"What I see here is a dozen people, all trying to make each other miserable. You disgust me, but it's also faintly amusing. Carry on."There's a German word, Schadenfreude. It means "the joy you get at seeing other people's misfortune" (Schaden = "damage", Freude = "joy"). (This phrase is commonly mistranslated as "shameful joy.") In other words, the "point-and-laugh" school of comedy. The Sadist Show is built on it. In this kind of show, there are no sympathetic characters whatsoever, and nobody will ever Pet the Dog. Everybody is both obnoxious and incompetent, beyond even the Unsympathetic Comedy Protagonist. The audience can't really root for them, so the fun is in seeing the characters suffer more than they deserve, more than Job, more than possibly everybody in the history of the human race combined. In short, it's a comedy, but not in the Shakespearean sense. And not just any old misfortune, like getting an Anvil on Head. The agony in a Sadist Show is a very sharp kind, the one that reminds you how totally unfair life is. It isn't a Sadist Show unless the characters suffer the very opposite of poetic justice. For instance, if our Unsympathetic Comedy Protagonist has been mugged, that's not enough. If the poor dope runs to report the mugging, and is arrested for jaywalking, and has to sit in jail while the mugger walks past their cell every day, that's the Sadist Show. Sometimes, there will be a character who the audience kind of sort of roots for, but not really. One form is the No Respect Guy (like Frylock from Aqua Teen Hunger Force) who tries to act decent but fails. However, the audience doesn't exactly root for them, because they're so ineffective, and they're usually a bit of a stick in the mud too. Another form is a Heroic Sociopath, who is as vile as the rest of the cast, but is at least competent (like Brock Sampson from The Venture Bros.). But they're too evil to really cheer for, and how sympathetic can they be if they're stuck with the rest of these losers? The Venture Bros., with its emphasis on failure, reminds us that Brock may be competent, but he's in a pointless dead-end gig, and one that he is so over-qualified for that it's humiliating. Note that this can be somewhat subjective, depending on how sympathetic and/or interesting one finds a character, a cast, or a situation. This kind of show almost always has Negative Continuity, so the writers can inflict any kind of torment they like (including killing them off over and over again) without affecting future episodes. Often overlaps with the Grossout Show. An Immoral Reality Show will usually be this in-universe. Maybe the result, cause or overlap a World Half Empty. Essentially the basic premise of a Dark Fic or Comedic Sociopathy. Compare Kafka Komedy. Compare and contrast Point-and-Laugh Show (Real Life Jerkasses, but dispensing with the torture in favor of just laughing at their existence) and Cringe Comedy (where we feel at least some sympathy for the victims, but that sympathy is outweighed by our voyeurism). The natural habitat of the Lethal Klutz.
— Quote from an attorney in a Dutch court (translated)
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Anime and Manga
- Daily Lives of High School Boys: Almost all of the women in this comedy are violent bullies— except Yassan, who is merely a crazy threatening stalker.
- Panty & Stocking with Garterbelt: It's like Hi Hi Puffy AmiYumi meets South Park meets The Powerpuff Girls, Japanese Anime Style.
- Pick a harem series. Any. You'll be lucky if it isn't this trope.
- Love Hina, featuring the classic and pioneering example of an endlessly comedically tormented harem protagonist.
- Girls Bravo does this with a protagonist who's literally allergic to women. Heck the show opens up with him getting beaten up by his friend after walking in on her taking a bath. Typical anime cliche right? Well the thing is it was his own house which she broke into and used without his permission. Oh the hilarity.
- The anime of School Days is a more full-fledged example; all the main characters are total jackasses, especially the male lead, and most of the appeal of the series comes from the multi-horrific-murder ending, because by that point you want everyone to die.
- Nyan Koi!: The main character, Junpei Kousaka, is deathly allergic to cats and does everything he can to keep away from them, but both his mother and sister love cats so much that they keep one around the house constantly, even lets the cat on the dining table, and treat his cat allergies as petty whining. Junpei also suffers abuse from everyone else around him, is surrounded by people who loves cats, is mocked by his own classmates, occasionally gets treated like a pervert and beaten up for it, and not helping the accusations are smarter than average cats who seem to enjoy making his life hell. That's not even mentioning the Guardian Deity of Cats who cursed Junpei into doing 100 good deeds for cats, or he will be turned into one himself and possibly die from the full-body allergic reaction.
- Ultimate Girls. UFO Man has revived three girls by sacrificing much of his own life force, so now they're in charge of protecting Tokyo. Oh, but growing 50 feet tall is only the half of this show. While most fellow fanservice shows just feature embarrassment as a natural emotion of being seen naked, this show actively goes out of its way to utterly humiliate the protagonists. It's not enough that embarrassment becomes the girls' power source as their magical spandex wears out (very quickly). Oh no. When they revert back to their normal size, they don't even get their clothes back, even though said embarrassment has already served its purpose.
- Alien Nine. Yuri got chosen for the Alien Party completely against her will. And there is no way out of it for her (except maybe killing herself).
- Grrl Power! One half-hour OAV which focuses on convincing this one guy to go to school. How do the girls do it? Set him up for all kinds of miserable tasks, and when he asks for payment, explain that it's not a part-time job. The girls are saving up to set up a new country at some island. Oh, and there's also this one man who the girls refuse to do a damn thing for, for no explained reason, even though they make a point of helping everyone else who can pay up.
