Benio and the Zuka Club from Ouran High School Host Club are a troupe of lesbian actresses (parody of the real-life Takarazuka Revue) who advocate female superiority and at one point (pictured above) perform a Nazi salute against a backdrop of a red flag with the Japanese character 女 (onna meaning "woman") instead of a Swastika — literal feminazis. Their radicalism is probably just a result of being headstrong teenagers who are just as silly as the Host Club. At the end of the episode, Haruhi, whom they'd been trying to recruit, tells them that she finds their viewpoint "interesting and unique" but doesn't feel like leaving her friends in the Host Club. In the original manga, the conflict is eventually resolved with the Host Club's apologetic invitation to one of the Zuka Club's performances, which everyone found enjoyable. This ending was replaced with banana peel jokes in Bones' anime adaptation.
Armitage III. The backstory is given in snippets, but a key plot element is that feminists have become political powerhouses equivalent to Greens. It is implied by the presence of an Earth "observer" that on Earth, women have gained status equivalent to South African whites under apartheid — and few are willing to give that up just because Mars Needs Women. Space has been colonized, and Mars has been partially Terraformed, but has thus been unable to draw enough women to the planet to breed new Martians. Androids known as "Seconds" were created first as a source of labor, then upgraded to Ridiculously Human Robots as a immigration draw; come to Mars and leave the shrews behind for a sweet, willingconCeptionSexbot! The long term solution was to build fertile women — the eponymous "Thirds"; robots so human that they can be impregnated. When the Straw Feminists find out about the plan, the threat to their power base pisses them off to no end, resulting in an ultimatum; scrap the baby machines or Mommy will come do it personally, along with as much of the landscape as necessary.
Maid-Sama! stars Misaki Ayuzawa, the first female Student Council President of an all-boys-turned-coed school, who initially fits this trope, causing her no end of trouble against the majority male student body. Her backstory — her father abandoning her, her younger sister, and their sickly mother to a huge debt — provides some justification, and soon Character Development forces her to face the fact that the boys' antagonism to her is but a reflection of her own antagonism against them. It soon becomes clear that, regardless, Misaki's dislike of injustice in any form is much stronger than her dislike of men.
Aquarion Evol features MIX, a prudish redhead who deems boys inferior to girls in terms of combat potential, and is opposed to inter-gender interaction even after her school turned from gender-segregated to coed. She in particular despises Andy and his lecherous antics. This is partially justified by her father's affair with a woman he met at a hole-in-the-wall bathhouse (thus also contributing to her dislike of holes, which happens to be Andy's specialty). Soon, however, she starts defrosting to her male classmates and learns to cooperate with them.
During the 'Til Death chapter of the Star Trekmanga the Enterprise comes across a ruined planet, finding two sarcophagi on the surface. After beaming them back up the male and female crew begin acting hostile toward each other, at which point the women begin to behave as Straw Feminist and the men begin to act in a similar fashion. The sarcophagi open and Spock is able to determine that the planet was destroyed in a gender war, the leaders of which inside the coffins have been psychically influencing the crew.
This is most likely the reason why women are viewed as monsters by men in Vandread.
In Shitsurakuen, the female protagonist tries to protect girls from their male chauvinistic classmates, and she has lesbian attractions with the girls under her protection. As it turns out, she is only interested in helping girls because she was attacked by a Psycho Lesbian, and once she realizes this, she realizes that it's wrong to only focus on helping girls and being attracted to girls, because the boys shouldn't be considered villains. She immediately forgives all the boys and starts dating one. The offensiveness is far less with this example given the way everything in the story is treated seriously.
The Capitol Steps' "Angry Feminist Nursery Rhymes". Virtually any performance or recording of Capitol Steps will have at least one piece parodying over-the-top PC jargon.
Old Amazon: I say to you, that beast is man! See its lust for alcohol, and raw meat, and sex! Wonder Woman:(Thought Caption) Well, this is a diplomatic nightmare. Why do people think a belief in women equals a hatred of men? Old Amazon: They love war! Them, and worse, their women! And worst of all... Wonder Woman:(Thought Caption): Please don't say it, please don't say it. Old Amazon:They leave the toilet seat up! Amazons: Kill the men! Kill the men! Wonder Woman:(Thought Caption) Urgh. Kill the scriptwriter.
Played disturbingly straight in the New 52 reboot by the other Amazons. Every few decades they go out to sea to find ships crewed by men. They couple with the men, then kill them. Female children conceived this way become the next generation of Amazons, while the male children are given to Hephaestus to act as his labor force in exchange for his weapons. Diana is appropriately horrified by this revelation and immediately tries to liberate the males — she only stops when she sees that Hephaestus truly loves them as his surrogate sons and they in turn love him as their surrogate father. This is also a reference / adaptation of several traditional versions of the Amazon myth, as discussed below.
Goldilocks from Fables seems to be this, but she's really cynically using her rhetoric as a tool to manipulate the people around her.
Both used and subverted in Y: The Last Man, which contains both the insane, violent Amazons as well as other, rational feminists (both peaceful and not).
Sarah Rainmaker of Gen 13 frequently yelled at Grunge for gawking at her and Bobby for being sexist. However, she had no problems objectifying women herself. In one issue she yells at Grunge for staring at her chest, but just a few pages before remarks that a Coda Warrior had a "nice ass."
Although her pro-feminist stance was portrayed as a good thing in the '70s, by the Justice League Europe days of the late '80s, Power Girl was portrayed as an obnoxiously outspoken feminist; this may have been a jab at the more conservative attitudes of the Reagan years. Today, her attitudes are portrayed in a positive light again (though the fanservice has been dialed up a bit as well).
The supervillain Superia wants to either eliminate, enslave, or feminize all men — and doesn't mind sterilizing 90% of Earth's women to make it happen. As Anaconda of the Serpent Society puts it, "What'samatter, you didn't get asked out to the prom or somethin'?" Superia seems to have dropped this in her later reappearance; she has both men and women in her employ and treats both her male and female mooks like crap and now mainly focuses on her own selfish goals. This is probably because her previous schemes usually were foiled with the help of other female characters.
Man-Killer, whose name speaks for itself. Her Freudian Excuse is that she was scarred by men.
Surge from New X-Men was an example, to the extent that she also came off as a big of a bigoted Jerk Ass. She chewed out her Muslim roommate Dust over her decision to wear a burqa, going so far as to call her an embarrassment to women everywhere.
Women from Thundra's future fit this trope to a 'T'. After their reality merged with its Spear Counterpart the result had both sexes living together in peace. Thundra later found another such reality, the copy of her original one, lived there for awhile and then came back to the present leaving there a daughter Lyra who grew up into another Straw Feminist but for a numberof reasonschanged for better.
Diane Di Massa took this to the extreme in Hothead Paisan: Homicidal Lesbian Terrorist, who dreams of "a world without penises".
The British adult comic Viz has Millie Tant, a fat, ugly and possibly lesbian extreme feminist who spouts a lot of S.C.U.M.-esque nonsense and many strips end with her turning out to be a hypocrite.
