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This award-winning ad for The Guardian. The Three Little Pigs are arrested for wolf murder (they boiled him alive, for mercy's sake!) and prosecuted. Who is the real victim here? The pigs whose houses were burnt down? The wolf? Did the pigs go to far? The pigs actually committed an insurance fraud because they were unable to pay their mortgage payments, and they try to frame the wolf for the "accidents". People came to blame it all on banks and big corporate institutions.
This ad for Symbicort takes a different spin on the Three Little Pigs. Apparently, the poor wolf had COPD. With the right medicine, he can spend time with his happy wolf family- and blow the piggies' house down!
Anime and Manga
In Hayate the Combat Butler! Season 2, there is a part in an episode where Alice in Wonderland Hinagiku version is shown. You can guess it wasn't very close to the original.
One of the Full Metal Panic! short stories is a complete parody of Cinderella. Cinderella (played by Kaname) learns the moral that "depend on your own hard work and initiative rather than relying on fairy godmothers", sells the glass shoe for ludicrous profit to a wannabe princess, and goes into the wandering merchant business with the fairy (played by Sousuke).
In Fruits Basket, when they realize how woefully miscast the characters are in a "Cinderella" play, they rewrite it. An Elegant Gothic Lolita Cinderella is impervious to her Wicked Stepmother's demands, but she loves her sweet and innocent stepsister, who suffers at her mother's hands because she wishes to marry her off. While the Fairy Godparent succeeds in getting them to the ball (after Cinderella asked him to burn the palace down), and the not very charming prince does find her (though Cinderella can tell he's more interested in the stepsister), in the end Cinderella and her sister open a yakiniku shop. The play is renamed "Sorta Cinderella".
YuYu Hakusho's Dark Tournament arc had a combat team named Fractured Fairy Tales. All of their members were based off of Japanese folk legends, and Reverse Urashima claims that they are fighting to get better endings for themselves, but he himself thinks that the stories are educational, and is thus willing to lose to Kurama. It turns out that he's not only lying about throwing the match, but the fairy tale origins of the team members may also be false.
Ludwig Kakumei written by Kaori Yuki, deconstructs, spoofs and Grimmificates all at the same time. appropriately enough all the tales portrayed are based on the Brothers Grimm Version, in which the 2 main characters get their names from.
MÄR takes the "character as a Fractured Fairy Tale" idea to its logical extreme. Nearly every minor to important character is a parody of at least one fairy tale. Ginta always takes the time to make note of this, because he's obsessed with the stories. Justified by the fact that Mär Heaven is the world of Märchen, or fairy tales. Just on Ginta's team, we have:
Princess Snow. From her name, we have a play on Snow White (she even fights a character who has a magic sword ask her "who is the fairest one of all"). Her introduction is more Snow White stuff combined with a bit of Sleeping Beauty (Damsel in Distress is in a death-like state, awakened with a kiss... sort of), and she runs away from her wicked stepmother, like Cinderella.
Jack, who is a young farmer who lives in semi-poverty with his mother. His dream is to one day grow a beanstalk so tall he can see the world from it.
Alviss, who is followed about by a jealous fairy named Bell, and who goes on to defeat a Chess Piece named Mr. Hook.
Dorothy, who is a huge The Wonderful Wizard of Oz reference: she is a "good witch" named Dorothy, and her guardians include a scarecrow, a metal knight, a lion, and a dog named Toto.
And the team itself was formed by a fortune teller prophesying that Snow would have to gather "the Seven Dwarves" to defend Mär Heaven. The Chess Pieces have even more, considering how many of them there are.
The main character and the prince end up trapped in a woman's restaurant while she keeps bringing them more and more food, and Ahiru thinks it's Hansel and Gretel and they're being fattened up for her to eat. In reality, the woman is just very lonely and trying to make them stay.
The opening narration at one point questions whether Sleeping Beauty really wanted to wake up, or if she wanted to keep dreaming.
In an episode titled "Cinderella", the main character loses the pendant that allows her to become the Magical Girl, and it's found by one of the male characters. He spends the rest of the episode trying to find her... because he considers Princess Tutu an enemy and wants to attack her.
Used in Monster, where elements of fairy tales are brought together to inspire Mind Rape and nightmares.
