Torch the Franchise and Run
A writer has created a franchise, but they don't own the legal rights to what will happen to the franchise, the publisher/network/studio/whatever does. Or maybe they share the rights with someone else and just doesn't have as much control as they would like. They want to stop writing it and move on to something else. But they don't want anyone else being able to handle their property, even though they don't legally own it. And even if they did own the franchise, what happens when their kids get their hands on the franchise after their inevitable death? The solution? Torch the franchise and run. Write one last story that totally wrecks everything. They kill off everyone they possibly can. They make the lives of all of the characters a living hell before executing them. They make 100% sure that everyone is dead, and those that aren't have no way of returning to the status quo or main premise of the show. Essentially the authorial version of breaking your own toys so that nobody else can play with them. See also Kill 'em All, though this is done less for the story and more for the personal or legal satisfaction of the author. Related to Writer Revolt. When this happens in a physical sense, you get Trash the Set. Fan backlash can cause this to backfire in the most unpleasant ways, even before there was an Internet to inspire an Internet Backdraft. This may force the author to use an Author's Saving Throw if the new franchise they attempt to start sinks like a stone, either because it didn't have the same spark as the old series or their old audience is so angry at them they refuse to follow them. As many of these examples show, this isn't guaranteed to succeed even in its main goal of ending the franchise, never mind the fan reaction. If the publishers want to keep the franchise going badly enough, they'll find a way, whether that's making prequels, finding a way to press the Reset Button, or, if push comes to shove, retconning the entire Downer Ending and restarting from an earlier point. If an author attempts this, fails, and the "new direction" is well received, then it's a Springtime for Hitler. Not to be confused with Franchise Killer, which describes a work in a franchise that's received so poorly there probably won't be any more installments anyway regardless of what damage is done to the status quo.
open/close all folders
Anime and Manga
- One reason for Yoshiyuki Tomino's Kill 'em All tendencies was a desire to avoid making sequels. It didn't stop one of his shows from becoming one of the biggest franchises in all of anime.
- His most infamous case of this happening was with Mobile Suit Victory Gundam, which, legend says, he wrote deliberately to try to kill off Gundam for good. Didn't stop them from making more.
- In a way he kinda succeeded, since no animation or manga has been made that chronologically take place right after Victory Gundam. Gaia Gear, the series of novels that takes place after Victory Gundam, is set around 50 years after Victory Gundam without any series to bridge the gap. Victory Gundam itself is set around 30 years after F91.
- Due to his reputation, Tomino's novelization of Mobile Suit Gundam is often mistaken for this; it ends with The Hero getting killed during the Final Battle and most of the White Base crew retiring from the military. However, in interviews Tomino has said that he gave the novels a definitive conclusion because he thought that was the end of it; he didn't anticipate Gundam becoming so popular and successful, and would have written the ending differently otherwise.
- His most infamous case of this happening was with Mobile Suit Victory Gundam, which, legend says, he wrote deliberately to try to kill off Gundam for good. Didn't stop them from making more.
- Master of Martial Hearts ended its last episode with a huge Take That towards its viewers, anime in general, and especially panty fighter series. Any character who wasn't killed was so tarnished that they'd be unlikely to receive any audience sympathy again. It wasn't exactly the highest-quality production in the first place, but still.
- Mahou Sensei Negima! received an extremely abrupt Distant Finale ending that had many fans puzzled as to the remaining unresolved plot threads. A short time later it surfaced that Akamatsu had decided to end the series as a protest against his publisher Kodansha for their attempts to take away all the rights to the work, including the copyright itself and their intention to sue any and all doujinshi artists using the Negima characters and/or setting. Akamatsu, who himself began his career as a doujin artist didn't take kindly to this, promptly gave Kodansha the one-finger-salute and told them he would be ending their biggest Cash Cow Franchise immediately. Nobody is killed off, however, the story goes out of its way to make any sort of continuation completely impossible. The Big Bad is dealt with off-screen somehow and the romance is left ambiguous apart from Ship Sinking for the four most popular pairings for the main character. And then Akamatsu returned to Kodansha anyway once he worked it out with Kodansha that they would never, ever, try the stuff they had talked about before, such as dual-copyright ownership of the manga, suing doujin artists, etc., lest he decide to totally close up shop with them and go to one of their competitors. And while his next series, UQ Holder!, is a Stealth Sequel to Negima, it doesn't use any of the Negima characters except one, and it doesn't pick up the vast majority of the plot threads that were left loose (most of them wouldn't matter anymore by the point the new series starts) so for all intents and purposes, the original series remains sunk and its character arcs with it.