A Superman comic had Livewire cause every computer, camera, microphone, and the like to malfunction whenever men tried to use them. Justified in that most of the media of Metropolis was portrayed as misogynist douchebags, less so when completely innocent men were targeted as well. Lois Lane and other female Planet employees rightly called Livewire out on it during the course of the story. Livewire also comes off as this in some stories from The Superman Adventures.
The original Killer Frost from DC's Firestorm had an extreme hatred of men and froze them solid on sight, even her defense attorney. Granted, her male workers did not treat her with much respect but she did not go crazy until Martin Stein brushed off her advances when she mistook his platonic interest in her for attraction.
In Adventure Comics #236, the female members of the Legion of Super-Heroes are brainwashed by a planet of women (who banished all their men for not fighting for sport) into wanting to kill the male Legionaires. Then Mon-El saves their planet and they realise men are okay, really. The name of the planet is Femnaz. No, really.
Preacher had occasional appearances from two Greek Chorus political pundits, a left-wing Straw Feminist and a similarly stereotypical right-wing Rush LimbaughNo Celebrities Were Harmed. The subplot climaxed in one of the last issues, when Jesse used his Compelling Voice to get them to stop arguing and "say what you really want". At which the Straw Feminist broke down about how sex-starved she was and how much she "wanted cock", and the conservative responded with an embarrassed "I want cock too".
Bravura in Astérix and the Secret Weapon, especially in the first couple of acts. She's incredibly rude to men at all times for no reason, plays 90s-style feminist folk music that the men despise, accuses critics of her aggressive and nasty behaviour of being misogynists, and dedicates her (children's) school to educating the village women about equality, apparently in the interests of gaining power. The only man she likes is Asterix, because she admires his intelligence and Hot-Blooded streak compared to the other men, but she treats him entirely as a sexual object for her own amusement and refuses to acknowledge any of his feelings on the matter. She's also shown to be a pacifist, who decides to surrender to the Romans in the hope of benefiting from the Pax Romana. However, when her surrender is denied, even though everyone else is willing to fight, she and Asterix collude to peacefully Gallify the Romans instead (through converting the village to sell designer shoes) and she apologises to everyone, realising she and he are Not So Different, and allowing Asterix to kiss her gallantly on the hand (with an ass shot, in case you didn't get it).
An alternative opening to The Incredibles has a suit-wearing career-woman visitor to the Parr household criticizing Helen for being a stay-at-home mom, mainly so that Helen can shut her down; this trope is the reason it's not in the movie.
Films — Live-Action
In 100 Girls, the main character takes a Women's Studies class. Every time we see him in this class, the camera zooms in to the teacher's underarm hair with a dramatic sound effect. Towards the end of the movie, there's an anvilicious scene where he tells the teacher that inequality doesn't exist and it's all just a case of men and women misunderstanding each other. The teacher replies by painting men as evil, but the entire class full of females breaks into applause for him.
The campy and stereotype-heavy Disney film Follow Me, Boys! has one played by Vera Miles. She rants that men "are all alike, puffed-up lords of the universe". After the cheerful scoutmaster wins her heart, though, she has no quarrel with becoming a housewife.
Early in The Boondock Saints, the brothers show a rather butch female employee around their job (a meat-packing plant). The woman goes off on them for using the phrase "Rule of Thumb", citing the (apocryphal) origin of the term, and things soon escalate to the point where she kicks one of them, Connor, in the balls, followed by the other brother, Murphy, laying her out on the floor with one punch, leading to both of them getting fired for hitting a girl.
Hayley and especially her mother in The Sandlot 2. The movie is set during the 2nd wave feminism and it does not let you forget it. Hayley's mom bitches at her husband for daring to call their daughter sweetheart since it's demeaning and later gives Hayley boy advice of "A woman needs a man like a fish needs a bicycle." They even have a cat named Miss Susan B. Later we find out Hayley grew up to become both a baseball player and a model and her equally feminist friends became housewives.
Parodied in Down with Love, in which Barbara, Vicki and most of the other female characters zigzag alarmingly between this trope, at least in it's early 1960s equivalent, and 'submissive housewife doll' mode, while the men also frequently veer wildly between stereotypical thoughtless pigs and over-sensitive new age guys. The movie ends with the main characters of both genders reaching an accommodation with each other and settling into happy and satisfying relationships based on equal terms.
In Legally Blonde you have the character of Enid Wexlin, a lesbian who is probably the most annoying character in the film. One scene shows her going around with a clipboard to get people to sign a petition to change the word "semester" to "ovester" because she has come to the conclusion that semester comes from "semen" and is thus another form of male dominance. Elle puts her in her place later.
One of the Women's Studies professors in Sorority Boys, who also doubles as something of a Stern Teacher based on the absurd amounts of work she assigns. One shot during a montage shows her underlining "THE VAGINA IS ERGONOMICALLY SUPERIOR TO THE PENIS" in willy-shrivelingly huge letters on the chalkboard. The same montage has her talking about the "myth of the male orgasm". Played for Laughs, hopefully.
The plot of the Polish dystopia flick, Sex Mission, is all about an underground society ruled completely by this trope.
Odie: You hypocrite. I thought you hated boys. Verena: I know, but I've been thinking, perhaps they are like dogs. If we don't take them in, they run wild and are a danger to society.
Jade Fox in Crouching Tiger, Hidden Dragon can come off as one, complaining that Mu Bai's master refused to teach her since women cannot train at Wudan. However, Shu Lien is somewhat experienced in Wudan and she is the only character next to Mu Bai that can defeat Jen. She can also do the gravity-defying Wire Fu that only people that learned at/stole technique books from Wudan can do. In fact, Mu Bai was willing to make an exception for Jen to be his apprentice and he fights to get her. Perhaps Mu Bai's master saw Jade Fox as an immoral character rather than passing her over due to her gender.
Sarah Connor: "How are you supposed to know?" Fucking men like you built the hydrogen bomb. Men like you thought it up. You think you're so creative. You don't know what it's like to really create something, to create a life; to feel it growing inside you. All you know how to create is death— John Connor: Mom? Sarah Connor: And destruction- John Connor: Mom! We need to be a little more constructive here, okay?
Obnoxious suffragette Mrs. Banks from Mary Poppins is an Edwardian version of this. She engages in ridiculous, over-the-top stunts, rants, and even musical numbers to spread her message, and she neglects her own children in favor of the women's suffrage movement. At the end, when the Banks family members connect to each other and become happy, she takes off her "Votes for Women" sash to use as a tail for her children's kite, meaning that she's finally put her children and family ahead of feminism.
The character of Miss Western in the novel Tom Jones is a proto-feminist who believes women are men's equals. At first this seems to the modern reader to be a remarkably progressive expression on the part of the author, but reading further, it becomes clear that a contemporary reader would have found the idea to be very humorous and inherently ridiculous from the outset. As the novel progresses, it becomes clear that Miss Western is tyrannical and only feels this way because she doesn't have a man of her own.