In Ugly Duckling's Love Revolution, Hitomi and Souta are trying to pick out a fairy tale play to perform for the kindergarten class, and Souta latches onto "Hansel and Gretel". He even writes his own script, which involves Hansel and Gretel being found by The Sweets Fairy, who is actually a princess under the witch's spell. A prince falls in love with her and by eating sweets together, she returns to her true form.
Fairy Tail managed to slip one into their play. It begins with a knight setting out to rescue the princess from an evil villain, but aside from said knight's stage fright, he doesn't even find that villain. The man he does find summons an evil dragon... that he then teams up with the knight to defeat for no apparent reason, and they both happily flee when the princess somehow unties herself and claims she'll hold the dragon off. It Makes Even Less Sense In Context. Later on, Natsu compares Lucy's battle victories to "The Tortoise and the Hare", with Lucy as the hare; the hare only lost the first race, learned his lesson, and beat the tortoise the next hundred times.
Episode 3 of Sasami-san@Ganbaranai re-imagines a version of the "Hare of Inaba" story, where Sasami is the "rabbit" and her brother is the shark.
All the characters, and many of the episodes, in Okami-San are fairy tale analogues, which in most cases are warped nearly beyond recognition. Particularly funny is the version of Cinderella where the "prince" (a popular tennis player) falls for a mysterious girl who accidentally kicked him in the face. So he has all the girls in school line up to kick him until he recognizes who clobbered him from her shoes. Turns out he's really into it.
Fables does this. For starters, Prince Charming is actually a scoundrel who's been married and divorced three times, has had numerous affairs, and is a total womanizer. The Big Bad Wolf is still frightening but proves to be a sweet and loving husband to Snow White and father to their "cubs". Cinderella is a secret agent, Snow White splits Goldilocks' head open with an axe, the three little pigs start a rebellion and Goldilocks is a gun-toting revolutionary who's sleeping with Baby Bear.
Nightmares And Fairy Tales loves this. Virtually every story is some sort of fairy tale variation, with twists. For example, Little Red Riding Hood has a love of wolves and later turns out to be a werewolf herself. Cinderella's prince is a cruel man who she has no desire to marry and the stepmother summons demons. Snow White becomes a zombie after her stepmother rips her heart out and uses it to be beautiful. And Belle is a lesbian who is beaten and locked in the basement (and presumably raped) on her religious father's orders before he finally hands her over to the Beast, who just so happens to be her lesbian-lover under a curse.
In Issue #54 of Tarot: Witch of the Black Rose, Raven finds herself skipping from fairy tale to fairy tale - in order, "Snow White", "The Little Mermaid", "Little Red Riding Hood" and "Cinderella". She proceeds to screw with the usual order of events and deliver feminine empowerment speeches... while stripping the girls naked and Gothing them up. Because to be a confident woman you have to show your tits and/or dress like a stripper. On the plus side, she inadvertently turns Red into B. B. Hood.
The Princess Bride is mostly a fairy tale played straight, with a few notable subversions thrown in. Most fairy tales end with a beautiful girl getting married to a handsome prince. Buttercup's meeting and engagement to the handsome prince is one where the prince threatens to kill her if she doesn't agree to marry him, and he's the villain. The real hero is technically an infamous pirate who kidnaps her. Lastly, a climactic swordfight between the hero and villain is notably averted. They still manage to fit the climactic swordfight in (and it was properly researched, too), but it's done by two members of the supporting cast.
Shrek, which makes the ogre the main character, the damsel anything but in distress, and the Prince Charming the villain, even coming with a subversion of True Love's Kiss. The beginning says it all, really, starting with a generic fairytale storybook that almost immediately gets used as toilet paper.
The second film ups the ante by making the Fairy Godmother a villain as well, who is bound and determined to undo Shrek and Fiona's happy ending because "ogres don't get happy endings."
The Fall. Although a lot of fairy tale elements are played entirely straight.
Despite most folks thinking of it as a return to form for Disney, The Princess and the Frog has some elements of this. For one thing, the kiss between the princess and the frog prince, instead of turning the frog back into a prince, turns the princess into a frog too because she isn't an actual princess.
If You Don't Stop It You'll Go Blind (an R-rated blackout sketch film) has Little Red Riding Hood get stopped by the Big Bad Wolf:
Maleficent deconstructed much of the traditional fairy tale tropes. The Fairy Godmothers, being fairies, have no experience raising a human baby and nearly get her killed. Repeatedly. Love at First Sight and True Love's Kissfail to break Aurora's curse, because you can't have true love with someone you've known for a day; what really breaks it is Maleficent's maternal love, also showing that love doesn't have to be romantic to be true. Charging a forest full of powerful, magical and (to the humans) evil creatures gets you curb-stomped because good does not always triumph.
