have it easy, but not these ones. This trope is about fiction highlighting the unpleasant side of losing one's parents to death or abandonment. The parents have been lost recently, and the main plot (or at least a major subplot) involves dealing with this loss. This generally includes some combination of:
- Grieving over the loss.
- Finding surrogate parents or family, whether blood relatives or True Companions. Complications may arise from finding a new family (perhaps involving a stay at the Orphanage of Fear or under an Illegal Guardian), or from fitting in with the new family. Expect the kid to refer to the new parents by their first name, rather than Mom or Dad, for some time.
- Discovering some heretofore-unknown aspect of the parents' lives, and investigating it. This attempt to understand their roots can be a subtle (or not) metaphor for the search for self-understanding.
- In particularly idealistic series, the parents may be unintentionally missing, rather than dead, and the plot would involve finding or rescuing them.
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Anime and Manga
- Barefoot Gen: many, many children were made homeless orphans by the atomic bombing of Hiroshima.
- Tower of God: Anak Zahard's parents relationship was an illegal one, so her parents were killed and Anak just barely managed to survive. She tries to get revenge on the perpetrators by wiping them out entirely, however, the Zahard family is not only the royal family, but also gathers the strongest warriors and adopts them.
- Chrono Crusade: although most of Rosette's history as an orphan is more of a case of Conveniently an Orphan, in the manga it's revealed that one of the major points of Rosette's personality—her difficulty with being able to sit and wait—partially comes from the trauma of being able to do nothing but wait as the adults that knew her parents arranged their funeral and sent her and her brother to an orphanage.
- Joshua, Azmaria and Satella all show lingering affects of the deaths of their parents, as well. And, in fact, even Aion's issues stem partially from what happened to his mother. This trope is really one of the biggest reasons why the characters in Chrono Crusade come off as such a Dysfunction Junction.
- Elfen Lied: Lucy.
- Grave of the Fireflies is pretty much all this. Or at least the depressing parts.
- Hellsing: poor Integra Hellsing. Not only did she lose her mother years before, but the day that her father died of lung cancer, his brother Richard attempted to murder her in order to gain control of the family vampire-hunting organization. Fortunately, she is saved after fleeing to the basement when she discovers Alucard who was sealed there for the last twenty years and after he takes out the mooks and blocks a bullet for her, she shoots her uncle and lives to tell the tale, but damn, what a hell of a day that must have been.
- In Princess Tutu, many of Fakir's flaws stem from his parents' deaths—particularly the fact that he witnessed it, and he was at least partially to blame.
- Claus and Lavie of Last Exile swing between this and Conveniently an Orphan - after all, they wouldn't be teenage vanship pilots in their father's old vanship if their mother and fathers were still around - but the loss of both their fathers in the Grand Stream and the later death of Claus' mother is a hard blow that forces the two together into a makeshift family, to learn how to fly the vanship on their own so they can support themselves and is tied in with their ambition to succeed at the task their fathers failed in, as well as certain plot points involving Alex, captain of the Silvana.
- Monster: aside from Johan and Nina (obviously), the former of whom is raised at an orphanage designed for brainwashing children into becoming perfect soldiers, there is a whole slew of orphans whose lives are horribly screwed up. A little Czech boy, for example, receives a hint that his mother might be found at the local Red Light District, where he ends up witnessing a borderline rape of a druggie hooker.
- Sasuke Uchiha. A perfectly happy child with a large clan that he viewed as an extended family, he returned one night to discover they were dead. All of them except for his beloved older brother. Who had just killed their parents. Needless to say, this had a rather large impact on his future personality (disorders) and career and life goals.
- Naruto Uzumaki is an orphan too, and he also has it pretty rough. In fact, there are a lot of orphans, mostly because their parents worked in a high-risk profession, and all these orphans frequently wind up with severe psychological issues because There Are No Therapists.
