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Troperiffic
You know you want to watch it!

"Yor is both everything and nothing that movies have ever been. It rips off so many cinematic cliches that it actually passes infinity, curves back around and then comes back to become something wholly original again! It is, in a word, transcendent.

While some works love Playing with a Trope and others are so lacking in self-awareness that they play everything painfully straight, there are some gems that take delight in their tropes and then turn them Up to Eleven. This is especially common in Reconstructions, where all the narrative conventions that made the genre fun are present in full (and generally goofy) force, or parody works, usually of the affectionate variety, where the whole point is to laugh at as many tropes as humanly possible.

So, the grizzled veteran will jump on a grenade. The Kid Hero will find that last bit of Heroic Willpower to fight off The Virus and vanquish the newly freed Big Bad once and for all. The seven Runes of Borax will be gathered when the planets are aligned to free the Ultimate Evil who will inevitably turn on the evil overlord.

In short, works that are deemed Troperiffic apologize for absolutely nothing and just have fun with every convention or tried idea and taking it to places never thought possible. MST3K Mantra will be sometimes be a requirement to enjoy the work, because without it, Troperiffic works can come off as confusing. Then again, a good Troperiffic work will be fairly obvious about it in some way.

Note that one person's Troperiffic is another person's Cliché Storm, although most Troperiffic works have a certain level of Lampshade Hanging, sarcasm, or underlying love for the genre the work exists in. That, and Rule Of Cool in copious amounts.

Compare Beyond the Impossible, Exaggerated Trope. A work that is verifiably like this can be said to be Trope Overdosed.

Examples

    open/close all folders 

    Anime & Manga 

    Comedy 

    Comic Books 
  • Astro City is extremely casual about things like, say, Earth being the only portal between the realms of the warring Frigions and Thermeons. Even their names are troperiffic.
  • Gold Digger takes tropes from a half-dozen genres, superheroes, SF, fantasy, martial arts flicks, Indiana Jones-style adventure movies, and mixes them all together.
  • Invincible seems to flip back and forth between this and Subversion of the superhero genre.
  • PS238 takes every last superhero-related trope in existence (and a few unrelated, just for good measure), deconstructs them, reconstructs them, plays them straight (though rarely) and averts them. Next thing you know, they're dancing on the tables, wearing lampshades and chugging frothy mugs of water. And it does it all while taking place in a public school.
  • Top 10 takes the Astro City concept to an absurdist extreme with a city literally populated by nothing but superheroes, allowing for every trope of the genre to develop and take center stage.
  • Nextwave. To borrow from Word Of God:
    It’s an absolute distillation of the superhero genre. No plot lines, characters, emotions, nothing whatsoever. It’s people posing in the street for no good reason. It is people getting kicked, and then exploding.Warren Ellis
  • Sin City plays every trope Frank Miller loves.