Gregory Maguire's Confessions of an Ugly Stepsister, the stepsisters aren't wicked in the slightest. Ruth is slow-witted and Iris is quite practical and is the main character. The Cinderella character, Clara, is initially bratty but the three become good friends. While the stepmother is prone to greed (as is Clara's father), she is not evil so much as concerned about the well-being of her daughters and certain that Clara will ruin their chances to financially secure themselves. There are no magic elements.
The short novel The Glass-shoe Slip-up is set after the events of "Cinderella", where we find out why the not-so-wicked stepmother kept her hidden away: Cinderella is a complete social disgrace with bad table manners, a love of raunchy jokes, a fancy for certain... odd practices in the royal bedroom, and many other disastrous details that make Prince Charming very determined to track down the Fairy Godmother so she can correct her mistake.
Roald Dahl's Revolting Rhymes turns up on banned book lists for the dark turns it steers classic fairy tales into, like Cinderella discovering her Prince Charming is a sociopath who chops off women's heads at the slightest provocation, or Goldilocks getting eaten by the Three Bears for breaking into their house. The teen-oriented Rhyme Stew has several more fractured retellings, though they tend to steer the stories in bawdier rather than bloodier directions.
The book Caperucita Roja y Otras Historias Perversas (Red Riding Hood and other Vicious Stories) of Triunfo Arciniegas, is all about this.
This is the basic concept of Mercedes Lackey's Tales of the Five Hundred Kingdoms series, in which the ambient magic in the land tries to make all fairy tales play out straight (no matter how the characters might feel about it), and the only way to get out of it is to shift the situation so that it fits another tale better.
"The Cinders Case" by Patricia C. Wrede (in the second of Bruce Coville's Book of Magic short story collections) sets up fairy godmothers and bad fairies and the like as part of the same organization, and is told from the point of view of a fairy godmother explaining why she wants a transfer to the curses department; namely, her last case, which was the straw that broke the unicorn's back. It sounds like a pretty standard Cinderella story; girl wants to go to ball, stepmother said no, fairy godmother is thus determined to see that she does, in fact, go. The problems start from square one: Cindy is tall, gangly, big-footed and not the prettiest thing ever. Her stepsister is the gorgeous waif the godmother has come to expect her clients to be, and is helpful, sympathetic, and wants nothing more than for Cindy to be happy. Then it turns out "Cinders" was the client's idea in the first place, and it's a stage name. She's not interested in the prince, she wants to play the fiddle as a musician at the ball. The godmother makes the best of things (she manages to save Cindy from getting roped into a "standard 10-percent contract" with a talent agent who looks like an encroaching mushroom and, when he's too drunk to lie, shamelessly admits that it means she forks over all but 10 percent of whatever she earns), but she's pretty despondent by the time the night's out (not least because the not-remotely-ugly stepsister does end up in the prince's arms) and after a case like that, her superiors will probably understand if she wants to transfer.
The short stories in Andrzej Sapkowski's earlier The Witcher books are all or almost all this pushed up to eleven. The Beauty and the Beast? The Beast likes his transformation, whereas the Beauty is so much more monstrous than he is. Don't even ask about what he did to SnowWhite.
In Beauty by Sheri S. Tepper, based on the Sleeping Beauty fairy tale, Beauty tricks her half sister into being pricked by the magical spindle. Once escaping the sleeping curse, Beauty travels through different eras in history and unwittingly causes other fairy tales to happen. The book's version of Snow White is told almost "straight"— except for the character motivation. The prince is clearly insane, while Snow White is essentially brain-dead: "Tell me, why did you accept the old woman's apple after we particularly told you not to take any food from strangers?" "Because it looked good and I was hungry."
In The Storyteller by Saki, a man on a train is being annoyed by some little children whose aunt can't keep them quiet by telling them boring normal stories, so he tells them one with a Family-UnfriendlySpace Whale Aesop(don't be too well-behaved, or you'll be awarded medals that will clink against each other at an inopportune time, leading you to be eaten by a hungry wolf).
