: First, a break during the summer of '85 while the network deliberated over bringing it back; a six-month 'hiatus' while fans badgered the BBC to restore the series to air; and finally a 16-year cooldown period before the 2005 revival. For this reason, it's debatable which serial is the one that put Who out of business for good. "Attack of the Cybermen" is a strong candidate, since it's the embodiment of everything the show's critics hated. The "Trial of a Timelord" arc, conceived as a last saving throw for Doctor Who, impressed no one and ended in the hiatus; the trial was comprised of four hastily-written, convoluted serials, the most baffling of which would have to be "Mindwarp". This series managed to stagger on for an additional three seasons, and through it was beginning to win critics back over, the BBC decided Doctor Who wasn't worth the bother. An American reboot was attempted in 1996, which resulted in the maligned Doctor Who TV Movie.
- A major problem for Classic Who was its large audience: Many were impressionable children, but others were simply grown-up fans who expected a level of maturity from the show. These two factions did not get on with each other: A cabal of Moral Guardians attacked the Tom Baker era, with its Hammer Horror tropes for being too scary for kids (famously derided as "teatime brutality for tots" by Mary Whitehouse); in a bid to curry favor with them, the show's producers dialed down the horror in favor of light comedy. The politics were the next to be thrown overboard, as the UK under Margaret Thatcher was no place for the peace-loving, anarchic tone of the Classic Series. The series became bloodier and very, very '80s, with head writer Eric Saward spending more time fleshing out his amoral, Clint Eastwood-style bad guys than the show's stars. Finally, in a last bid to win back the alienated fans, producer John Nathan-Turner overloaded the show with continuity nods and call backs, often forgetting the context of where the references came from. It wasn't until much later that Doctor Who considered writing serials based on the turmoil backstage: "Vengeance on Varos", itself a parody of sensationalist TV, and "The Happiness Patrol", set in a Mary Whitehouse-themed dystopianote , where being unhappy is a crime, and where stormtroopers forcibly paint the TARDIS bright pink so as not to look 'depressing.'
- Major League Baseball's Saturday afternoon Game of the Week went on a two year hiatus (1994-95) after CBS, who took over from long runner, NBC in 1990 lost half a billion dollars off of their contract. During the CBS period (1990-93), they didn't air a Saturday afternoon game for all 26 weeks of the regular season (instead covering about 18 on an inconsistent or sporadic basis). On the weeks that they didn't cover a baseball game, they would air other sports programming like golf. Even when FOX received an MLB package beginning in 1996 (following the failure of a joint venture between Major League Baseball, ABC and NBC called The Baseball Network), they didn't start their baseball coverage until Memorial Day weekend. It wasn't until 2007 (18 years after NBC aired their final GOTW), that the Game of the Week was once again broadcast for each week of the regular season.
- Heroes Volumes 3 and 4 (both making up season 3) qualify as such. The second season was a major letdown compared to the strong premier season, but people forgave it because half the season had been derailed by the 2008 WGA strike and The Powers That Be did the best they could. When season three came along, they expected a return to form; what they got was a Random Events Plot with characters acting wildly Out of Character as the writers seemed to change their minds on key plot points three times per episode. The best-known example is Sylar's Heel-Face Revolving Door, but it was like that with everything. By the end of that season, most of the fans had given up on it. There was a fourth season (Volume 5), and while it still had problems many of the remaining fans felt it to be something of a return to form, but by that point few people cared about the show anymore. Not only was the TV series cancelled at the end of that season, but the graphic novels were also scrapped as well, and the writers and producers can't even get a greenlight for a miniseries to give Heroes a proper last hurrah. NBC plans on rebooting it with Heroes Reborn, set in the same universe, but with a new cast of characters.
- The weak reviews and bad ratings of Law & Order: Los Angeles (despite NBC's Wolverine Publicity of the show) served to kill off that franchise in the US. However, the UK remake of the series is doing well and has been picked up for a seventh series. Law & Order: Special Victims Unit continues to carry the torch in the US, as well, but its continued existence seems to be almost entirely a function of ratings impotence from the rest of the network.
- Let's Make a Deal (original run: 1963-77, plus revivals in 1980-81 and 1984-86), frequently averted this effect:
- 1990-91: The year was flooded with mediocre game shows, many of which were one-season revivals. With original Deal host Monty Hall in semi-retirement (although he stayed on as executive producer), the 1990 Deal revival was hosted by Bob Hilton, who was far more experienced as an announcer than a host, and considered a poor fit. Due to falling ratings, Hall stepped out of retirement and hosted the rest of the season with intentions to scout out a new host for Season 2, but the show was canceled instead.