- In Natsume's Book of Friends, after his parents died, Natsume found himself passed around from distant relative to distant relative because nobody wanted to deal with the Creepy Child who claimed to see dead people and monsters everywhere. As a result, he has a great deal of difficulty being open and honest with anyone for fear of rejection.
- In Full Moon o Sagashite, not only is twelve-year-old Mitsuki an orphan, she has terminal throat cancer, a cold grandmother who doesn't let her do anything remotely fun, and later finds out thather first childhood love died in a car accident. Geesus!
- Barnaby from Tiger & Bunny was orphaned at the age of four and has since been raised in an orphanage (though certain circumstances have lead him to believe otherwise). Flashbacks prove that he was a cheerful, contented kid before this; but twenty years later we see him as a cold, cynical Broken Ace who is hell-bent on avenging his murdered parents. Despite all this he was apparently quite popular at school, is fairly affluent as an adult and competent at his job — not that he'd allow such things to hinder his quest for vengeance.
- Ed and Al from Fullmetal Alchemist. It all happens before the start of the actual story, but it still drives the plot: they begin their quest for the Philosopher's Stone after losing their bodies in an attempt to bring back their beloved mother, who'd raised them alone after their father left early on (albeit with good reason). They later find him, and the issues between them (namely, the reason he left) also drive most of the plot.
- In Sangatsu no Lion, Rei's dealt with a lot since his family's death. At their funeral, most of his remaining blood relatives were none too concerned about him, with one even promising to send him to a "nice" orphanage. His foster care was built upon a lie on how much he liked shogi, and even when he was taken in, there was friction between him and the real children in the family as he surpassed them in shogi and fell into the most favor with their father. These problems never really went away until he pushed himself forward into the professional shogi circuit and left home early to live on his own.
- In Pokémon Special, when Emerald's parents died in an unspecified accident, his relatives essentially played hot potato with him all across Hoenn as none of them wanted to be bothered with taking care with a kid with legit dwarfism. This, along with being bullied for said dwarfism, led to his self-esteem issues and inability to accept help from others.
- Neon Genesis Evangelion: Asuka and Shinji have been selected as the second and third children to pilot Evas because their mothers are dead. Their souls were used in the creation of Eva-01 and Eva-02. Shinji's father couldn't care any less about his son as a person (except if you believe what Gendo said in End Of Evangelion before dying,), while Asuka's father, almost immediately after her mother's death, married the woman with whom he was having an affair. It shouldn't surprise anyone that Rei doesn't have any parents at all. Also Misato's father was killed with the entire rest of the Antarctic expedition, and Ritsuko's mother killed herself after Gendo got her into his bed to exploit her. This is a major part of each of these characters' plots and one of the main reasons behind the show's Dysfunction Junction.
- Kaji also discovers that Shinji's school is a front for the powers that be, and that all of Shinji's classmates are potential Children candidates, meaning many of them may be orphans as well. It's suggested for two side characters, and canonically stated for one, that their parents are dead as well.
- Orphans are extremely common in Attack on Titan, with many joining the military to survive. Eren, Mikasa, and Armin are all orphaned during the fall of Wall Maria, being among the many refugee children left without families. Later on, Connie is left orphaned when his village is destroyed. Discovering the secrets of his father's research is one of Eren's driving goals, and a major plot point of the series.
- Tokyo Ghoul has numerous characters that are orphans, and touches on not only the trauma of losing parents but the difficult life young Ghouls face once their parents have been killed.
- After the death of his mother, Kaneki was left in the care of his maternal aunt and her family. Suffice to say, it was not a happy home life and he was subjected to considerable resentment, neglect, and outright abuse until he was finally able to move out.
- Nishiki and his older sister were orphaned quite young, and shown to be living in destitute conditions throughout their life. His older sister worked hard to support them both, but her death left him alone and deeply bitter.