- Harenchi Gakuen, the first series written by Go Nagai, ended this way because of the Moral Guardians coming down hard on the magazine that published it. It may explain why Nagai has done his own publishing for most of his career, as well as why many of his works have a Downer Ending.
- An In-Universe case happens in Saki Biyori Chapter 25. The Shindouji mahjong club starts a round robin journal, which, due to Kirame and Hitomi's actions, ends up developing a "Mister Shindou" comic. Club President Mairu has difficulty continuing it, so she puts in an order banning comics, but in response, people come forward with signatures begging for the return of the comic. In response, Mairu's best friend Himeko considers killing off Mister Shindou, to which Mairu responds by saying "Making him die is kinda..." but has him come back to life and live with his family.
- Grant Morrison ended his run on the comic book Doom Patrol by pretty much torching the place down. The leader turned out to be evil, some characters died, others were permanently exiled to another dimension. The writer who took over only had one or two characters to work with.
- This is not without precedent, however: the first version of the Doom Patrol ended with all the main characters dying. The version that came before Morrison's version ended with some of the cast dying and one of them in a coma. Interestingly, Morrison's version (which was one of the most popular) ended with only two characters dead and the rest walking away into the sunset.
- Interestingly, when his run on the much-higher-profile Justice League of America ended, he only wrote out the characters he'd introduced during his run, leaving the same core 'Big Seven' team he started with, and essentially handing the next writer a blank slate. And the only character who died was one Morrison himself had created, since the character's own comic was cancelled before it had a chance to end properly.
- All signs are pointing to this being what he's going to do once he's done with his run on Batman Incorporated, what with Damian Wayne's death and possibly the end of Batman Inc. itself. At the same time, the last few pages of the series repeatedly and forcefully remind readers that members of the al Ghul family never stay dead.
- X-Men spin-off X-Statix creator Peter Milligan bloodily slaughtered all the surviving team members in the book's final issue. Not that this stopped him from revisiting some of them for a miniseries set in the afterlife.
- Peter David left his original run as writer on The Incredible Hulk under unpleasant circumstances. So he killed off Betty Banner in a sudden, horrific, ironically tragic, yet not really logical way (she'd been married to Bruce for years. Why did she suddenly wake up covered with radiation burns one morning?), and then made his last issue an alternate future issue set many years in the future, tying off all the comic's loose ends and giving everyone a very sad but definitive ending. Paul Jenkins, the next major Hulk writer, and most of the fandom treated most of David's last issue as a What If? story (though Betty stayed dead for a few years).
- In 1990, after getting a deal with DC, Alan Grant killed off Johnny Alpha, the protagonist of Strontium Dog, to prevent any new writers from messing with him. A few years later, John Wagner started writing prequels, and recently brought Johnny Back from the Dead, to the disgust of the fanbase. The end of The Life And Death Of Johnny Alpha leaves it ambiguous as to whether he's dead again.
- Novas Aventuras de Megaman was almost less torch the franchise and run and more torch the franchise and take over. One of the writers created the character Princess in an attempt to kill everyone there and use it to make it her own series. Thankfully, someone caught him before it could happen and Princess was Put on a Bus.
- Alan Moore may or may not have wanted to prevent anyone else from using the characters from Watchmen, but its bleak ending and thorough Deconstruction of the superhero genre certainly had that effect all the same. This is the reason why the story uses expies of the Charlton Comics superheroes: Moore was initially hired to write a story using the Charlton characters themselves, but DC executives looked at his first draft and realized that if they published the story they'd never be able to use the characters again. They asked him to either change the story or change the superheroes, and he changed the superheroes. Watchmen remained a standalone miniseries for over 20 years—and when DC finally did decide to make more stories in that 'verse, they commissioned the new writers to create prequels instead of attempting to continue from where Watchmen ended, and even then it's proven hugely controversial.
- Allan Heinberg did this to the Young Avengers in Avengers: The Children's Crusade #9. But only by splitting them up so if a writer really wanted to they could bring them back together.
- Played-Subver-... Something in Captain Carrot and His Amazing Zoo Crew!: fantasy writer Ezra Hound attempts to kill off his hero, Bow-Zar the Barkbarian, so he can write serious fiction. Bow-Zar, in turn, time travels to the present and attempts to kill off Ezra Hound.