- Blood-C chances are if you're not an ally of the Big Bad or Saya prepare to die horribly.
- All characters in the movie version of X1999 die either in the first 5 minutes after they're introduced or at least before the end of the movie.
- Excel Saga. Everything Il Palazzo assigns to his henchgirls ends up in failure, Hyatt is so ill that she continually dies and comes back to life, all of Menchi's attempts to escape Excel's ownership end in failure, Mr. Pedro lost ties with his family to Gomez, Nabeshin is prone to lose loved ones only moments after he reunites with them, and Excel's neighbors are led by one hell of an iron-fisted bitch.
- Amazing Nurse Nanako. One of the few shows starring a female Butt Monkey. And it's played for laughs, too.
- No Matter How I Look at It, It's You Guys' Fault I'm Not Popular!, the semi-real tales of a mangaka who went through a lot of humiliation and abuse.
- Sgt. Frog. Being a space frog with inferiority complex, while trying to take over Earth, only to be at the mercy of the pink-haired Natsumi Hinata, who you live under and forces you to do chores can suck big time.
- Paranoia Agent. This applies to the lives of nearly every main character that is featured in each episode, up until Lil' Slugger comes by and puts them out of their misery.
- D.Gray-Man: Allen Walker is the universe's chew toy whose rather depressing life is played off for laughs.
- Ranma ˝. The main characters frequently fight and/or scheme against each other (largely in the name of love), and Ranma is constantly smacked around by his fiance for things that aren't his fault. This is all mostly played for laughs, especially in the anime.
- Super Cruel and Terrible Tales of Mangaka. It's a semi-documentary manga about the lives of typical down-on-their-luck mangaka, and it's darkly hilarious: between dysfunctional workplace, overbearing editor, and general sad state of the manga industry in Japan, it comes out as something that is genuinely funny. For example, one of the mangaka just lost his position in a prestigious magazine and is forced to draw for no-name hentai publication for a shitty amount of money. To avoid unwanted children he can't afford to raise, he force his wife to only do oral. This in turn make the wife sick of him, and she abandoned her. The mangaka is now jobless and gets no sex at all. Hahaha.
- Welcome to the N.H.K., with a This Loser Is You protagonist, his loser otaku friend who tries to help him but unwittingly makes his life even worse, and the girl who also tries to help him (surprise surprise, she's just as much of a socially inept dork as he is, and suicidal to boot). Played half for comedy, half for drama.
- Bludgeoning Angel Dokuro-chan, which is about an Ordinary High-School Student and the insane Magical Girl who kills him repeatedly. Removing her halo causes massive bouts of diarrhea. Another angel shows up and tries to kill protagonist-boy with a cattle prod because he's going to invent immortality in the future...but only for women, and it makes them all look twelve, so everyone decides he's a pedophile. Very much a Crosses the Line Twice sort of show.
- A common complaint about Eureka Seven was how mean-spirited it was towards the protagonist. The first half of the series had Renton being humiliated and abused by the rest of the Gekkostate (especially from Holland and Eureka's children). Most of the time, it was Played for Laughs, but many saw it as Dude, Not Funny!.
- Crayon Shin-chan. Think about it, Shin spends most of the episodes during weird antics, his mother Misae mostly whacks his son's head whenever he misbehaves and his of course, his father, Hiroshi gets beaten up by his wife after wandering into random ladies or over small things. However, most of it are played for laughs.
- Cool Devices, about various women who get raped and killed for the viewers' sexual pleasure.
- Neon Genesis Evangelion is a highly rare example of a tragic Sadist Show. Bad and/or horrible things happen to every single character, and Shinji, the main protagonist & series' Butt Monkey (Played for Laughs at the beginning; later Played for Drama), gets the worst of it. By the final scene of the series, he's completely broken.
- Spider-Man can tend this way, Depending on the Writer. At the best of times, writers make sure to show how his superheroic life makes his mundane life more difficult. At the nasty end of the scale, he can't keep a girlfriend (or wife), job, or residence; he's roundly hated and on the run from both the police, the mob, and a veritable army of Super Villains; all of his friends are dead, insane, on drugs, insane AND on drugs, or refuse to take his phone calls because he's so unreliable; and he intermittently suffers injuries, power fluctuations, web-fluid shortages, and costume damage. And at one point, his heroism winds up killing him! How pathetic can it get? There was a three issue run in the early '90s where, because Peter had been so busy with superheroics and his mundane life, he forgot to do laundry and had to fight crime in a dirty, slightly mildewed costume. Everyone he encountered commented on the smell and made remarks about his personal hygiene.
- The comics in MAD Magazine featuring Monroe, a whiny, ugly teenage loser. His stories often end with something nasty and painful being done to him.
- Also Mad's Spy vs. Spy, originally by Antonio Prohias. Unlike in the golden age cartoons such as Tom and Jerry, one or the other of the two spies suffers a gruesome and usually fatal injury.
- Ziggy, the eponymous character is always getting the short end of the stick, and the other human characters he comes across are sarcastic and indifferent towards him at best, and cruel to him at worst. No wonder he only has animals as friends— but then again his pet parrot Josh isn't all that nice to him either.