- 1996: An "edgier" remake called Big Deal (hosted by Mark DeCarlo) lasted a whopping six episodes on FOX in 1996 (although it was slated to be Un-Cancelled in March 1997), and it went down quickly due to phony attempts at being "hip" and "modern".
- 1998: A pilot hosted by Gordon Elliott was proposed but also fell through.
- 2003: Hosted by Billy Bush for NBC, and canned after three episodes for many of the same reasons as Big Deal.
- 2009-: With Wayne Brady as host, Let's Make a Deal has finally started thriving again on CBS daytime. Between 1993 and this version's debut, daytime television had no game shows at all other than The Price Is Right (also a CBS property).
- By 2008, Little Britain was already suffering badly from Seasonal Rot and the Ricky Gervais-led backlash against classic Brit Coms and sketch shows. However, the Little Britain USA series proved to be the final nail in the coffin, getting awful viewing figures and critical reactions on both sides of the Atlantic, and being heavily criticized for worn-out characters and situations, the new characters being even less funny than the existing ones had become, and over-use of the Laugh Track.
- The downfall of NBC's Thursday night "Must See TV" block, can be attributed to the combination of oversaturation of sitcoms all across NBC's line-up (to put things into proper perspective, during the 1997-98 season, NBC had about 18 sitcom slots on Mondays-Thursdays and Sunday), which for the most part seemed nearly identical from one another (i.e. multi-camera shows about young, affluent white people living in New York City), the mismanagement of Jeff Zucker (which on its own, can be considered a Dork Age of NBC), who because of his "super-sizing" concept for Friends, made it much harder to nurture another show right after it, the lack of strong shows to replace staples like Seinfeld, Frasier and Friends (which in the meantime, were usually sandwiched in-between otherwise mediocre or forgettable shows like The Single Guy, Suddenly Susan, Caroline in the City and Veronica's Closet) such as the disastrous American adaptation of Coupling, other networks' (i.e. CBS and ABC) Thursday night line-ups becoming increasingly stronger by around 2004, and The Apprentice moving into the 9 p.m. timeslot.
- Stargate Universe was a Soap Opera IN SPACE! that couldn't be less like Stargate. Unlike many of these examples, it had a nice little fanbase, but not enough to keep it afloat, and with its failure came the official announcement of the indefinite hiatus of the awaited Stargate SG-1 and Stargate Atlantis projects - the kind of 'hiatus' that means you start dismantling sets.
- With the 1987 premiere of Star Trek: The Next Generation, Star Trek was once again a TV staple, and thanks to Star Trek: Deep Space Nine and Star Trek: Voyager, the franchise was still healthy in 2001. Then came Star Trek: Enterprise. Plagued with Executive Meddling, a title ambiguous to the general public, a horrible theme song, and two rather weak seasons, the third and fourth seasons, though improved, couldn't keep the show on the air, and it was cancelled in 2005, meaning there was no new Star Trek television for fans to anticipate for the first time in 18 years. A controversial, but lucrative reboot film by JJ Abrams seems to have resurrected the franchise.
- The much hated (by both the fans and the cast) final episode "These Are the Voyages", was purely adding insult to injury. The relaunch novel series couldn't retcon it fast enough. Note that this is the only episode in the history of Star Trek (counting the animated series, that's 725 episodes) that's ever been directly and intentionally contradicted by a novel.
- Fantasy Leader, a Blogspot user, wrote a detailed essay on what was almost the Franchise Killer for Super Sentai here. To recap: the coincidental collision of a gradual Broken Base in the fandom that built up starting with Chikyuu Sentai Fiveman five years ago and a pair of Genre Killing real-life incidents outside of the fandomnote led to show ratings falling to a new low in Chouriki Sentai Ohranger and Toei was prepared to pull the plug... until they noticed that Ohranger toy sales somehow reached a monstrous new high for Sentai overall.
- Years later, Tokumei Sentai Go-Busters did so poorly sales- and ratings-wise that it's rumored that Bandai actually approached Toei and Saban Brands and asked them to skip it in favor of Zyuden Sentai Kyoryuger, leading to the creation of Power Rangers Dino Charge.note Not only that, but the annual crossover essentially derailed it from being a crossover between Go-Busters and Kyoryuger to basically "hey, let's get the two other Dinosaur Sentai together!", with the Go-Busters getting little-to-no additional closure. This is additionally telling with that crossover's post-credits scene where an upgraded version of Go-Busters' Big Bad shows up, completely late for the movie and ends up getting defeated by the passing-by Sentai cameo.
