The Secure Beneath Watchful Eyes poster, as seen above. Did they have to make it look like every fake propaganda poster from every dystopian movie ever? Was it a work of satire by a civil-liberties campaigner that fell victim to Poe's Law?
Ads for one program to teach kids to clean their teeth in East Germany involved a cartoony stickman with a camera who would always know if you hadn't been doing what you were told.
The logo◊ of Information Awareness Office. The motto translates to "Knowledge is power".note And they didn't even do the Latin right! Scientia potentia est is preferred. Technically, Latin word order does allow for the wording used, and the order may even be preferred in certain circumstances, but any classicist will tell you that as a standalone motto it is inelegant and painfully obviously a simple kludge from English. The Total Information Awareness project was supposed to combine all of the various US government data mining projects into one big scary monolith and was cancelled within months — for looking too Orwellian.
In EL, thousands of "eyebots" float around the city observing its citizens at all times, even in their most intimate of moments. The observation is part of the "Megaro Earth Project", which aims to restore humanity since this series takes place After the End. While they are ostensibly there to maintain security for the populace, it is shown that some of them have a more sinister purpose...
Psycho-Pass has this Up to Eleven. The Sibyl System doesn't just monitor people, it tells them everything they are supposed to do with their life and watches every thought that every person has. You can't even think about committing a crime without having police come to send you to therapy or arrest you and put in an asylum. If the Sibyl System is pretty sure you may commit a crime at one point in your life, you'll just be killed.
In A Certain Magical Index, Academy City is a rather subtle example. On the surface, everyone seems to be living fairly freely, and a number of people commit crimes without retribution, but it's covered in security cameras, watched from orbit, plays ultrasonic frequencies throughout the city so a phone call can be traced by analyzing the sound patterns, and has a database containing detailed information on everyone in the city, including brainwave patterns. Those crimes people get away with? Nearly all of them are secretly backed by the higher ups, and even the ones that aren't are known to them. If all that wasn't enough, there's a second monitoring system of nanomachines spread throughout the city, even where the cameras don't reach. The police are also heavily armed and double as the military, but considering what they have to deal with that part is fairly understandable.
In Iron Man: Rise of Technovore, this is lampshaded by people protesting the launching of Stark Industries' new surveillance satellite HOWARD. Tony unconvincingly insists that its only purpose is to watch out for bad people.
Sakasama no Patema: The Agian government closely monitors its citizens through an extensive surveillance system - from their government offices, their schools, and the surrounding area outdoors. Citizens are also indocterined by their propaganda against the alleged inverts, who have been labelled as "sinners". And anyone caught deviating from their societal norms is marked as a "deviant" and placed under strict watch.
Transmetropolitan is more Big Advertiser. A major plot point revolves around advertisers exploiting momentary 'dead spaces' in the law to pump out ads that are poison. The internet had been overtaken by ads as well. To a lesser extent the government tries to take over the major news casters; however the littlest part of the internet that was free broke the story.
In All Fall Down, the Digitized Hacker AIQ Squared is able to monitor all the main characters on a steady basis — to the point of eavesdropping in the Pentagon.
Clash of the Elements: Alpha via his Command Sphere, which he uses to monitor every square inch of Plit for the purpose of seeing the heroes' journey and keeping an eye on Cackletta until he joins the group himself.
Fallout: Equestria: The destroyed wasteland is littered with giant propaganda posters from the Ministry of Morale of an overly pink pony staring down at the landscape saying "Pinkie Pie is always watching. FOREVER."
The Universiad subverts the trope in that it is because of the ubiquitous surveillance from FLEETSEC to catch the truly evil stuff that the Forum's citizens can have so much freedom, even to do things that would be immoral and illegal in 21st century Western nations.
In the 1959 Santa Claus film featured on Mystery Science Theater 3000, Santa has device from space that can watch every kid on Earth. The machine itself is creepy too! It has giant lips! He also has a satellite with a human ear in the center, and a telescope with an eye.
The leader in Equilibrium was called Father. And he suppressed human emotion to maintain control.
Minority Report actually has consumer-based ubiquitous surveillance as a plot point. People can have customized ads targeted at them based on retinal scans-triggered by walking through a mall—and at one point the cops send tiny little robotic spiders to scan everyone in an apartment building they suspect the protagonist is in. The premise is that people can be arrested and imprisoned in a And I Must Scream prison simply due to clairvoyants seeing them committing crimes in the future.