- One backup story in Marvel's Conan the Barbarian featured a Robert E. Howard stand-in trying to kill off "Starr the Slayer" (an obvious knockoff of Conan) but the eponymous character somehow came through the fourth wall and slew him before he could do so.
- The sad story of DC character Mystek was this. Writer Christopher Priest created her as a new character with the hopes of getting her own mini-series. To test the waters, DC Comics asked Priest to put her into other titles, placing her in The Ray and later having her join Justice League Task Force. In the end, DC decided that a Mystek mini just wouldn't be worth it and Priest, stuck with a character that DC now owned and he didn't want anyone to use, promptly had her shot out of an airlock, literally.
- Jack Kirby tried to do this with several of his creations, namely The Mighty Thor, the New Gods, and The Eternals. Each of them would have ended with the characters dying after some sort of epic final confrontation. However, Executive Meddling dictated that they wanted to still use the characters instead of having them killed off and go to waste, so it never happened in those cases. In fact, not being able to torch Thor led him to moving to DC Comics, and not being able to torch the New Gods led him to going right back to Marvel Comics. Given this history, it's not surprising that Kirby would go on to become the founding father of the creator-owned comic movement.
- Robert Crumb hated the Fritz the Cat movie. So much in fact, that he killed off the character so they couldn't make a sequel. It didn't work.
- Matt Fraction ended his short-lived Marvel series The Order by having the whole team curb-stomped by Ezekiel Stane, which included the team leader having to Mercy Kill one of the members to stop her Superpower Meltdown from destroying LA. To add insult to injury, Stane only did it to piss off Tony Stark, and when he appeared as the villain in the first arc of Fraction's Invincible Iron Man none of the surviving Order members got to be involved in taking him down. There's a fan-theory that this was a metafictional Take That, Audience!, with Ezekiel representing Marvel fans who are only interested in forty-year-old characters and don't support series with new characters.
- Kieron Gillen came out and said (mucho spoilers, by the way) this was the reason behind the ending of his run on Journey into Mystery. In the fullness of history, the probability of Kid!Loki being written back into villainy approaches one, so Gillen tied up all his outstanding plotlines and literally wrote Kid!Loki out of existence. Oh, and had Old!Loki take over his body.
- He then, however, had Kid!Loki reappear in his Young Avengers run as a Spirit Advisor to Old!Loki, although it's not clear whether it's a genuine haunting or a delusion.
- And then went on to retcon the original torching - it wasn't Old!Loki who took over Kid!Loki, but a copy Old!Loki had created to screw Kid!Loki over. He was haunted by guilt over killing Kid!Loki and subconsciously used his reality warping powers to manifest the Kid!Loki ghost. Once he owned up to what he'd done, the ghost disappeared.
- He then, however, had Kid!Loki reappear in his Young Avengers run as a Spirit Advisor to Old!Loki, although it's not clear whether it's a genuine haunting or a delusion.
- After Ken Penders sued Archie Comics to fully regain use of the characters he created during his time as head writer of Archie Comics' Sonic the Hedgehog it became obvious later on down the line that both sides were shooting themselves in the foot with their legal missteps and, tired of it all, settled. In the span of a year, Archie ended up exiling nearly everything created by former writers since the series began, culminating into Sonic the Hedgehog/Mega Man: Worlds Collide unleashing a Cosmic Retcon on the Sonic comics partially for this reason.
- Warren Ellis ended his run on Stormwatch by writing the WildC.A.T.s/Aliens miniseries, in which he unceremoniously killed off all the characters he wasn't planning to use in The Authority. Later Stormwatch series had to completely Re Tool the premise of the franchise, now following the adventures of a team of Badass Normal Cape Busters.
- The generally-well-received Yu-Gi-Oh Jr. trilogy by Maedar (a Continuation series) had plans for a follow-up, but they went on the back burner for a while so he could work on other projects. When he returned to the setting with Legacy of the Sorcerer Kings, the story didn't do nearly as well as its predecessors, with many readers complaining in particular about its Always Chaotic Evil portrayal of atheists. Its sequel, Soul of Silicon, was all but ignored, and thus Corvello used the story's epilogue as a Where Are They Now ending that completely closed off the setting.
- Attempted in-universe by Dante in Dante's Night at Freddy's 2: Animatronic Boogaloo. After learning Fazbear's Fright is going to be a thing, Dante has a brief mental, fourth-wall breaking meltdown before destroying the establishment and appearing to kill Spring Trap. Judging by the Sequel Hook, this unfortunately doesn't work.