- Funky Winkerbean started as a standard humor comic strip, and eventually morphed into a treatise on existential despair and the futility of life.
- Life in Hell. Exactly What It Says on the Tin.
- Garfield. Lots of the humor revolves around Garfield, Jon, and Odie (usually the latter two) being injured. In one strip◊, Garfield kicks Odie off the table, then drops a freaking vase on him. Even worse was the time he smooshed a spider with his thumb...then, after remembering that the spider had dropped a contact lens, reached over and smooshed that too.
- Hägar the Horrible, particularly when the eponymous character deals with his wife Helga.
- Baby Blues, mainly for the parents.
- Peanuts. Everything that happens to Charlie Brown. Linus is not much better off, having such a tyrannical big sister as Lucy.
- The Lockhorns. Their last name says it all: They argue and berate each other about everything.
Films — Animation
- Shark Tale is rather huge on this trope. The main character is a Butt Monkey because his Mean Boss and his favorite henchmen bully him for being Too Dumb to Live. The sad part was it aired during Cartoon Network's Stop Bullying campaign.
- Free Birds centers around a Too Dumb to Live self-centered sociopath (voiced by Owen Wilson) who always gets what's coming to him.
- Chicken Little is just full of this. The title character overreacted to something falling on his head and causing a panic in the town and they never let him live it down to the point that he's pretty much labeled a loon. His father isn't any better, constantly feeling ashamed of him and never even trying to connect with him, least till he manages to win a ball game for his town.
Films — Live-Action
- The Final Destination film series pits normal humans against an immortal, undefeatable, omnipresent force explicitly identified as The Grim Reaper. The humans escaped their original deaths due to unexplained premonitions of their demises. Death wants to balance his books, and he goes about it in a spectacularly sadistic way. As a result the series mostly revolves around figuring out in what horrific ways the protagonists end up dying.
- Big Bully. So, if you've tattled on your childhood bully, he gets sent away to reform school, and you get to move away and live a happy life where you can be a successful novelist, right? Nope. People are more interested in the new Stephen King book, you're divorced, your son hates you because of that, and that childhood bully is back, and he can get away with messing with your life again, as good things happen to him.
- Meet the Parents and its sequels have one thing after another go wrong for Ben Stiller's character. Even after his happy ending in the first movie, he is embarrassed once more during the credits.
- Drive is the story of an amiable getaway driver who finds love with his pretty neighbor and her young son... and then has that love cruelly snatched away when the neighbor's ex-con husband comes back from jail, and he decides to do what he thinks is right by helping the husband get out of a jam. Naturally, his attempt to do the right thing goes horribly wrong...
- Salo or the 120 Days of Sodom arguably takes this trope literally, considering that the fascists are all sadistic nutjobs who brutally torture young teens for their own pleasure.
- Daniel Pinkwater's story Young Adult Novel has the Story Within a Story "Kevin Shapiro, Boy Orphan," the lugubriously sad tale of a thirteen-year-old boy straight out of Dysfunction Junction, whose problems have included everything from orphanhood to drug addiction to homosexuality to becoming pregnant. Kevin fails so completely to fix his messed-up life that he often gets killed off in frustration; of course, Negative Continuity lets him always come back to life in the next chapter.
- The early novels of Evelyn Waugh are sadist shows. In the first few pages of Decline and Fall, for instance, Paul Pennyfeather gets debagged, expelled from Oxford, fined five and sixpence for two cigarette burns in his room, cheated out of his inheritance by his guardian, and sent to work in the worst school in England. No wonder he's upset. ('God damn and blast them all to hell,' said Paul meekly to himself as he drove to the station, and then he felt rather ashamed, because he rarely swore.')
- When Philip K. Dick was going through his darkest days of depression and insanity, he wrote some very painful stories, most of which consist of him bashing down his protagonists so that even suicide seems like a happy option.
- The Gap Cycle. Hooooo, boy, and HOW. It's even represented by an actual sadist show in which a large-breasted woman cuts off her breasts with a rusty knife, then guts herself. On a nightly basis, thanks to future technology - but she still feels everything.
- Justine by the Marquis de Sade is nothing but a Sadist Show (written by the guy who gave rise to the very word "sadism", no less!) punctuated by philosophical monologues. The world is not just indifferent, but actively malevolent. Justine is consistently punished for her decent behavior while her persecutors experience nothing but boons for their cruelty and selfishness.
- Diary of a Wimpy Kid is all about an Attention Whore Loser Protagonist having an Hilariously Abusive Childhood. The movies do try to make him more sympathetic.
- Queen for a Day is a show in which five female contestants describe in excruciating detail their horrible Real Life problems (such as deaths in the family, cancer, job loss, poverty, homelessness, even mental illness) in order to win prizes, the host viciously belittling and ridiculing them as the audience laughed at their predicaments. When the winner was announced, the other contestants were ushered off the stage and given nothing, not even bus fare home.note This passed for family entertainment for twenty years on American TV.
- The re-imagined Battlestar Galactica plays this for drama. It got excruciatingly (and brilliantly) dark at points.
