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Unsympathetic Comedy Protagonist
She does this all the time.

Charlie: ...Whereas I am a well-known rascal. When I don't do the wrong thing, people are disappointed.
Alan: Was that supposed to make me feel better?
Charlie: No, the story was about me. God, you're such a narcissist!

A character (frequently the main one) in a comedy who is a huge Jerkass (or just a flat-out villain), yet is supposed to be rooted for, despite being pretty much everything a human being shouldn't be... or everything a human being essentially is.

Because much of comedy is derived from eliciting laughs at another's misfortune, the UCP is often necessary to the comedic formula. If horrible things happened to a character that the audience genuinely liked, the reaction to their plight would be sympathy and angry letters rather than guffaws and chortles. But if the character in question is irredeemable, brought the misfortune on themselves, or just generally seemed like they deserved it, the audience can disconnect from their pain and let loose the belly laughs when the character gets the inevitable Pie in the Face.

Sometimes the character is presented as the only moderately sane, intelligent person in a land of fools. Alternatively he or she is someone whose loneliness and self-loathing make them, if not likeable, at least pitiable, despite engaging in Comedic Sociopathy. Nevertheless, it's not surprising when watchers actually take the "Unsympathetic" side of the character literally, with less than pleasant consequences for the fandom if they don't shut up about it, so it's not surprising that most try to avoid basing an entire series (at least where big money is involved) on this. This trope is often the difference between laughing with them and laughing at them, if there's any laughing at all. Despite all this, there are a few actors who try to make a living out of portraying these characters (e.g. Will Ferrell, Ricky Gervais, Adam Sandler), to extremely mixed results that relies heavily on the actor's ability to be charming (at least to the audience) and not over the top, which usually creates a "love them or hate them" response from the audience.

This seems to be more prevalent in British comedy than in US comedies. If it's an ensemble comedy with 4+ main characters, expect one of three things: 1) at least one of them to channel this role to some degree (and don't be surprised if they're also the Token Evil Teammate); 2) for the role to jump around as the various plots demand; or 3) for some combination of the two.

Compare with Jaded Washout, Nominal Hero, Small Name, Big Ego, Designated Hero, and Ineffectual Sympathetic Villain.

Not to be confused with Sociopathic Hero or Heroic Comedic Sociopath; those pages are about one way a character can be a horrible person, while this page is about characters who are horrible people (for that reason or otherwise) having bad things happen to them.


Examples:

    open/close all folders 

    Anime and Manga 
  • Oga from Beelzebub is an arrogant, notoriously violent, good-for-nothing delinquent who has few redeeming qualities, yet his character is just so off the wall and his situation so hilariously weird and awful that you can't help but like him a little. Furuichi counts, too. In the end, they're really just jerks with hearts of gold, though.
  • The eponymous Desert Punk. Villain Protagonist, in the end.
  • Richard Moore/Kogoro Mori on Detective Conan who regularly punches, kicks, and berates Conan. If Conan were a REAL child he would likely turn out to be some sort of severely messed up Omnicidal Maniac from the treatment Richard gives him.
    • Or from, you know, viewing horrific murders on a daily basis.
  • Vegeta from Dragon Ball. Even after his Heel-Face Turn, he was still a prick.
  • Panty from Panty & Stocking with Garterbelt is like this most of the time, and the other characters have their moments as well.
  • Keroro in Sgt. Frog can often be this, with the other Platoon members save Dororo all fitting this trope as well.
  • Ataru Moroboshi (and quite a bit of the rest of the cast) on Urusei Yatsura.
  • The eponymous Haruhi from Haruhi Suzumiya is an example of this trope completly gone wrong. She's an unrependant jerk who generally threats people like garbage, claims that the resident Shrinking Violet is nothing but a mere toy who she can drug and abuse to her leisure and worse there is nothing the other characters can do - Haruhi has god-like powers unknown to her and everyone else but Kyon is simply too scarred out of their minds of what would happen should Haruhi start using them directly rather than by chance - The End of the World as We Know It being the big possibility. Viewers may be allowed to feel that Haruhi needs a fist in the face. Then the Deconstruction kicks in - Haruhi's antics are enough to piss off an Emotionless Girl who proceeds to hack reality and strip Haruhi off her powers, get her Put on a Bus and allow Kyon a normal life. Since Status Quo Is God he rejects it outright.

    Comic Books 

    Fan Fic 

    Film — Animated 

    Film — Live Action 
  • Adam Sandler has personified this trope in a bunch of his early films, until the inevitable Pet the Dog moment typically near the end.
  • All the guys, but especially the Channel 4 news team, in Anchorman: The Legend of Ron Burgundy.
  • Brüno, who is a narcissistic, attention-seeking Jerkass that embodies virtually every negative gay stereotype imaginable.
  • All the characters in the 2011 film Carnage qualify as this.
  • Pierre Brochant in The Dinner Game. He and his friends organize dinners where they each have to bring one guest. What the guests don't know is that they're invited because they're considered idiots, that everyone is going to make fun of them behind their backs and that the guy who brings the "best" idiot wins. "Il est méchant Monsieur Brochant," vraiment. When he gets stuck in his apartment with a bad back and the champion of idiots, he deserves nearly everything he gets
  • Ethan Tremblay from Due Date. To clarify he gets Peter Highman kicked off the plane for planting marijuana on him, gets Peter high against his will, randomly accuses Peter's best friend of sleeping with his wife to his face and it's eventually revealed that he stole Peter's wallet to force him to come with him across the country when Peter's wife is going into labor. The writers attempted to make him sympathetic by giving him dead Daddy issues but...nope still a douche.
  • The four main characters in Four Lions because..well, they are suicide jihadi terrorists.
  • Maxwell Smart in the 2008 film version of Get Smart is rather full of himself.
  • Britt Reid (Seth Rogen) in the 2011 film version of The Green Hornet. He's a thick dunce who cares for no one but himself and doesn't see anything wrong with that. In addition, all of his plans are utterly stupid, and Kato (his sidekick) is the smarter one. The duo even gets into a fight over it and split up for a while.
    • He's so dumb that as he sits there piecing together the villains' plan (after it has basically been spelled out for him), the villain asks if he's ok because apparently he was just staring into space with a pained look on his face for a good 30 seconds.
  • All of the The Hangover guys to a degree, but Phil (Bradley Cooper's character) most particularly.
  • The protagonist of both versions of The Heartbreak Kid.
  • The titular Gonk from Inspector Gadget. Unlike the cartoon, he cares about being important.
  • In a similar vein to Four Lions,there is Paul from The Manhattan Project, who has a nuclear bomb at his disposal and isn't afraid to use it to get his way.
  • Vinnie Antonelli aka Todd Wilkenson, played by Steve Martin in My Blue Heaven.
  • Ronnie Barnhardt (also played by Rogen) in Observe and Report qualifies too, though this is intentional to add to the Crapsack World depiction.
  • Captain James B. Pirk of Star Wreck is intentionally the exact opposite of the character he's parodying, James T. Kirk. That is, he is a cowardly, loud-mouthed bully who gets incredibly lucky. The writers thought he was too nice in the fifth film of the series (where he actually seemed motivated to save the world besides his own skin) and made sure that he was his own nasty self in the feature film.
  • This Is the End cranks it Up to Eleven, by mixing this trope with Adam Westing and Self-Deprecation. The only reason Jay Baruchel‎ and his friends are stuck on Earth is because they were too awful to be raptured to Heaven.
  • All the main characters in Withnail & I are despicable people. Even Marwood can't be all innocence and light.
  • Wes Anderson must love these or something.
  • W.C. Fields, in most of his films.
  • Both Neal and Katz in Flakes spend much of the film sniping at each other and trying to undermine the other's efforts.