Akasha in Queen of the Damned by Anne Rice. Though she does not use politically correct terms, since she's supposed to be an ancient Egyptian, she believes all violence on Earth is caused by men. Her plan is to use her near-omnipotent powers as mother of all vampires to destroy almost all the world's males and create a utopia run by women, with herself as benevolent queen and goddess. In the end she is destroyed by female twin vampires Mekare and Maharet, for personal reasons as much as to stop her plot. She may or may not really be a straw feminist since it's unclear whether or not the author agrees with her (persistent Author Avatar Lestat seems very ambivalent).
Sisera Catheter in Postmodern Pooh, who dissects Winnie the Pooh from the standpoint of "gynocritical discourse". Though the book is an obvious exaggeration, the footnotes quoting Real Life academic feminists suggest that Poe's Law applies to some extent.
In Haruki Murakami's Kafka on the Shore, two such beings visit the library where Oshima works, explicitly to find how the organization of the library is unfriendly to female patrons. They are shocked into silence when Oshima gives them an interesting heart-to-heart.
The title character in Tess Gerrittsen's "Rizzoli" series shows traits of this. She dislikes beautiful women (partly because she isn't) and is all too eager to assign a negative characteristic to them, and she often expresses disgust and contempt for the men who have fallen in love with them, dismissing them all as shallow and foolish—[[Hypocrite: but it's okay for her to instantly fall in love with a handsome man]]. She also has a chip on her shoulder about being the only female detective in the homicide department and is quick to interpret all criticism—and praise, for that matter—as sexist. And in a scene where she visits a bar, she views nearly every man there as a potential rapist and every woman as an idiot willing to put herself in danger.
Subverted in J. Courtney Sullivan's Commencement with a sympathetic portrayal of a radical feminist: April, one of the main characters, is a self-described MacKinnonite who sees organizations like NOW as "not doing enough." However, she's shown to be more of a Well-Intentioned Extremist, a good person who perhaps is a bit too idealistic which she's abandoned by the end of the novel after she learns the hard way that some people like to take advantage of wide-eyed young guns. (Even the de rigeur anti-male attitude gets a Freudian Excuse in April's case: her father abandoned April and her mom, and when April was 13 a middle-aged family friend raped and impregnated her.) The other three main characters, April's friends, each represent more moderate variations on feminism (one even works for NOW). April's boss, Ronnie Munro, could be seen as a straight-playing of the trope, if the novel didn't go out of its way acknowledge that her brand of "feminism" is far from the most prevalent or consistent one.
In Half Moon Investigations, the third most crucial group to the plot is a group of pre-pubescent aged elementary schoolgoing midgets who worship some important woman and try to get as many boys as they can expelled from their school. They also are violent and not afraid to do illegal things, like locking the main characters up.
Niklas from Jens Lapidus' Aldrig Fucka Up is a rare male Straw Feminist. He beats up his neighbour's boyfriend for hitting her, stalks several men whose names he stole form a women's shelter, shooting one and torturing another to death, and at the finale, blows up a Corrupt Corporate Executive who organizes orgies for the upper class.
Circe believes that all men are pigs, and…considering her powers, and the work in which she originally appeared, you can see where she's going with that (though for the sake of convenience, she currently uses guinea pigs). She believes that women are so oppressed that they can only achieve power through magic (a belief later expressed by her niece Medea in the sequel series The Heroes of Olympus). She's so bad that even Annabeth thinks she's a misandrist bitch.
The Hunters of Artemis are actually heroic versions of this. They still don't like men, and have sworn off any romantic relationships with them, but unlike Circe, they don't harm guys unless provoked. (Which isn't very reassuring, considering that Greek deities like Artemis are infamous for Disproportionate Retribution and often consider small, harmless, and usually unintentional actions to be legitimate "provocation." Artemis claims to have turned guys into jackalopes and other animals just for stumbling upon their camp.) Zoe Nightshade, the lieutenant of the Hunters, hates guys at first, but Percy's actions gradually cause her to respect them. It's worth noting that at least part of Zoe's distrust for the male gender is actually just a ruse for the real reason why she doesn't want Percy on her quest: he carries the sword of the man who broke her heart.
The Amazons, from The Son of Neptune, appear to be this at first, but it's later shown that they like men just fine — they're just very matriarchal. One of them even flirts with Percy at the end of the book.
Katie from "The Fabulous Five" series shows hints of this. She sanctimoniously declares that she would never be a cheerleader, as she find it degrading to women (and doesn't give a crap that she's essentially insulting her two friends who are joining the cheerleading squad). When another friend gushes about her boyfriend, she haughtily insists that the boy's gentlemanly gestures (holding the door for her, etc) are in fact sexist and patronizing, but she later ends up with the most macho guy in school as her boyfriend.
Haunted 2005 has Comrade Snarky, her feminist group, and possibly her mother. The mother caused her Freudian Excuse; as revenge against Snarky's father for getting joint custody, she described to Snarky in graphic detail all the horrible forms of sexual abuse her father might inflict on her. He never did and had never was going to, but it left Snarky unable to trust men at all. When she grew up and joined a feminist support group, the group somehow became convinced that a new recruit named Miranda was a Transsexual — it's never made entirely clear whether she was or not, but the evidence suggests not. They demand she "prove" she's a "real woman", and it escalates until Miranda is effectively raped.
Val from The Women's Room could be said to be one of these by the end of the book — particularly given the "all men are rapists, and that's all they are" quote — and although she's not written as an object of ridicule, judging by Mira's horrified reaction, it's clear she's gone too far. However, she's not without her reasons, having become thoroughly disillusioned with the patriarchal establishment after the rape of her daughter Chris, and Chris's subsequent treatment at the hands of police and lawyers. It doesn't end well for her.
The title character of The Postman is caught between the Scouts (this trope) and the Holnists (straw masculists.) The Scouts come off better, but they're still slightly crazy. The main difference between the Scouts and most examples on this page is that they are more or less egalitarian feminists that both know of the progress made towards gender equality in the USA during the 20th Century as well as recognize the fact that in the post-apocalyptic present all those achievements are being eroded. Furthermore they realize that within a generation or two women could be in the same situation they were two centuries ago, or if the Holnists win far far worse. This possibility they really want to avoid. The "slightly crazy part" is that the Scouts are mostly from a pocket of civilization centered on a surviving university campus; so they're long on ideology and commitment but short on practical solutions. Although they earnestly try to train and prepare for the coming conflict; battle between the Scouts (in their current form) and the Holnists would be a lot like an armed hiking club trying to repel a Cossack raid.
The Left Behind books has Verna Zee, the replacement chief editor for the Chicago office of Global Weekly, who presents herself as someone who doesn't outright adore Buck Williams.
Amberley Veil occasionally veers into this, such as Cain's wonder that a female techpriest is doing something called "multitasking" with her electronically-enhanced brain, something all women have always been able to do to the befuddlement of men, or that an all-female Guard regiment would likely not tolerate a mere male as their commissar.