- The Alpha-Omega bomb in the second Planet of the Apes movie, Beneath the Planet of the Apes, which was suggested to the writers by the original film's star Charlton Heston (who had to be dragged into the sequel, and only returned on the condition his character be killed off). It didn't work, as they used Time Travel to continue afterward (or rather, beforeward).
- After losing a lawsuit with some of the people Ian Fleming collaborated with on a (then) failed James Bond screenplay called Thunderball the executive producers killed off SPECTRE's leader Blofeld note in For Your Eyes Only just to stick it to Kevin McClory (who prevented Blofeld from being the villain of The Spy Who Loved Me, and later revisited the story he still held the rights to in Never Say Never Again).
- Attempted with 22 Jump Street, with its credits showing what would happen if they made increasingly ridiculous sequels set in ninja academies, retirement homes, space, and as a video game, among other things. However, a sequel was greenlit anyway and there are talks of a crossover with Men In Black.
- Halloween H20: Twenty Years Later might have what can be considered a happy ending case of this trope, with Michael Myers, the core of the franchise, decapitated, finally bringing an end to his terror. It didn't work, as Halloween: Resurrection came out and changed it from Michael Myers being the one that was decapitated to someone else dressed as him.
- Infocom's Enchanter trilogy, set in the same universe as the Zork trilogy, ended with all magic in the world being destroyed in Spellbreaker because it was the only way to stop the Big Bad from remaking the world in its own image. However, this did not prevent two more games set in that universe (Beyond Zork, which takes place concurrently with Spellbreaker, and Zork Zero, which is set many years before), from being published before Infocom's demise presumably prevented further official sequels for good. It also didn't prevent Activision from creating graphical Zork games set centuries afterward in which another age of magic occurred.
- In Stationfall, the sequel to the popular Planetfall, Steve Meretzky had the Robot Buddy Floyd killed off because he didn't want to do a third game. After Infocom's demise, Activision was planning on doing a graphical sequel anyway (tentatively titled The Search For Floyd), but the project was soon cancelled. There were also two novels loosely based on the games and set after the events of the games, by Arthur Byron Cover, but these novels were generally poorly received.
- L. Frank Baum was caught in a situation like this. He desperately wanted to stop writing stories about the Land of Oz, but his publisher and fans wouldn't let him. He had established that nothing dies in the land of Oz, so he couldn't kill anyone off. In the sixth book, he tried to use the Literary Agent Hypothesis to justify never writing a single thing about Oz again because an invasion caused Oz to become isolationist and totally cut off all contact with the outside world, thus promising to never ever write another story about Oz ever again. When his other books failed to sell as well, he had to begin writing stories about Oz again to pay his bills, backpedaling and explaining that they discovered the radio in Oz that Dorothy could use to broadcast Baum news about Oz.
- The last Witch World novel had every single character from the series traveling all over the world to shut down all the Gates so that no one and nothing can come through from Outside again, ever. So far it has stuck.
- One of the earliest examples is Sherlock Holmes' original death. Also backfired. Explanation: Sir Arthur Conan Doyle was starting to get tired of Holmes and wanted to write historical novels, so he had Holmes die at Reichenbach Falls. He did try to ignore the backlash caused by the move, and did for a decade, before returning to Holmes after those historical novels failed to sell.
- In-fiction example: In Stephen King's Misery, the author Paul Sheldon grows to hate his series of romance novels about Misery Chastain. In his latest book, he kills Misery so he can end the series and focus on more "serious" writing. Then he finds himself under the care of a demented fan (the Kathy Bates character in the movie) who's very unhappy with that ending. She forces Paul to write one more novel to undo that ending.
- There was a post-apocalyptic pulp-novel series called The Last Ranger. In the final novel they blew up the Earth.
- Done in-universe in the Hyperion Cantos: the poet Martin Silenus, finally realizing that his profitable The Dying Earth series of booksnote has become a brain-dead Cliché Storm, decides to just kill the thing off, completely and utterly, so that he can go and search for his "muse" and work on real poetry. (Though in fact his audience had such bad taste that the torching didn't work, but he decided to walk away and let his publishers do what they willed with it.)
- This is why the title character regains his sanity and dies at the end of Don Quixote. After publishing what became Part One, Cervantes was dismayed to see other writers producing unauthorized Quixote stories of their own, so he wrote Part Two as he did to give the character a definite ending.
- Agatha Christie killed off Hercule Poirot in Curtain to give the character a definite ending and prevent other writers from writing more books with him after her death. She actually wrote Curtain during World War II, worried about the possibility of being killed in the London Blitz, but as she wasn't, she continued writing for several decades, and Curtain was not published until a few months before her death in 1976.