    Literature 
  • Octave Parango in 99 Francs is a habitually late, drug-abusing, infantile, misogynist, snobby jerk. The Film of the Book implies that he successfully performs a Karma Houdini trick by vanishing before the authorities can have a word with him about his rampage in Miami. However, Word of God says that he serves jail time before the sequel.
  • Adrian Mole has been providing a typical British example of this for years.
  • Mr Bagthorpe of Helen Cresswell's Bagthorpe Saga. No other children's character comes near him for arrogance, misanthropy and sheer awfulness- but he's still hysterically funny.
  • All of the main characters in the Clique series, with the tentative exception of Claire. Rude, bratty, spoiled rotten teenage girldom at it's finest and you'd better believe the author knows this and plays it up. Massie is an especially good example; she once justified her maid cleaning and refurbishing her private clubhouse (for free!) because the maid had to enjoy it, as "why else would she choose cleaning as her profession?"
  • Georgia Nicolson of Confessions of Georgia Nicolson, is this to a lesser extent: she's a bratty teenager who hates pretty much everything except for boys (and sometimes even boys), stalks the girlfriend of a boy she likes, gets mad at her friend for going out with a boy she likes (who she wasn't even dating anyway), skips class to hang out with popular girls, and is extremely rude to her caring family. Occasionally gets a Pet the Dog moment.
  • Greg Heffley, the title character in the Diary of a Wimpy Kid novels. Though he feels victimized by the world and is suffering at the hands of his obnoxious older brother Rodrick, Greg brings a lot of his problems on himself; he's always trying to take the easy road out of any difficult situation and lies and cheats to get ahead (though he rarely gets far). As the books consist of his journal entries, it's clear from reading them that he is oblivious to his flaws - and a fair amount of the comedy comes from the reader recognizing that.
  • Pretty much everyone in Dead Souls.
  • Don Quixote: The first part of the novel settles Don Quixote characterization as a Lord Error-Prone: he almost kills the Biscayan at chapter IX and maimed for life the Licentiate at chapter XIX. This makes easier to read the continuous Humiliation Conga in practically all the chapters for Don Quixote. Misaimed Fandom insisted in seeing him as the much more sympathetic Mad Dreamer. The second part deconstructs the Mad Dreamer into a Wide-Eyed Idealist that everyone else mocks mercilessly because Humans Are Bastards.
  • Harry Flashman, the "hero" of a series of historical novels by George Mac Donald Fraser. Outwardly, Flashman appears to be a stereotypical Victorian hero. But the books, which are told from Flashman's viewpoint, reveal he is an unprincipled coward who prospers through luck and deceit, not to mention opportunism and low cunning.
  • Of similar vintage to the above, Billy Bunter of Greyfriars. Originally a Unsympathetic Comedy Side-Character, Bunter, a Fat Bastard constantly on the scrounge for extra tuck, on the prowl for gossip, ready to giggle helplessly at another's misfortune, bragging of his possibly mythical titled relations, and saying the wrong thing at the worst possible moment, actually became so popular that he took on title role for the series.
  • John Self, protagonist of Martin Amis' novel Money, is a drunken, loutish, womanizing boor. He's an advertising executive who creates stupid TV ads that insult the viewers' intelligence. For some reason, you quite like him anyway.
  • Many of the engines in The Railway Series are arrogant and rude, and prone to getting some sort of Humiliation Conga at the end of each story as a result of their delusions of grandeur. Gordon, James and Sir Handel are arguably the most notable (though occasional redeeming moments keep them in check). This was kept up in early points of it's Animated Adaptation Thomas the Tank Engine, though the later Lighter and Softer seasons usually allow them more moments of clarity and have them make amends after their wrongdoings, leaning most of them more into Mr. Vice Guy territory.
  • Saki's stories usually have unsympathetic protagonists, typified by Clovis Sangrail. He is cruel, unprincipled, sly, and lives for mischief: the archetypal trickster.
  • From The Wind in the Willows, we have Toad of Toad Hall, who frequently swings from jerk to noble idealist in the space of as little as two paragraphs. Toad tends to be the focus of most TV & movie adaptations, but Mole is really the protagonist of the original novel. This is at least partially because Toad is seen as a broader, funnier character, while Mole's character arc tends to concern subtler, more wistful things.