- Teen soaps are prone to this half of the time, apparently to show you that some Teens Are Monsters. However, Nickelodeon's sitcoms usually leads this trope, especially Dan Schneider-created shows that employ Double Standard: Abuse, Female on Male. Drake & Josh and iCarly are poster-children for Comedic Sociopathy, both having a massive Karma Houdini in the form of Megan and Sam, with their targets Drake & Josh, and Freddie respectively.
- The series Arrested Development finds its characters, particularly Michael Bluth, constantly having brief opportunities at success yanked away from them. Often times, it will be the culmination of the decisions of everyone in the house working against each other to completely void any progress they may have made. The mildly likable Michael Bluth often finds that as soon as he himself is willing to be the slightest bit lax in his principles he is karmically punished, as when he condemns his family for spending their shares of company stock only to have it immediately revealed that he has used his shares to buy a new car.
- The humor in the BBC TV series The Office (UK) and Extras comes from the continual humiliation of the main characters, especially the second series of Extras. The US adaptation of The Office will occasionally flirt with this, but seldom rely on it. The same goes for The IT Crowd, often in a big way.
- The Brit Com Bottom (as well as its spiritual predecessor The Young Ones) exists entirely so the audience can watch two only-slightly-sympathetic Loser Protagonists sharing an apartment, arguing, dreaming up Zany Schemes that inevitably fail, beating the hell out of each other, and suffering fatal injuries at least once every three episodes. Edmondson, Mayall, and Planer also joined forces for Filthy Rich & Catflap. This sort of show is really Edmondson and Mayall's specialty.
- Peep Show is another Brit Com to fit this trope, a cringingly awkward black comedy following, once again, two only-slightly-sympathetic Loser Protagonists as they ruin their own chances in life and love.
- Married... with Children. What redeeming moments the characters had were very few and far between, and such moments were almost always the exclusive purview of Al and to a lesser extent Bud.
- Everybody Loves Raymond, to some extent. There are no more than token efforts to solve the Dysfunction Junction situation. Ray is a wuss when it comes to standing up to his wife and mother, although he does get better at this in the later seasons; Frank is an insensitive Jerk Ass; Deborah is a mean, overly angry housewife; Robert is a self-loathing whiner who expresses Wangst despite the fact that he's in his forties; and Marie is simply the personification of the devil who uses guilt to get what she wants in addition to being meddlesome.
- Dinner: Impossible could be fairly accurately summarized as "Food Network tries to kill Robert Irvine." Restaurant: Impossible allows him to spread the suffering around a bit more. That said, he enjoys the sadism a bit as he doesn't perform so well in other shows.
... where sabotage is not only encouraged, it's for sale!
- From the same network, a lot of the "Food Network Specials" basically consist of the audience waiting for the cake to fall over.
- Or shows like Chopped and Cupcake Wars which is a stage by stage elimination show where 3 out of 4 chefs dreams gets crushed one chef at a time.
- Hell's Kitchen, getting eliminated early there is practically suicide for your career in the culinary field, you will be stuck working for slave wages after this at a low quality dining place if you were eliminated early.
- And then there's Cutthroat Kitchen, which is a show about a cooking competition where chefs strategically screw each other over.
- Veronica Mars: The title character is a Tragic Hero who Used to Be a Sweet Kid turned Jerkass because her father lost his job as a sheriff, her mother was an alcoholic and a cheat who left her father, her best friend is killed off, her boyfriend dumps her for no reason, and Veronica gets drugged and raped at a party and is laughed off when she tries to report it to the new sheriff who replaced her father—and that's just the Back Story we get in the pilot. And it only gets worse from there, as nothing ever goes right with her life, causing her to Take A Level In Jerkass throughout the series. Veronica Mars's life is also better off not being a detective as shown in The Movie, but she would rather suffer to get justice for her hometown rather than give it up for a better life.
- All the fans watch Supernatural to see the Winchesters suffer and see how Dean will fall apart this week (except for the portion of the fandom that thinks Dean is a saint). And everyone loves to watch Sam and Dean cry.
- Everybody Hates Chris. The name speaks for itself.
- Seinfeld was practically built around this idea. "No hugging, no learning" was the mantra in the show's formative years.
- Likewise, Curb Your Enthusiasm.
- It's Always Sunny in Philadelphia is this trope in spades. The main cast of five has virtually no redeeming qualities and their attempts to improve anything always makes it worse. Sweet Dee was originally conceived as the voice of reason, but very quickly lost that aspect of her character and is now just as horrible as the rest of them.
- Lexx is another World Half Empty example. The characters are less than sympathetic, and while you'd kinda root for them at first, by the third season you'd wish they died in the pilot, for the entire Universe's sake. The third season tries to redeem them, but some even consider blowing up Heaven and Hell planets to deserve them the fate above. Fourth season goes to Earth, which doesn't have that much luck or sympathy either, and is destroyed chunk by chunk until it is blown up and between the survivors manage to wind up President Buffoon, the Mad Scientist partly responsible for Earth's destruction (and his Fangirls), and of course, the devil himself.