- When their father was caught by Investigators, Touka and Ayato were shown to have waited for several days alone in their apartment until a neighbor came to check on them. She promptly turned them in to authorities, forcing them to flee and live on the streets, fighting for survival until Yoshimura took them in years later.
- CCG takes full advantage of the emotional scars, taking in children orphaned by Ghoul attacks and encouraging them to train to become Ghoul Investigators, fostering as much resentment and hate as possible rather than encourage them to heal.
- James-Michael from Omega The Unknown is orphaned and as a result, is thrust from a life of isolated study in the mountains into NYC's Hell's Kitchen, where he goes to an Inner City School and is bullied by Delinquents, and trudges daily through a neighborhood full of sex workers, porno theaters, winos, drug pushers, and roving gangs of muggers.
- Done in the Silver Age Doom Patrol with the character of Beast Boy (yes, that one). The poor kid was already a bright green shapeshifter, but he couldn't save his parents. And then his uncle Galtry took him in. The Patrol took care of Galtry, and Gar wound up Happily Adopted by Rita Farr and Mento...(well, until she got killed, too).
- The Pre-Crisis version of Superman had him often fixated on the loss of his biological parents and his world with his super-memory of his short time there. The modern version however has no such baggage.
- Batman's story is worse than average in some ways (he saw both parents violently killed up close), better in others (Alfred turned out to be the ideal Parental Substitute for him).
- A substantial source of the lingering emotional damage suffered by Laura Kinney (a.k.a. X-23) is the death of her mother/creator, Sarah Kinney, and not having her there to help her put her life together after breaking out of the Facility. It's made even worse by the fact Laura was the one who killed her, in a trigger-scent fueled Unstoppable Rage set up by Zander Rice. With Sarah's death, and Laura being forced to sever contact with her only remaining family to protect them, she was left with no one, which drives her into deep and at times suicidal depression, and eventually leads her into the clutches of Zebra Daddy and a life as a Streetwalker.
Films — Animated
- All Dogs Go to Heaven: Features an orphan girl who goes through a very peculiar ordeal; she lives in a junkyard and ends up kidnapped by a pack of talking, gambling dogs. Of course she's the only human who can understand them. Orphans being kidnapped by talking dogs to be exploited for gambling. What is the world coming to?
- An American Tail: Feivel gets separated from his family, under circumstances leading his parents to assume he's dead. Most of his adventures come from trying to find his parents again.
- Kung Fu Panda 2: Has Po finally realize he was orphaned by the most horrific means, but achieves Inner Peace by remembering how Happily Adopted he was.
- The Rescuers: Penny's need for a new family is a recurring point. Mme Medusa is marked as a true villain by her casual cruelty to Penny; she crosses the Moral Event Horizon by telling Penny, "What makes you think anyone would want a homely little girl like you?" That's more of a Kick the Dog moment than a Moral Event Horizon. She crossed the MEH whenever it was that she decided to make a small child dig in a frequently-flooded cave for diamonds.
- Revolution (2009): Az'Az doesn't have a family, but he really wants one.
- Frozen: Although its' direct impact on the plot is only in the first ten minutes of the film and the reason for the coronation in the first place, the death of Anna and Elsa's parents still adds to the emotional weight of the movie. At the end of the song "Do You Want To Build A Snowman", after their parents have died at sea, Anna is forced to attend their funeral alone, since Elsa refuses to end her isolation for fear of losing control of her ice magic. Likewise, Elsa, who is now queen by default (and is nowhere near emotionally ready for the responsibility), is mourning in her room, her grief having caused her to frost over her entire room and for snow to hang in the air. During the final verse, Anna crumples into a fetal position against Elsa's door after the funeral, desperately asking for her to come out. Elsa, in the same position against her side of the door, can't bring herself to respond. The final shot for the song is both girls on their respective side of the door, quietly sobbing into their knees.
Films — Live-Action
- James Bond's background and family history is opened in Skyfall.