     Live Action TV  
  • Vince Clark from 15 Storeys High. His flatmate Errol is kind, considerate, thoughtful whereas Clark is a misanthropic, cynical, borderline sociopath and Social Recluse. Some of the things he has done to Errol include: Gluing his hands to a fish tank, not allowing him to eat chicken or bring people over to his flat, not helping him get out of a room full of cactuses, and slicing his trainers in half and putting them on a ledge knowing full well that Errol suffers from Vertigo and thus will be unable to get them back.
  • Eddie and Patsy in Absolutely Fabulous
  • Peter Dragon in Action.
  • In After Lately, it's almost everyone, but Chelsea in particular.
  • Archie Bunker from All in the Family stands as an extreme example, where many of the jokes derive from his extreme ignorance or outright bigotry. A dangerous device, if any bigots in the audience fail to get the joke. Although, for what it's worth, Archie is more sympathetic than he first appears; he often seems more ignorant than ill-intentioned, and in certain episodes, it's heavily implied that he's more a product of his environment than anything, and he seems to be a generally good, if misguided, person. For this, you don't have to look any farther than his speech at the end of the Klan episode.
    • As any Brit or Aussie can tell you, the original model for Archie was Alf Garnett of Till Death Us Do Part; a right 'orrible little man, but for some reason, sympathetic (sometimes, anyway). (The US show All in the Family and its equivalent character Archie Bunker were directly inspired by him.)
    • Similarly, Archie's black counterpart George Jefferson from The Jeffersons.
  • GOB (Handsome Lech, manipulative), Lucille (abusive mom, manipulative), Lindsay (neglectful mom, Spoiled Brat), and others in Arrested Development.
    • Near miss for Michael, since he is the Only Sane Man in a land of fools and tries to save his family from financial and legislative ruin. He is more of a hypocrite than a Jerk Ass though. He keeps trying to do the right thing, but usually ends up have to do something wrong because of the position the rest of his family puts him in. And of course since he Can't Get Away with Nuthin' any time he does act selfishly or immorally, it will blow up in his face even worse than usual
  • Pretty much everyone on Becker.
  • Sheldon Cooper of The Big Bang Theory. The other main characters can be this Depending on the Writer.
    • Mind you a large number of the fandom do feel some level of sympathy for him, it helps that he suffers from a severe Ambiguous Disorder, has a level of childlike naivety, rarely means to cause any harm, and had a genuinely quite miserable childhood. Likewise on occasion considering even his friends don't particularly seem to like him, and the fact that multiple very simple things (such as minor changes to routine) cause him incredible levels of stress, he shifts closer to being a Jerkass Woobie. The fact he does genuinely care about his best friend, his family and his girlfriend also helps.
  • Bernard Black in Black Books: misanthrope, alcoholic, hates his customers who takes Manny for granted. Extremely unsympathetic. At least until the last episode.
    • It should be noted that are numerous hints throughout the series that Bernard was not always the way he his now. When his traditionally dark clothes are actually washed, they're white.
    • The other characters aren't much better: Manny is a hopelessly incompetent Man Child, while Fran is just as much of a workshy drunk as Bernard.
  • Edmund Blackadder.
    Blackadder, Blackadder – his life was almost done!
    Blackadder, Blackadder – who gives a toss? No one!
    'Edmund, do you have someone special in your life?' 'As a matter of fact, I do.' 'Who is it?' 'Me.' 'No, I mean someone you love and cherish, and want to keep safe from all the horror and the hurt.' 'Still me, really.'
  • Bill Bittinger (Dabney Coleman) in Buffalo Bill.
  • Jonty de Wolfe from Campus. He starts off from the first episode by calling Stephen Hawking a spastic and throughout the rest is thoroughly bigoted, rude and offensive.
  • Gareth Blackstock on Chef
  • Valerie Cherish of the short-lived HBO series The Comeback is a deeply vain, insecure, and self-absorbed D-list actress who desperately wants fame at any cost. She occasionally ventures into The Woobie (or The Chew Toy depending on your perspective), though, because as bad as she can get she constantly has to deal with people and situations that are even worse.
  • Community has Pierce, who falls on this trope depending on how bad he's being in a given season.
    • Also, Jeff, as per the page quote, and later in the series, Abed.
  • Larry David in Curb Your Enthusiasm, where he stars As Himself, and is portrayed as even a bigger jerk than his previous character from Seinfeld; he is incredibly self-involved, he's very dishonest at some times and rudely honest at others, and he's so abrasive and annoying that few people can stand being around him.
  • The title character of Doc Martin.
  • Eastbound And Down: Kenny powers is a very extreme version of this.
  • Hollywood superagent Ari Gold from Entourage, and he hasn't got better after six seasons. The other cast members have their moments as well.
  • Andy Millman (Ricky Gervais) in Extras is saddled with a self-awareness that at times turns otherwise-ignorant actions into intentional cruelty.
  • Everybody Loves Raymond has this in spades, with the entire cast being this way, but especially with Ray and Debra. Ray is portrayed as lazy, whiny, and a selfish Momma's Boy. Debra is portrayed as a shrieking harpy.
  • The title character from Father Ted. "JUST PLAY THE F***ING NOTE!" It's his interaction with Father Jack and Father Dougal that really bring it out of him, as he's portrayed as fairly normal - although still a bit of jerk - when he doesn't have to deal with them.
    • He also stole money meant for sick children, which is how he wound up banished to Craggy Island. Although as he's always quick to claim the money was "just resting in his account".
  • Basil Fawlty on Fawlty Towers. Interestingly, Basil is based on a real person, whom his wife said was nothing like what was portrayed on the show, until a bunch of previous guests wrote the media saying "Oh yes he was!"
    • Donald Sinclair, the proto-Fawlty, was apparently aware of Fawlty and not at all happy about it. Try and imagine Fawlty's reaction to finding out a TV show had been made lampooning him. Try really, really hard not to laugh.
  • Josie and Kingsley from Fresh Meat. The first series makes them out to be the only sane people compared to their eccentric flatmates. By the second series, Kingsley has become a pretentious wanker with a soul patch, while Josie tried performing dental work whilst hung over and puncturing her patient's face.
  • All the main characters from Frontline except for Emma.
  • Tony Hancock from Hancock's Half Hour. In that show Hancock was playing a twisted version of himself. He is pompous, rude to pretty much everyone around him, venal, self-centred and a really nasty piece of work. In the episode "The Cruise" a woman is trying to come on to him and all he can do is be obscenely rude at her.
  • Barney from How I Met Your Mother manages to be the most popular character on the show, despite being a Corrupt Corporate Executive, misogynistic womanizer, and a borderline sociopath in general. For most viewers, he avoids becoming truly unlikable partly because he does have a sensitive, caring side (even if it only comes up once or twice a season), and partly because he uses and manipulates people with so much style that he enters Magnificent Bastard territory.
    • There's also that he's played by Neil Patrick Harris. If you can play a mad scientist named Dr. Horrible who wants to join the Evil League of Evil and rule the world (not necessarily in that order) and still have the entire audience rooting for you, then getting people to like you when you're playing a character like Barney is a piece of cake.
  • Needless to say, the main character of the One-Episode Wonder Heil Honey, I'm Home!.
  • Samantha "Sam" Puckett in iCarly is part of a ¡Three Amigos! group rather than being the main protagonist, but one wonders why the other two would still have anything to do with her. Freddie especially-it's a small miracle that nothing she's done to him has resulted in a permanently disabling injury.
  • Drake Parker from Drake & Josh spends much of the time being a jerk, taking advantage of girls, and getting everything he wants, but somehow we all love him. It helps that occasionally he shows his sensitive side.
