This is what KLF is about, also known as the Justified Ancients of Mu Mu, further more known as the JAMs...
...as well as The Timelords, Disco 2000, 2K, K2 Plant Hire, The K Foundation and of course The One World Orchestra Featuring the Massed Pipes And Drums of the Children’s Free Revolutionary Volunteer Guards.Comprising Bill Drummond and Jimmy Cauty, the group achieved their greatest success in the period 1989-92, when they were known as The KLF and were associated with a style they called Stadium House (basically, Acid House with pop/rock production and sampled noises from cheering crowds). However, they also dabbled in other genres, usually Electronic Music (ambient, various house subgenres, techno, alternative dance), and became infamous for their satirical media stunts. For instance, when they were sued for unlicensed Sampling by ABBA, they responded by torching copies of 1987 (What the Fuck Is Going On?) in a field (a photo of this became the cover of their next album).To read up on a complete history of the group, the best place to start would be the band's Wikipedia Entry.
1987 (What the Fuck is Going On?) (1987) note as The Justified Ancients of Mu Mu
most copies have been destroyed, the rest are collector's items.
Who Killed The JAMs? (1988) note as The Justified Ancients of Mu Mu
Chill Out (1990)
The White Room (1991)
"Whitney Joins The JAMs" (1987) note as The Justified Ancients of Mu Mu
"I Gotta CD" (1987) note as Disco 2000
"One Love Nation" (1988) note as Disco 2000
"Doctorin' the Tardis" (1988) note as The Timelords
"What Time is Love? (Pure Trance)" (1988)
"Uptight" (1989) note as Disco 2000
"3 A.M. Eternal (Pure Trance)" (1989)
"Kylie Said the Jason" (1989)
The Lead-off Single from the Original 1989 version of The White Room
"It's Grim Up North" (1991) note as The Justified Ancients of Mu Mu
The Lead-off Single from the Original techno-metal version of The Black Room
"Justified & Ancient (Stand by The JAMs)" (1991) note Featuring Country legend Tammy Wynette
"America: What Time Is Love?" (1992)
"K Cera Cera" (1993) note as The K Foundation presents The Red Army Choir
"The Magnificent" (1995 - Appeared on the charity album The Help Album) note as One World Orchestra
A Wild Rapper Appears: As the norm for early 90s Euro-Dance, a rapper (either Ricardo Da Force or Isaac Bello) appears on their most popular hits.
The Band Minus the Face: Owing to some copyright clause, Wanda Dee wound up with partial rights to the KLF stadium house tracks that sampled her. So when Cauty and Drummond quit the music industry, she started playing those tracks at her live shows and touring the US as "Wanda Dee featuring The KLF".
Boastful Rap: Frequently, from their debut "All You Need Is Love" onwards ("We're the hottest MCs on the River Clyde!")
Book Ends: The White Room begins with Black Steel singing the album version of Justified And Ancient but he gets cut off after the first verse. At the end of the album, he gets to finish singing the song.
Censored Title: ***K The Millennium. They were never going to get away with it uncensored, but at least they got to choose which letter survived.
Clumsy Copyright Censorship: 1987 (What The Fuck Is Going On?) was pulled from the market due to having a massive amount of unauthorized sampling. In response, the band released 1987 (The JAMs 45 Edits), which consisted of all of the original material from the album with long stretches of silence where the samples were. The liner notes for The JAMs 45 Edits cites what samples would have been there and provides a guide for the listener to replicate the original version of the album themselves. This edited version of the album had such a small amount of actual music on it that it was formally classified as and sold as a 12 inch single.
For an idea of how much material was removed from the 41 minute album, the liner notes to The JAMs 45 Edits mentions that the second side has "some great wadges of silence": one is filled by playing Abba's "Dancing Queen" "from beginning to end"; and the other by playing a pre-recorded VHS cassette of "last week's Top of the Pops" for "about three minutes". The only sample that remained on The JAMs 45 Edits was from "Totally Wired", by The Fall.