- And it hasn't stuck anyway, as a new Poirot novel is being released in 2014. However, it seems that this one takes place somewhere earlier in Poirot's timeline, so it doesn't appear to be a Retcon.
- Larry Niven's Known Space nearly had one of its own. In 1968 Niven had decided there wasn't much left to say in that particular universe, and asked his friend Norman Spinrad what he should do with it. Spinrad suggested writing a story that basically destroys the entire thing (Niven never asked why, saying he and Spinrad think alike). This story, Down in Flames, was outlined but abandoned when Niven read about Dyson Spheres and was inspired to write Ringworld. Ringworld and Down in Flames use mutually opposing assumptions about canon (DiF assumes the Core Explosion was a hoax and a Tnuctipun conspiracy, Ringworld accepts the Core Explosion happened and that the Tnuctipun have been dead for a billion years as early stories said), making it impossible to use "Down in Flames" and keeping the 'verse alive.1977 version discussed the possibility of the explosion and tied it and Ringworld into the story. But by then Niven was even less inclined to end the series.
- Mostly Harmless ended with every version of Earth in the Multiverse being destroyed, and almost all of the regular characters dying. Oddly enough, creator Douglas Adams did intend to make a new book in the series to undo the damage, as he'd written Mostly Harmless while severely depressed and was extremely unhappy about where he'd taken things, but died suddenly of a heart attack before he could write it. Eoin Colfer was contracted to write his own continuation.
- The protagonist of The Witcher novel series gets killed with a pitchfork in the last book. Most of named characters are already dead, are dying or will be dead soon. And just to Salt the Earth, the whole world will also suffer a The Black Death grade epidemic (which is, in fact, the Black Death dragged from another world into Nilfgaard by Ciri). Then, the video game comes out with a continuation. The author is fairly inconsistent in his approach, though. In an interview from the Enhanced Edition of the game, Andrzej Sapkowski stated that he is fine with the games existing and views them as valid stories in the continuity... but during 2012 Polcon, Sapkowski did a U-turn and declared the new continuity non-canon. When he did write a book, he used Geralt, but wrote it as a prequel to the entire saga. Rather than bothering themselves over rejoicing, the fandom should accept that it's a Ghost in the Shell situation, with two separate continuities: One for the books only and one for the books and games.
- Dragons of Summer Flame effectively killed the Dragonlance franchise despite numerous attempts to repair it.
- And just to be thorough, the authors even insisted that TSR remove Lord Soth from the Ravenloft setting, then proceeded to kill him off. Not only did they torch their own franchise, they didn't even leave its Crossover character un-singed.
- Some suspect R.A. Salvatore is trying to do this with the Drizzt novels because A) he doesn't want a lesser author writing his best-known character and B) he may be running out of ideas.
- There are numerous rumors that he attempted to leave the series in 1997, which led to the commissioning a new Drizzt novel called Shores of Dusk from another author. Salvatore came back to the series and the (apparently completed) Shores of Dusk never saw the light of day.
- Before the release of Harry Potter and the Deathly Hallows, there was speculation as to who JK Rowling was going to kill off. Some predicted that she would kill off the main characters simply to stop other people taking them and continuing the story on their own. She didn't, though. Not all of them, anyway. Rowling occasionally implied she would, though Harry's death ends up coming with a loophole that lets him come back.
- The final book in Animorphs ended the main conflict and thrust the team into a Bolivian Army Ending three years later, strongly hinting that every member of the team died but Cassie. Ironically, this final book was titled The Beginning. K.A. Applegate would later defend the ending as being a case of Reality Ensues, arguing that wars never have a quick and easy solution, but she's also been quite bitter about Scholastic owning the rights to her franchise. It might even be a bit of both.
- Aunt Julia and the Scriptwriter from Mario Vargas Llosa has an in-universe example. A famous radio drama writer enjoys top ratings in all his radio serials... until he starts losing track of his characters. When everyone starts noticing that dead characters still appear, and others start jumping in on other unrelated serials, the scriptwriter ends up doing this to all his serials: Earth-shattering earthquakes, massive fires, stampedes, where even the main characters die.
- In The Last Book of Swords: Shieldbreaker's Story Fred Saberhagen destroyed all but one of the Twelve Swords, insuring that no further stories could be written involving his 'characters'.