  • Steve Coogan's Im Alan Partridge persona. Egomaniacal (despite no observable talent), treats everyone around him with utter contempt whilst expecting complete loyalty in return, given to constant hideous faux pas, ignorant, clearly doesn't care about anyone but himself and anything but his career, and bigoted in every conceivable way. Not content with merely talking down to and humiliating his guests on Knowing Me, Knowing You with Alan Partridge, he even kills one of them live on air.
    • Later Partridge media plays with this in an interesting way. In his in-universe autobiography I, Partridge: We Need to Talk About Alan he massively plays up tiny unpleasant incidents in his childhood such as his parents having a very mild argument about VAT receipts or being told to clear out the garage on a sunny day into severely traumatic experiences - and being Alan, he goes out of his way to specify that he's not exaggerating anything because his publishers thought his childhood might be boring - and later in his life recounts his "Toblerone addiction" as if it's heroin addiction. However, life events that are genuinely unpleasant like living in a Travel Tavern for six months after his wife left him and his children have no interest in him, and to a lesser extent the resultant nervous breakdown, are if anything played down and given a positive spin. Of course, still being Alan, he annihilates any potential sympathy it might create in the reader by remaining a generally loathsome human being throughout: for instance, recounting how his assistant Lynn helped him get back on his feet after his breakdown to the point of offering to help him shower, he marvels at how much time she dedicated to him and thought she must not be getting any actual work done, and thus knocked her temporarily down to a part-time wage when he already pays her a pittance.
    • Made especially funny because the show will occasionally give us a reason to sympathize with him or at least feel sorry for him...and then he'll do something even more ridiculous and/or awful
  • Every single character on It's Always Sunny in Philadelphia. This promotional image sums it up perfectly.
  • Roy from The IT Crowd. He does so much to get out of his job unless the person who's asking him is a hot chick, has slapped a police officer for ruining a twist in a film, has told Moss all of his inventions are worthless, tried stealing 20 pounds from his knocked out boss (who was faking, but he didn't know that) and tried sabotaging Jen's speech for kicks.
    • Then again, the people he works for are idiots who can't seem to work out the most simple functions of computers while still mostly treating him as a dogsbody because he can, the police officer was throwing the book at him and Moss for copyright violation but didn't seem interested in the fact that the person they were with was a cannibal, the 20 pounds actually was his in the first place and he tried to sabotage Jen's speech because Jen had become utterly Drunk with Power after being nominated for an award (largely on the backs of Roy and Moss) and was due for a bit of ego-puncturing. He's not the only jerk around.
    • And tricking Jen into thinking that 'googling Google' would break the internet was pretty awesome.
    • And laughing at his girlfriend's grandfather's funeral, and telling a midget barista that he's too short to be one! Let's just say that his absurdly huge Butt Monkey status is mostly provoked.
  • The eponymous character of The Jack Benny Program.
    • Though every once in a while (such as the "It's Jack's birthday!" episodes) the rest of the cast would acknowledge that Jack was a particularly harmless, even endearing example of this type. Then things would go back to normal by the next show.
      • Jack was always pretty benign in his show, being portrayed as much more self-absorbed and stingy as opposed to out-and-out malicious, and his character rarely strayed into Jerk Ass territory. In Real Life, Jack Benny could not have been any farther from his on-air persona — apparently he was very much a man who'd give you the shirt off his back if he thought you needed it.
  • Jackie Thomas in The Jackie Thomas Show.
  • Kim from Kath and Kim. She's bratty, whiny, irresponsible, self-centered and treats everybody around her like crap. She's just a horrible, horrible person.
  • Hyacinth from Keeping Up Appearances. Big time. Although her relatives are supposed to be completely pathetic slobs, they come off as quite admirable when contrasted with Hyacinth. This isn't an accident.
  • Larry Sanders and his sidekick, Hank Kingsley in The Larry Sanders Show.
  • Nearly every main character in The League of Gentlemen plays this trope Up to Eleven.
  • Rick Spleen in Lead Balloon is another case where the character arguably worsened over time, with him being slightly sympathetic in season one and then doing a massive Kick the Dog at the beginning of season two. However, in season two there was also an episode that focused on him doing a good deed by supporting a charity with no evident ulterior motive...and it still blew up in his face.
    • Given how he can't even save a man from committing suicide without it all going wrong its no wonder he's such a misanthropic guy. Life just hates poor Rick so he's obviously decided to hate it right back
  • With the possible exception of Taco, pretty much everyone on The League is like this from time to time, with Ruxin probably being the least sympathetic.
  • Baber in Little Mosque on the Prairie who may be a retired economics professor, but he's still unapologetically the Islamic version of Archie Bunker.
    • Actually most-if not all-of the cast have pretty sketchy morals at times. Fortunately, the sketchy moments are divided more or less evenly between the Christian and Muslim characters.
  • Al Bundy of Married... with Children. All of the Bundys could qualify, but none of them are as callous and uncaring as Al.
    • Although considering just how miserable his life is, how he is arguably the most moral of his whole family and the fact he never wins, sometimes you honestly can't blame him for ending up that way.
  • The titular Marc Maron
  • Howard Moon and Vince Noir of The Mighty Boosh. Howard is a prickly, asocial, know-it-all; Vince is vain, shallow, and flighty. Howard is the more sympathetic of the two, being the Butt Monkey of the show.
  • The cast of the British puppet series Mongrels except (sometimes) for Nelson, though especially Vince.
  • Mr. Bean is so self-centred, he is usually unconcerned about the harm his off-the-wall methods of solving mundane problems do to others. A lot of the show's humour comes from his ability to slip out of situations where anyone would want to punch him.
    • He gets little better in the cartoon series, but still qualifies as this trope.
  • Mr D's title character. In the anti-bullying episode he shows himself to be the worst bully in the school.
  • The three main characters from Nathan Barley, particularly the eponymous Nathan, who Word of God described as a "strutting, meaningless cadaver-in-waiting" who "genuinely deserves to die".
    • Some measure of the writer's feelings towards Barley can be gleaned from its origin, a fictional program on Charlie Brooker's TV Times-parody website TV Go Home, simply named Cunt.
  • Christine Campbell on The New Adventures of Old Christine. She's obnoxiously neurotic, clingy, dishonest, desperate, meddling, a helicopter parent, shallow and a borderline alcoholic. And those are her more charming qualities.
  • Jill Tyrell from Nighty Night. She is a Narcissistic, selfish, devious, manipulative, passive-aggressive and violent. She is without guilt or morals and will do anything to get what she wants, even killing people.
  • Lee and Tim in Not Going Out decay into this in some episodes of the third season.
  • Michael Scott from The Office (US) can come off as this depending on the episode. Although Michael is portrayed as more of a genuine Man Child who just wants to be liked and doesn't always fully understand the consequences of his actions despite his best intentions.
    • When Andy took over Michael's job, he was originally clueless but lovable. However, in the final season, the writers decided to turn him into such a Michael/David clone that he's now displaying Jerkass behavior and even shows genuine disdain for coworkers Nellie and, all of a sudden, Toby (Get it? Because Michael hated him too). He also treats his once-seeming-true-love Erin with contempt but punishes her new boyfriend who has the misfortune of working for him. Some of this can be attributed to his dormant anger issues welling up.
  • David Brent (also played by Gervais) in the Transatlantic Equivalent of The Office (UK).