Marie Croswell's self-published novel Sex Brood has an ostensibly progressive, positive female protagonist, Gabriel. Gabriel is not only a PI of questionable ethics, she is also frankly dismissive and callous towards other female characters, regarding them as little other than sex objects and victims incapable of making adult decisions about their own lives.
30 Rock does this a little, although Tina Fey is an actual feminist, so it's not taken too seriously.
Liz Lemon uses feminism to cover for her insecurity about being single. She refuses to celebrate Valentine's Day and tells Pete's daughter "I will buy some cookies, but not for Valentine’s Day. Instead, these cookies celebrate the February 14th birthday of Anna Howard Shaw, famed American suffragette. Happy Anna Howard Shaw Day to you, Evelyn. A happy Anna Howard Shaw Day to us all!"
Also she complains about how men assume female sexuality is so flexible in season 1. Yet when Frank has his first man-crush; she tells him that males can't be straight but make an exception for one guy & that if you're male, you're either 100% straight or 100% gay (no exceptions) because male sexuality isn't as flexible as female sexuality.
Later after being Flanderised she is shown to be a constant hypocrite of her own beliefs. Such as bad mouthing porn as a Male fantasy, only for the clerk to come up to her and tell her the videos she requested earlier had come in. Not to mention chastizing Al for objectifying women while being married to Jefferson, who's an obvious Spear CounterpartTrophy Wife.
The worst case came during the season she was apparently pregnant, Al had turned his garage into a rec room for himself, only for Marcy and other pregnant women to take it over under the name W.O.M.B (Women Owe Men Bupkiss) by this point implying that simply being a women gave her the right to do whatever she wanted without any regard to men.
That case doesn't count because the episode where it took place was part of a story arc that turned out to be All Just a Dream.
There's a particularly dreadful example in the Doctor Who story "The Time Monster": Dr. Ruth Ingram spends most of her time complaining about men just for the sake of it, and being a hypocrite about it as well. A classic example of feminists being portrayed as just misandrists.
The 1970s Sarah Jane Smith is a more sympathetic example. The fact that she's interested in women's-lib is mostly used to set up gags where she complains about being asked to do fairly reasonable things and the Doctor gives her a devastating one liner putting her in her place, and in other scenes she displays sexism against other women (such as a really weird 'women drivers' line in K9 And Company). She mellows out about it by the time the Third Doctor regenerates into the Fourth, apparently because Tom Baker felt misogynistic put-downs didn't fit his character - but unfortunately also loses a lot of her legitimately tough traits so Harry Sullivan can take over them instead, a situation which only reverses after Harry leaves. It also gets a bit of a Fix Fic in The Sarah Jane Adventures, where she's portrayed as a sympathetic legitimate feminist.
Some fans find the Drahvin from "Galaxy 4", a Matriarchy where all but a small number of men are culled ("they have minimal function"), as being an attempt at invoking this through Does This Remind You of Anything? - women were beginning to find their way into producer roles in the BBC in the 1960s (including Doctor Who creator and first producer Verity Lambert), and many men viewed them as being terrifying, warlike man-haters, or alternatively beguilingly beautiful and stupid sex objects, both of which are traits the Drahvin display. The fact that Verity Lambert was about to step down as showrunner also adds a suggestion that this was intentional. On the bright side, the Drahvin don't display any sexism towards the Doctor or his male companion and in fact don't seem entirely sure what men and women are, and the fact that they're aliens makes it a bit easier to accept.
Herman's Head had Handsome Lech Jay getting gut-punched by a butch member of WAMP (Women Against Male Persons), a feminist organization so radical they neuter gingerbread men.
If she's not written well, C.J. Cregg can sometimes border on this trope; fortunately, most of the time, she's written very well. In the episode "The Women Of Qumar", C.J. reacts very poorly the news of a US arms deal made to a Qurac-style country which has a poor record on women's rights; whilst the point the episode was making as a valid one, it unfortunately chose to make it by having C.J act in a very unprofessional, out-of-character and borderline Straw Feminist fashion.
Abby Bartlet also faces this risk at times, although like C.J., she is normally written well enough to avoid it.
The episode "Night Five" features an intern with Straw Feminist tendencies who takes umbrage at a joke Sam makes towards Ainsley Hayes which sends him into a defensive frenzy all episode, and who eventually gets torn a new one by Ainsley herself by the end. Considering this was written not long after Sorkin's public spat with the moderators and commentators on the Television Without Pity boards, in which the possibility of sexism in his writing had been the topic of intense discussion, many have taken the existence of this character as a device to be torn down solely to show that his writing was not sexist. It doesn't help that, in the context of the episode, the woman kind of had a point.
Ainsley herself is an aversion of the trope. Amy Gardner even more so.
Lost in Space had an episode with this. The Straw Feminist villainess (who always got her Faceless Goons to do everything for her) agreed to take Dr. Smith as her consort (after checking his teeth!), and spent most of the episode forcing the males to be her slaves and the females to accept her cultish female supremacy. The result was not so much offensive as unintentionally hilarious.
One of the episodes of House mocks this trope. The patient is the personal assistant of a woman whose mission in life is to "enforce" gender equality in workplaces. When House finds out what she does, he tells his team to apologize for him raping her. "You know, metaphorically, by having a penis." She's seen in the cold open entering a board room full of men and snidely asking them why they didn't even "pretend to put a female on the board" and saying that there were plenty of secretaries and stenos downstairs. This is a pretty rough strawman even for US television, since she came off as more of a bitch than an egalitarian. After said patient was committed for a couple of days at most, she fired her and hired someone else.
Lilith House, a feminist organization on campus in season 3 of Veronica Mars, leads a lot of angry protests against a serial rapist on campus who shaves the heads of his victims. After a Halloween party at a frat house, one of its members is herself raped and shaved. They then launch an all-out attack against the fraternity house to get them banned from campus. Once Veronica proves that the fraternity house is innocent of the rape, they get very angry at her for stopping the fraternity house from getting banned. Oh, and the feminist who was raped? She faked the whole thing. And making it even more offensive is that they were all gratuitously made members of the real life feminist group Take Back the Night, implying that Rob Thomas has some serious issues with the group.
An episode of Quantum Leap had Sam leap into a woman whose daughter was involved in the second wave. Most of the conflict came from the head of the feminist group, who gradually becomes more radical and violent as the episode progresses, outright rejecting Sam's attempts to get them to follow the examples of Gandhi and MLK. At the end of the episode she leads a pointless protestnote A sit-in at a mens' club, with Sam pointing out that they jumped right to protesting without even trying normal methods first tries to shoot the sheriff, who gets saved by Sam. Afterwards Al reports that the feminist gets out of jail in five years and becomes a well-respected womens' rights advocate (apparently having mellowed out and considered Sam's words in the meantime).
Subverted where Donna Pinciotti is very passionate in her feminist beliefs yet she remains a very likable character.
Played straighter, and for laughs, with her mother Midge. She gets caught up in second-wave feminism and tries to prove to her husband that women are just as capable as men... but unfortunately, Midge is an idiot, so it doesn't really work.