- Australia: Makes a hash of these issues, when a boy who is half-aboriginal has loses his mother, and the characters say that he needs someone to take care of him, and Nicole Kidman's character should do it because she's a woman.
- Batman: A boy witnesses the death of his parents and revenge becomes his all-consuming purpose. Isn't this orphan ordeal cranked Up to Eleven?
- Paulette in Forbidden Games is a six-year-old French girl who is orphaned in June 1940, when both of her parents are killed by a Nazi plane while fleeing Paris. She temporarily finds a home with a farm family, but the film ends with the mean-spirited father turning her over to the Red Cross.
- Sabine Kleist, 7 years old: The heroine loses her parents in a car crash and comes in the orphanage (the orphanage isn't really bad, but...) She runs away to try and find a new parents - but in the end she realizes this isn't going to happen and returns to the orphanage.
- Star Wars: A New Hope and The Empire Strikes Back. This is a dual orphan plot in that a young man (Luke) is raised by "relatives", and tries to avenge the man who "killed his father" as well as seek his own identity. He wishes he wasn't an orphan but after he finds out that Big Bad is his father in the Luke, I Am Your Father scene then he wishes he WERE an orphan.
- Jane in Charlotte Brontë's Jane Eyre.
- Frances Hodgson Burnett's A Little Princess. Sara's only living parent, her father, dies while she is at Boarding School. Sara never gives up though even after all the crap she goes through.
- Orphans feature prominently in Charles Dickens' work:
- Alexander Key's Escape to Witch Mountain begins the day after the death of Granny Malone, the guardian of the two protagonists, Tony and Tia. They're sent to an Orphanage of Fear (which is run as a juvenile home), and begin seriously trying to remember their past before Granny Malone took them in. They run away from the Orphanage of Fear when they are adopted by an Illegal Guardian because Tia remembers that he's not the blood relative he claims to be - he turned them over to Granny Malone in the first place, though neither she nor her brother remembers why.
- James Bond in Ian Fleming's eponymous novel series.
- A Series of Unfortunate Events. The Baudelaire children bounce from one Illegal Guardian or useless caretaker to the next, and investigate their family's secret past. The Quagmire triplets have their own set too, though a good deal of it is offscreen.
- Major plot point in the first book of the Warchild Series. In it, Jos loses his parents on the opening page. He's then kidnapped along with several other children on the same starship, and gradually loses them too. He doesn't have much time to cope with the loss of his family, since he's also facing abuse and captivity at the hands of a psychopath. But when he escapes said psycho, he has a slew of issues to work out. Much of the book focuses on his emotional need for a surrogate family coupled with his trouble trusting anyone enough to make the connection.
- While not a complete example of this, honorable mention should go to Harry Potter, who spends a decent amount of time throughout the books looking for a father figure who won't die on him.
- Ren, Brom, and Ichy in Hannah Tinti's The Good Thief.
- The Dresden Files' titular Harry Dresden is an adult, but the fact that he was orphaned at the age of six (his mother died in childbirth and has father had an aneurysm) is a source of anguish to him, both in itself (he is often lonely due to his lack of a family) and because of the situation it left him in (he was adopted by a man who turned out to be a dark wizard, who trained Harry in a particularly harsh manner, and eventually tried to enslave him and his other adopted child (who was also Harry's lover) when they were in their teens, forcing Harry to kill him). He eventually gets hints that his parents deaths may not have been accidental, and that his mother (also a wizard) ran with a very bad crowd. In later books, it starts to work out. Harry discovers that his mother left her dark allies behind, that he has a brother and that his maternal grandfather is still alive and wants to be a part of his life. He also finds the identity of his mother's killer, allowing him to avenge her.
- Elaine Michaels in Kelley Armstrong's Women Of The Otherworld books. Orphaned in a car crash at five, goes through a series of foster families, some of them abusive. And then gets turned into a werewolf.
- Many of the characters in the series have missing parents, and those that don't sometimes wish they did.