    • Series creators Gervais and Merchant claim that Brent is not a horrible person, despite the things he does in the show; he's just an idiot, a fallible human being who is star-struck by the Mockumentary film crew, which drives him to act the way he does to get attention. By the end of the second series his true colours are shown and he is much more sympathetic, no more so than when he breaks down when he is about to be made redundant and practically begs for his job back. Word of God also says that the character of Chris Finch was introduced so Brent would appear less of a wanker by comparison.
      • Brent's 'Unsympathetic Comedy Protagonist' status was also lampshaded and explored in The Office Christmas Specials as being at least partially a consequence of the Mockumentary format of the show; he bitterly notes how the documentary crew 'stitched him up' in order to make him look bad, arguing that they overlooked or downplayed his achievements and benevolent qualities and presented an uneven focus on his incompetence and stage-hungry nature in order to present him in the worst possible light for the sake of ratings. That same episode also ultimately showed Brent in a more positive light — hinting that he was actually quite a talented salesman (if not actually management material), showing him manage to charm a woman and actually managing make the staff laugh in genuine good humour at one of his impressions — almost as if the fictional documentary makers were trying to make it up to him.
  • Victor Meldrew from One Foot in the Grave. Though he does fall in the "at least pitiable" category sometimes, after all he does end up in the oddest predicaments which does go some way explain his eternal grumpiness.
  • Averted with Del Boy from Only Fools and Horses. He has many of the common traits of the typical UCP, including ambition that far exceeds his ability, criminal tendencies, substance abuse (of the cigarettes and alcohol variety), is a Jerk Ass and has a complete shopping list of personality flaws. However, his unflappable optimism, highly protective attitude to his friends and family and the occasional glimpse that under the surface he can actually be quite sensitive make him a very sympathetic character for all his failings.
    • Boycie plays this trope straight, he's sleazy and smug and there really isn't an awful lot to like about him. Also his moustache is stupid.
  • Peep Show — between Jeremy eating a girl's dog in an attempt to have sex with her and Mark attempting to get out of his wedding by hiding in the church balcony both of these guys are about as unsympathetic as it gets.
    • Its not just them either. Pretty much every character on the show gets a moment that makes you wonder how no one has killed them.
    • However, the "point of view" nature of the show prevents this trope from applying completely. Mark's underdog nature and, to a lesser extent, Jeremy's equally present insecurities, allow the audience to often sympathise with them even when they're doing horrible things to each other and everybody else. Take the moment where Mark has a breakdown about the boiler after receiving the most devastating news in his life, or the "minimal water damage" scene.
  • Sgt. Bilko of The Phil Silvers Show is an early example from American TV.
  • The horrible, horrible Lynda Day of Press Gang, who blackmails her bosses and employees alike, steals her ex-boyfriend's passport, attempts to push her childhood best friend out of a window... and still keeps the audience on her side.
  • Shawn in Psych often butts up against this with his self-centered man-child shtick.
  • Rimmer from Red Dwarf. To a lesser extent, the rest of the cast.
    • Lister, despite being a slob and not that bright is a pretty sympathetic character. And Rimmer for all his faults has Pet the Dog moments now and then. The best example is the Cat...shallow, self interested, vain and selfish. And we wouldn't want him any other way.
    • He's shallow, self interested, vain and selfish...with a great ass!!!
  • Rigsby in Rising Damp.
  • Roseanne of Roseanne.
    "Hear that, Dan? All these years people thought I was being a bitch; but I was just showing an opinionated, blue collar outlook!"
  • Sarah Silverman of The Sarah Silverman Program.
  • Steptoe And Son and its American remake Sanford and Son.
    • Personally Albert Steptoe was the nasty one and Harold Steptoe was actually a good guy. All Harold wanted to do was move up from the grog heap of his life into something better. But his father did everything he could to prevent Harold, his son, improving himself—especially if it means him leaving home. Albert was also lazy, stubborn, narrow-minded, foul-mouthed, and had revolting personal habits.
  • Pretty much all the main characters in Seinfeld, with a special mention reserved for George Costanza, who is selfish, insensitive, untrustworthy, abrasive, cowardly, dishonest, annoying, cheap, lazy and stupid. Jason Alexander himself feels that Seinfeld is "a very dark show about very dark people".
    • In a bit of Lampshade Hanging, in the episode "The Fatigues", Jerry acknowledges that he's not the nicest guy in the world:
      Abby: I need someone I can trust.
      Jerry (disappointedly): Oh.
    • Also lampshaded, of course, in the final episode, when they're actually put on trial for their selfishness.
    • Truth in Television, since Alexander based his portrayal of George Costanza on Larry David, Seinfeld's head writer at the time. Interestingly, he thought the character was based on Woody Allen until one day, after reading a certain episode's script, Alexander told David he didn't understand the situation detailed in it since "not only could this never happen, but no human being would react like this". David responded that it happened to him and this was the way he reacted. From that point on, Alexander understood just who Costanza was meant to be.
  • Carrie Bradshaw (and, to a point, the other ladies) of Sex and the City. Self-absorbed: check. Shallow: check. Materialistic: check. Immature: check. Was there anything redeemable?
  • Almost everyone in the main cast of Slings and Arrows, especially in the first season. Richard Smith-Jones is probably the most egregious example.
  • The entire point of Strangers with Candy
  • Everyone in The Thick of It. The most sympathetic character is a complete bastard, which says a lot about the rest of them.
  • Liz Lemon of 30 Rock is portrayed as a lovable nerd, but she is constantly doing evil things played for laughs. She frequently lies and manipulates to get a man, tried to split up a couple so she could adopt their baby, heroically refused a flu shot since they weren't available for everyone only to get one in secret, and went to her high school reunion to meet the classmates she used to bully and then bullied them all over again.
    • Most of the cast is a little on the unsympathetic side. Jenna perhaps more than most. She's the kind of actress backstage people dread working with.
  • Most of the cast of Two and a Half Men.
  • Every character save for one and maybe two from Unhitched is a horrible, horrible excuse for a human being.
  • Veep gives us Vice President Selina Meyer. She treats all her subordinates like worthless Mooks, is hopelessly out-of-touch with her daughter, and is completly uncaring about anyone's interests but her own. She acts like Gary is an indentured servant, though he seems all too willing to perform this function and even uses him to break up with her boyfriend when she cannot. It's a testamant to Julia Louis-Dreyfus that she comes off as sympathetic the handful of times that she does.
  • This is the entire point of We Can Be Heroes and Summer Heights High.
  • Despite being a drug dealer, Nancy from Weeds was for the most part still a fundamentally good person and quite sympathetic in the early seasons. This largely changed from Season 4 onward. And her accountant Doug was a horrible person from the start.
  • Grace from Will and Grace. Just barely has enough morals to not be a Jerkass, but still broke up with someone for having an extra toe, admitted that it was because she was shallow, then asked for sympathy.
  • Anti-Hero Alex Russo from Wizards of Waverly Place is lazy, irresponsible, selfish, openly mocks authority, and treats her best friend like a servant.
  • All main characters in The Young Ones (except perhaps Neil, sometimes). According to DVD commentary for the pilot, when it was shown to American networks the writers were asked which of the characters was supposed to be the "hero" the audience sympathizes with, and had to explain that none of them really were and that that was sort of the point.
    • Not to mention the Balowski family. But Vyvyan was a particularly good example of this, arguably one of the most likable "complete bastards" in the history of British comedy, precisely because he was a totally unpredictable bastard.
    • Bottom
    • For that matter, every single character ever played by Rik Mayall. Including himself in his not-entirely-serious ego-trip of an autobiography, Bigger Than Hitler, Better Than Christ.

