"It's been one week since they had the fight With the Siamese twins and the transvestite Five days since that awful brawl They still haven't gotten the blood off the wall It's been three days since the bitter feud between the KKK and that gay Jewish black dude..."
Jenny Jones started off fairly normal like Jerry Springer was in the early days and had more or less the same format as Oprah for the first two seasons, but declining ratings led to the show getting a Hotter and Sexier Re-Tool, though nowadays it's mostly remembered as being the only Point and Laugh Show that led to one guest murdering another one later.
Semi-averted with Oprah Winfrey, who also rounds up freaks and somehow manages to seem more classy than her rivals.
Brits may be more familiar with Vanessa Feltz, Trisha Goddard and, most notoriously, Jeremy Kyle.
Dr. Phil will frequently bring in guests who have no serious problems, just to gawk and criticize their lifestyle, like men who have many piercings and body modifications, or plural marriages.
The French show C'est mon choix ("it's my choice") was the same kind of thing.
The Real World is the Trope Maker for this sub-genre of the Point and Laugh Show. Cram Bigot Vs. Bigot into cramped space until they're ready to kill each other, and you're good to go.
Survivor is the Trope Codifier, where the cast are always a group who would never last 10 minutes working in the same office, let alone a real survival situation. One of the keys to the show's success is that the contestants have a strong incentive to keep their most obnoxious teammates around and vote off the decent ones...you want to be up against a bigger jerk than yourself in the finals.
Big Brother, especially the British version. One reason given for the first American season's failure in the ratings is that the audience, not other contestants, voted people off. As a result, the most obnoxious people were voted out early...and the whole point of the show was killed.
A variant is the live-courtroom show. The People's Court tried to be high-minded, but it was eclipsed by Judge Judy and its imitators, where you weren't sure whether the plaintiff or defendant deserved to lose more.
The Tru TV show Bait Car — the show's Exactly What It Says on the Tin and treats the audience to people stealing a car that the police deliberately leaves on the street. Once the car is a short distance away, the police turn off the car and arrest the thieves. Hilarity Ensues when said suspects lie or give a painfully straight answer about why they stole the car.
Police Officer: Why did you steal the car?
Car Thief: I was gonna go get me some bitches, man.
Special mention goes to the short-lived Snap Judgment, where the host seemed to be daring the Moral Guardians to force him off the air. Eventually they did, and he moved on to hosting a serious talk show.
The same network's Speeders or World's Dumbest ________ fit here as well.
Also in the "not-quite entrapment" genre of true crime shows is To Catch a Predator, except here, we point and laugh (and be morally outraged by) pedophiles.
Charlie Brooker: Despite the subject matter, I'm have little doubt that the whole thing is surrupticiously played for laughs
Supernanny has this sometimes, with parents who are Extreme Doormats and let their children hit and slap them, and parents who are the opposite and punish their children so much that it doesn't mean anything anymore.
Inverted unexpectedly in The Joe Schmo Show's first season, when the Joe turned out to be such a genuinely nice guy that the producers decided that they would essentially turn the concept on its head two episodes into production. It had started out as a "How much can we humiliate this guy who thinks he's on a standard house-bound reality show" show, with all but one person being actors and pretty much every Reality trope ever being brought into play. It turned into "How many Housebound-Reality tropes can we throw at this guy before he becomes Genre Savvy?". The second season was more of a mixed bag. One of the schmoes caught on and had to be replaced, and in general, people felt that neither of the other two were as likeable as Matt. Despite this, the producers still tried to portray them in a positive light and succeeded to some degree, with Amanda noting in an interview that she wanted money, but not at the expense of hurting someone else, and Tim coming across as a happy-go-lucky guy who could be quite tender at times.
Hell's Kitchen falls into this during the later seasons as many of the contestants seem to be either incredibly stupid, obnoxious, or a combination of both.
Most of TLC's current lineup seems to be this. My Strange Addiction and My Crazy Obsession are both shows on that channel, along with specials about extremely overweight people and extreme couponers. My Strange Addiction is especially controversial for lumping harmless quirks and (with their cosplay episode) perfectly ordinary people in with those who do stupid, unsanitary, or otherwise dangerous things, with little if any distinction between the two.
America's Funniest Home Videos, but since the videos are expressly submitted by the families who filmed them it's only in good fun (possibly the only optimistic take on this trope).
Canada's Worst Driver does have serious intentions for trying to make bad drivers somewhat better, but most of the time it is played for laughs (especially when you see the infamous Water Tank Challenge).
Considering all of the other X's Worst Driver shows are specifically point-and-laugh shows (America'sWorstDriver, for example, took bad drivers, put them through time trial obstacle courses requiring extreme precisiona and then blew up the worst driver's car), this one stands out for its educational angle.
Cops shows, well, cops dealing with people so imbecilic that it's a wonder they haven't died in freak nail clipper accidents; and people whose emotional control is one step removed from "poo-flinging monkey".
World's Wildest Police Chases and its brethren are what happens when the Cops subjects described above get hold of a multi-thousand pound automobile.
By contrast British equivalents, such as Police Stop! and Police, Camera, Action!, generally avert this, trying to be more serious exposes of bad driving with the aim of informing and educating viewers on driver safety and the like.
Penn & Teller: Bullshit! can often serve this purpose in its (sometimes questionably argued) deconstruction of... well, proponents and practitioners of Bullshit.