On ER, Dr. Anna DelAmico acted bent on interpreting EVERY SINGLE THING a male co-worker said or did as sexist and patronizing and/or a come-on. When he called her by her first name rather than "Dr.", she ranted and raved at him for several minutes and all but accused him of hitting on her and/or trying to undermine her in front of her patients, and continued to do this even after he apologized and assured her that he meant nothing improper and often called the male doctors by their first name too. Later, when he offered her help with patients or advice on how to deal with them, she blasted him for being condescending. At no time did it ever occur to her that she was overreacting. What's worse, upon complaining to a coworker, the other woman also played this trope straight, automatically assuming that the man was in the wrong and that his supposed sexist treatment was because he had been unable to get her into bed—without ever hearing the man's side of the story.
Granola Girl Topanga Lawrence from the first season of Boy Meets World. In an episode where the class is supposed to dress up as themselves as adults with future careers, Topanga shows up as the President of the United States, which isn't a prestigious job since women eliminated war by moving all men underground to use only for breeding. Fortunately, retconning gets rid of the misandry in later seasons.
Buffy the Vampire Slayer: Anya(nka) and Willow's mom. Anya is a misandrist who dedicated over a thousand years to punishing men. She starts realizing some men are good after falling in love with Xander. It takes her a long time to start feeling guilty. Willow's mom is a shrink built on theory who doesn't pay any attention to her kid, and once ranted about the patriarchal content of the Mr. Rogers show. When Willow came out to her as gay, she thought it was a political statement. Because creator Joss Whedon is a feminist himself, these straw feminists are in a different context than others. The initial introduction of 'vengeance demons' implied that they were all, like Anya, devoted exclusively to punishing men for wronging women. Later episodes introduced more diversity while establishing that this approach was largely born from Anya's own personal issues.
Angel had something of an inversion with a "Straw Misogynist", a demon named Billy whose physical touch (or blood/sweat) could incite active women-hating feelings within men. This was utilized to have the women address their issues of feeling powerless around men and a couple of male characters had to work out the possibility they had such feelings towards women to start with. Angel ended up being immune to Billy's powers not because he was a vampire but because he has had 200+ years to work out such general issues towards women.
Parodied in Big Wolf on Campus episode, "The Pleasantville Strangler". Stacy attends a feminist rally in honor of "Abigal B. Abbernacky", who was the town's first feminist. Tommy attends the rally as well (mostly as an excuse to cozy up to Stacy). Midway through, Stacy is possessed by the ghost of the titular strangler and begins to wrestle Tommy to the ground, causing the rally leader to shout "Show the man who has the power!" and one of the girls to exclaim "I didn't know this was going to be an anti-men thing!" Before all of this goes down, the girls all seem to just be calling for equal pay.
Ally McBeal played with this trope a fair bit — many of the cases the team handled were accusations of sexual discrimination of some kind, and had an opposing lawyer, plaintiff or witness with a straw feminist argument to back it up. Ally (or, more frequently, her colleagues) would counter with a far more reasoned response along the lines of 'normal' feminist views, based on equal treatment for men and women alike. It's worth noting they didn't always win, mind...
To some extent, some of the female characters from Degrassi Junior High and Degrassi Highmight qualify, due to their tendency to generally look down on boys and deem anything where the woman is the victim or otherwise not the hero "sexist". For example, Lucy calls Alfred Hitchcock's Psycho sexist...because the person who gets stabbed in the shower is female. Lucy even creates a movie where the gender roles are reversed to make a "statement" about feminism. Her classmates were too busy laughing at the movie to get the statement (male and female). However, this is justified to a degree given the time period both shows take place in (the eighties, fresh out of the feminism modern movement). They are teenagers most likely beginning to learn about feminism, and may have skewered perceptions on certain aspects of feminism, making them look like Straw Feminists. But they all did get the very basic concept (women deserve the same rights as men) about right.
Law & Order: During the early years, recurring defense attorney Shambala Green alternated between being this and Malcolm Xerox, depending on whether her client was female or a racial minority (the writers never gave her a client who was both, perhaps fearing they might achieve Straw Critical Mass).
Babs Duffy, the militant lesbian leader in the Law & Order: Special Victims Unit episode "P.C." There was nothing that character couldn't turn into an anti-gay, misogynist expression of patriarchal blah blah blah. And it even turns out she likes MEN!
Inverted once in Sliders episode named "The Weaker Sex" where women rule the world. Initially it was described as positive — there were no wars, there were no class differences except; Men were considered the inferior sex, suffering the same injustices faced by women of the forties and fifties like sexual harassment in their jobs (if they have any time from housecare), and not suitable for anything remarkable such as becoming a leading political or religious figure (even the Pope was female). Arturo becomes a somewhat unwilling figurehead for a men's rights movement in an election for becoming a Mayor.
An episode of The Cosby Show played this out. Theo offers to plan a bachelor party for Denise's husband Martin. When he offers to get Martin a stripper, Martin tells him "no". Well, this apparently isn't good enough for Denise, who, egged on by her sister Sondra, starts screaming at Martin for not being offended and disgusted at the idea of having a stripper. The scenario degenerates into a "battle of the sexes", with the women denouncing everything the men say or do as sexist and patronizing, while the men actually make several valid points about the women overreacting, and their blatant Double Standard—Sondra outright dismisses male stripping as "different", while continuing to denounce female stripping as degrading and refuses to explain exactly WHY there's a difference. This all happened after Martin said "No" to having a stripper, meaning there was no reason for the argument to start in the first place.
In-universe, Sue Sylvester sometimes makes it out like the only reason men don't like her is because she's a strong woman trying to succeed in a patriarchal culture, never mind that she's outrageously evil. And she doesn't mind delightfully shoving Will and taunting "Can't push a woman?"
The episode "The Power Of Madonna" has Quinn (who ironically embodied the WORST stereotype of woman in the first 13 episodes, what with her use of The Baby Trap) AND Finn (who says 'It's easy to be a dude' before the guys perform 'What It Feels Like For A Girl'. Um no Finn, not at all. But then again, Finn's not so bright...) by the end of the end of the episode, with Dogged Nice Guy Artie as the Straw Misogynist.
Nightstand, the 1990s parody of daytime talk shows, had the recurring Straw Feminist guest Dr. Sans-Peen. A man-hating lesbian, the one time she agreed with her male chauvinist counterpart was wanting to see a nubile female guest jump up and down some more.
Played with and ultimately averted with the character of Dana Foster (Staci Keanan) on the 1990s sitcom Step by Step. A Smart Blonde, Dana was proudly feminist and was not afraid to say so. This was portrayed both positively and negatively over the course of the series, with the writers making Dana by turns a You Go Girl, a Deadpan Snarker, a Magnificent Bitch, and (very occasionally) a Butt Monkey. One episode had her signing herself and her sisters up for a self-defense class, and they all take to the training quite well. Another, though, has Dana absurdly claiming that women can do anything men can do — even if they lack the physical strength for it — and getting called out for this by her sisters. Overall, Dana was one of the more competent and likable characters on the show in spite of her flaws, and got some Character Development by lightening up in the later seasons and getting a boyfriend who was healthily macho — and, remarkably, all this without running afoulof the usual pitfalls.