     Newspaper Comics  
  • The title character in Big Nate, more often than not.
  • Steve Dallas in Bloom County and its spinoffs.
  • All three main characters from The Boondocks in their own ways. Much more played up in the animated adaptation.
  • Calvin from Calvin and Hobbes. He does get his sweet moments, but most of the time he's just being a delinquent.
  • Duke in Doonesbury.
  • Jason Fox in FoxTrot. Of course, he also gets plenty of Pet the Dog moments.
  • Garfield. Jerkass, Nominal Hero, and considered one of America's greatest cartoon characters.
  • Bucky Katt in Get Fuzzy.
  • Though audience reactions to him vary wildly, Charles Schultz always intended for Charlie Brown of Peanuts to be this. While it's easy to feel bad for him being such a Butt Monkey, if not a full-blown Cosmic Plaything, the thing a lot of people miss is that between his constant wallowing in self-pity and apparent refusal to just stay the hell away from things that cause him trouble he deserves a good chunk of the misery he gets and very often brings it on himself. These days, though, most of the hate he gets is from feminists who despise him for being a Stalker with a Crush to the litle red haired girl.
  • Rat in Pearls Before Swine, as contrasted with Pig, the strip's resident Pollyanna

    Radio 

    Theater 
  • William Shakespeare's character Falstaff from Henry IV, his most popular and beloved by far. How popular? The play had two sequels and a spinoff starring Falstaff, called "The Merry Wives Of Windsor," reputed to be commissioned by Queen Elizabeth herself.
  • Of a sort: Mr Punch of the traditional puppet show Punch and Judy is a thoroughly vile fellow given to outrageous acts of villainy. He beats his wife and mistreats their child. He solves all his problems by repeated application of a big stick: he is convinced that's the way to do it, and says so frequently. He violently resists any attempt by any form of authority to bring him to justice or impose any kind of richly deserved punishment - whether that authority be the local policeman, or the devil himself. Throughout all this the audience watching cheers and laughs.

    Video Games 
  • Vincent, the protagonist of Catherine. An unassuming, unambitious 30-something video game designer caught between his pushy girlfriend Katherine and young fling (read: succubus) Catherine, or in the words of Ben Croshaw, "a complete fucking tool who keeps digging himself deeper with every word that comes out of his fucking mouth".
  • Rufus of Deponia is a selfish lazy bum who mooches off his ex-girlfriend and generally annoys everyone in town.
  • Travis Touchdown, the protagonist from No More Heroes. A sociopathic Byronic Hero who kills people largely for fun while generally being a repugnant asshole, his character flaws are so pronounced that he ends up becoming hilarious.
    • His screwed-upness is perfectly summed up in a single quote from Desperate Struggle: "Everybody deals with grief differently, right? Some people fuck at funerals. I cut off heads".
    • At least at first. He has a few redeeming qualities by the end of the game. A few.
      • Even more by the end of Desperate Struggle, when he realizes how many lives the UAA has destroyed, and decides he has had enough with the assassination scene, instead vowing to destroy the UAA because of this.
  • In Sengoku Rance Rance himself qualifies for this trope. Anything he does is out of amusement for us audiences. Except for the part where Sill gets frozen.
  • In Simon the Sorcerer the player character is a little bland but generally sympathetic. This all changes by the second game when he acts like a sexist, mean-spirited, stubborn, self-loathing, whiny, sadistic jerk to everyone he meets. Many of the game's puzzles require Simon to screw over the game's other characters in order to get his own way. This continues in the third game where, when tasked with assembling four specific characters, he discovers that three of them are people that he has variously killed, crippled and turned into a frog in his adventures up to that point. The fourth he simply leered at whilst making near-constant remarks about her large chest and revealing outfit. It helps that Simon gets dumped on almost as often as he messes with everyone else, preventing him from becoming a monster and generally leading to hillarity. Bonus points for the fact that in the first game, he is voiced by Chris Barrie, who played the similar character Rimmer in the Red Dwarf example above.
  • Wario in both the Wario Land and WarioWare games.

    Web Animation 
  • Strong Bad of Homestar Runner.
    • Homestar himself could be considered this as well, seeing how his general cluelessness has often drifted into to Jerkass territory

    Web Comics 
  • Many webcomic authors settle for making their main character an Unsympathetic Jerkass Deadpan Snarker, to the point it's becoming one of the internet's most widespread and recognizable clichés.
  • Ethan from Ctrl+Alt+Del. Seriously, could you stand being around such a Psychopathic Manchild for more than a few seconds?
    • Lucas has his moments too, especially where relationships are involved.
  • In Commander Kitty, CK establishes himself as this early on. He grows out of it later, though.
  • The main character of Concerned. He's well meaning, but he's such an idiot he causes pain to many people.
  • All four of the Light Warriors in 8-Bit Theater are very much this. Or at least they should be, as many fans do sympathize with the Omnicidal Maniac Black Mage. It helps that the rest of the world is just as unsympathetic, save for exceptions like Onion Kid (who becomes as much of a jerk as others when he growns up) and White Mage.
    • Well, he's just too pathetic and unlucky to dislike properly.
    • How can you not love Red Mage and his crazy antics?
  • All four main characters of Exterminatus Now (a jerk, an idiot, a sociopath, and a egotist respectively).
  • Hazel Tellington of Girls with Slingshots varies from Deadpan Snarker to Jerk with a Heart of Gold to Jerk Sue to this, depending on the story line. Although some of the setbacks she encounters, such as losing a great job, are not her fault, most of the problems in her life result from her immaturity, irresponsibility, and constant drunkenness. Occasionally lampshaded in the comic by different characters, mainly her friend/former boss Clarice, and ex-boyfriend Zach.
  • Rayne from Least I Could Do, in spades. The character is incredibly rude, selfish and arrogant, yet is held up to be the object of admiration for men and a sex god for women. The typical storyline is 90% Rayne trying to bed hot girls, live out his Gary Stu fantasies, and/or insulting his friends, and 10% him "being awesome", which usually involves getting the cast out of sticky situations that he got them into in the first place. While he does have some redeeming traits (like unconditional love for his niece Ashley) these only tend to crop up in Author's Saving Throw moments just when the audience is wondering why nobody's shot the asshole yet.
  • Virtually the entire cast of Ménage à 3 are less than perfectly sympathetic — but the comic tends to be relatively subtle about this. For example, Gary is a kind-hearted, nervous geek, who is also passive and manipulable to the point of irresponsibility; Zii takes her Manic Pixie Dream Girl tendencies to the point of manipulating other people for her sexual amusement; and DiDi is an open-hearted ditz who breaks countless men's hearts without even knowing it. This leads to minor Values Dissonance problems for some readers, who complain when people they thought they were supposed to like do somewhat despicable things. The alternative way of looking at this is that the cast are all flawed human beings; other readers claim to find them more sympathetic for their sometimes-large failings, because, like real people, they make mistakes, but are worth tolerating for their better moments as well as their comedy value.
  • Belkar Bitterleaf of The Order of the Stick is an excellent example. He's outright evil, a murderous sociopath with no redeeming qualities. He still remains hilarious to read for two main reasons. First, his teammates (who are actual heroes) have learned how to use him like a weapon; they point him in the direction of their good intentions and let him off the leash, because Belkar doesn't care who he's killing so long as he's killing somebody. Secondly, because he's the guy who doesn't care about anyone or anything, he's in position to get a lot of the funniest jokes.
    • It's even Lampshaded when Belkar under the influence of the Mark of Justice and its curse. Lord Shojo appears to him and basically tells him that if he keeps going like this he is heading into Scrappy territory and that the only cure is Character Development or at least to fake it.
  • Polkster from Polk Out.
  • Something Positive averts this trope in regards to Davan. He has enough humanizing moments to keep him sympathetic, misanthropic bastard that he is. Aubrey and Pee-Jee invoke an awful lot Comedic Sociopathy, beating up friend or even strangers for kicks in the early years, but both have plenty of moments in which they show themselves to be kind and sympathetic. Peejee in particular, gives Jhim $1,000 so that he can move away from Boston and be happy, despite the fact that she has a major crush on him and is shown crying after he leaves. She also friggin' moves to Texas just to help and support Davan who must go home to take care of his father Fred, who has developed Alzheimer's, and her continual kindness is pretty much the sole reason for Mike's Heel-Face Turn, even though he insulted her repeatedly and never believed that she was just trying to help him before she finally got fed up gave him a "The Reason You Suck" Speech, which caused said Heel-Face Turn. Aubrey is less prolific in her good deeds, but she still finds time to worry about Davan and specifically try to make him happy, to the point of sending Nerdrotica girls on a flight to Texas in order to make Davan look impressive at his high school reunion, since she knew full well he would be miserable at it. She is also a loving wife to Jason, and chooses to adopt a baby, citing that she could give an orphaned child a home, rather than have a new child.
  • Sweet Bro and Hella Jeff: Both of the eponymous characters establish themselves as this very quickly. Hell, pretty much every character present leans into this (except maybe Geromy).
  • All three of the slightly sociopathic main characters of Two Guys and Guy.
  • Graham, the 'hero' of Wizard School, is a misandrist Jerk Ass whose main occupations are sex, alcohol, and sarcasm. Justified, since he was deliberately chosen by the Big Bad to be as useless a "chosen one" as possible.
  • Black Hat Guy in xkcd who is a complete sociopath fond of Disproportionate Retribution.
  • Gogo from Bomango. She's a smelly violent jerk who speaks broken English and has anger issues. Her flaws are Played for Laughs.
  • Tara Dunning of The Scumthorpe Files is so shallow, obnoxious, and self-obsessed that she would be a perfect Alpha Bitch if she were in a teen movie. She tends to whine when the "rules" of said teen movies are broken. The fact that the universe itself (and Davina) likes to frequently shatter her world view does make her a little sympathetic on occasion, though.