The Enchanted Forest Chronicles is full of these. The first book, for example, starts with a princess running away from home in order to work for a dragon.
Tanith Lee's Red as Blood: Tales from the Sisters Grimmer is a collection of fairy tale retellings, most of them much darker, one with a science fiction twist. What Snow White's Seven Dwarfs turn out to be really creeped me out when I read it.
In Jim C. Hines' The Stepsister Scheme Cinderella's stepsisters kidnap her Prince and she, Sleeping Beauty and Snow White (who are nothing like one would expect) have to go save him.
In John C. Wright's The Golden Age, Phaethon explains the "true" myth of Phaethon: obviously the claim that he burned the earth while riding the chariot of the sun, so that Jupiter had to strike him down with a thunderbolt, was false, because the earth had not been burned up, and so the likely story was that Jupiter had struck him down to ensure that mortals would not succeed at it, and the moral is that beings who think they are gods should not be allowed near thunderbolts.
In The Golden Transcedence, Pandora explains her own name: it's not because of her spate of questions or her being a plague, but because what Pandora really received was foresight, which allowed women to foresee all the plagues that would harm their children, but also to avert them, which gave them hope.
The Ice Dragon, a short story by George R. R. Martin is an odd example in that it isn't a retelling of an existing fairy tale, nor do the events of it much resemble a fairy tale. Nevertheless it has the feel of one, in a way that is quite difficult to explain.
Since it's by the author of Ella Enchanted, Fairest also falls under this. The Snow White character is actually ugly (or at least Hollywood Homely), and her singing, while popular at first, eventually forces her to flee the kingdom because the townspeople think it makes her an inhuman seductress. She does wind up living with dwarves (or rather, gnomes), and it turns out she's probably descended from gnomes herself. The Wicked Queen is still a bit of a Yandere, but she and Snow White are friends first, and it turns out she was mostly being manipulated by the magic mirror all along. And the story is actually set in a country where people sing most of the time.
Angela Carter's The Bloody Chamber is a collection of short fantasy stories for adults based on reinterpreting and subverting common fairytale themes - often based on the moral and adult subtext of the original itself, in order to pick apart their gender stereotypes and social ideas. Enter a Little Red Riding Hood who ends up "knowing" the wolf after he's killed her grandmother; a Snow White who is created as a product of the father's desires, dies at the prick of a rose's thorn and is subsequently deflowered by him; a Beauty who finds that she is far more comfortable becoming a Beast rather than for her Beast to become a human... fascinating, if slightly disturbing, reading. For the intrigued, it can be found online here: though the experience is undoubtedly better when it is read in physical form.
Melisande: or, Long and Short Division by E Nesbit is a highly inventive and somewhat tongue-in-cheek retelling of "Rapunzel", or is it "Sleeping Beauty"? Just to start, the king is Genre Savvy and knows better than to throw a christening party that will inevitably leave one fairy out and piss her off, but it doesn't stop the princess from being cursed to be bald. Fortunately, the king has a spare wish from his fairy godmother, but the princess's careless wish for golden hair that will grow faster the more it's cut leads to predictable problems, and it takes several attempts and the logic of a wise prince to make her hair stop growing without making hergrow into a giant (It Makes Sense in Context; read the online tale for the full story!).
Twice Upon a Time re-tells "Rumpelstiltskin" from the point-of view of the girl's father, who gets into tax-trouble, and all the "Prince Charming gets the girl" stories from the point of view of the prince. He eventually turns into the Beast, jaded and nearly insane, and ends up with Beauty because her pets don't sing (She's only got the horse, silent as the grave, by the way), she doesn't do fancy fixtures (Cinderella, who drained the treasury), have a blood/ sharp stuff fetish (Sleeping Beauty, whose "thing" got way out of hand), or like groupsex (Snow White, whom he executed for cheating-with all seven dwarves). Hansel and Gretel have a different ending, they get adopted by Rumpelstiltskin and his wife.
Several of James Thurber's Fables for Our Time start out as normal fairy tales or Aesop's Fables, but then veer into more cynical or absurdist territory. His version of Little Red Riding Hood, for instance, ends when the little girl, recognizing that "even in a nightcap a wolf does not look like your grandmother any more than the Metro Goldwyn lion looks like Calvin Coolidge," produces a handgun and shoots the wolf dead. "Moral: It is not so easy to fool little girls nowadays as it used to be."