Penny Halliwell claims that men are "utensils" that can be disposed of when they're finished. This attitude probably comes from the fact that she was married four times (and engaged twice more) and she even states that something must have gone wrong when the Chosen Child is a boy. It was vaguely implied at the end of the episode that she was possibly under some kind of spell from a former lover who was now a Necromancer, and was trying to manipulate her to become human again. She had always been a strong-willed feminist, but even her granddaughters thought her "she should have gotten a dog, they're more loyal and die sooner" line was uncharacteristically extreme, even for her. At the end, she said she had "been so blind", whether my her own bitterness or some type of magic is left up to the viewer.
In "Battle of the Hexes", Billie all of a sudden cops this attitude. When she inadvertently puts on the Girdle of Hippolyta, this attitude gets turned Up to Eleven.
Often parodied on Community with Britta Perry, who has a tendency to deliver Straw Feminist pronouncements along with her general Granola Girl attitude. It usually involves her getting outraged at the flip of a coin, exposed as a bit of Hypocrite and generally ends up with her making herself look foolish.
Rare male example with Georg in Naeturvaktin, who passionately insists he is a radical feminist despite having no idea what radical feminism is. He insists the progenitor of feminism was not Mary Wollstonecraft but Karl Marx, and displays obvious misogyny towards women, which, when called upon, he argues is because "there are women, and there are hags". This is eventually revealed to be the result of his Dark and Troubled Past, being raised by a domineering radfem mother who psychologically and sexually abused him.
Sam Carter had some shades of this during the first couple of episodes of Stargate SG-1, the crowning moment of which came during the pilot (her infamous "reproductive organs" speech). Amanda Tapping actually complained to the writers that "women don't talk like that". The speech was later cut from the pilot's re-release as a DVD movie, and Carter proceeded to spend the rest of the show kicking ass and taking names without making a fuss over her gender. Lampshaded in an alternate timeline, showing Sam rehearsing a version of the same speech and cutting herself off with "That's awful. Who'd say something like that?"
Jessie Spano in Saved by the Bell. Hilarious in Hindsight, when the actress later went on to star in Showgirls. One of the more common (and possibly unintentional) examples would be her chastising a guy (usually Slater) for calling women "foxes" or "chicks" by calling him a "pig."
JAG: Caitlin Pike has signs of this in the pilot movie, somewhat justified because she's inexperienced with serving onboard ships and the downright macho attitude displayed by male crew members.
Lady Mae in Mr. Selfridge, who blackmails the titular character into supporting the more extreme suffragettes.
Doc Martin: The midwife who comes into town for one episode during Louisa's pregnancy.
While generally not too obnoxious about it, Raquel from Only Fools and Horses does have a habit of ranting about how all men have it easy in life, and how only women ever truly suffer (though after watching her give birth, Del does kind of see where she's coming from on the second point).
On Friends, Monica, Phoebe and Rachel all read a highly metaphorical book that denounces men as wanting to steal their "wind" (power). Leads to a couple of instances of One Dialogue, Two Conversations as the rest of the gang has no clue what they are talking about.
Played for laughs in Red vs. Blue. When Donut is possessed by O'Malley, he mouths off about how bad patriarchal society is.
Nellie Mc Kay's song "Mother of Pearl" mocks the attitude behind this trope via Unreliable Narrator: the opening line is "Feminists don't have a sense of humor" and it continues on from there.
Rucka Rucka Ali's parody song of "Last Friday Night" by Katy Perry, "Fat Violent Dykes".
The original Amazons from Classical Mythology may be the Ur Examples. They were a tribe of all-female warriors who, Depending on the Writer, either killed their sons, enslaved them, or killed some and enslaved the others. The Amazons managed to keep their tribe going by having sex with neighboring men (in versions where they killed all the boys), or their male slaves (in versions where they enslaved them). They were likely created to justify the Greeks' Stay in the Kitchen philosophy—"Well, we're only oppressing our women because if we don't, they'll rise up and oppress us even worse!" Fun fact: since the original Amazons were a horror story about women who would forsake femininity, they did a lot of things to drive this fact home which were lost in later, Fanservice-laden adaptations, such as cutting off one of their breasts (so they could shoot bows without the string whacking against it). (Which doesn't even make sense, as there are plenty of skilled female archers who didn't need to hack a breast off, and even it were a problem, surely wearing a chest protector of some type would be more sensible than mutilation.)
Gilbert and Sullivan's Princess Ida (adapted from a poem by Tennyson), the Girl Graduates of the women's college at Castle Adamant learn that "Man is Nature's sole mistake." That's right, folks, women's education Played for Laughs. When the younger students actually encounter a Man, they find him quite attractive, and Ida is resigned to her Arranged Marriage when she realizes that if women never marry, there won't be any children.
Royal Canadian Air Farce did a bit called "Man Bash", a mock Game Show featuring a Straw Feminist host who made the male contestant's life hell, while overly praising and helping the female contestant.
Transhuman Space features "Margaret", an all-female space station that edges this trope, especially with some of its members experimenting with genetic engineering to make males unnecessary for reproduction. It's pointed out in the books that in a solar system where people can and do change sex temporarily for fairly trivial reasons, and the big civil rights debates involve artificial intelligences and biological androids, the Margaretians are still fighting the last century's battles. They aren't depicted as wildly stupid, just stubbornly out of date. They are respected for their women's self-defense classes, which produce some of the most formidable human martial artists in the solar system.
In Werewolf: The Apocalypse, the all-female Black Furies fit this trope to some extent. While some are into the spirituality of womanhood and/or seek gender equality and reproductive freedom, others are on a sacred quest to castrate every male they come across. But even the more well-rounded Furies have the Tribal Weakness of an easier time frenzying against men due to pent-up frustration against them. They eventually became more well-rounded with later editions, going from man-hating Amazons to a mystical cult of warrior women that worshiped Gaia in her guise of Artemis and provided the Garou Nation with necessary prophecy.
In Apocalypse, the guidebook that dealt with the end of the world for W:tA, there's a chapter that discusses the possibility that the Apocalypse may begin when another entire tribe of the Garou falls to the Wyrm. The suggested scenario for the corruption and fall of the Black Furies involves all of them changing into the most stereotypical possible version of the tribe, out to cull the human race by murdering most of the men.
A more concrete example comes with the New World of Darkness game Vampire: The Requiem. The Circle of the Crone is a covenant that is rather feminist in its leanings, but not to the point of straw — except for one faction within the covenant, the Daughters of the Goddess, who use for public example of their valuing men and not being misandrist a ritual where they sacrifice a male vampire, ritualistically called the Oak King. This is the only ritual where male vampires are allowed any sort of prominence, and they may only be the Oak King. Needless to say, the other covenants, and indeed most other factions within the Circle, ain't buyin' it.