- Colin Dexter wrote the novel series Inspector Morse, which started in 1975, and ended in 1999 with the 13th and last novel, The Remorseful Day, which kills off Inspector Morse via heart attack.
Live Action Television
- Television series La Femme Nikita, final season - retcon of key points from previous seasons, Everybody Dies, etc.
- Xena: Warrior Princess — Final season and a half — most of the supporting cast including most of the Greek gods killed off in anticlimactic ways or changed beyond recognition, Xena and Gabrielle being forced to sleep for 25 years, and eventually a Redemption Equals Death final episode.
- Terry Nation tried this with the end of Season 3 of Blake's 7. He torched the Liberator, revealed the "Blake" they found to be a hallucination, stranded the crew on the rear end of the galaxy, etc. That didn't work. Undeterred, script editor Chris Boucher made damn sure to try harder torching the replacement ship, and all the cast at the end of the following season! This time, it worked.
- When J. Michael Straczynski was asked what he would do if TNT tried to commission a sixth season of Babylon 5, he replied "Two words: Scorched earth." (As it is, the finale is set in a future where several of the main characters are dead and ends with the station blowing up and the show's lead Ascending to a Higher Plane of Existence.)
- The highly-anticipated finale of Seinfeld, called "The Finale," was notorious for ending the show by having the main cast being put on trial, convicted, and imprisoned for everything that happened on the show.
- Of all shows, Little House on the Prairie ended with the entire town being dynamited, though the cast was spared.
- According to Michael Landon, the reason for blowing up the set was so that it couldn't be used by later shows, or commercials.
- Jim Henson's Dinosaurs ended the world in the very last episode, so that revivals couldn't happen.
- Russell T Davies' Torchwood: Children of Earth looked like this to many viewers (with Ianto dead, Jack leaving Earth in self-disgust, Gwen traumatised and depressed, and their base reduced to a crater), but turned out not to be.
- The end of Six Feet Under doesn't preclude a revival so much as make it entirely redundant.
- The acrimony between Amy Sherman-Palladino and Warner Bros. was so great that when she couldn't be signed on for a seventh season of Gilmore Girls she crippled the show so much in the sixth season finale that most of the fanbase refuses to accept that The CW-fied seventh season ever happened; new show head David Rosenthal was unable to do much of anything to fix what was broken, the new writing staff hurriedly thrown together seemed to not know the characters at all and mis-wrote them, and somehow a small town ensemble drama was changed around to be yet another generic teen drama with adults written like teens because without the creator around, nobody knew how to write them.
- The A S-P strategy seems to be repeating with Janet Tamaro, who departed Rizzoli & Isles after the fourth season and left the season five writers with a ton to clean up, including a pregnancy scare for Jane, broken relationships and an out of left field Love Triangle between Maura and the Rizzoli brothers.
- Actually, Janet Tamaro is staying on as a creative consultant (much like how Lauren Faust served a similar role on My Little Pony Friendship Is Magic). As such, some of the dangling plot threads are either being developed (Jane's pregnancy) or put on ice (Maura and Frankie deciding to stay friends).
- In-Universe example: This is how Richard Castle of Castle ended his Derrick Storm novels so he could begin the new Nikki Heat series. He gets quite a bit of flack for it until the Heat books take off.
- Homicide Life On The Street ends with the death of at least one major character (and one ambiguous but strongly implied death).
- Three of the four series of Blackadder ended by killing off some or all of their main characters either as a real or parody version of this as they’d all be alive and reincarnated in a different time period the following series. The third one was the only one that didn't. Sure, the Prince Regent died, but it's okay. Blackadder took his place.
- The Finder ended with Walter arrested, Isabel losing her badge and Willa has to run away to escape an arranged marriage with her cousin, and Leo is all alone.
- One explanation for the "It was all an autistic child playing with a snow globe" ending in St. Elsewhere, as no other explanation makes sense (most of the plots were far beyond anything an isolated child would be able to think up all by himself).
- One of the episodes of Friday the 13th: The Series revolved around a cursed comic book that could turn its owner into an invincible comic book character. However on learning that the creator of the character had tried to Torch the Franchise and Run but been stopped, they were able to find out the character's one weakness via his artwork.
- Power Rangers:
- Power Rangers in Space certainly went in this direction, what with Zordon dying and his energies being used to purify all evil and apparently take away the Rangers' powers. Obviously it didn't stick.
- The rumored "Hexagon" version of Power Rangers Ninja Storm would have been this as well, ending in a Civil War-type battle that would end with everyone pulling a My God, What Have I Done? and Hexagon leader Tommy letting everyone go.