- The BBC show Mongrels
- Malcolm in the Middle is wall-to-wall power struggles and emotional warfare. The rule on that show is that whatever makes the characters (especially Malcolm) the most miserable is what will happen. Just two examples: the episode that ends with Francis dragged naked behind a Zamboni on a skating rink (after trying to stop getting deeper in debt to his evil employer), and the episode that ends with Malcolm being insulted, a lot, by a girl, having a crying jag, and drying his tears with poison oak.
- There was an in-universe example of this as well... In one episode, Francis babysits his brothers and sets up a "contest" to see which brother loves him most by doing random tasks for him. This quickly devolves into a brawl, and Francis briefly cuts in, saying something to the effect of "Whoa, whoa. This was supposed to be about love, and you've turned it into something ugly! ...Carry on." He then sits down with a drink and watches his brothers fighting, saying "This, too, pleases me."
- The Thick of It is a relentlessly cynical, sadistic show about dirty cowards and a near Villain Protagonist. The characters who aren't self-serving and malicious are hideously incompetent, and they all inhabit a realm where idealism goes to die.
- Cheaters. The show's purpose is to be a private investigator service for people who think their significant other is being unfaithful. Except without the "private" portion. If the SO is indeed cheating, you don't have to pay any fees for hiring the show, but you are expected to confront them and the Other (Wo)Man in public with the host and camera crew trailing behind like Ambulance Chasers, getting in the broken-hearted peoples' faces and asking "How do you feel?" Never once have they shown an investigation that exonerated the SO or had a happy ending. Is it any wonder the host was once stabbed on-camera by an enraged man?
- Naeturvaktin/Dagvaktin/Fangavaktin/Bjarnfredarson are about a Dysfunction Junction Comic Trio unintentionally (and occasionally intentionally) making each others's lives worse in a Crapsack World. Dagvaktin is the most extreme, dealing with the cast committing or enduring rape, murder and child abuse, as well as embarking upon a Mushroom Samba and breaking the index finger of a Jerkass surgeon with million-dollar hand insurance.
- Ooh La La Couple, a 2012 Korean Drama, constantly has its characters in awkwardly funny situations that should generally be serious and heartbreaking, but are juxtaposed to hilarious reactions.
- Wizards of Waverly Place: Not only do wizards have to give up their powers and fight their siblings to be the only one in the family to keep them forever, but even Alex, Justin and Max Russo, the main trio of siblings in the show, have been shown to be sadists themselves who will joke about killing someone for holding a revolution to make sure no wizard ever has to give up their powers and consider them "evil" for doing it.note
- A.N.T. Farm. While the main character isn't too bad, everyone else is either an inconsiderate jerk or a complete idiot.
- Black Books is nothing more than an embittered Irish drunk taking out his anger and frustration on the world, usually in the form of Manny. It's good.
- Much of the appeal of Dirty Jobs is seeing Mike Rowe get absolutely filthy and try (and mostly fail) to perform tasks that would make most people cringe while his hosts (who do this for a living) look on with amusement. One of the most popular episodes involves Mike getting bitten by snakes. Multiple times.
- The Sketch Comedy series Caméra Café is this Up to Eleven. The two main characters are Anti Role Models Villain Protagonists with no redeeming qualities. Everyone else is a jerk, a Chew Toy, an idiot or all three of them. It's a show where Domestic Abuse is Played for Laughs and everybody believes Violence Is the Only Option.
- Although largely subverted, the entire premise behind Mystery Science Theater 3000 is that a man is stranded in space by a couple of mad scientists and forced to watch bad movies until he goes insane. The whole thing is played for laughs of course, but some of the movies are truly punishing.
- Almost every character in Two and a Half Men is a Jerkass or becomes one and never receives any comeuppance for their actions (which sometimes cross over into criminality). The few characters that are decent or half-decent are constantly abused for it. Alan is a obvious example, he's abused by everyone around him and only ever catches a break after he Took a Level in Jerkass.
- Old Harry's Game is this, being set in Hell and all.
- The game has one of the most consistently and gleefully sadistic rule sets imaginable, as everything and everyone is stacked against the players, including each other. The backup clones each player receives does less to mitigate the cruel dooms than it does to encourage the GM and players to heap even more on each other. Players participate with the guarantee that they will get to spread their share of sadism around and enjoy the suffering of their friends.
- The second rule for the GM is "Kill the bastards". An extended part of the rules the players are allowed to see (yes, most of the rules are technically illegal for players to see) discusses how to make the other bastards kill one another.
- Whacked! No matter what the specifics are for any given round, it will always involve slaughtering your opponents with baseball bats, meat cleavers, exploding rubber duckies, oversized shish kabobs, cacti, missiles, and plenty more! Again, and again, and again!
- Conker's Bad Fur Day is about the title character going through several situations that involve very dark humor, and occasionally very dark trauma. The only non-indicative word of the title is "fur", since very little has anything to do with his fur so much as his acid-trippy trials and tribulations, which are ultimately topped off with his life being ruined.
- Dragon Age II, Hawke is caught smack dab in the middle of having an apostate (or being an apostate) on the run from Templars and insane blood mages and have absolutely no way to make anything better. Only the way they approached one bad thing after another. Either by being pragmatic/sarcastic/angry.
