"Come on board on the Oingo Boingo spaceship, through time and space, to the Boingo galaxy!"
In 1972, a young Californian visionary named Rick Elfman decided to form a circus band. The lineup soon consisted of over a dozen people, including his wife Marie-Pascale, his best friend Matthew Bright (who would go on to direct Freeway
), a young Steve Bartek, and Rick's little brother Danny Elfman
, who had just returned from traveling Africa and Europe.
With Danny as a frontman
, and using his skills on the violin, xylophone, trombone and Balinese dance
to give the band its unique sound
, The Mystic Knights Of The Oingo Boingo
were formed. Their fans included a young "Weird Al" Yankovic
, an up-and-coming Paul Reubens
, and a very young Tim Burton
, who was attending CalArts at the time.
At the end of the 1970's, the band sold everything they had to create the no-budget sci-fi cult classic Forbidden Zone
. Having no money to hire a proper crew, Danny decided to score the film himself, and realized he enjoyed being a film composer.
During the film's Development Hell
, Danny had taken over and re-formed the band to incorporate his new symphonic sound into their music, and the group very quickly took off in the direction of New Wave Ska
. The new band, called Oingo Boingo, was formed in 1979.
The band became known for its quirky sound and its high-energy Halloween concerts. By 1985, they were scoring hits including "Dead Man's Party" and "Weird Science," and Tim Burton
and Paul Reubens (both fans of Forbidden Zone
, by coincidence) had given Danny his first real job
as a film composer. Many, many others soon followed.
In 1994, Danny Elfman suffered a breakdown and (temporarily) broke off all ties with Tim Burton. Because Danny wanted to go in a different direction, the band reshuffled its lineup, rechristened themselves Boingo, and recorded a Self-Titled Album
which focused most on the rock and orchestral influences of the band's sound. It was partly inspired by Danny Elfman listening to his daughter's album collection, which included The Beatles
, Jimi Hendrix
and Led Zeppelin
. Their new sound alienated many old fans and gave them plenty of new ones. But by that time, and particularly after a truly terrible gig at the KROQ Weenie Roast, the group realized that their time together was over.
The band retired after a farewell concert on Halloween 1995, having reverted to the name Oingo Boingo for the concert. Bassist John Avila went on to produce Reel Big Fish
and is currently playing with The Mutaytor
. Keyboardist Richard Gibbs got hired to score Battlestar Galactica
. Drummer Johnny "Vatos" Hernandez continued playing in various bands and had a cameo in From Dusk Till Dawn
. Guitarist Warren Fitzgerald joined The Vandals
. Richard Elfman and Matthew Bright created half a dozen film projects together. And Danny Elfman
became a fulltime film composer, with Steve Bartek as his arranger.
Oingo Boingo discography
- Only a Lad (1981)
- Nothing to Fear (1982)
- Good for Your Soul (1983)
- So-Lo note (1984)
- Dead Man's Party (1985)
- Boi-ngo (1987)
- Boingo Alive (1988)
- Dark at the End of the Tunnel (1990)
- Boingo note (1994)
- Farewell: Live From the Universal Ampitheatre - Halloween 1995 (1996)
- Anthology (1999)
the music of Oingo Boingo provides examples of:
- Big Brother Is Watching: "Perfect System", “1984”, "Grey Matter", “Controller” and "Burn Me Up". "Marching In Time" may count as well.
- Black Comedy: "No One Lives Forever"
- Breakup Song: "Goodbye Goodbye", "Better Luck Next Time", and "Can't See (Useless)"
- Bystander Syndrome: “Nothing Bad Ever Happens To Me”
- Conspiracy Theorist: The narrator of “Controller”. "Perfect System" might count.
- Cover Version: "You Really Got Me" and "I Am The Walrus".
- Crapsack World: A distressingly large number of their songs seem to be about (with apologies to Iron Maiden) the evil that men do. Murder, statutory rape, and mindless mischief are all on hand in abundance, along with plenty of paranoia and apocalyptic imagery. And the most horrifying part? It's all served up in the form of infectiously catchy Latin/Caribbean-styled pop-rock!
- Creepy Children Singing / Kids Rock: In the chorus of "Insanity".
- Dark Is Not Evil: “Dead Man’s Party” and many other songs.
- A Date with Rosie Palms: “Nasty Habits”, “Good For Your Soul" and "Burn Me Up”
- The Dead Can Dance: “Dead Man’s Party”
- Don't Fear The Reaper: Again, "Dead Man’s Party”.
- Dystopia: “Perfect System”
- Epic Rocking: Much their final studio album Boingo. Four songs exceed 7 minutes: "Insanity", "Hey!", "Pedestrian Wolves" and "Change" (with "Change" clocking in at just under 16 minutes). Even including the 37-second doggerel track "Tender Lumplings" in the mix, the 12 songs on the album average over 6 minutes each.
- Fake-Out Fade-Out: "Change" glides to a comfortable ending after 15 minutes, only to return for the final verse and chorus.