In G.I. Joe: The Rise of Cobra, the Joes (an international police force) identify the Baroness by using Facial Recognition Software against pictures of every person in the world... an image library built up by secretly copying every digital photograph ever taken by anyone.
The Dark Knight features Batman, driven to the edge in his pursuit of The Joker, using a machine that turns every cell phone in Gotham into a sonar imaging device. Batman himself cannot use the device. Only Lucius Fox can, and his disgust at such methods is why Batman chose to give control of it to him. Luckily, at the end of the film, Batman reveals the machine is rigged to self-destruct after it's used to capture the Joker.
San Angeles in Demolition Man. Subverted in that most of the populace is more than eager to live under this surveillance.
Discussed and actively defied in the first Cube by Worth. He reveals that he worked on the construction of the Cube, but when the other characters question who is ultimately responsible and secretly controlling and watching their lives, he explains that there is no leader, and the Cube is a public works project without a purpose, operating under the pretense of a grand plan. He caps it off with "Big Brother is not watching you."
Richard Vickers in Creepshow has a thing for cameras, including using them in the murder of his wife and her lover.
In The Purge, in the trailer, at the beginning of the Purge event, a loud, official voice sounds informing the populace that the Purge has begun, that emergency services are suspended, and some other information, ending with this gem: "Your government thanks you for your participation." It is unclear if the voice comes from the family's tv, radio, or outside public loudspeakers, but the intent and effect remain the same.
The Bible has God, which makes this trope Older Than Feudalism. Contrary to what people such as Adam, Eve, and Jonah have hoped at various times, nothing is out of sight of Heaven... according to modern interpretation. In the Old Testament, it's very clear that Yahweh is not very omniscient, with him finding out about the Original Scene being a quite hilarious instance.
"[...]and said unto him, Where art thou?" (Genesis 3:9)
Actually, the whole not omniscient thing isn't nearly as clear-cut as it seems. Ever had your parents ask you about something you did wrong that they already know the answer to? That's another interpretation of that last little conversation you might encounter.
Big Brother, who is still watching, from 1984 is the Trope Namer. Big Brother is the symbolic head of state over a totalitarian superstate that engages in pervasive Sinister Surveillance. He may or may not exist as an actual person.
From 1921, twenty-eight years before 1984, comes Yevgeny Zamyatin's We, set in the One State, a nation almost entirely built of glass, allowing the secret police to spy without needing cameras.
The whole point of Kafka's short story "Before the Law" in the book The Trial.
And perhaps inverted in the parable "An Imperial Message", where the King is ultimately barred from contact with the narrator/average person. Given that both of these stories are written as parables(even in context) about God/meaning/identity in modern life/solitude(and what it might mean to be solitary in a modern society) rather than description of a panoptic state leaves the applicability of this trope open to question.
IT, from the A Wrinkle in Time. IT definitely existed and was watching, no question at all about IT.
The Eye of Sauron in The Lord of the Rings, even though he can only see you when you wear one of his rings.
UNICOMP in This Perfect Day didn't bother watching people with cameras, but it did require that they touch their nameber bracelets to scanners whenever going through a door, so that UNICOMP always knows where everyone is at all times. Thought Control was accomplished through a system of mandatory drug treatments, genetic engineering, and weekly visits to an "advisor", a sort of combination psychotherapist, parole officer, and father-confessor.
AM in I Have No Mouth and I Must Scream. He's quite honest about wanting the characters to suffer. But they'll suffer his way, think his thoughts, and play his games. As he watches them. Forever.
Once Katniss and Peeta become contestants in The Hunger Games, cameras are waiting to capture every move they make.
It's heavily implied that all of Panem, including the Capitol and Victors' houses, is under surveillance. Katniss never does find out exactly how President Snow knew about the kiss...
While not exactly a surveillance device, The Great Gatsby has "the eyes of Dr. T.J. Eckleburg," a prominent ophthalmologist whose billboard advertisement features a gigantic pair of eyes with glasses over them.
In Matched by Ally Condie, the Society watches most things people do. Even their dreams are recorded for irregularities and to gather statistics. The telescreens are called "ports" here.
MC in Domina tracks people by the GPS in their phones. She means to get permission, but forgets.