- Many of the GoAnimate "Grounded" videos are this. Most of them involve one or more trouble-some kids (especially ones from little kid shows, particularly Caillou and Dora the Explorer) getting grounded grounded grounded grounded grounded grounded for absurdly long periods of time for the slightest offenses. (Though, to be fair, many of them often have it coming.) Many of these videos are just so over-the-top that it's funny, but when the video maker decides to get cruel with the characters' punishments, hoo boy does it get cruel. The parent characters become utterly sociopathic (if not outright Ax-Crazy) compared to their kids and often come out on top even when they clearly don't deserve it, the kids don't do enough to warrant the long groundings, and Caillou and Dora are hated and frequently humiliated/grounded/arrested/killed by everyone in the universe when Caillou or Dora don't even deserve it, or even just for being baby show characters.
- Happy Tree Friends: Someone gets killed horribly in every episode.
- Something*Positive is a form of Sadist Webcomic that is more about characters surviving their lives while the world continues to spit at them. (Of course, how sympathetic you think they are depends on how you view the passive-aggressiveness and sadism they react with.)
- 8-Bit Theater has an entire cast of idiots, sadists, and idiotic sadists. The main characters are Fighter, a nimrod who manages to be Too Dumb to Live and too stupid to die at the same time (or maybe not); Black Mage, a psychotic murderer who kills any- and everyone that gets in his way (and a few others just for the hell of it); Red Mage, a Munchkin powergamer blissfully unaware of his own idiocy with no regard for anyone elses' well-being; and Thief, a duplicitous, greedy elf supremacist with no conscience. All their opponents are of matching idiocy, and the king of the local kingdom wears the literal interpretation of Black Comedy for shoes. In fact, the most sympathetic main character other than White Mage, the voice of reason, is Black Mage, as he's at least tried to change. Well, before it was revealed that in order to obtain his doomsday attack, he sacrificed orphans to a dark god. Said doomsday attack is also powered by love; i.e. it siphons love out of the universe, and the divorce rate goes up by a few percent every time he uses it. Even White Mage is becoming more of a Jerkass, with her refusing to heal Black Mage when he has a spear through his head. Also, to add insult to injury, Thief almost never gets his comeuppance, whereas Black Belt (an actually slightly sympathetic character) is the only character yet to have been Killed Off for Real (even the Big Bads turn up in Hell occasionally).
- The webcomic Ansem Retort, which tells the tale of a sadistic Fox reality show.
- Garfield minus Garfield forces this trope into being, but that's somewhat the point.
- Nana's Everyday Life is basically about how long you can keep a character alive without putting her out of her misery...
- Every protagonist in Contemplating Reiko is a sadistic demon girl.
- The Snail Factory features characters which eat each other on a fairly regular basis.
- Prequel takes extreme pleasure in torturing its main character, Katia. Its subtitle is "Making a Cat Cry: The Adventure".
- Two Guys and Guy is mostly based around Wayne, a more ordinary loser jerk, being tormented by his two sociopathic "friends": Frank, who's largely indifferent in his attitude (though he's repeatedly implied to be a serial killer off-screen) but uses him as a guinea pig in his experiments, and Guy, who's actively malicious towards him and everybody else and hurts him both for fun and out of anger.
- "Hello, I'm the The Nostalgia Critic, I remember it so you don't have to!" He's even said once that he can't stop torturing himself. Also, he's cursed the audience for just wanting to see him suffer.
- The Angry Video Game Nerd is all about watching the eponymous Nerd play through craptastic games just to show us everything that's wrong with them. Doing so must cost him his sanity and self-respect.
- In the Nightmare on Elm Street game review, he's being stalked by Freddy Krueger throughout the episode. When confronted face to face he finds out that Freddy IS him, Freddy states that since he chooses to play the crappy games of his own free will, he is his own nightmare.
- The Nostalgia Chick will dip into this, especially when she reviewed the Interquel to her all-time favourite Disney movie, Beauty and the Beast. She didn't have fun.
- Increasingly so as the character develops, really taking off with her casual abuse of her best friend. The Chick has coalesced into a geeky shut-in in denial about her nerdy nature, and an insecure Know-Nothing Know-It-All who needs to beat down her friends to boost her own broken self-esteem. The "Dark Nella Saga" tried breaking her down instead, but she was too oblivious for it to work.
- Beochan Paisean Agust Aifeala doesn't torture it's characters all the time but when they do, it can get pretty violent.
- Mari Kari: It’s like the paranormal Beetlejuice meets the vulgar, blood and guts & mayhem of South Park.
"MARI, MARI! Sweeter than a cherry. Head is kinda airy. SHE LOVES YOU!!! KARI, KARI! Horrible and Scary! If you mess with Mari; SHE'LL KILL YOU!!"— The Theme Song of Mari-Kari.
- You Suck At Photoshop is about an Unsympathetic Comedy Protagonist going through a complete mental, emotional and life breakdown, while making faux-snarky Photoshop tutorial videos because being able to Photoshop is all he has.
- Several Harry Partridge shorts have characters suffering in Bloody Hilarious and occasionally disturbing ways.
- The Onion's Reality TV parody Sex House starts out as, well, a parody of reality TV. However, with its gradual Genre Shift and its increasingly indistinct Sliding Scale of Comedy and Horror, it plays this trope out pretty fully in later episodes.
- The Nekci Menij Show is a cattier version of this. Complete with murder and kidnapping!