- Happens to Lyra in Black Dogs, but she is quickly taken under the dog solder, Sadrao's, wing.
- Sassinak, by Anne McCaffrey and Elizabeth Moon, in which Space Pirates destroy the title character's home, murders her parents, turns her best friend into a depressed wreck, and makes her their slave. She spends the rest of her life
taking revengesetting things right.
- Maud Flynn in A Drowned Maiden's Hair: A Melodrama by Laura Amy Schlitz.
- Adoptive families in the works of Agatha Christie tend to be dysfunctional at best- in 'Appointment With Death', Mrs. Boynton is a monster to her adopted children. Unfortunate Implications abound.
- Prevalent in F. M. Busby's Rissa Kerguelen series: the heroine and her brother lose their parents very early and are raised, separately, in a "Total Welfare" institution. Their childhoods leave her with issues and him with what can only be described as a subscription. Bran Tregare is not orphaned, but his parents protect him from UET by abandoning him to its clutches — a military academy where the policy is, sometimes literally, "kill or be killed". Zelde M'tana's earliest clear memory is of being part of a band of "Wild Children".
- This is essentially Kathleen's story in Diana Wynne Jones's Dogsbody. A bit different in that her father is kept apart from her in prison. When he does die during an escape attempt, her situation changes for the worse. She's taken in by relatives before the book begins, but some of them treat her as servant and abuse her emotionally.
- In Jane of Lantern Hill by L. M. Montgomery, this is a subplot, about Jody.
- In Sharon Creech's The Wanderer, Sophie is currently Happily Adopted. However, it becomes very clear in flashbacks, that for a few years, she was living in foster families which didn't really cared for her.
- The German author Antonia Michaelis has two books (The Adopted Room and Secret of 12th Continent) which deal with two inmates of an orphanage. Both lost their parents and are very unhappy about it. in the end, one gets Happily Adopted, while the other manages to find his father
- Most of the characters in Someone Else's War are child soldiers, and thus many of them have to deal with the reality of a world in which they can never go back to their parents. Special mention goes to Otto, who left his destitute parents in order to spare them the expenses of feeding an extra mouth.
- In Galaxy of Fear, Tash and Zak Arranda were offworld when Alderaan was destroyed, and with it their friends and family. The only one to take them in was their shapeshifting alien "uncle" Hoole, related only because his brother had married one of their aunts. Hoole was usually distant and cool, mostly leaving them to his droid assistant DV-9, who resented being relegated to babysitting and reminded them of this often. Both of them gradually warmed to the siblings, but it took time. As xenoanthropologist who didn't want to stop working, Hoole also took them across the galaxy into a succession of horrifying situations. It's not for nothing that this series is called Goosebumps IN STAR WARS.
- Genaa D'Anhk is going through a version of this involving her father in the Green-Sky Trilogy. A key plot point is what actually happened to him.
- Tobe, a young boy living near the Scanran border in the last Protector of the Small book. His mother died in childbirth and nobody would take him after the midwife passed away, since he has blond hair and blue eyes like a Scanran. He ends up an indentured servant to a violent innkeeper and has a few people give him false hope of rescue. When Kel finds him, he's bruised, malnourished, flea-bitten, and cynical.
Live Action TV
- While we never see it, Dr. Brennan from Bones did not have a happy time in foster care after her parents mysteriously vanished. It also serves as a Freudian Excuse for her being rather cold and detached.
- Little House on the Prairie: Several episodes had children becoming orphans and the Ingalls becoming involved (in some way) to help the children grieve and/or find new housing. Prominent examples:
- The Sanderson children — John Jr., Carl and Alicia — are left parent-less after their mother dies of a long illness. Mr. Edwards and his wife-to-be, Grace Snider, agree to take in the children.
- Albert Quinn, the street urchin left on the streets of Winoka after his drunken father (a dirt farmer) abandons him. The Ingalls take custody of Albert and legally adopt him, but not until overcoming custody challenge by the boy's father (who comes forward only after learning he could lose his potential farmhand).