- Power Rangers RPM starts with 99% of humanity nuked, and the season follows the Rangers as they protect the one remaining city left. When the series was Un-Cancelled again, RPM was declared to be set in an Alternate Dimension.
- Forever Knight ends with virtually all of the cast dying in the last three episodes, culminating with Nick accidentally killing his girlfriend and committing suicide. The last line of the series sums it up quite well: "Damn you, Nicholas."
- When The KLF grew disillusioned with the pop music industry, they decided to quit in a way that would turn off as many fans and burn as many bridges as possible. Their stadium house track "3 AM Eternal" had just been nominated for a Brit Award, so they trolled the audience at the ceremony by playing a brand-new, abrasive Hardcore Punk remix of the song. They ended the performance by announcing their retirement, effective immediately, with no prior warning whatsoever. Shortly afterward, they deleted their entire back catalogue, so no one could make any money from their music.
Their parodic comeback show "Fuck the Millennium" played into this, albeit unintentionally. Critical reaction to the show was overall negative, which Bill Drummond was initially disappointed over. However, he cheered up when he realized that those negative reviews signaled that he and Jim Cauty had finally destroyed The KLF's last remaining bit of marketability and artistic credibility.
- John Darling was a comic strip spin-off from Funky Winkerbean by Tom Batiuk that ran about 12 years. Batiuk and his syndicate came into conflict over the rights so Batiuk killed off the title character and ended the strip, leaving the syndicate with a worthless property. Years later, Batiuk revisited the story in FW to solve the murder. Later still, introduced Darling's daughter, Jessica, as part of the FW cast.
- Jim Davis ended his first comic strip, Gnorm Gnat, when he got bored with it by having Gnorm stomped by a giant foot.
- This was one worry about Games Workshop's treatment of the flagging Warhammer franchise with the End Times campaign, which actually lived up to its name and destroyed the world. The game wasn't dropped, however, but underwent a major retooling into Warhammer Age Of Sigmar, a skirmish-based game with a more trademark-friendly setting (its High Elves and Orcs became "Highborn Aelfs" and "Orruks," for example). So it was ultimately a case of "torch the franchise and reboot it."
- The Pre-Extended Cut ending of Mass Effect 3 fits the bill.
- The Extended Cut qualifies just as much, even if unintentional, thanks to Bioware's editorial policy of not favoring any possible outcome over any other. You try writing in a universe that might have won a war against Eldritch Abomination Sapient Ships by blowing all of them (and certain allied AI species) apart, or having the hero take control of them and become an army for peace and/or human supremacy, or having all of the living beings in the galaxy, organic and synthetic, become cybernetic hybrids, or might have lost.
- And now Mass Effect: Andromeda is coming, and it looks like Bioware really did manage to torch if not the whole franchise, a significant portion of it: all the endings of the third game so fundamentally altered the Milky Way that Bioware is now moving the story to a completely different galaxy.
- Debatably done with the Mother video game series. Itoi wanted the series to end with Mother 3, so he destroyed what little else remained of the entire world, and failed to answer the question of how the characters survived that - but they all personally insist to the player that they survived and they're happy. Somehow. Itoi said that the original script for the game was even darker, so the original ending was probably meant to Kill 'em All.
- Ed Boon wanted Mortal Kombat Armageddon to do this to Mortal Kombat so that he can easily reboot the series with a new cast by bringing upon the apocalyptic Battle of Armageddon, a legendary conflict that promises The End of the World as We Know It (hence why it was a canonical Dream Match Game). When this plan fell through, he took a different approach: Mortal Kombat 9 does show that Armageddon has ruined the world only for a dying Raiden to invoke a different kind of reboot.
- And now he's trying it again with Mortal Kombat X.
- Sony appears to have done this to the Syphon Filter series with Logan's Shadow, with the ending involving the possible deaths of three of the four main characters and Sony having no plans for further sequels.
- Alan Wake has an in-universe example, where Alan Wake is planning to end his popular mystery series by killing off the main character.
- Monkey Island 2: LeChuck's Revenge has the infamous mind screw ending which implies that the creators just wanted the series to end or screw over whoever would take over the series after they left. Curse of Monkey Island, the next game in the series, fixed the 2nd problem by way of retcon.
- The final game in the Championship Manager series created by Sports Interactive was so bad that there is widespread belief that the company deliberately made it horrible, knowing they were going to split and create their new Football Manager series.