The Trope Maker for the Game Show version is probably the original broadcast of The Gong Show. A horde of Hopeless Auditionees made fools of themselves until they were gonged out by has-been celebrities. It's hard to say whether the celebrities or the Hopeless Auditionees look worse. The more Genre Savvy auditionees did novelty acts instead of acts that required talent.
A similar, more recent version was 30 Seconds to Fame, where the Hopeless Auditionees had to survive 30 seconds without getting voted off the stage by the audience.
American Idol may be the Trope Codifier. The Hopeless Auditionees are often more popular than the ones with actual talent, and the early episodes that show pre-screenings are some of the biggest draws. The producers have long since realized that they get their best ratings by lying to the real hopeless cases, letting them think they're good, and sending them all the way to Simon Cowell. Among the fans, votefortheworst.com tries to get the Hopeless Auditionees as far as they can go.
Although Jeopardy! and Wheel of Fortune are not strictly part of this genre, there is a large sub-fandom who enjoys the show because they can feel superior to the losers who punt the easiest questions. Dave Barry pointed out that while he knew the lights and noise distract you, he was sure he'd never mess up as badly...until he appeared on Wheel of Fortune himself, and found himself a deer in the (literal) headlights.
There is also a sub-fandom who aren't really a fandom, so much as a Hatedom for particularly smart and smug contestants who always win. Ken Jennings, who had the biggest winning streak in Jeopardy! history, got the biggest Hatedom of them all.
The recurring Saturday Night Live skit "Celebrity Jeopardy!" is essentially a fictional version of this.
This is ninety percent of Repo Games raison d'etre. Perhaps a few people watch it for the trivia, but the real draw is seeing poor people in awful neighborhoods get the twenty-thousand dollar cars they haven't made a payment on towed away because they don't know basic trivia. Who the awful person is in this scenario is up to you.
It doesn't help that the questions vary wildly, ranging from "What is the capital of Mexico?" to "Who was the billionaire 3rd-party candidate in the 1992 presidential election?"
Wipeout. A mild example, as the humor is derived from slapstick and all the contestants know perfectly well that they can expect some pratfalls. So while the laughs are on them, it's quite good-natured. (And in fact, sometimes if you find an episode on YouTube, you may see the contestant on there saying how fun the course was or how funny their Pratfalls are.)
The 776 Stupidest Things Ever Said and its many sequels, by Ross Petras, were Exactly What It Says on the Tin. Petras' series and its many imitators lost much of their reason for being with the rise of the internet, when lists of dumb quotes became freely available to all.
Similarly, there is a whole genre of pop gonzo history (found in such places as the Uncle John's Bathroom Reader series and A Scandalous History of the Roman Emperors) that consists entirely of "look how stupid and/or obnoxious this historical figure was!" Like the dumb-quote books, the Internet has been a problem for them.
This genre may be Older Than Feudalism, as some of the ancient Roman historians (especially Seutonius) delighted in reporting the most petty court gossip they could find and ignoring big policy questions.
It's also worth noting that most of these books are crammed with fabrications, urban legends, and other lies. The worst are lists of Famous Last Words, which are about 90% fake.
The book Non Campus Mentus is the most famous of several books that list bad answers on high school students' papers, featuring how Magellan "circumcised the globe" and the famous "Abe Lincoln was born in a log cabin that he built with his own two hands."
This, in turn, is a genre Older Than Radio, starting with the 19th-century English as She Is Taught, which had students who thought "aborigines" meant a mountain chain in North America. When Mark Twain reviewed it, he quoted the student who thought that "there are many fossils in theology departments" and added that sometimes they do get one right.
The Darwin Awards series, although many of the lists circulating as "Darwin Award Winners" are false lists containing urban legends. The real lists are here.
Any one of those circulating e-mail lists of "true stupid things people said" (many of which aren't actually true).
Rinkworks.com's "things people say" section is the internet version of Ross Petras, with the exact same quotes.
Something Awful, Encyclopedia Dramatica and their ilk feed on this sort of thing.
Funnily enough, one article actually acknowledges how bullshit most people's assumption that they would have done something differently are.
The Ig Nobel Prizes are about silly or weird things deduced For Science!, with occasional forays into straight parody (such as the Ig Nobel Peace Prize being awarded to the inventor of the Karaoke Box, "thereby providing an entirely new way for people to learn to tolerate each other"). In their defense, the awards are split about evenly between "Wow, that's stupid!" and "Huh... never thought about looking at it that way", and most of the award-winners are genuinely flattered (said inventor accepted the prize in person).
True Capitalist Radio. The only reason people listen in is to laugh at Ghost raging over the trolls that call him.
This Troper, a satirical series of dramatic readings by YouTube user Crazy Goggs chronicling the saddest and most disturbing contributions to This Very Wiki, back when we had Troper Tales and Fetish Fuel. Its exposés served as a driving force in the eventual deletion of those sections.
"Town Talk With George" in UHF, a straight parody of Geraldo Rivera's old talk show, complete with an opening of Al Capone's glove box ("Aha! ROAD MAPS!!") and George taking a chair to the face during a brawl.
Fame Or Shame in Grand Theft Auto V is essentially America's Got Talent with an extra helping of this trope. In the main game, Tracey goes and auditions by dancing like a whore, is encouraged on by the host Lazlo, and makes a huge fool of herself. However, Michael and Trevor are there to... er... save the day?