    Fan Works 

    Films — Animation 

    Films — Live-Action 

    Literature 
  • Every Simon R. Green series ever. The characters are literally walking tropes, complete with their catchphrase and taglines which they often introduce themselves or others with. Jon Taylor, in particular, often tells people, "It's Jon Taylor and Suzie Shotgun, otherwise known as "Oh God it's her, run!""
  • The Chronicles of Prydain, by Lloyd Alexander, are gleefully full of Older Than Print tropes from Welsh mythology. And they're still awesome. Although he does take a few liberties for purposes of fiction — for instance, converting Arawn to an Evil Dark Lord.
  • John Barnes's One for the Morning Glory, where all the characters have Medium Awareness that they are in a Fairy Tale, so that tropes are invoked, lampshaded, and even relied on — but not excessively, since they don't know for certain what their roles are.
  • David Eddings' Belgariad. An intensely derivative work treading over ground walked by fantasy novels since time immemorial and still managing to be an enjoyable read. And his Elenium uses a lot of the same tropes as The Belgariad, but is often considered by fans to be even better. It's after that that things start getting dodgy...
  • Austin Grossman's Soon I Will Be Invincible gleefully describes a street-leveling superbattle involving a world-threatening Mad Scientist with tons of tricks up his sleeves facing down a normal human with an animal on the chest of his uniform, a lightning-summoning fairy, a bipedal tiger, and a flying invulnerable woman, started when the Mad Scientist was just trying to drink some coffee. Almost perfectly invincible flying man with heat-beam eyes saves a lovely reporter from constant kidnapping by a villain intimately tied into his past, dies and has a massive funeral, or rather, fakes it for a very short time, and always saves the world. The bad guy defeats the good guys and ties them up in Death Traps. Famous heroes sacrifice themselves to save the planet from warring aliens, while villains never die and always escape, or go to Cardboard Prison. No one finds these events strange or unbelievable. Very shocking in a book where said Mad Scientist wonders why he doesn't find a career that'd make money rather than involve him being beaten up by powered heroes, and the bipedal tiger is known to have back problems.
  • John Moore's Heroics for Beginners is a send up of all the swashbuckling and RPG clichés that ever were. In fact, the whole premise of the novel is about a Prince who goes off to fight the Big Bad to win the hand of the Princess with the help of "The Handbook of Practical Heroics" (which is essentially a user's guide to Genre Savvy). The Evil Overlord, He Who Must Be Named, makes it disturbingly obvious that the writer has read the Evil Overlord List. His ventilation ducts ARE too small to crawl through. From the back cover:
    When a seemingly crazy, poorly dressed soothsayer tells you not to let a magical talisman fall into the wrong hands, take him or her seriously. DO NOT laugh it off and leave said talisman simply lying around on a side table; you might as well just end the world yourself.The Handbook of Practical Heroics, p. 134
  • Garth Nix's The Old Kingdom books are rife with tropes but make them all work.
  • Jim Butcher is particularly good at this.
  • Pick a Terry Pratchett novel. Any Terry Pratchett novel. The man seems to have a fetish for tropes, as his novels consist entirely of deconstructing, reconstructing, parodying, averting, subverting, and inverting various tropes of all shapes and sizes. Coupled with his decisively British humor, it makes for consistently entertaining literature.
  • Rudyard Kipling's "The Three-Decker" is a defense of the Troperific three-volume novel.
  • As mentioned above, Stardust the novel takes every fairytale trope Neil Gaiman could think of and turns it Up to Eleven. Not all that surprisingly, since Gaiman's intent was to write a fairy tale.
  • Harry Potter. Mostly because it was such a lengthy series, but contains just about every type of character you can imagine.

    Live-Action TV 
  • The A-Team. Part of the appeal is knowing, blow by blow, how each episode will play out before you watch it. There will be a scene where B.A. throws a guy over a car. Murdock will act silly and tick B.A. off. Face will fall in love with every remotely attractive woman he sees. It's just fun. And lots of machine guns will get fired, but no one will get shot. The Big Bad's car will ramp off another vehicle, fly twisting sideways over a ground camera, and crash on its roof. The Big Bad and his Mooks will crawl out, uninjured, and surrender. The basic formula stays the same, but the writers switch up the specifics. Take Murdock, for instance: he'll act crazy, of course, but how? Will he decide he's a cab-driving superhero? Pretend he's Captain Ahab? Act like an artsy filmmaker? Psychoanalyze a bunch of pecans while switching between a German accent and just plain German? ...And yeah, he did all of those things.
  • Chuck seems to tend towards this, with many tropes played straight, though often for laughs. It's predictable, but humorously so (often dialed Up to Eleven). Someone sets a trip wire to stop Thanksgiving thieves at the Buy More? A bad guy will trip over it before the end of the episode.
  • Burn Notice embraces a wide variety of tropes and proceeds to use, subvert, deconstruct, avert, and in general play with all of them. Sometimes the show follows a pretty clean formula for the individual stories, and unfortunately that is its main flaw. But in the narration there is more than a dozen quotes you could use to describe an individual trope that are so specific you know they did it on purpose.
  • Power Rangers RPM is wonderfully aware of inherent unavoidable silliness of Power Rangers, healthily lampshades it, reconstructs it, and still manages to crank it Up to Eleven. Want proof? Head on over to the entry for the series at your own peril.
  • Human Target takes action move tropes and dials them Up to Eleven resulting in one of the most awesome action shows on TV.
  • Glee, in that it relies heavily on plot clichés and a very large amount of character tropes. It's quite predictable, but never completely in the way you'd expect.
  • iCarly and it's use of various Kid Com staples.
  • The Adventures of Brisco County, Jr. unashamedly plays with every trope in the book in pursuit of the Rule Of Cool and Rule of Funny. Even Dead Horse Tropes.
  • Community. Abed is a troper. He invokes tropes.
  • Supernatural invokes all the Did We Just X Cthulhu tropes.
  • Remote Control, the MTV TV trivia Game Show that revolved around a TV junkie-turned-game-show-host and parodied just about every game show in existence and then some, naturally played with as many Tropes as it could get its hands on.
  • Doctor Who is a show about a time travelling alien that fights other aliens in different times. It has used every science-fiction trope in the books, and even named some of them. Notable that in its nearly 50 year run, its not only used most sci-fi tropes, but also ones belonging to fantasy, historical fiction, horror and comedy. And that's not even touching on things like character tropes.
  • Degrassi. Just look at its page. It's basically explored every possible angle of the Teen Drama, not to mention being the successor of the shows that created the genre in the first place, and is now a certified Long Runner.
  • Everybody Hates Chris did this with Race Tropes.