- Ashens is the story of one man's struggle with constantly disappointing products. Unlike most examples, his suffering is genuine, as he often suffers from food poisoning, Sensory Abuse and lacerations on camera, to our amusement.
- The Annoying Orange. Possibly the only series ever to make cutting guest characters in half a Once an Episode gag.
- While the protagonists aren't particularly unlikable, the Don't Hug Me I'm Scared series otherwise fits this; the question in each episode isn't whether the teacher will horrifically torture the puppets, but how.
- Everything about Kakos Industries is built around the very concept of merging suffering with comedy so much they blur together. When a frequent addition to the broadcasts is a Ruin-A-Life Drawing, you know this trope is in affect.
- Classic Disney Shorts: Donald Duck. In his own words "You can't win. You just can't win."
- Several shows like Tom and Jerry, the Tex Avery shorts and Looney Tunes have their source of humor based on this trope, complete with violence that is over-the-top but still family-friendly (no blood or gore involved).
- A notable example was 'The Ducksters', featuring a Show Within a Show 'Truth or AAAAAAAAH!'. The penalties for missing answers on that show were ... probably not going to make it past the FCC these days. Winning wasn't much better— the prizes had a tendency to be dropped on you.
- Wile E Coyote And The Roadrunner is probably the biggest offender. The show consists of making Wile suffer every scene in every way possible.
- The Venture Bros. is all about heroes and villains who are failiures.
- Aqua Teen Hunger Force, as well as other [adult swim] shows, are very liberal in regards of characters suffering disgrace and misfortune for the sake of it.
- Kaeloo: All the characters are put through terrible physical and/or emotional torment just for the audience's amusement.
- Invader Zim: A megalomaniac alien, a deranged hedonistic robot, a paranormal-obsessed lunatic and his self-centered, sociopath sister in a ignorant, cybergothic Crapsack World. Vasquez has managed, through no small amount of effort in both writing the show and fighting to get his ideas aired by the censor-happy Nickelodeon network, to create a world wherein everyone fails at everything they try all the time. The only ones who come out okay are the ones who don't care about anything. Dib tries to foil Zim's latest plan to destroy Earth? Dib probably succeeds, Zim's plan fails, ending up with Zim learning nothing, Gir having destroyed half the lab (again), Dib taking the blame for whatever damage Zim wrought on the world, and Gaz rubbing salt in his wounds by calling him a kook. Pyrrhic victories all around, nobody grows, and the world is worse off. In every episode. Vasquez is a misanthropic savant.
- Family Guy starts to become this after its second revival, and its only gotten better with each season.
- American Dad!: While not quite as prominent an example as Seth's other shows, there's some frequent Black Comedy and the majority of the cast are less than morally sound to say the least.
- An in-universe example is shown in "Morning Mimosa" with the titular Show Within a Show. The entire show is dedicated to humiliating its guests on live TV, with the hosts even going so far as to get their entire audience drunk on mimosas and provoke them into physically attacking said guests. Francine outright describes it as the "most hostile audience in television," and Steve finds this out the hard way when he becomes a YouTube cooking celebrity and is invited onto the show.
- The Simpsons:
- The series is the only show ever to have a famous running gag involving child abuse. And everything that happens to Hans Moleman and Milhouse. "Homer's Enemy" and "The Boys Of Bummer" are some noteworthy examples.
- Treehouse of Horror. It's easier to justify constant examples of Took a Level in Jerkass and Took a Level in Dumbass in episodes where Anyone Can Die
- The Itchy & Scratchy Show, in which Itchy the mouse comes up with a sadistic new way each episode to kill Scratchy, who's just minding his own business.
- And then there's an in-universe example being that Japanese game show in Thirty Minutes Over Tokyo, which involves things like skunks, human pinatas, lightning, volcanoes, and scorpions.
- Moral Orel - Especially in the third season, when it stopped pretending to be a comedy.
- Pick one of the Looney Tunes derived series from WB in the 90s and tell yourself it isn't sadistic, you won't be able to.
- When Drawn Together isn't about taking the piss out of Reality TV (the original premise which it dropped in the second season) or cartoons, it's about heaping abuse on the dysfunctional housemates. Fortunately, they all retain strong Jerkass tendencies, so there's little room for sympathy save for Captain Hero, who was originally the biggest of the Jerkasses but developed into the most sympathetic character.
- Stressed Eric: The entire point of this show was to have every single thing in the protagonist's life go horribly wrong. At the end of every episode he collapses of a heart attack or some other such stress related malady.
- CatDog. They never succeed, and they live in a Crapsack World.
- Ed, Edd 'n' Eddy. It's a rare occasion that the neighborhood kids did something positive toward the Eds. It changed by the end of the movie—the neighborhood kids actually start liking the Eds at that point. In most of the episodes, a character gets hurt practically every five seconds. The show practically revolves around pain.
- South Park - the moral of the show appears to be "Life sucks, then you die. Then life continues to suck, and you die again." And if you are a reasonable child Surrounded by Idiots, you're going to get the short end of the stick quite often.
- From it's second season and onward, Foster's Home for Imaginary Friends often wound up being this.