- Dead Space 3: Awakened ends with the Brethren Moons fully awakening and beginning their campaign of genocide on the galaxy, and there is literally nothing Isaac, Carver or anyone can do to stop them, making further sequels all but impossible.
- Metal Gear Solid 4: Guns of the Patriots has series protagonist Solid Snake turned into an old man as a result of the cloning process used to create him and is given less than a year to live by the end of the game, leaving little room for Snake to appear in future sequels. The only Metal Gear games since then had been prequels (Peace Walker and Metal Gear Solid V) and a spinoff (Metal Gear Rising: Revengeance) set after Metal Gear Solid 4 that doesn't even directly acknowledge Snake's fate.
- Hideo Kojima did this earlier, with MGS2 which is why we got the infamous MGS 2 Ending. While it might have been Kojima explicitly trolling the MGS fanbase, he had already stated that it would be his final entry in the Metal Gear franchise. Although Kojima had gone on record saying that everytime he announces a game as the last of the series, he and Konami starts receiving death threats. The backtracking may be simply out of fear for his life.
- This was apparently supposed to happen in the ending of Tomb Raider: The Last Revelation. Core Design was talked into developing Chronicles and The Angel of Darkness, both of which received abysmal reviews, ruining Core's prospects for continuing the series. Crystal Dynamics themselves pulled one of these in Tomb Raider Underworld, which involves the literal burning of Lara's mansion, followed by the re-reboot in 2013.
- Part two of BioShock Infinite's DLC Burial at Sea kills off by far the most developed and full of potential character, Elizabeth, who was also one of the only remaining protagonists, inescapably ties the lore of both Rapture and Columbia together and does its level best to completely ignore BioShock 2, uncoincidentally before all rights for the BioShock franchise are transferred to the people who made BioShock 2.
- This may (or may not) be the reason Hotline Miami 2: Wrong Number, which the creators have said will be the last game in the series, ends in a full-scale nuclear war.
- The final chapter of RPG World was basically an extended prose "fuck you" to the readers for their not enjoying his random-events humor over the much more interesting Character Development moments.
- This “Gutters” strip implies Boom! Kids is doing this after losing the licence to the DuckTales comics to Marvel Comics.
- In "The Day the Music Died" by Sam Starbuck, a short story about everything possible going wrong with a Harry Potter-like fandom at once, this is one of the things that goes wrong. The author — who's writing the last novel of a series while on his deathbed — decides to finish with an apocalypse to prevent anyone from writing any sequels after his death.
- A variant happens in one tandem writing assignment discussed on Snopes. Rebecca, disliking her partner Gary's attempt to derail the story she was writing into a science fiction action story, responded by killing off the male lead and attempting to write him into a corner by having Congress end the war with Skylon 4 and outlaw war and space travel. He then managed to get around this by having another alien faction attack, killing the female lead and causing the president to decide to veto the treaty. Rebecca then gave up in disgust.
- Discussed (sort of) on Daria:
Mr. O'Neill: Now, why do you think it is that Tolstoy felt he had to make War and Peace so darned... unpleasant? Daria?Daria: So no one would pester him to do a sequel?Mr. O'Neill: (thoughtful) Hmm...
- A minor example was used in Justice League Unlimited. As part of the grand finale, they kill just about all of the new Legion of Doom, leaving 13 survivors from the entire Rogues gallery.
- This is parodied in the Rocko's Modern Life episode "Wacky Deli": Ralph Bighead wants to get out of his contract with a TV network, who want him to create another hit show for them, so he hired Rocko, Filbert, and Heffer to come up with Wacky Deli, the worst possible show imaginable. Despite his ernest efforts to sabotage it, the show becomes a huge hit until Ralph decided to actually his put time and effort into the episodes. ''Wacky Deli'' is immediately cancelled.
- The Simpsons has an In-Universe case of this trope in one episode. In said episode, there's an issue of Radioactive Man where the titular superhero is pitted against three supervillains and ends up being killed by them, bringing an end to the series. Immediately after, however, the first issue of a reboot series of Radioactive Man is released.
- The series finale of Aqua Teen Hunger Force ends with Frylock and Shake dead, Carl moving away, and Meatwad starting a family in a Distant Finale. Given how it was cancelled on the creators, and wasn't their decision, they probably aimed for this trope to make sure there wasn't a revival.
- Immediately subverted when it was revealed that not only was that episode not the final one to be released (the next one aired online three days later), but also it wasn't even the last one chronologically (Shake watches the events on TV and claims that they happened last week).