- In the West, Power Rangers Operation Overdrive was the defining factor in Disney's grinding the franchise to a halt and selling it back to Saban in 2010.note The only reason Power Rangers Jungle Fury and Power Rangers RPM were made was because Jetix Europe and Bandai respectively asked them to for each series.
- The combination of aging sitcoms like Family Matters and Step by Step moving to CBS (who started (and ended) their own family-friendly Friday night sitcom line-up in 1997-98 called "The Block Party"), the oversaturation of supernatural/magic type shows (Sabrina the Teenage Witch and new series You Wish and Teen Angel, which both lasted only one season), the failure of Two of a Kind (which was the last sitcom produced by the previously reliable Miller-Boyett group) starring the Olsen twins the following year, and ultimately the ending of Boy Meets World after seven seasons and Sabrina... moving to The WB after the 1999-2000 season, killed off ABC's TGIF block (although ABC would bring back the TGIF brand for the 2003-05 seasons).
- The violence at Altamont killed not only Meredith Hunter but the whole idea of the "peace, love and music" late-'60s outdoor rock festival that Monterey had pioneered and Woodstock made legendary.
- Similarly, after the violent and criminal tragedies of Woodstock '99, the owners of the Woodstock name have gone on record to say it will never be used again.
- The death blow to The Love Parade was delivered by the stampede at the 2010 event, where bad design of the location led to the death of 21 people.
- The failure of The Avengers: United They Stand was the final nail in the coffin of the (loosely defined, but still there) Marvel animated universe that aired on Fox Kids throughout the '90s. All subsequent Marvel cartoons have taken place in other continuities and aired on other networks.
- After Beast Machines there was supposed to be a sequel series (complete with prototype toys made) called Transtech and it would have continued even further into the series timeline. While Beast Machines still had solid ratings, the reception was mediocre and the toys themselves were subpar and didn't sell. Recognizing they had taken the Beast era franchise as far as it could go, Hasbro scrapped Transtech and imported Transformers: Robots in Disguise while they worked on a complete Continuity Reboot with Transformers Armada. This did have the interesting effect of splitting Transformers into many Alternate Universes rather than just Alternate Continuities.
- If you're still confused over why it's considered a Franchise Killer, let's just say this; up until Beast Machines, all Transformers franchises were made in or spun off from ones made in the West; after Beast Machines, no Transformers series would be developed in the West until almost a decade later.
- Ben 10: Omniverse was this to the Ben 10 franchise; technically, it had better ratings than the two previous entries, but the fanbase was even more divided on it than it was on those, and the toy sales were rather low, resulting in the show being Screwed by the Network.
- Blue's Clues has several moments that potentially killed the show. Steve Burns leaving was the first one. For some reason, some parents just didn't find Donovan Patton Adorkable enough. However, the show managed to pull on for another 5 years with Patton as host. The second, more clearer one, was the Spin-Off into Blue's Room in 2006. The many changes made to the spinoff- specifically, non-appearance of many of the cast from the main show and that Blue can now talk, aside from the change to puppetry, gave the franchise one year to live before production of both shows ceased in 2007 and the franchise slowly pattering off into obscurity.
- Ever wondered why you don't hear much about Felix the Cat anymore outside of merchandising or that 2004 direct-to-video film? You can pin the blame on the failure of Felix the Cat: The Movie. Lull Destruction, poor animation and lip-syncing, a Random Events Plot (and a poorly executed one at that) and numerous plot holes can make this movie painful to watch for even the most avid Felix fan. The 90's cartoon The Twisted Tales of Felix the Cat attempted to revive the franchise, but an unsuccessful retool in the second season quickly brought Felix to an early grave yet again.