Cluster F-Bomb: The full, uncensored version of "Fuck the Millennium" has over 100 uses of "fuck" in about 14 minutes.
Concept Album: Chill Out is the soundtrack to a road trip in the Southern US.
The first half of The White Room (Side A on vinyl) represents the group playing a live show, as does their Stadium House longform video.
Cool Car: The Jamsmobile (aka Ford Timelord), claimed to be an ex-stuntcar and credited as the "talent" in The Timelords. Possibly parodied with the Ice Cream Van.
Cool Shades: Rockman loves his cool shades. Cressida also dons cool shades in the "Last Train To Trancentral" video.
Distinct Double Album: The original UK version of Shag Times, their 1988 "best of" - disc one is the singles and the best album tracks that they could still legally release, disc two is largely instrumental dance mixes. The second disc was originally intended as a separate LP called Toward The Trance.
Early-Installment Weirdness: Aside from the contentious samples, Cauty and Drummond spend most of 1987 (What the Fuck Is Going On) attempting to be the British equivelant of The Beastie Boys. They continued this here and there on Who Killed the JAMs, but by the time they started recording as The KLF, most of the hip hop elements of their sound were long gone.
Early-Bird Cameo: Both 'Justified & Ancient' and 'Last Train To Trancentral' appear in Chill Out before their eventual release on The White Room.
For the Record, the chorus of 'Justified & Ancient' featured on Chill Out was actually sampled from the first track of 1987, 'Hey Hey We Are Not the Monkees'. 'Last Train To Trancentral' actually began life as the backing track to a different track, "Go to Sleep", featured on the 1989 version of The White Room.
Epic Rocking: The UK version of the album Chill Out was a single, 45-minute-long track. (The American version divides the album into individual songs, but sounds identical to the UK version.)
Fading into the Next Song: 1987, Chill Out, side one of The White Room. (In the latter, the fading was accomplished via crowd noises sampled from U2's Under a Blood Red Sky. These samples were removed from from the US release of The White Room, which eliminated the fading.)
Fun with Acronyms: The Justified Ancients of Mu-Mu was frequently abbreviated as The JAMs. Cauty and Drummond gave multiple, contradictory explanations of what The KLF stood for, the most memorable being "the Kopyright Liberation Front".
Guest Star Party Member: Jimmy and Bill recurted a number of Guest vocalist for their most popular hits. Most notably, country legend Tammy Wynette was recorded for the single version of "Justified and Ancient". Former Deep Purple member Glenn Hughes joined for "America: What Time is Love?".
The Illuminati: The Justified Ancients Of Mu-Mu are named after a society from The Illuminatus! Trilogy who subvert the Illuminati by infiltrating it and feeding it false information. The KLF Communications "pyramid blaster" logo is also a parody of the "eye in the pyramid" Illuminati symbol.
Listing Cities: "It's Grim Up North" and the full-length version of "America: What Time Is Love?".
Live Album: Subverted. Side one of The White Room is made to sound like a live show, but is faked using samples of crowd noise from other people's live albums. "Burn The Bastards" is a similarly fake "live" recording, and "America: What Time Is Love" takes it Up to Eleven (as indeed it takes everything else Up To Eleven), complete with a fake audience member "commenting" on the performance at the end.
Mind Screw: Pretty much everything about "Justified and Ancient (Stand By The JAMs)", The K Foundation and 2K.
Mondegreen: For those who don't know about the 'Justified Ancients of Mu Mu' reference, any song lyric that references it will likely sound like something else more conventional. For example: In 3 A.M. Eternal, 'Ancients of Mu Mu' sounds like 'dancing so groovy'.
First, when Amanda Whitehead refused to accept the K Foundation's award for being "the worst artist of the year", Drummond and Cauty threatened to set fire to the cash prize. Whitehead accepted the cash at the last minute, saying she would donate it to charity.
Later, when the K Foundation's art work "Nailed to the Wall"—which consisted of a million pounds in cash, nailed to an easel—failed to make the impact that they wanted, Drummond and Cauty found themselves with a million pounds and no idea what to do with it. So they burned it. And filmed the whole thing.