    Music 

    Tabletop Games 

    Toys 

    Video Games 

    Visual Novels 

    Web Comics 
  • If individual characters can be Troperiffic, Antihero For Hire's Dr. Nefarious is.
  • In-story example: In Gunnerkrigg Court, Dr. Disaster's holo-simulator plugs its users into a story straight out of 1950s pulp sci-fi: Latex Spacesuits, Death Rays, and alien moon fortresses are played gleefully straight. Antimony is the only one who has any problem accepting this, and even she eventually lightens up and has a great time.
  • Chris Hastings once wrote down every single '80s action movie trope that he could remember. Then he crammed ever one of them into a story. The result was The Adventures of Dr. McNinja Story Arc "D.A.R.E. to Resist Ninja Drugs and Violence".
  • No Rest for the Wicked: How many fairy tales can you stick into a single webcomics? Quite a few, actually.
  • Terinu combines old school YA science fiction coming of age, super powers, space pirates, a galaxy wide war story, cyberpunk style net hacking... WITH FURRIES!
  • Adventurers! skewers basically every RPG trope in the entire TV Tropes Wiki.
  • The Order of the Stick is determined to have an example on every page here. Even mutually exclusive ones. Especially mutually exclusive ones!
  • And Girl Genius is another Trope-alicious example.
  • Problem Sleuth, like Adventurers!, goes out of its way to use, lampshade, avert, subvert, invert, and pay homage to nearly every single RPG and Adventure game trope out there, culminating in one of the most gloriously surreal Final Boss battles ever, as all the tropes collapse in on themselves like some giant Post-Modernist singularity.
  • Homestuck, the MS Paint Adventures currently in progress, does the same thing for simulation games, fantasy, and sci-fi that Problem Sleuth did for adventure games, noir, and Anime-style action. Many time travel tropes, a jillion different kinds of Applied Phlebotinum, video game themed technobabble, characters with increasingly bizarre traits, and a great big heaping of Tropes of Legend all mix together with a great soundtrack and whimsical art style into the one of the most Troperiffic things in existence. The main work page itself became so long that the tropes listed had to be put into folders! In fact, Homestuck as well as other hugely Troperiffic franchises are in part responsible for some of the recent server crashes. They have so many tropes they are crashing the site.
  • Even though The Dreamer only has 10 issues so far, it is particularly trope-filled.

    Web Original 

    Western Animation 

    Real Life 
  • Eric Berne wrote a book called Games People Play, which was essentially a collection of tropes of human interaction. Berne gave them games memorable titles such as "Now I've got you, you son of a bitch," "Wooden leg," "Yes, but...," and "Let's you and him fight."
  • More disturbingly, Nazi Germany could be called this. Part of their strategy for drumming up the support of the German people was using a lot of pageantry, theatrics, and such to make being a Nazi seem exciting. Not to mention the truly staggering amount of Villain Tropes they embodied... They inspired some, too. A Nazi by Any Other Name would be just as sociopathic.

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alternative title(s): Troperrific
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