The Rumpelstiltskin Problem is a collection of short stories that aim to correct the Fridge Logic and Plot Holes of the original fairy tale (why did the king believe so readily that a poor miller's daughter can make gold out of straw at will? Why did Rumpelstiltskin agree to spin straw into gold for a ridiculously small payment for the first two days? Wouldn't marriage to a king who threatened to kill you if you didn't make enough gold for him be a tad problematic? etc). The twists vary with each retelling: one of them has Rumpelstiltskin as the true hero who the miller's daughter falls in love with and eventually runs away from her unhappy marriage with the king to be with him, for example.
In Kate DiCamillo's The Miraculous Journey of Edward Tulane, a character tells a story where the princess, as an animal, ends up killed and stewed because she was unloving.
The anthology My Mother She Killed Me, My Father He Ate Me is a book filled with stories based on screwed-up fairy tales. It includes short stories by Neil Gaiman, Joyce Carol Oates, and a brilliant retelling of "Donkeyskin" by Aimee Bender.
The novel Snow White by Daniel Barthelme is an all but unrecognizable Setting Update of the fairy tale written in a stream-of-consciousness sort of style designed to irritate the reader.
Cinder by Marissa Meyer is a retelling of Cinderella in the Crapsaccharine World of the distant future. In it, Linh Cinder is a cyborg and Prince Kai (Prince Charming) is the prince of the Eastern Commonwealth (aka east Asia). In this retelling, Prince Kai is actually charming as opposed to being Prince Charmless like in many others.
In Jessica Day George's Princess of Glass, Cinderella is a Fallen Princess and Spoiled Brat desperate to regain her former wealth and status, her fairy godmother an evil witch who cons her into making a Deal with the Devil, and the true heroine one of the princesses from the "The Twelve Dancing Princesses" tale who's grown to hate dancing after her traumatic experience from that tale but finds herself forced to do so to save the man she loves.
In Tom Holt's Snow White and the Seven Samurai, a cyberspace fairy-tale land is literally fractured by three mischievous kids who mess with the Wicked Queen's magic mirror, resulting in such chaos as the Three Little Pigs building a heavily-armed concrete bunker, which turns out to be useless when the Big Bad Wolf turns into a frog.
The Paper Bag Princess reverses the "hero rescues girl" story. After a dragon steals Prince Ronald, Princess Elizabeth (who is forced to wear a paper bag because the dragon destroyed all her clothes) sets out to save him. She does by appealing to the dragon's vanity, challenging it to fly around the world twice, which tires it out and lets her sneak past it. However, Ronald turns out to be an Ungrateful Bastard who tells her to return when she looks more like a princess. As such, she decides she's better off without him.
Sleeping Ugly by Jane Yolen deconstructs the fairy tale by having the prince kiss an unattractive girl first as practice before waking up the beautiful (but Alpha Bitch-y) princess, only for him to fall in love with the plain girl based on her kind personality.
Instead of the standard Knight rescues Damsel from Dragon, in Dragon In Distress, the Knight has to rescue the Dragon from the Damsel!
Live Action TV
Monty Python's: Fairy Tale sketch, featured in one of their German TV specials and on an album. Ya de buckety, rum ting fadoo... Their version of "Little Red Riding Hood"... The girl looks nasty and eats the food for her Grandma on her way. The vicious bad wolf looks as the most adorable thing ever. And so on and so forth.
A famous episode of The Monkees, "Fairy Tale" plays with this trope with many a humorous twist, including Michael Nesmithin drag, playing a hilariously obnoxious princess.
The miniseries The 10th Kingdom places a couple of contemporary New Yorkers into a world where all the fairy tales took place centuries before, and plays fast and loose with fairy tale tropes. An interesting variation in that the New Yorkers are familiar with the modern versions, but it's the darker Grimm versions that actually happened in this universe. This leads to natives having to explain the differences to them and the audience.
The first part of Cole Porter's song "Two Little Babes in the Wood" is Hans Christian Andersen's fairy tale played straight. The second part, "for the tired businessman," has the orphaned girls go from Rags to Riches and move to New York.