New Sound Album: Chill Out was completely different from anything they'd released before, and The White Room was completely different from that. If they'd ever finished it, The Black Room was supposedly going to be a different sound again.
Their early work as The JAMs is steeped in Hip-hop. The original version of The White Room is a mixture of House Music and synth-pop (ala Pet Shop Boys), Chill Out is ambient album, The Stadium House Trilogy is Acid House with Stadium Rock production, and what we have of The Black Room, it's Thrash Metal.
No Ending: A subtly-implied one in Chill Out. The track titles suggest a journey up the US gulf coast, but stop short of the implied destination, New Orleans.
On a Soundstage All Along: The Disco 2000 video for "One Love Nation" does this, though considering the preceding three and a half minutes mostly consists of Mo and Cressida dancing about in front of some sheets, it's not much of a reveal.
Overly Long Gag: ***K The Millennium in its radio edit includes a verse from the hymn Eternal Father, Strong To Save. That's a gag. The full-length version includes three - that's an Overly Long Gag.
A common complaint about 1987: What The Fuck Is Going On is that the Top of the Pops sequence goes on way too long.
Performance Video: The Stadium House video (from which the promo for "Last Train To Trancenctral" was extracted) takes the form of a mock-up live show.
After the single "Kylie Said To Jason" flopped, the original version of the album The White Room was scrapped. On the version that eventually got released, every track had been extensively rearranged - whole verses were dropped, songs underwent Genre Shift (the minimal, dubby original versions of "What Time Is Love" and "3am Eternal" were transformed into upbeat rave tracks, "Build A Fire" changed from a bouncy synthpop song to a country ballad, "No More Tears" likewise into a long minimal reggae-dub-ish piece), and in the case of "Go To Sleep", the song was completely rewritten from its main musical elements to become "Last Train To Trancentral".
Recurring Riff: Several of these, "Mu! Mu!" is probably the most iconic. Another would be guest rapper Chike's "ANCIENTS of Mu-Mu" which was reused several times, as well as the whole "They're Justified, and they're ancient...." verse.
Rhyming with Itself: Ricardo's rap in the "Live at the SSL" version of "3am Eternal" has "Everywhere you turn'll / Point to the fact that time is eternal". They may technically be different words, but it's the same sound and jars in context, especially after the previous verse used a similar rhyme, but got it right with "Everything you learn'll...".
And sound effects all over, including crowd noise from concert recordings by U2 and The Doors (and also - if the liner notes for The White Room are to be believed - Haircut 100), rocket launches and trains. LOTS of trains. Oh, and sheep.
Shout-Out: 'Kylie Said To Jason' is packed with these.
The Titular "Kylie" and "Jason" being Kylie Minogue and Jason Donovan, then stars in the popular Australian TV soap opera Neighbours
Their initial name, The Justified Ancients of Mu-Mu, was taken from The Illuminatus! Trilogy. The group's career is basically one huge shout out to the trilogy. Drummond and Cauty also both embraced Discordianism, which inspired the majority of their antics.
Stage Names: Rockman Rock (Cauty) and King Boy D (Drummond). Initially these were adopted for legal reasons (Plausible Deniability) but it took about 23 seconds for everyone to find out who they really were. They kept the names anyway.
Stylistic Suck: "Doctorin' the Tardis", a mashup of the Doctor Who theme, Gary Glitter's "Rock and Roll, Pt. 2", and Sweet's "Block Buster". Intentionally written as a Springtime for Hitler, it ended up going to #1 on the charts, and provided the duo with enough material to write The Manual (How to Have a Number One the Easy Way), a satirical manual about how to achieve a hit without talent or money.
Un Installment: Of the planned five-part "Pure Trance" series, only 1, 2 and 5 were released. Sleeves were printed for 3 and 4, but the records themselves were never pressed. The corresponding numbers in the KLF Communications catalogue sequence (KLF 006 and KLF 007) were also skipped.