The Ministry of Magic in Harry Potter, especially Delores Umbridge.
The Poul Anderson short story "Sam Hall" had the government doing, among other things, tracking where everyone in the country was from day to day. It all falls apart when the the system fails to track down the title character, who is completely fictitious and was added into the system by the protagonist as a joke.
Played with in Larry Niven's short story Cloak of Anarchy. People in an "anarchy park" are allowed to do anything except direct violence against another person: if someone does that, the ever-present hovering "copseyes" stun both the aggressor and the victim, knocking them unconscious. The "played with" part is that someone figures out a way to knock out the copseye network. Turns out real anarchy is pretty unpleasant for everyone who isn't fairly strong physically and/or a sociopath.
The planet Kegan in The Fight for Truth, part of Jedi Apprentice, has a very small population and only one city. Its rulers, the Benevolent Guides, implemented increasing levels of surveillance to keep things running smoothly. Qui-Gon Jinn finds that intensely detailed records are kept of people even in their own homes - who they talk to, what they say, what they write and to whom. But children abducted for standing out - having a chronic illness, being Force-Sensitive, questioning the propaganda they're fed - have their records removed.
Played with in Charles Stross's Halting State and Rule 34, where cameras are omnipresent, but facial recognition technology is stated as being too processor-intensive to be useful in real time. However, your mobile phone can track your location anywhere it can get a signal, and makes a great listening bug if it is hacked. Also, the police are watched even more closely by Big Brother than any of the criminals are, being required to have cameras on their body running at all times to "Life Log" their time on duty for the official record.
Played with in the WWW Trilogy by Robert J Sawyer. On one hand this trope is invoked in-universe by several characters who are uncomfortable with Webmind's emergence, however it is ultimately subverted; Webmind does have the ability to observe anything within range of a camera with even the remotest Internet connection and is able to access anything online, password or no password (and having an apparent inability to understand the concept of privacy), but they only use their abilities to help humanity.
An earlier work of his, The Neanderthal Parallax has this with the Companion implants. Subverted, in that Neanderthals see this as a good thing, as it makes alibing yourself for crimes and identifying perpetrators easy. Except if suspected of a crime, no one monitors a person's recordings-they're only "unlocked" when a formal charge has been made.
Will of Heaven turns the original Nine Tripod Cauldrons into an alien tech surveillance device.
In The Leonard Regime, civilians are tracked at all times through their cell phones and cars. They are also required to state any reason for travel before doing so.
The Purity Web becomes this for the new American theocratic society in Christian Nation. This leads to the protagonist's use of an old electric typewriter to write his memoirs in, since it's one of the few pieces of technology left that's not being electronically monitored.
In the A Song of Ice and Fire prequel novellas, the Seven Kingdoms of Westeros under the de-facto rule of Brynden "Bloodraven" Rivers become a fantasy version. Bloodraven was formerly The Spymaster, and has risen to the chancellor to the apathetic King Aerys. It's implied he uses Skinchanging magic to spy on the people through the eyes of ravens and rats, and thus catches rebels and dissidents impeccably.
Arguably, those camera-speakers that pop up out of the ground on Teletubbies.
Firefly was an ironic inversion of this. Big brother was a big nuisance to "Big Brother".
Persons Unknown: There are security cameras constantly watching the captives.
There is a The Benny Hill Show sketch that plays with this trope. A couple would be lying on the bed watching the late night newscast (the newscaster is Benny Hill), and would roll over and decide to start getting amorous. Unknown to the amorous couple, Benny could see what they were doing from the other side of the TV. Benny would start staring and making rude noises in the middle of his newscast, then would call over the weatherman, cameramen, etc. to gawk and ogle at the couple (and they'd all pretend everything was normal when the couple would look up).
A hilarious version in Sherlock. Sherlock's big brother works for the government, and yes, he is watching. What? He's concerned.
Leave It to Beaver: The squeaky-clean 1950s sitcom had an episode alluding to Big Brother — 1962's "Lumpy's Car Trouble," where Wally breaks the rules for borrowing Ward's car for a track meet; he allowed the driver, Lumpy, to take a "shortcut" on the way home, causing damage to the exhaust system. One of Ward's co-workers sees the boys push the car along the highway and tells Ward. That evening, Ward confronts the boys and after Wally admits what happened, refuses to reveal his informant. Ward's reasoning: By not knowing that person's identity — and thus, being able to track down and question him about what he "might have seen" — the boys will always be on their best behavior, because someone might be watching.