- In 1980, a one-up episode was a re-write of an old Bonanza episode ("A Silent Cry") featured a cranky old man (Dub Taylor as caretaker of the Blind School, where Mary is a teacher) wanting to adopt both a "normal" boy and his mute brother and adoption officials want to separate them).
- In 1981, Charles and Albert are hauling freight with a young couple and their two children (Jason Bateman and Missy Francis, as James and Cassandra Cooper) when a tragic accident involving the other couple's wagon (the horses became spooked and, in an unsuccessful attempt to stop the runaway wagon, the brakes fail) crashes, killing both parents. The two children — who stay behind with Charles and Albert, and witness everything unfold — go into shock, and the Ingalls agree to take them in ... temporarily, until a suitable family is found that will adopt them. It's thought at first James and Cassandra will be taken to a loving home, but the father proves to be anything but (he whips James when he is unfairly accused of stealing). When the children take refuge at the Ingalls after the whipping incident, and Charles — after visiting with the father, who was out looking for the children — senses that the man is abusive, he and Caroline conclude that, despite their already crowded house, they have a moral obligation to take custody of the children. Both James and Cassandra remain a part of the cast for the 1981-1982 season, until the Ingalls' departure for Burr Oak, Iowa, in the fall of 1982.
- Later in 1981, the bratty orphan, Nancy, is legally adopted by the Olesens. Nancy claims that she was abandoned by her "loving" mother, but she tells this lie to help her cope with the truth: her birth mother had died while giving birth to her (a condition today known as pre-eclampsia), and with hospital officials unable to find her biological father, she is taken to an orphanage. Of all people, it is Mrs. Olesen — the series villain, who had wanted to adopt Nancy just to spoil — who helps her realize she has people who love her and are willing to give her a stable home.
- In 1982, Laura and Almonzo (by now, the series two main leads) take in their niece, Jenny (Shannen Doherty, in her first major role). Jenny becomes orphaned when her father dies suddenly of heart disease; her mother had died some years earlier. Jenny is shaken by losing her father and tries suicide, but it is a friend of the Wilders — Jeb Carter, who is Jenny's age — that rescues her from suicide by drowning ... and at the same time, overcome his fear of water and shut up Nancy for good.
- During the 1982-1983 season, Mr. Edwards (a year after divorcing his wife, due to his alcoholism) is involved in two custody battles. In "The Wild Boy," a mute boy is discovered to be orphaned, although he does have someone — a cruel circus master, who had doped the boy so high he acts like "The Wild Boy — "taking care" of him, and Edwards rescues him from the circus to give him a stable home. (An episode later in the season has the boy returning home to his loving biological father.) An episode played more for laughs is when Edwards agrees to take care of Blanche the orangutan, after her master dies suddenly.
- Diff'rent Strokes: The premise (a white millionaire adopting two black boys from Harlem) is set up when the boys' mother dies. (A Backstory explains that father had passed some years earlier.)
- In Buffy the Vampire Slayer: Faith's home life before she sides with the Mayor is terrible, as she is stuck living in a dump of a motel room, where the TV and A/C don't really work, and she is seen at least once arguing with the manager about rent.
- Little Orphan Annie. Since a stable home life is boring, and there's only so many variations on the plot of thieves trying to steal Daddy Warbuck's fortune, Annie would often be separated from her guardian and resume living on the street.
- Fire Emblem:
Nah: I soon learned that I'd have to work hard to fit in and survive in my new home. I did chores before I was asked. I helped defend the house from marauding Risen. I thought that if I could make myself useful, they would stop...hating me. I mean, how could they resent a child that always helped and never asked for anything? But they never accepted me... I just learned to deal with disappointment. I had no friends. No one to talk to. ...I was utterly alone. And I never once mentioned how much I missed my father and mother. *Sniff* I...I didn't even ask...when...when they would come back for me...