- A majority of The Buzz on Maggie episodes has the eponymous character treated like crap by her parents, her Jerk Jock older brother Aldrin, the teachers, the Alpha Bitch Dawn, and occasionally, her younger brother Pupert and her best friend Rayna. The only time that the odds were in Maggie's favor was when she was forced to babysit her baby sister Bella while trying to win memorabilia of her favorite band.
- SpongeBob SquarePants in its later seasons.
- Superjail!: It has a sadist Willy Wonka looking character for a prison warden.
- The Life & Times of Tim: When Tim isn't the victim of his own social ineptitude, he's suffering for being too meek and unassertive to turn down his friends and coworkers' terrible ideas.
- MAD does this to its character and the celebrities they mock within their sketches.
- The Loud House can be considered one sometimes, as several episodes involve Lincoln being bullied and bad-mouthed by his 10 sisters. When something goes wrong in the Loud House, the 10 sisters all gang up on Lincoln simply for being the only boy in the family, and also for having white hair at the age of 11. (Good examples include "The Sweet Spot", "The Green House", "The Loudest Yard", "One of the Boys", "Brawl in the Family", etc.)
- The Fairly Oddparents. Most episodes revolve around ways to just to torture Timmy in the most cruelest ways possible. Heck, even his parents get in on the act more often then not.
- Time Squad. Almost all of the humour comes from the main characters being complete dicks to each other. Tuddrussel abuses Larry, Larry tries to kill Otto, Otto attacks Tuddrussel etc. The most vicious cases of this is when the writers had decided to make entire episodes dedicated to making sure that Otto is completely miserable, like have him abandoned on islands only inhabited by blood-thirsty baboons. If it's not the main guys, you can bet that some of the jokes come from ether Tuddrussel beating people up for stuff they didn't even do or historical figures being stupid or jerks and their inventions or ideas cause mayhem.
- Rocko's Modern Life, Rocko has been pushed and stepped on by almost everyone even his friends tend to get him injured.
- Archer. When the main character getting an erection at the idea of his mother's death and the Running Gag of Lana trying to kill him is not to be taken seriously, you know you have one of these.
- Sidekick. The show takes place in a city which is such a hive of villainy that there is an entire section where being a good person is literally forbidden. There are superheroes to fight the villains, but every single one we see is completely useless, and the only one we ever actually see doing something is only slightly more moral than the villains he fights. It's widely accepted in this universe that it's the job of the sidekicks, the real focus of the show (hence the name), to do all the real work while the superhero takes all the credit. Unfortunately, all the sidekicks we see are either completely incompetent, Jerkasses with little to no concern for those around them, or both. The only two characters who get a relatively sympathetic portrayal are Eric and Kitty, both of whom are subjected to a constant stream of mockery and humiliation by everyone including each other.
- The Grim Adventures of Billy & Mandy. What else can you call a show where the Grim Reaper is the nicest of the main characters?
- Jimmy Two-Shoes sometimes delves into this particularly in Season 2. Kinda to be expected from a setting that's supposed to be Hell.
- Teen Titans Go! is prone to this, due to the main characters being jerks to each other. It's one of the reasons why the show is unfavorably compared to the 2003 series. The worst offenders are "Staff Meeting", "Money Grandma", and "Boys vs Girls".
- Total Drama goes as far as being hosted by a sadist. By the time of the fourth season, the original cast is so sick of all the hellacious torture they've gone through that many have sworn to never be on the show again in any capacity, only participating because of their legally binding contracts. DJ freaked when he found himself back at Camp Wawanakwa in the fourth season for a challenge, and he was there as a judge.
- The Mighty B! is about the protagonist getting bullied in school and the teacher can care less, since she's the mother of one of the bullies.
- My Gym Partner's a Monkey: Ordinary kid Adam Lyon tries to survive in a Sucky School where everyone is a Jerk Ass or The Ditz or both. He fails constantly.
- Johnny Test: It's easier to list the characters who aren't selfish jerks who'd take advantage of one another.
- The Amazing World of Gumball can be this at times, with Gumball being the most common victim.
- Robotomy takes place on a planet known as Insanus, mostly at Harry S. Apocalypse, which is filled with extremely violent robots who mutilate each other at any possible moment. Almost every scene has some mutilation going on.
- Stickin' Around. There are a plethora of times where this show outright is just plain mean and nasty to secondary protagonist Bradley, even in terms of writing. Many of these episodes don't even seem written well enough to pull it off, or even have any good build up or sense of justification, even if it is a kid's sadist show. Local bullies Lance and Russell, though getting their fair share of punishment, seemingly only get it if they mess or get involved with events if Stacey steps in- Many extreme instances involve them either crawling into Bradley's room through his window even while he's sick just to give him a beating, loading him up into a trash can and dumping the entire thing into the public pool, and to where even the series' finale ends with a statue of Bradley receiving a wedgie by them. Granted, there are times where the cast are mean to each other, but how their faults are childish and out of naivety, to where even Bradley's pettiness and self absorbed moments are plain harmless is just jarring and disproportionate to what small mistakes Bradley makes, or how practically criminal Lance and Russell act. Hell, considering what kind of delinquency and extremes of bad behavior those two brats engage in, in reality, they'd be the ones on the receiving ends on a short leash by the law or in juvenile hall.