Everything in the Blake's 7 Federation is taped, logged, and recorded in triplicate. Woe betide you if one of those recordings shows you conspiring or plotting or thieving or, I don't know, passing a political criminal the salt. You will vanish and no-one will remember you ever existed.
The morality of the Machine is examined in detail: on one hand, the Machine was specifically designed to detect acts of terror and has averted several, and the protagonists are secretly able to use it to help the helpless; on the other hand, everyone involved with the Machine, including it's creator, is scared witless by the Orwellian potential, and the US Government department who oversees the Machine isn't squeamish about getting rid of those who discover its existence. To this end, when Finch created the Machine, he specifically designed it so even the government couldn't access the hardware or software, preventing them from using the Machine for anything other than its original purpose. Add to that, the Machine limits what it gives out. All the protagonists and US Government get is a 9-digit number(s), the social security number(s) of a person(s) of interest in the upcoming event. Could be the perpetrator(s) or victim(s). Neither group knows and must investigate.
In Season 3 a spy company called Decima obtains the drives to another A.I. system like the Machine called Samaritan. Unlike the Machine, it has no moral programming and, where the Machine is called a "shield" for its protective nature and limited offensive use, Samaritan is a sword that can be wrought on anyone within its feeds.
In The Last Enemy, the protagonist, a mathematician played by Benedict Cumberbatch, comes back to London after 4 years in China to discover this trope in full effect. In fact, he is asked to be the spokesperson for a new computer system (called Total Information Awareness) meant to monitor everyone in order to keep the citizens safe. He has to go through a security checkpoint with a metal detector and an X-ray just to enter a church. The ending also reveals that the disease affecting only Arabs was meant as a form of bio-tagging to further enforce this trope.
Pet Shop Boys' "Integral" is about a dystopian police state where everyone has a number and is constantly being spied on by government computers, written as a Protest Song about the proposed government ID cards in Britain.
The debut album of Assemblage 23's side project Surveillance is titled Oceania, referencing Orwell's 1984, as do many of the track titles.
Implant's "CCCPCCTV", whose video consists of a changing grid of security camera feeds, one of which is the blindfolded singer.
A harmless example is from FunHouse, where the head of Creepy Doll Rudy the Dummy follows the ball around the playfield.
Spoofed in The Burkiss Way, in the episode "Love Big Brother The Burkiss Way": Here, Big Brother Is Up Your Nose, and indeed he mocks his opponent in the "Big Brother elections" who claims they're going to watch people instead. Everyone under Big Brother's rule talks as though they have stuffed up nostrils: Winston Smith's act of defiance is to speak normally.
"Winston! How can you speak like that with Big Brother up your nose?"
"Oh, blow my nose! Don't you see, Julia? Big Brother isn't up my nose! He never was up my nose! He's not up anybody's nose! He's not even up your blowhole!"
The extremely well-loved Big Finish Doctor Who episode The Natural History Of Fear revels in this trope. Every scene starts with people watching a recording of the previous scene. Many of which include people telling each other they're not being recorded. The effect is deeply unsettling.
In Misspent Youth by Robert Bohl, a game where you play a group of teenage anarchists out to change the world, the group creates Systems of Control that are sci-fi-ish details about the world that The Authority uses to mess with your lives. These frequently include universal surveillance.
The Computer in the ParanoiaTabletop RPG. The recent editions introduce Tension Levels, a default measure of how closely The Computer or one of Its agents is paying attention at any given point.
For extreme levels of Black Comedy Bathrooms have the highest level possible. It's encouraged to have the GM kill off a player in one of them.
Warhammer 40,000's Adeptus Arbites (think if Judge Dredd worked for Big Brother), as seen on the quotes page. And the Ecclesiarchy, ever-vigilant for signs of heresy, and who'd like to remind you that The Emperor is watching. And the Inquisition, though if you've caught their interest you're screwed. Even the Tau Empire gets in on this, to help them fit in with the setting.
Feng Shui's 2056 juncture, in keeping with 1984-style dystopian fiction, is all over this trope. The Buro uses bugs called Loyalty Roaches which are genetically-engineered roaches with miniature cameras and microphones to monitor the populace for signs of traitorous activity. The "ecologically safe" pesticides of 2056 won't kill those things, but bug sprays from the contemporary juncture do a bang up job on them, and are a nice sideline for secret warriors who operate in 2056.