- Even before those was the failure of the early 30's sound cartoons; Pat Sullivan made little effort to upgrade the Felix cartoons to sound (not helped by his private life being in shambles due to his wife's alleged suicide and his heavy alcoholism) and when he did, they were rushed, sloppy, and far behind the times, resulting in the Felix cartoon series getting forgotten by the far more popular Mickey Mouse shorts—Sullivan's subsequent death put the final nail in the coffin for his animation studio. An attempt to revive the cartoons was done in the mid 1930's by Van Beuren Studios; while the cartoons were seemingly well received despite having little in common with the character's previous appearances, when RKO negated Van Beuren's contract in favor of distributing Disney, it caused Van Beuren to go belly-up, thus sending Felix to an early grave yet again, after only three color shorts. What caused the franchise to not fully die out, is that whilst the cartoons were put on ice, Felix still ran in newspaper and magazine comics for quite a long time.
- After the second season of Gargoyles, creator Greg Weisman jumped ship, and a third season called Gargoyles: The Goliath Chronicles sank the franchise on TV. Greg wrote a comic series to replace the third season, but unfortunately it didn't sell well enough to keep up once Disney hiked up the licensing fee.
- The Holly Hobbie And Friends direct-to-DVD series has an interesting case of this when the producers of the show decided to change several aspects of the franchise from the fifth DVD on. Said DVD, Fabulous Fashion Show, was so badly reviewed across the board, with an overall 1.3/5 on Amazon with 18 reviews, compared to 4+ star averages for the others, that it all but killed the franchise. The subsequent DVD, Marvelous Makeover, rebounded to 3.3 stars, but the various changes that had been made to the series, such as moving to 22 minute stories and replacing most of the voices, were still generally poorly regarded. Making things worse was the shoddy voice replacement job- the new cast sounds nothing like the old one, and while they opted to use a Non-Singing Voice for the titular character, the singing voice and speaking voice wasn't even matched either. Aside from that, the characterizations were all botched and the characters were passing the Idiot Ball around. The show's final picture book release was seen a bit later in 2008, and afterwards, production on all media was discontinued entirely.
- Universal released an animated The Jetsons feature film in 1990, complete with Conspicuous CG, a Green Aesop played out with a Gang of Critters that was essentially a rewrite of an old episode of Star Trek, and reuniting nearly all of the original cast members save for '80s pop starlet Tiffany voicing Judy Jetson thanks to Executive Meddling. The film also marked the last performance ever of noted voice artist Mel Blanc (Mr. Spacely), who was still recording while in the hospital (as he had years before then) and died before the film was completed, as well as George O'Hanlon (George), who by that point had to have the lines read and acted to him before recording, who also passed away before he could quite finish the film. Both Blanc and O'Hanlon's remaining lines had to be completed by a sound-alike. Penny Singleton did not die during production like Blanc and O'Hanlon, but the movie remained her last acting role until her death thirteen years later. Coming on the heels of the 1980s Jetsons revival (the new syndicated episodes and two TV movies), this film's disappointing box office and harsh critical reviews were apparently enough to send the franchise back into hibernation. It has stayed there ever since, a potential live-action film being stuck in Development Hell for years notwithstanding.
- In a rare example of a character being a one-person Franchise Killer, Elmyra managed to be the prime cause for the untimely demise of Pinky and the Brain. This is even pointed out in the new theme song for Pinky, Elmyra & the Brain:
- The negative reception and ratings failure of Planet Sheen has killed off all interest in the Jimmy Neutron franchise in the forseeable future.
- The abrupt cancellation of Ren & Stimpy: Adult Party Cartoon put the series on the kibosh, as no plans to revive the series have come about. The lackluster sales of the DVD sets didn't help this. It also helped put an early end to the entirety of the then-new Spike's animation block, thus taking down Stripperella (which was also hampered by a lawsuit) and Gary the Rat along with it, although the former was at least popular enough once it hit DVD.
- Scooby-Doo in Arabian Nights helped to kill off the franchises of Yogi Bearnote and Magilla Gorilla, as this was Magilla's last animated appearance, and the final cartoon by Hanna-Barbera to feature Yogi Bear and Scooby-Doo, although the latter was revived with great success in 1998 by Warner Bros. with Scooby-Doo on Zombie Island, making Scooby a Cash Cow Franchise for them in the years since. Yogi Bear has since had a few new cartoons by John Kricfalusi, but hardly anybody's seen them, as well as a financially successful, but critically ravaged, live-action film.
- The ratings failure of Super Mario World, along with the cancellation of Captain N: The Game Master and the closure of NBC's Saturday morning cartoon block, killed off any further attempts to keep the Super Mario Bros. on television. The only subsequent Super Mario Bros.-related television series made since then was The Super Mario Challenge, a live-action game show from the United Kingdom that aired and ended around the same time as World.