The music video of Kanon Wakeshima's "Lolitawork Libretto ~Storytelling by solita~" features the J-Pop singer running around as in a storybook populated by living cut-outs from old illustration and basically messing around with various fairytales, such as cutting down Rapunzel's tower with a pair of giant scissors, turning the wolf chasing after pigs into a domesticated cat, shrinking Cinderella's glass slipper and waking up Sleeping Beauty/Snow White with an alarm clock. Also features other random shenanigans often associated with fairy tales like playing cards, giant fauna, wild animals willing to listen to a cello performance, gothic lolita clothing (which is a standard for Kanon, anyway) and ticking clocks.
Paramore's song Brick by Boring Brick is about a naive little girl who lives in a fairy tale-and the narrator's trying to pull her out into the real world.
There's a song by Green Jelly called "Three Little Pigs", a twisted, modern version of the story about the pigs taking safety in shelters while trying to protect themselves from The Big Bad Wolf... and then they call Rambo near the end of the song. Also, the music video for the song is a claymation video, with a scene of the band with puppets for a few seconds.
In Peanuts, Lucy retells "Snow White": she was having a horrible time sleeping until she got this apple from a witch to help, and then, just as she was settling down to a good night's sleep, this prince came and woke her up.
The musical Once Upon a Mattress is a cheeky retelling of "The Princess and the Pea" with a mother-henpecked prince, a song based around the princess (originally Carol Burnett!) wryly commenting on "Happily, Happily Happily Ever After", and much more.
Offenbach's Orphée aux enfers is a warped retelling of the legend of Orpheus and Eurydice, where Orpheus' marriage is on the rocks. Eurydice has a lover, Aristaeus, who turns out to be the god of the underworld who sees to it that she dies of a snakebite so she can be with him forever. Orpheus is then spurred on to make his Journey To The Underworld by an Anthropomorphic Personification not of Love but of Public Opinion.
Kermit's Sesame Street News Flashes tended to be these. For example:
Prince Charming breaks Cinderella's glass slipper.
The glass slipper fits Kermit.
Rapunzel "lets down her hair" by letting it fall of her head.
Little Miss Muffet sits on a water bed, eats granola, and unlike Kermit, isn't scared of spiders.
The king's horses (and cow) and men do put Humpty Dumpty together again, then Kermit slaps him on the back and he falls back off the wall.
Jim Henson's Frog Prince contains traces of this. Hey, Cinderella! very cleanly fits the bill, between the ridiculously over-the-top hamminess of the stepmother, the dippiness of the Prince, the running gag of how bad the fairy godmother is at magic, and Kermit's Genre Savvy nature being ignored. Oh, and there's the ball itself, which features a large number of Muppet monsters (and Santa Claus) and basically serves as a precursor to the ballroom dancing sketches from The Muppet Show.
Jim Henson's example: The educational special The Muppets on Puppets includes a skit where Rowlf attempts to narrate a fairy tale for the other Muppets to act out, but the story keeps getting changed on him. Cinderella's stepmother sends her to take a basket of goodies to her granny, and in the middle of the wood she meets Hansel, who is taking Gretel the cow to market...
While Ōkami plays it a little more straight than the examples above, and is based on Japanese folk tales rather than European ones, it does feature quite a few fractured fairytale elements.
The game Fairytale Fights has four Fairytale protagonists (Jack, Red Riding Hood, Snow White and the Emperor of The Emperor's New Clothes) attempt to regain their former glory via killing everything in their way in as violent a way as possible.
Flash RPG game Dragon Fable has elements of this trope, including some major Deconstructions. It's all for the Rule of Funny of course.
Also dealing with Little Red Riding Hood is The Path, an indie game dealing with six different girls each named after shades of red. Each one of them deals with their individual "Wolf" in the most horrifying of ways.
Alabaster bills itself as a "fractured fairy tale" of Snow White. Not only does Alabaster follow in Neil Gaiman's footsteps of heavily implying Snow White to be a vampire or something else not quite human, but it has a Perspective Flip of the huntsman being the PC and having more than one dark secret of his own.
Bronze is a fractured retelling of "Beauty and the Beast" that makes the Beast more morally ambiguous, fills his castle with numerous secrets that the PC of Beauty/Belle has to uncover herself, and even gives her the option to kill the Beast if she wishes to do so
Glass retells "Cinderella". The story gives Cinderella a secret that causes the Prince to have her executed in one ending, and even the happy ending is quite atypical in its treatment of the Prince and Cinderella's relationship.
The Sims Medieval has the quest "Legend of the Talking Frog," a fractured Frog Prince that, depending on your approach, involves either kissing the frog or finding out the frog was an evil prince in his human life and serving his legs to the King.