Mage: The Awakening: The Ministry of Panopticon of the Seers of the Throne. Their purpose is described as twofold. Use Space magic and advanced surveillance equipment to monitor and control the flow of information, and release just enough of what they learn through this into the public consciousness to create a pervading sense of paranoia, which will alter how people will act (if people think they are constantly being watched, then they will not act in a manner they don't want others to see). Their symbol is an enormous eye.
In Shadowrun, everyone is near-constantly being monitored - but it isn't the big scary government that's watching. It's the big scary Megacorps. Every transaction you make, every ad you show interest in, your habits, your demographics, everything about you is observed and filed away so that they know how to get you to buy more stuff from them. Only if you make them lose money will they give a damn about you otherwise.
...And they suck at it. See, the big thing about private ownership is that they loathe loaning out information to other megacorps, which becomes a problem when one of those corps is Lone Star. Add that to the interdepartmental rivalries, the hackability of camera networks, and the fact that most runners have two braincells to put together, and a runner can be halfway across the continent after Mr. Johnson (a term for an anonymous employer) has erased all record of transactions. Not to mention the setting's Cyberpunk with a Chance of Rain, which means that it's actually considered odd if you're not wearing AR sunglasses, a hat to protect yourself from Acid Rain, and a face respirator.
Exalted has the Orb and the Scepter, two mighty artifacts that can be (and one of them is) used to control the population of a great city-state by making them perfectly obedient to the laws and orders of the ruler. Those who disobey get punished (based on the severity of their crime) by pain, agony or horrifying death, and all of this is inescapable. The population even has a magical eye-shaped mark on their left hand, and there are proclamations of "His eye is always upon you" everywhere in the city. There are also laws on dress code, with bright colors being forbidden for anyone who is not a memeber of the aristocracy. Veeeery creepy...
In Eclipse Phase most of the solar system has embraced sousveillance. Rather than the government watching everyone everyone watches each other, including the government (assuming the habitat even has one). Naturally this often proves inconvenient to Firewall sentinels, fortunately there are ways around the lack of privacy.
The Jovian Junta, being the most authoritarian faction left in the system, plays this trope very straight on the other hand.
In Eberron the country of Zilargo has this in full effect. However the place is a CountryOfSpies, so you spy on your neighbors, your neighbors spy on you, both of you spy on the shopkeepers, the shopkeepers spy on you, your neighbors, and their neighbors, all the above are spied on by theSceret Police which are pretty much regular police but they like to creep around. It gets to the point where the Gnomes of the country relax when everyone is spying on them and get very paranoid when no one is watching them.
I, Robot has an eye of the Big Brother watching the Unhappy Interface Robot #1984 above of the incomplete pyramid. If it catches the robot jumping, it'll zap the robot to pieces.
Averted in Portal. The Vital Testing Aparatus is crucial to your success, and is not monitoring you at all. Please do not destroy the Vital Testing Aparatus. In addition, Aperture Science must also note that the windows overlooking all testing chambers are not used for observation purposes either. After all, how could the scientists observe you if all of them are dead?
You can get achievements by breaking down security cameras.
Episode 3 of the Back to the Future adventure games features First Citizen Brown, whose face is put on every poster in town and seems to rule the town with an iron fist, with hundreds of surveillance cameras. Then it turns out that he's a misguided Reasonable Authority Figure and his wife has been deliberately playing this image up to keep everyone in line.
In Mass Effect, The Batarians seem to have this kind of society. They are known have an extensive propaganda program, travel within their space is highly restricted, and the Batarian worlds you can visit are all noted to be circled by spy satellites on the lookout for "enemies of the State."
Deus Ex: Human Revolution has (at least) a sly little Shout-Out to this trope, in the form of a security camera labelled "Big Bro Security Systems" in an opening cinematic.
In fact, if you look closely all of the security cameras have this label. Fridge Horror, perhaps?
While poking around the ruins of Washington D.C. in Fallout 3 you can explore a demo Vault, in which the audio guide assures you that if you're "Concerned about security? Our Eye-On-You camera allows the Overseer to watch your every move. You'll never be alone again!" There are also the mysterious Eyebots roaming the wasteland, blaring patriotic music and propaganda about the Enclave, and which can sometimes be spotted silently staring at people.