- Genealogy of the Holy War: The vast majority of the members of your army in the second half of the game have both of their parents dead or missing. This is because they are the children of your army members from the first half who were all slaughtered halfway through the game.
- Fire Emblem: Blazing Sword just hates orphans. Lucius, after having his father killed by Renault, has his mother die of disease. He is then put in an orphanage where he was tormented and brutally picked on by adults and children alike. After this, he's hired on with the Cornwells, who become sort of a surrogate family to him until they die, too, by committing suicide when their house is attacked. As a result, he has a "sickness of the soul" that he cannot get rid of and that plagues him frequently. After the end of the game, he opens his own orphanage which is heavily implied to be destroyed shortly before Sword of Seals with Lucius sacrificing himself to save his charges.
- In Fire Emblem Awakening, some of the recruited characters are children of your other characters, coming back to Set Right What Once Went Wrong. To say they come from a Crapsack World is an understatement. Nah's story hits especially hard.
- In Final Fantasy X, Yuna has a horrific time of it, although it's heavily implied at best. Her mother died when a world-killing god-whale named "Sin" wrecked the ship she was in, which left her father so broken that he went to defeat it so nobody else would have to feel that sort of pain. Of course, Yuna then had to go through the next ten years being reminded of her father's sacrifice, which turned out to be futile since Sin just ended up coming back. It leads to Yuna herself undertaking the same journey to kill Sin for good in memory of him.
- Tidus didn't have it that easy either. When he was still a little kid his dad, who he never got along with that well, vanished overseas and his mother died of heartbreak. Auron looked out for him as a favor to Tidus' father Jecht but Tidus still developed a lot of parental issues.
- Mother3: Lucas has his mother die in front of his eyes, his brother disappears into the mountains trying to avenge her immediately afterward, then his grandfather yells at him for letting his brother leave without telling anyone, and, finally his father spends most of the next 3 years in the mountains looking for his brother, leaving him all alone and very, very sad.
- Pilika of Suikoden II probably has one of the most horrible childhood ever. Her whole family and village is butchered by Luca, the bloodlusty prince of Highlands Kingdom who didn't hesitate a second to organize the slaughter of a part of his own army and blame the opposing side just to begin a new war, becoming a war orphan and the sole survivor of her village. Later, the same man nearly achieves to cut her in half, while smiling and slaughing. She is saved at the last minute, but becomes mute for most of the game. She is then separated from Jowy, her replacement father, who joins Luca's side (though he has good reasons) and is forced to stay with the hero who ends fighting Jowy (the hero's best friend), in the opposite army. When Luca finally dies and Jowy replaces him as the king of Highlands, the war isn't quite over yet : during a meeting where both sides should have signed a peace treaty, she is being used by Shu, the hero's strategist, as a human shield in order to save the hero's hide (turns out the peace treaty was a trap set up by Jowy), abandonning her to the enemy side (which is, in fact, a good thing since Jowy will take care of her, and it's her reunion with Jowy which grants her speech back). In the end, when Highlands is losing the war, she is sent to Harmonia, a distant country, by Jowy along with Jillia, Luca's sister, in order to survive and starts a new life, Jowy staying behind. Yes, she has to leave forever her only parental figure remaining, and to flee with the sister of her parent's murderer (to Jillia's defense, she's not crazy like her brother). You can't help but to feel sorry for her.
- Rule of Rose all the way. There's a reason why the narration never fails to refer to Jennifer as the "poor, unlucky girl", and the other orphans aren't much better; at least Clara, the "Frightened Princess" is probably actually significantly worse off, but she isn't the focus of the story.