The 2014 yearly familiars from Kingdom of Loathing are themed around fractured fairy tales. The Grim Brother drops "spleen items" that relate a random dark fairy tale, and the Grimstone Golem drops masks that let you enter a Perspective Flipped fairy tale (like one where you help the Hare beat the Tortoise, who tried to cheat by bringing a motorcycle to a foot-race; or where Rumpelstiltskin runs an orphanage and tries to get kids out of lousy homes by bribing their parents).
Magical Makeover is a quirky, light-hearted Choose Your Own Adventure game that starts with the protagonist getting ready to go to a grand ball...except that since she's no Cinderella, she has to make herself beautiful through the application of dubiously legal/safe magical cosmetics. All of which turn out to have unexpected side effects like turning into a plant-person, becoming a butterfly vampire who wants to eradicate the entire human race, or discovering a hives-inducing allergy to fairy dust. Also, instead of wanting to go to the ball to find her Prince Charming, she has the goal of freeing a mystical bird from the ball host's chambers to get a wish granted by it — but depending on your choices, she can instead spend her evening helping an extradimensional alien being fulfill a dragon's prophecy, being unceremoniously kidnapped by a giant owl who claims to be a princess under a curse, or becoming the unwitting victim of a season-changing ritual.
Red Ridinghood is extremely obsessive compulsive, and is afraid of going into the woods because she thinks bugs will crawl up her legs and into her vagina. In the end, she has the wolf savagely neutered by the Village Idiot, turning up the music on her iPod to drown out the wolf's agonized screams.
The Beast is a graphic designer who hires Belle as an assistant. The transformation occurs after they hook up in a public bathroom. He fires her, and she sues him for sexual harassment. Moral of the story: Don't dip your pen in the company ink.
A very squicky retelling of Rapunzel where the witch posts videos of Rapunzel on a fetish website for men who like really long hair. The Prince is a Stalker with a Crush who has sex with her hair, and leaves her after the witch cuts it off. The story ends with Rapunzel going into the adult film industry.
Cinderella is a lesbian who doesn't really care about the ball, or the Prince, and ends up marrying his sister. The Prince ends up on a talk show for Princes who get dumped by their lesbian girlfriends, and the two stepsisters are still douche-bags.
No Rest for the Wicked. Stars the Sensitive Princess (also the Girl Who Spoke Frogs), Puss in Boots, Red Riding Hood, the Girl with No Hands, and the Boy who Set Out To Learn Fear, all trying to Resurrect the Moon. They run into Prince Charmless, the Wicked Witch (and rescue Hansel and Gretel from her), Bearskin...
These shorts would either focus on one story ("Little Red Walking Hood" and "Cinderella Meets Fella"), while others contained many short stories ("A Gander at Mother Goose" and "Foney Fables").
One of Chuck Jones' last WB cartoons, "I Was a Teenage Thumb", a blithely absurdist telling of "Tom Thumb", was light-years apart from one of his first, the maudlin, Disney-esque "Tom Thumb in Trouble".
The Jim Henson Company's Unstable Fables direct-to-DVD films Three Pigs and a Baby, in which the Wolf is raised by the pigs in an Oblivious Adoption; Tortoise vs Hare: The Rematch of the Century, in which the original characters' kids get dragged into their rivalry; and The Goldilocks and the 3 Bears Show, a fake Reality Show in which pop star Goldilocks has to spend a month living with an ordinary family of bears.
The New Adventures of Winnie the Pooh episode "Three Little Piglets" has Pooh try to narrate the story of the Three Little Piglets (i.e. pigs), only for the story to keep on going Off the Rails due to Pooh's tendency to constantly think of honey and Tigger's tendency to butt in and make changes to the story like turning the Big Bad Wolf into the Big Bad Bunny and conjuring up the house of cards that can be seen in the above page image. And then somehow Rabbit ends up doused in honey at the end of it.
Rugrats has a few examples. An episode revolving around Angelica telling Chuckie his Step-Mother must be evil resulting in him imagining himself as "Finster-Ella" and a DTV with a number of these comes to mind.
Rocko's Modern Life had an episode where Rocko and Heffer attempt to tell Filburt the story of Hansel and Debbie, in which they get captured by a witch and then a giant, have their genders switched around, and then the witch feeds Cinderheffer a mint that turns him into a wooden puppet. Don't worry, Rocko revives him/her by putting the witch's shoes on him.