Also, after most advanced technology fails during the Collapse (magic disappearing from Stark, which likely enabled this tech in the first place), everyone in the world has to go back to older tech. In order to prevent another Collapse, the Eye demands that all electronic devices be connected to the Wire, a worldwide network, which can be easily used to monitor devices. It is highly illegal to hack your device (e.g. cell phone) to block any Eye spyware, although a lucrative market exists for the hacks.
The intro to Vector shows a highly-totalitarian conformist society, with the government watching and controlling everyone. When the protagonist has had enough, he throws his headphones (which also serve as a form of ID) on the floor and runs away. The whole game is about him running away from the Thought Police.
The AI surveillance technology, and the security monitor improvement made available by that technology, suggest this quite strongly.
The Technocracy government is based on doing this on a large scale.
Starbound's Apex race is completely governed by one of these, the Miniknog (an abbreviation for Ministry of Knowledge, for full 1984 flavoring), which has their citizens issued standard-issue furniture, with even buying a different colored fish from the one you're supposed to have is grounds to make you disappear, and where even the clocks have cameras watching their owners. The Apex PC is a fleeing member of a failed rebellion, and will often make references to a less-than-enjoyable past under the Miniknog.
Nobody Scores!: in one series, the NSA produces a tentacled, many-eyed machine that is installed in your home and tracks everything about you for marketing purposes. It also detects terrorists "before they happen". People buy them quite willingly.
In Gunnerkrigg Court, Jack thinks the Court puts tracking devices in food. So he's now starving himself to slip under the radar. As it turns out, he's absolutely right.
Devil's employees do this among other duties. Blue devil girl likes soul audits! She only doesn't like the part where she runs into a VIP and gets interrupted by the boss — who seems to watch her in turn (actually he didn't, she ran into view on her own).
Somewhat subverted. The main characters are in what is meant to be a prison after all and should expect to be under constant surveillance. But the one time Vengari/Big Red acts on what he seesin the hidden camera it really is to help people who have been hurt.
Both subverted and played straight. Subverted in that after bringing Bo, Pepper, Amanita, Noni, and Momo in to a medical area to treat them, Vengari, himself a Big Brother, removes a Tracking Device left by some other, unknown group in Bo and played straight in so far as the Tracking Device was put in Bo without his knowledge by some unknown group.
The six Flash videos about the Vahki enforcers, more than any other piece of media in the series, depict Makuta's reign (when disguised as Turaga Dume) like this. And they weren't shy about it, with taglines like "Turaga Dume sees all — Thoughts can be dangerous" or "Obedience is happiness".
Later touched upon in the web serials, when Makuta took over the entire Matoran Universe. Or rather, he became the universe, gaining control over the very forces of nature, and supervision over his entire body.
In a Treehouse of Horror story Homer jumps from one Alternate Universe to another, in one of them Ned Flanders uses methods that fit this trope as "overall lord and master of the world".
In The Powerpuff Girls anniversary special, Buttercup's fantasy of how the world would be if ruled by her included a propaganda titled "Big Butter is Watching You" where she threatened to punch anyone who didn't follow her rule.
Princess Bubblegum's antics as ruler of the Candy Kingdom often have disturbing implications; but in the episode "You Made Me" we get to find out that she has CCTV cameras all over the place. While the Candy People are outraged to learn that the Earl of Lemongrab regularly sneaks into their bedrooms to watch them while they sleep, nobody seems to question the fact that their own princess is constantly spying on them.
In Dogstar, Bob Santino has secretly installed chips in his robogs that allow him to spy on his customers (and take remote control of the robogs if he wants to).
Justice League Unlimited S 2 E 4 Task Force X: Clock King shows the Task Force X team some videos with the heroic exploits of Captain Atom, Green Lantern and Martian Manhunter with ominious music. This trope is justified because Task Force X is a Black Ops from the american government, so they could have used spies or simply got access any footage reporters or civilians got about the super heroes.
In the Harvey Birdman, Attorney at Law episode "Blackwatch Plaid" Phil employs this trope in response to the theft of all his (nonexistent) furniture. He's pretty blatant about the fact that he's spying on his employees, too.
Phil: I have to go back to reading everyone's emails...over the PA system.