A lot of people think that The Vagina Monologues are this trope. Actually invoked at one point, where a character admitted that she felt like she was "betraying" women by needing a man's attention to find herself beautiful.
Lashings of Ginger Beer parody the stereotype of lesbian separatist straw feminists in their song Vagina Dentata Warning: this link is not suitable for work as it contains strong language.
One radio interviewee in Vice City was one of these, contrasting with hip, somewhat stupid '80s girl Amy. The key comedy aspect in that interviewee was that she'd just spent a year "undercover" as a man and written a book on her findings. Moreover, the interviewee mentions learning various things about men over the process of being disguised as one, including how men find sports interesting, like looking at pictures of naked women, wear hats and smoke cigarettes. She's pretentious to boot, lambasting "half-hearted bra burners" in her interview. In a case of Life Imitates Art, a woman did go undercover as a man in real life.
One radio transmission in The Conduit has a feminist blaming the countless civilian deaths and mass destruction on an oppressive, male-run government instead of the invading aliens, who she insists "come in peace".
In Comic Jumper: The Adventures of Captain Smiley, the boss of the Silver Age "Improbable Paper Pals" stage is feminist super-villain Mistress Ropes, who is sick of being talked down to all the time. Smiley tries to be sympathetic at first, but eventually gets fed up with her over-sensitivity to sexist (or even remotely sexist) remarks and decides to beat the crap out of her.
Tachyon: The Fringe has Lakita Ramos, a wingman from the GalSpan plotline that you can hire after defeating her in a competition. She treats you like an idiot in dialog because the Player Character is male. The flavor text attempts to justify it by saying she got tired of being hit on in spacer bars.
Deconstructed and possibly subverted (depending on your choices) by Catherine in Divinity: Dragon Commander: She's the queen of the literal Amazons, but was disposed by a heavily misygonistic man and forced to work for you, a male, as a general. Furthermore, her people are forced to deal with the new patriarchal, sexist society (including Rape, Pillage, and Burn tactics by your armies) when they're used to a matriarchal one - going from one extreme to the othernote Males were denied positions of authority in her Queendom. If her complaints about sexism in your army are addressed, however, she cheers up significantly, albeit with a dose of You Are A Credit To Your Gender attitude towards the player.
In Exit Fate, one recruitable party member is Petra, a fiery redhead in plate mail wielding a massive battleaxe (named, appropriately enough, "Independence") in the battle for women's freedom everywhere. To recruit her, you have to approach her with a male-only party, which causes her to protest about you "trying to oppress [her] with your masculine hegemony" and promptly joining your army to show you the true strength of women. If you have Meiko (a female war correspondent) interview her, Petra will interpret Meiko's attempt to maintain a neutral viewpoint as evidence of her being a gender traitor.
Jade from PvP once qualified as a Straw Feminist. This was most notable when she left PvP to start up her own women's gaming magazine, where she even drove her fellow female writers insane.
No stranger to Strawfolk, Nip and Tuck has Hortense, perpetually angry lizard womyn (although she seems to exist less to potshot Feminism, as to piss off the local Troglajocks so Tuck can swoop to in play the badass, and to give Tuck's girlfriend Thelma someone to look good next to).
Tuck:What? Feminism has double standards? Y'don't say... 
The Japanese Beetle has the New Order of Women, a fusion of the real NOW and the NWO — the members were all combinations of feminists and wrestlers, like "Hollywood" Dworkin. In their initial appearance, they attempt to put Die-Agra, a "male potence cure", in the city's water supply. At one point, they're beating on the Beetle (whose pained cries make it sound like they're raping him), as the two leaders look on and nod approvingly.
Space Moose brutally parodies some of the University of Alberta's organizations with this trope. He then faced down expulsion, fines, and boundless criticism for his "Take Back the Night" Space Moose strips.
Violet Oaks, the titular character of Coming Up Violet, has a run in with this trope when she inadvertently causes a social trend of girls randomly giving boys wedgies after giving one to resident pretty boy. This inevitably leads to them discovering the true meaning of feminism.
Torio has the overwhelmingly straw M'Kystral, who's a feminist, a vegan, an atheist, and a political activist. She really only mellows a bit when compared to her friends in said communities.
Precocious: Suzette, who more often than not proves to be an easily agitated womyn who always seems to have a speech ready. Particularly noticeable in the earlier strips.
Homestuck: Kankri sees Porrim as one of these, appropriating the language of real issues to complain about a problem that doesn't actually exist on Alternia. In reality, Porrim makes a pretty good case for subtle but harmful gender imbalances among trolls (certainly her ideas make a lot more sense than Kankri's incoherent babbling), and she doesn't go on and on about it like Kankri does with his pet issues.
Kitty Ledbetter from the webgame The Goat in the Grey Fedora is revealed to be one of these when Bounty discovers that she murdered her father in order to get the deeds to a salt mine, which she was going to use to spread a chemical that would paralyze men worldwide.
Hippolyta in the Whateley Universe is defined by this trope, to the point of calling Hank a 'traitor' for transforming into a male.
Web-comedian Pia Glenn lampoons the trope here as well.
Ultra Fast Pony uses this as a throwaway joke. Applejack, one of the heads of The Irish Mob, is surprisingly afraid of Bon Bon. The only explanation for this is that Bon Bon is "one of those feminists." The line is immediately followed by a subtitle "And there go all my feminist viewers..."
Feminist Frequency discusses this trope here. Anita Sarkeesian accuses the Straw Feminist trope of perpetuating and advancing the belief that feminism is no longer needed, that we have arrived at gender equality. According to Sarkeesian, anyone who disagrees is quickly demeaned and portrayed as an extremist.
Rip Van Winkle from Hellsing Ultimate Abridged is quite literally a feminazi. Her whole character seems to be a parody of Tumblr Feminists in that she's constantly grubbing for attention by drudging up old memes and her crusade against misogyny (real or otherwise) has made her as bad as the very thing she's trying to fight. The irony being Alucard is just about the most egalitarian person on the planet.
Poison Ivy is sometimes portrayed this way in Batman: The Animated Series. In one famous episode she goes on a crime spree with Harley Quin and claims it's all about female empowerment. The episode ends with her being arrested by Detective Montoya and another female cop.
Beavis and Butt-Head get maced by some of these after the dimwitted duo misinterpret (as only they can) a speech at a feminism rally as a come-on line.
Daria had Ms. Janet Barch, oddly enough for a girl-positive program. Is the type that broad? It's apparently got something to do with a previous husband; she often goes on rants about wasting "twenty-two thankless years" with him, and at times will start screaming at other men as if they were actually him. She eventually mellows out a bit... at least withMr. O'Neill. The example can count as a deconstruction of the trope, since Word of God says that Barch served as a way of showing how ridiculously unrealistic the straw feminist character really is when compared to realistic feminist examples like Daria and Helen Morgendorffer.
The Greeñorita Eco-Feminist Collective from Futurama, especially Frida Waterfall.