This was pretty much the point of the British television series Wolves, Witches and Giants.
Daria and Jane tell these to a pair of kids they're babysitting. For example, in their version Cinderella has the Fairy Godmother make her the first female president, while the Prince realizes that the monarchy is obsolete and opens a video store.
Jane: And the dish ran away with the spoon, but Hawaii was the only state that would recognize the union as legal.
In one episode Daria's family is camping and telling scary stories, and Daria picks "Hansel and Gretel," delivering it in her usual monotone:
Daria: So the witch tore Hansel's arm off, popped it in her mouth, said, "Hey, pretty good," and within minutes had devoured the rest of his body, leaving only the lower intestine for fear of bacteria. Gretel she decided she wanted to hold onto for a while, so she crammed her into the freezer the best she could.
Muppet Babies examples include "Slipping Beauty", "Snow White and the Seven Muppets", "Pigerella" and "By the Book".
One episode has Brain, against his will, telling Elmyra the "real" story of Cinderella, in which the actual protagonist is an intelligent mouse (played by Brain and named Cranky Mouseykin by Elmyra) who invents leather shoes for the people in the kingdom of Fairyland and has "Cinderelmyra" wear them to the prince's birthday party.
There was a short-lived mid-90s cartoon series that was similar to Freaky Stories, but based around this trope. One episode, for example, was a retelling of Jack And the Beanstalk that depicted Jack as a poor boy in a grimy miner's town and replaced the giant with a millionaire who owned assorted magical money sources. It went for a very Family-Unfriendly Aesop by having Jack's efforts to bring money to his poor widowed mother be foiled by her honesty, up until the millionaire offers her a check so that Jack will stop knicking stuff (he didn't care that the boy pinched a few things, but bringing them back all the time is ruining his reputation)... and then ending with Jack watching in disdain as his mother weeps in the kitchen because they've used up the check money and are now as poor as ever. Cue the narrator declaring that being honest does not keep you from starving to death and principles are a poor substitute for money.
Dexter's Laboratory has "DeeDee-Locks and the Ness Monster"; Dexter's mom convinces (read: forces) him to read DeeDee a story because she's sick, which leads to Dexter reading her from a complicated science textbook. Bored to sleep, DeeDee takes over and makes up her own story, taking a bit of everything from old fairy tales with her own twists; such as three pigs made of Straw, Sticks, and Bricks, a Big Bad Wolf with the stature of Napoleon, and a three-headed bag-pipe monster named the Ness Monster (each head with its own personality and Punny Name: Silly Ness, Grumpy Ness, and Sleepy Ness). Dexter interrupts halfway and lampshade the lack of story structure, but was ignored.
Dexter: STOP! This is ridiculous, I don't even know what's going on! There's no kind of structure, no plot...
Blazing Dragons has several examples of fairy tales being fractured. One example of this is the depiction of Sleeping Beauty as The Thing That Would Not Leave, being a loudmouth, eating the inhabitants of Camelhot out of house and home, etc. This goes to the point that several of them want Beauty to go back to sleep, and try methods ranging from hypnotism to dancing. Beauty eventually goes back to sleep with help from one of Flicker's inventions. The series itself can be considered this to the King Arthur mythos.
Ever After High is a school for fairy tale characters who add their own odd quirks to the stories, but some of them are rebelling against the system. Raven, who is supposed to become the evil queen like her mother from Snow White, doesn't want to be evil, and spends an episode looking for another character to take her place.
The Magic Adventures Of Mumfie's "Scarecrowella" episode was this. Brought about as a dream after Scarecrow read the story and drank 3 cups of hot chocolate, the characters are going to The Queen of Night's Royal Ball, but Scarecrow doesn't want to go after Mumfie says he must believe in fairytales. Then, strange things start to happen.
Samurai Jack: The episode 'Aku's Fairy Tales" stars the main villain Aku, appropriately enough, who has realized that the people of his kingdom aren't extremely fond of their evil conqueror and decides to endear himself to the local children by telling fairy tales. He tells stories like Little Red Riding Hood and Goldielocks, except they all star Aku as the hero and Jack as the villain. The kids have an understandably hard time believing that their hero, Jack, could be as cartoonishly evil as Aku paints him.