- David of Battle Arena Toshinden. His would have to be some of the darkest and nightmarish childhoods to be had. Only at the age of six, his parents were immolated alive and his home razed to the ground by an organization who had their eyes set on him to become the incarnate body of a dark fighting god, and the dark turn in his life was so traumatizing, he fell into a deep confused depression and detachment from any sense of connection and affection. Next, he was finally accepted into an orphanage- One used as a front to provide said Organization with plenty of children and teenagers to sacrifice for their messy magic rituals, and ripened him to a nice age of sixteen, where his birthday would find him witness to the horrific fates that would befall the rest of his lifelong friends. Panicking and fearful of death before being sacrificed in the actual ceremony, David only escaped after snapping and taking the chances into his own hands, arming himself with a chainsaw and leaving behind a bloody massacre on the way out.
- If you choose the Colonist background in Mass Effect, Commander Shepard watched batarian pirates destroy his/her home town shortly after s/he turned sixteen. Not only did Shepard's parents die, but everyone except Shepard who wasn't killed was Made a Slave as they were dragged off. Not the happy origin, clearly.
- Taken even further for a Colonist with the Sole Survivor military history and Ruthless personality, as Shepard went on to join the military for revenge, but during one of their first missions, was forced to watch as their entire squad was killed off by a thresher maw. By the second game, Shepard is forced to work for the group responsible for orchestrating the Thresher Maw attack, but sadly there is no dialogue to address this.
- In The Elder Scrolls V: Skyrim, there are several orphans in the game, and they all have it pretty rough. Lucia in Whiterun in particular is a sad case. Her parents are gone, her aunt and uncle kicked her out because they don't want to raise her, the only person in Whiterun who has shown her any kindness is the surly town drunk, and she has to beg for a living. And that's not even mentioning pretty much everyone at Riften's Honorhall Orphanage, run with an iron fist by Grelod the Kind.
- Little Busters!: It isn't obvious at first, but much of the plot of Little Busters! revolves around exploring the long-term consequences of Riki's parents dying when he was a small child and how it left him scared of the outer world and overly dependent on the only people who were there for him at the time - the other Little Busters.
- Gunnerkrigg Court. Antimony spends the first several chapters dealing in her own way with the double-whammy of her mum's death and her father's subsequent disappearance. Now she's trying to solve some of the mysteries from the Court's and her own parent's histories.
- Digger: the hyena Grim Eyes is technically not an orphan at the start, but her mother Blood Eyes was abusive to Grim Eyes and her father Skin Painter. Skin Painter killed Blood Eyes for it, and as punishment his "name was eaten", considered a Fate Worse Than Death by hyenas.
- After his father's death, Apen Shephard of The Silver Eye was exiled from his country, and had to struggle for survival in the Deadlands. After miraculously surviving, he has a hard time coming to terms with the fact that he might have to start his entire life over again from scratch, but eventually accepts the family that took him in and realizes that he might be able to start over again. This is before Enel shows up, ruining everything, of course.
- Avatar: The Last Airbender. Aang wakes up from his nap as a Human Popsicle to discover that he is the Last of His Kind due to a genocide aimed at him. When he discovers the body of his Parental Substitute he goes into an Unstoppable Rage and is only calmed down—into an ordinary grief-stricken child—when Katara tells him she and Sokka are now his family.
- Several Looney Tunes cartoons starring Charlie the Dog, an annoying mutt who is forever trying to find a master. Many of the cartoons (produced from the late 1940s through mid-1950s) follow a standard formula: He had been kicked out of his previous home for his demanding, hyper-obnoxious personality, and in trying to find a new home, he finds a hapless individual to wear down enough that he'll just have to take him in. One of his frequent victims is Porky Pig, and his signature line was " ... I'm 50-percent pointer — der it is, der it is, der it is!"
- An episode of South Park touches on this when the McKormick children are sent to a crowded foster home where the children are suspended from the ceiling and hosed down with Dr. Pepper for not being ambiguous about God, angels, or other religious icons.
- The Simpsons: In "The Wandering Juvie", Gina turns out to be without a family, explaning her violent path.