    Web Original 
  • Tom from Echo Chamber is a total ass to everyone, especially Zack.
  • White Whine is this, in a meta sense, for its posters. F My Life is probably more Kafka Komedy.
  • Pittsburgh Dad, a constant complainer and malcontent, is constantly giving his wife and kids a hard time for various annoyances. Even his favorite activity (watching the Steelers play) is rife with criticism.
  • All the characters in Red vs. Blue, especially Church.
    • And Doc might be an exception. Well, he's halfway in this trope.
    • It's telling that by the time Church lightens up through Epsilon the show has gotten much darker.
  • Doug Walker originally intended The Nostalgia Critic to be this, however, he actually became a lot more sympathetic as the series progressed, falling more into Jerkass Woobie territory. And the things he did in the Scooby-Doo review and To Boldly Flee show that he had actually drifted far away from this trope, which is even discussed between creator and character in the latter. He seems to have become one again after the Uncancellation, though.
    • Many of his fellow reviewers, on the other hand, are this through and through.
  • Jobe Wilkins of the Whateley Universe. The Jobe stories are hilarious, and all from Jobe's point of view, but there's no mistaking he's an obnoxious jerk even for a sociopathic Mad Scientist.
  • Donnie Hoyle in You Suck At Photoshop. Occasionally goes into Kafka Komedy mode, but it's mostly Donnie's mental issues and awful personality which lead to his bad luck.