The Powerpuff Girls had Femme Fatale, a man-hating criminal who only stole Susan B. Anthony coins and convinced the girls to not help men and not arrest her because she was a woman. Her flawed logic was countered by the more mainstream equality-based feminism of Sara Bellum and Miss Keane who convinced them otherwise. Not helping Femme Fatale were the facts that women were also hurt by her actions, that she likes to use the fact that she's a woman as an excuse to avoid punishment and that she didn't even know who Susan B. Anthony was, or the fact that said woman fought for the equality of both women and men alike (though it did lead to a very good Shut Up, Hannibal! and subsequent beatdown by the girls). According to the Old Shame page, this ep has been regretted by Lauren Faust, who feels the concept of feminism is too serious to be discussed properly on a kid's show. Ironically, most viewers actually think it handled the subject rather well.
Yin Yang Yo has Saranoia, who is an unstable misandrist sorceress and wants to exterminate Yang but likes Yin. Her hatred seems to be based on her feelings towards her own brother, Mark, she indicates she was The Un Favourite growing up. She has a tendency to call Yang Mark.
Parodied in The Venture Bros. when a parody of the the Scooby Gang show up in the episode "Viva Los Muertos!" Parody-Velma (a Valerie Solanas expy named Val) is constantly spouting this talk, going so far as to actually tell Parody-Daphne that men are "walking abortions".
Despite being the source of the opening quote for this page, Chilly Beach's April June is mostly a parody of this portrayal of feminism.
An episode of Justice League had a rogue Amazon taking her people's views of "Man's World" to its logical extreme by developing a plague that will wipe out every creature with a Y chromosome. It's eventually learned that she's not really an Amazon (just a regular human girl granted haven and raised by the Amazons), and her deep hatred of men stemmed from the military coup that drove her from her homeland and washed her up on Themyscera (she balked after learning a man sacrificed his life to save hers, claiming the good deeds of one man couldn't salvage the crimes of males altogether). The incident, ironically, taught her fellow Amazons (who, including Wonder Woman, had displayed tendencies towards Straw Feminism themselves up to this point) to not too soundly preach the inferiorities of men and their own superiority. This trope is lampshaded when Wonder Woman wonders if men are that necessary and Hawkgirl tells her "don't knock it 'till you've tried it, Princess!". She also pointed out that the rogue amazon was just taking their feminism to its logical extreme.
In an episode where Peter is forced into sensitivity training... He was so trained that he himself did a feminism equivalent of the Heel-Face Turn and became an extremely fluffy combination of this and a cookie baking, bridge playing young biddy that blames all the ills on men. He ends up falling in with one-shot Straw Feminist character Gloria Ironbox, who implies that Lois' choice to be a wife and stay-at-home mother is the reason Peter doesn't respect women and that her children are screwed. And what does Lois do? After shutting down her arguments,she beats the shit out of her. The Catfightmanages toreturn Peter to normal.
Peter once accuses Lois of being a feminist and calls it adorable
The episode "Homer Badman" averts this. The character of Ashley Grant (who falsely accuses Homer of sexual harassment) initially appears to be one of these, but by the end of the episode she concedes that she jumped to the wrong conclusion and apologizes to Homer.
Rare male example: in one episode Marge is shown to have gone out with one of her college teachers. He is very much a Straw feminist, not liking LIGHTHOUSES because "anything penis shaped is bad."
In the episode "She Used to Be My Girl", Homer and Marge go to a feminist convention because they think Lisa is there. One scoffs "How typically male!" at a news report about an erupting volcano. When they learn that Lisa is at the volcano, Homer says to Marge "I'll go, you stay here" and gets booed; when he says "Okay, you go and I'll stay", he gets more boos, and finally asks "What do women want?!"
Then there's the episode "Bart Star" where Flanders coaches a kids' football team. Lisa arrives for tryouts not because she wants to play, but just because she wants to show up everyone for thinking a girl can't play football. Flanders immediately deflates her pretentions by showing that there are already four girls on the team.
Haley of American Dad! was something like this. She originally believed that women at strip clubs were being exploited. However, when the (female) strip club owner claimed that it was the male customers who were exploited, Hayley seemed to have no problem with that and ended up working as a stripper. But it is Played for Laughs, and it seems implied that most of the other strippers aren't really emotional stable... so, Zigzagging Trope? Also counts as Showing Their Work, as that sums up the contrasting positions of sex-negative and sex-positive feminists, respectively. Certainly none of the strippers were being oppressed by their employer, and several were intelligent young women just paying their way through college and similar.
Wendy Testaburger in South Park can sometimes be this, depending on how Parker and Stone portray her in an episode (combined or not with her already being a Soap Box Sadie). This trope also can apply to portrayals of the other female characters, though Wendy is usually the only one you see mentioned as one by certain fans not fond of the character. But when she's not a Straw Feminist? She's portrayed too "sickeningly weak and girly" for fans. But then there's that episode where she beats Cartman… And the other one where she outdoes Cartman by launching her (lesbian) substitute teacherinto the sunbecause she thinks Miss Ellen is trying to steal Stan's affections.
Numbuh 86/Fanny came off as this in her first few appearances, where she would blame any problems on the boys and refused to share credit with them. Later episodes revised her characterization to be less sexist and more just generally unfriendly.
Madam Margaret is an extreme version of this trope. She's the ruler of a dystopian future where girls hunt boys and turn them into girls with 'girlifying ray guns', and gets the ball rolling by sending her past self said ray guns. Her stated goal is to create a world without boys, and practically accomplished that before an old Numbuh 4 used her time machine to hit the Reset Button and undo her schemes. The creepy part is that she's a kid in the present. Her entire motivation for wanting guys gone is that she doesn't get along with her brothers.
An odd example with "The Powder Puff Boys". The antagonist is a PTA leader who proudly announces she gave up a high-paying job to spend time with her kids. In spite of this, she's shown to care far more about PTA meetings than her family. Naturally she denounces powder puff football as sexist and attempts to get the school's game shut down. Peggy even catches on to this (this being the same woman who did not realize that Redcorn and Nancy were having an affair until someone told her) openly states in a meeting she realizes she is only doing this because the woman misses her high paying job.
Another episode had a feminist group loving Peggy's poem about a turtle because they thought it was meant to be a metaphor for women's struggles. It was a metaphor, but only for what Peggy was going through personally, and it had nothing to do with feminism. When Peggy added on an ending where the turtle ends up with a male turtle, the feminists gave her some awkward applause, feeling a bit cheated.
Audience Member:(to another audience member) Oh, man, kinda copped out at the end there, didn't she?
Played with there with the feminist (played by real-life feminist singer Ani DiFranco) encouraging Peggy to just play her heart out, she just wanted Peggy to find her voice.
One episode of Danny Phantom titled "Girls' Night Out" has resident ghost baddies Kitty, Ember, and Spectra plot to make every male disappear permanently. Spectra, however, is the only one who fits the trope, going as far to make "wo-manicotti" on a cooking show, the other two aren't against men.