- The Fifties: Their neo-rockabilly number, "Goodbye Goodbye."
- Foreshadowing: The marimba lead break on "No One Lives Forever" sounds like a test run for Elfman's score for Tim Burton's Beetlejuice (three years before the fact).
- For Science!: “Weird Science”
- Fractured Fairy Tale: "Cinderella Undercover"
- The Gong Show: Here they are in a 1976 appearance.
- I Just Want to Have Friends: In "Private Life":
This is my private life, come and get me out of here
- Intercourse with You: "Violent Love", "Elementary Physics" and "Wild Sex (In the Working Class)"
- Karma Houdini: Johnny in "Only A Lad".
- Keet: John Avila. Just watch him run around the stage in Farewell, playing basses that are bigger than him and bantering with Danny when the latter is completely exhausted.
- Lyrical Dissonance: Lots; “Controller” and "Little Girls" spring to mind, and especially “Tender Lumplings”.
- Mad Scientist: The narrator of “Weird Science”.
- Mohs Scale of Lyrical Hardness: Between 4 and 8. Expect lots of Black Humor and Nightmare Fuel.
- Mohs Scale of Rock and Metal Hardness: Usually between 3 and 6, though much of Dark at the End of the Tunnel is at 2.
- Motor Mouth: Danny in "Goodbye Goodbye":
You're always puttin' the make on my friends always giving them eyes and the dirty lies 'bout me and you well I'm through it's the end of the line for you babe here's a ticket one way Cincinnati I'm sendin' you home to your ma and your daddy so don't try to call me you'll only be wastin' your tiiiime
- New Sound Album: So-Lo, which marked their shift to a more synthesized sound; and Boingo, which veered off into Alternative Rock.
- New Wave
- Nightmare Fetishist: The narrator of "Pedestrian Wolves":
I'm so excited about the prospects
Of meeting with a stranger in an alley
I'm so excited, I hope they're rough
I hope their skin is tough like Spanish leather
- Obligatory Bondage Song: "Nasty Habits"
- Officially Shortened Title: They were originally “The Mystic Knights of Oingo Boingo”, then “Oingo Boingo”, and finally just “Boingo”, but they went back to “Oingo Boingo" for their farewell concert.
- Precision F-Strike: In "Capitalism" and "Helpless".
- Raised by Wolves: “Pedestrian Wolves”
Raised by pedestrian wolves, out in the forest
Raised by suburban lions, out in the jungle
- Sanity Slippage Song: "Insanity", and so many others. "Whole Day Off", "Insects", "I'm Afraid", "Just Another Day", "Mama", "Did It There" and "Helpless" readily come to mind.
- Shout-Out: “1984”, for obvious reasons.
- “No Spill Blood” is a The Island of Doctor Moreau reference.
- Single Stanza Song: "Tender Lumplings"
- The Sixties: Both "Just Another Day" and "Dead Man's Party" evoke this - "Just Another Day" with its psychedelic imagery and wailing synthesizer, and "Dead Man's Party" with its surf-rock guitar and a pre-climactic bridge that is eerily reminiscent of "Light My Fire".
- Skeletal Musician: The cover art of "Dead Man's Party" features a skeletal mariachi band.
- Slasher Smile: Danny did this a lot.
- Society Is to Blame: Mocked in “Only A Lad”:
It’s not his fault that he can’t behave
Society’s made him go astray
Perhaps if we’re nice he’ll go away!
- Stalker with a Crush: In "Insanity".
I'd love to hear you laugh tonight
I'd love to hear you weep
I'd love to listen to you while you're screaming in your sleep
- Subliminal Seduction: "Cry of the Vatos" which features heavy drums, frantic screaming, and full-volume backmasked lyrics... which when played in reverse, says things like "Accept Jesus into your heart and you will be saved. You will receive everlasting life."
- Take That, Critics!: "Imposter", written after a scathing review the band got in 1981.
You're just a critic, we know why you drink so much
Jealousy slowly consuming your gut
- Take That
- The song "Capitalism" is a Take That inspired by the left-leaning Punk Rock bands at the time.note It includes the immortal tirade:
You're just a middle class socialist brat
From a suburban family and you never really had to work
And you tell me that you've got to get back
To the struggling masses, whoever they are
You talk, talk, talk about the suffering and pain
Your mouth is bigger than your entire brain
What the hell do you know about suffering and pain, ya dumbfuck?
- Conversely, "Insanity" is a Take That towards the Christian Right:
Let's talk of family values while we sit and watch the slaughter
Hypothetical abortions on imaginary daughters
The white folks think they're at the top, ask any proud white male
A million years of evolution; we get Danny Quayle
- The video for "Weird Science" shows look-alikes of other pop stars of the time (Cyndi Lauper, Madonna et al.) in chains doing slave labor.
- Word Salad Lyrics: "Whole Day Off" and "Just Another Day," among others.
- Yandere: "Insanity". Hoo boy, "Insanity".