    Western Animation 
  • Many "classic" characters in animated shorts fit the bill: Donald Duck, Daffy Duck, Sylvester, Wile E. Coyote, Woody Woodpecker, Tom, Jerry (from Tom and Jerry), Screwy Squirrel, etc.
  • Allen and his father, Richard in Allen Gregory. Allen constantly hits on the principal (who is an obese 60 year old woman), insults his teacher, and lashes out against his sister and his father's life partner. Richard is a complete attention seeker like Allen is and is even more so if any of that attention is on his life partner, Jeremy. Richard is also never wrong, despite what everyone else tells him.
  • Stan Smith from American Dad!, which is actually subtly deconstructed. If you pay attention, Stan's recurring fear (other than seagulls) is if his friends and family still actually love him or not.
    • Roger. In one early episode, it's revealed that because of his alien physiology, he has to treat people like crap. Acting nice would literally kill him.
  • The show Archer has, well, just about everyone in the cast. The titular protagonist Sterling Archer is probably the most prominent example, but we also have Lana Kane, Cyril Figgis and Sterling's mother Malory.
  • Master Shake on Aqua Teen Hunger Force.
    • And Carl Brutananadilewski is an Unsympathetic Butt Monkey.
  • Beavis and Butt-Head.
  • Brandy Harrington from Brandy & Mr. Whiskers.
  • All of the main cast on Brickleberry.
  • Scoutmaster Lumpus from Camp Lazlo.
  • Cat from CatDog.
  • Rudy Tabootie from ChalkZone.
  • Wilshire Pig from Claymation Comedy of Horrors.
  • Jay Sherman on The Critic.
  • Dan of Dan Vs. He's a short-tempered, self-centered, vengeance-obsessed lunatic.
  • Daria Morgendorffer from Daria. She's outright bitchy to everyone in existence, but the other people in the series are exaggerated stereotypes of annoying things found in high school and suburban America.
  • The entire cast of Drawn Together. Running down the main character list, we have:
    • Captain Hero, the narcissistic superhero who rapes dead bodies and uses teenage girls as a shield against bullets, despite being impervious to them.
    • Foxxy Love, who, despite being the most normal, is still a total black slut who can't even turn down All Roker.
      • She even has a grandchild, despite being in her mid twenties.
    • Xander, a video game character who isn't really a bad guy, just an extremely offensive gay stereotype.
    • Wooldoor Sockbat, an insane SpongeBob-esque cartoon character who has done MANY unforgivable things over the course of the series.
    • Spanky Ham, a internet porn pig who regularly bullies Wooldoor, kills animals, enslaves immigrants, and escapes all punishment with flatulence.
    • Princess Clara, a girl who starts off as an oblivious racist and homophobic Disney princess, and gradually grows worse over time.
    • Toot, who, after being unable to become the sex symbol of the house due to changing standards of beauty, decides to become "the bitch".
    • Ling Ling, a psychotic pokemon who killed/mercilessly attacked his master and uses skulls as sex toys.
  • Jason Alexander supplied the voice for another one in Duckman.
  • Eric the Cavalier from Dungeons & Dragons, for a given value of Unsympathetic Comedy Protagonist. Since Moral Guardians and Executive Meddling meant that nothing good could ever really happen to him until he relented and went along with the group, he was definitely meant to be unsympathetic, even though he was the most sympathetic character in the show because he was the only one reacting realistically to their situation, and many of the bad things that happen to him are distinctly slapstick, since he has to survive to agree to go along with the group's plans later.
  • Eddy of Ed, Edd n Eddy is always out for people's money.
  • Peter Griffin on Family Guy. He constantly undermines his wife (who herself isn't to fine and dandy of a character either), scolds Chris when he finds out he has a larger penis than him, constantly bullies and mistreats his own daughter, and has apparently put all of his kids in a coma while hiding it from his wife and not taking them to a hospital.
    • Possibly Glenn Quagmire too. Actually, there isn't a single member of the main cast who hasn't been Flanderized into being a Jerkass.
  • Fred Flintstone from The Flintstones.
  • Bloo from Fosters Home For Imaginary Friends.
  • Xander Crews from Frisky Dingo. Probably moreso than the "villain", Killface. Of course, Killface may be the protagonist of the series. But pretty much every character fits this trope anyway!
  • Bender, of Futurama: "Bite my shiny metal ass." Most of the main cast have strong Jerkass tendencies, actually, except for Fry and Zoidberg, though even they occasionally have their moments.
  • Helga Pataki of Hey Arnold! She's often abrasive, and gives others (especially Arnold, her secret crush) a hard time. However, many of her flaws stem from an unhappy childhood as The Unfavourite. Often times, she still remains the Only Sane Man among classmates, lamenting their stupidity.
  • Coach McGuirk on Home Movies; he seems to regard himself as a father figure to Brendan, but he's a beer-swilling lout who dispenses lots of spurious advice.
  • Invader Zim is trying to conquer/destroy the Earth and everything on it, but because (in Gaz's words) "he's so bad at it", his machinations are more amusing than mortifying. Being a Large Ham doesn't hurt.
  • George Jetson from The Jetsons.
  • Johnny Bravo, a Too Dumb to Live Casanova Wannabe, though he does have some decent points. His stupidity was more apparent in later seasons than in the first season.
  • June from KaBlam!, who is featured doing her thing in the page image. While she's quite likable and has a big heart underneath her cute but tough, snarky exterior, it's not uncommon for her to give her best friend / implied crush Henry hell - whether he deserves it or not. And if you think what she's doing in the page image is bad, just check this out. While her Jerkass qualities tend to vary from writer to writer - and the cake scenes are from season 3, in which she Took a Level in Jerkass (but was toned down for season 4) - she more than qualifies for this trope.
  • Hank Hill from King of the Hill can wander into this territory. As can his wife, Peggy.
  • Tim of The Life & Times of Tim. A slight twist in that he isn't a character who goes out looking for awful things to do, but in almost every single episode he goes along unquestioningly with the awful things that his friends do and then gets surprised that it gets him into trouble.
  • Mad Jack The Pirate.
  • The entire band Dethklok from Metalocalypse.
  • Bessie Higgenbottom from The Mighty B!; notably, there was an episode where she accused people of stealing a locket.
  • Played with in My Little Pony: Friendship Is Magic, wherein almost all the ponies (and whoever is in the spotlight) have moments of this due to the show's heavy deconstructing of the character's shortcomings and insecurities, meaning at least once, they act like a Jerkass and cause enormous problems concerning their defining flaws. The usage of Aesops and redeeming moments tend to keep them in check overall however.
    • Despite their flaws, Twilight Sparkle and her friends (the Mane Six) are sympathetic more often then not, given their good points outweigh their bad, and their realistic flaws make them easier to relate to. Not to mention that when they DO mess up, they tend to feel bad about it and try to fix the situation, making it debatable whether or not they really qualify for this trope.
  • King Julien from The Penguins of Madagascar.
  • Oscar Proud from The Proud Family.
  • Rip from The Ripping Friends.
  • Everyone in Sealab 2021 except Dr. Quinn (especially in episodes like "I, Robot")
  • Eric Needles from Sidekick.
  • Homer and Bart are always this on The Simpsons.
  • Eric Cartman from South Park. He's this trope on his good days (relatively speaking).
    • Most of the cast except for Butters can quality for this actually.
  • Sponge Bob Square Pants: Mr. Krabs, especially in post-movie episodes.
  • Early Cuyler on Squidbillies.
  • Rodney J. Squirrel from Squirrel Boy, a Butt Monkey/Idiot Hero hybrid.
  • Stroker on Stroker and Hoop.
  • The Warden in Superjail He goes from ultraviolent sadistic Cloudcuckoolander to potentially becoming an ultra-violent sadistic Nazi-esque overlord in a possible future- just in the space of ten episodes. He spends most of the first season drunk, sick, oblivious to everything around him, angrily berating and abusing his assistant for not properly honoring him, terrifying his staff and inmates alike, giving birth to grotesque manifestations of his inner child through his anus, and following sex-crazed alien cult leaders around. Of course, the viewers don't mind this at all. He's toned down a bit in the later seasons, becoming more of a simple Man Child but still causes trouble for the jail, such as burning it down in the season 3 finale.
    • Alice can also be seen as this, as even if she does have an unfortunate backstory and a kinder moment here and there, she's also admittedly described as a "sadistic bully" by the creators, and will abuse her power to force inmates to have sex with her as well as also bullying Jared.
    • Basically all the cast have elements of this, even Jared here and there.
  • Tak from Tak and the Power of Juju would fall into this category at times.
  • The team themselves in Teen Titans Go!, which exaggerates their traits from the original 2003 series; Robin is an obsessed control freak whose leadership is often ridiculed, Beast Boy and Cyborg are idiots with very stubborn streaks in their recklessness and Raven is much snarkier than before and even willing to put her friends in harm's way on a few occasions. Starfire somewhat averts this as mostly her naïveté is played up and usually when she does any action, it's not for a selfish reason.
  • Brain Newport from This Just In.
  • The Captain of the Jupiter42 in Tripping the Rift is ugly, crude, disgusting, sarcastic, depraved, and his crew never misses a moment to lampshade it. Not lampshaded yet is that his name, Chode, sounds much like the stretch of flesh between the testicles and asshole, which is where his mentality seems to reside.
    • And the rest of the crew aren't exactly sympathetic either. Apart from Six who, ironically as she's an android, is the only one who seems to actually have a heart.
      • And a brain, in addition to a lot of common sense. As a matter of fact, most sex droids on this show tend to be built to be remarkably smarter than their owners.
  • In The Venture Bros., Rusty Venture fits the trope perfectly. Greedy and selfish, the Brilliant but Lazy super scientist regularly neglects his sons as well as takes them around the world on dangerous adventures. The bigger reason why he is so neglectful is because he knows that when they die (they have died a LOT) he can just clone new ones. He becomes much more protective once he loses his backup clones.
  • Nestor from World Of Quest.
  • Yin and Yang from Yin Yang Yo.


The Usual AdversariesCharacters as DeviceUnwitting Instigator of Doom
Unintentionally UnsympatheticThe Jerk IndexVideo Game Cruelty Potential
Unsuspectingly SousedComedy TropesUnusual Euphemism
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