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Troperiffic
You know you want to watch it!

"Yor is both everything and nothing that movies have ever been. It rips off so many cinematic cliches that it actually passes infinity, curves back around and then comes back to become something wholly original again! It is, in a word, transcendent.

While some works love Playing with a Trope and others are so lacking in self-awareness that they play everything painfully straight, there are some gems that take delight in their tropes and then turn them Up to Eleven. This is especially common in Reconstructions, where all the narrative conventions that made the genre fun are present in full (and generally goofy) force, or parody works, usually of the affectionate variety, where the whole point is to laugh at as many tropes as humanly possible.

So, the grizzled veteran will jump on a grenade. The Kid Hero will find that last bit of Heroic Willpower to fight off The Virus and vanquish the newly freed Big Bad once and for all. The seven Runes of Borax will be gathered when the planets are aligned to free the Ultimate Evil who will inevitably turn on the evil overlord.

In short, works that are deemed Troperiffic apologize for absolutely nothing and just have fun with every convention or tried idea and taking it to places never thought possible. MST3K Mantra will be sometimes be a requirement to enjoy the work, because without it, Troperiffic works can come off as confusing. Then again, a good Troperiffic work will be fairly obvious about it in some way.

Note that one person's Troperiffic is another person's Cliché Storm, although most Troperiffic works have a certain level of Lampshade Hanging, sarcasm, or underlying love for the genre the work exists in. That, and Rule Of Cool in copious amounts.

Compare Serial Escalation, Exaggerated Trope. A work that is verifiably like this can be said to be Trope Overdosed.


Examples

    open/close all folders 

    Anime & Manga 

    Comedy 

    Comic Books 
  • Astro City is extremely casual about things like, say, Earth being the only portal between the realms of the warring Frigions and Thermeons. Even their names are troperiffic.
  • Gold Digger takes tropes from a half-dozen genres, superheroes, SF, fantasy, martial arts flicks, Indiana Jones-style adventure movies, and mixes them all together.
  • Invincible seems to flip back and forth between this and Subversion of the superhero genre.
  • PS238 takes every last superhero-related trope in existence (and a few unrelated, just for good measure), deconstructs them, reconstructs them, plays them straight (though rarely) and averts them. Next thing you know, they're dancing on the tables, wearing lampshades and chugging Frothy Mugs of Water. And it does it all while taking place in a public school.
  • Top 10 takes the Astro City concept to an absurdist extreme with a city literally populated by nothing but superheroes, allowing for every trope of the genre to develop and take center stage.
  • Nextwave. To borrow from Word Of God:
    It’s an absolute distillation of the superhero genre. No plot lines, characters, emotions, nothing whatsoever. It’s people posing in the street for no good reason. It is people getting kicked, and then exploding.Warren Ellis
  • Sin City plays every trope Frank Miller loves.
  • The extremely detailed world of American Flagg is a Twenty Minutes into the Future Cyber Punk Crapsack World full of sex, violence, drugs, and references to just about anything and everything.

    Fan Works 

    Films — Animation 

    Films — Live-Action 

    Literature 

    Live-Action TV 
  • The A-Team. Part of the appeal is knowing, blow by blow, how each episode will play out before you watch it. There will be a scene where B.A. throws a guy over a car. Murdock will act silly and tick B.A. off. Face will fall in love with every remotely attractive woman he sees. It's just fun. And lots of machine guns will get fired, but no one will get shot. The Big Bad's car will ramp off another vehicle, fly twisting sideways over a ground camera, and crash on its roof. The Big Bad and his Mooks will crawl out, uninjured, and surrender. The basic formula stays the same, but the writers switch up the specifics. Take Murdock, for instance: he'll act crazy, of course, but how? Will he decide he's a cab-driving superhero? Pretend he's Captain Ahab? Act like an artsy filmmaker? Psychoanalyze a bunch of pecans while switching between a German accent and just plain German? ...And yeah, he did all of those things.
  • Chuck seems to tend towards this, with many tropes played straight, though often for laughs. It's predictable, but humorously so (often dialed Up to Eleven). Someone sets a trip wire to stop Thanksgiving thieves at the Buy More? A bad guy will trip over it before the end of the episode.
  • Burn Notice embraces a wide variety of tropes and proceeds to use, subvert, deconstruct, avert, and in general play with all of them. Sometimes the show follows a pretty clean formula for the individual stories, and unfortunately that is its main flaw. But in the narration there is more than a dozen quotes you could use to describe an individual trope that are so specific you know they did it on purpose.
  • Power Rangers RPM is wonderfully aware of inherent unavoidable silliness of Power Rangers, healthily lampshades it, reconstructs it, and still manages to crank it Up to Eleven. Want proof? Head on over to the entry for the series at your own peril.
  • Human Target takes action move tropes and dials them Up to Eleven resulting in one of the most awesome action shows on TV.
  • Glee, in that it relies heavily on plot clichés and a very large amount of character tropes. It's quite predictable, but never completely in the way you'd expect.
  • iCarly and it's use of various Kid Com staples.
  • The Adventures of Brisco County, Jr. unashamedly plays with every trope in the book in pursuit of the Rule Of Cool and Rule of Funny. Even Dead Horse Tropes.
  • Community. Abed is a troper. He invokes tropes, finding the worlds of TV and movies much more interesting. Even beyond Abed, the show has happily thrown itself into parodies and homages to practically every genre of fiction (and non-fiction) on the planet.
  • Supernatural invokes all the Did We Just X Cthulhu tropes.
  • Remote Control, the MTV TV trivia Game Show that revolved around a TV junkie-turned-game-show-host and parodied just about every game show in existence and then some, naturally played with as many Tropes as it could get its hands on.
  • Doctor Who is a show about a time travelling alien that fights other aliens in different times. It has used every science-fiction trope in the books, and even named some of them. Notable that in its nearly 50 year run, it's not only used most sci-fi tropes, but also ones belonging to fantasy, historical fiction, horror and comedy. And that's not even touching on things like character tropes.
  • Degrassi. Just look at its page. It's basically explored every possible angle of the Teen Drama, not to mention being the successor of the shows that created the genre in the first place, and is now a certified Long Runner.
  • Everybody Hates Chris did this with Race Tropes.
  • Merlin is this from season 1 to the beginning of season 3. Then, plots start becoming more complicated and less predictable, and less tropes played straight are involved, as most of the episodes feature twists and tropes merely subverted or deconstructed.
  • Farscape. Just look at how its main page had to be subdivided into separate ones. And then it takes the tropes and twists them into funny shapes like so many balloon animals, even playing with a trope it was the Trope Codifier for in the episode in which it was codified and named!

    Music 

    Tabletop Games 

    Toys 

    Video Games 

    Visual Novels 

    Web Comics 

    Web Original 

    Western Animation 
  • While many superhero comics since the end of the Silver Age try to avoid the almost inherent silliness of the genre, Batman The Brave And The Bold embraces them so hard that it goes back around from "stupid" to spectacular. It also adds the occasional dash of Bronze Age and Modern Day super-hero tropes to keep viewers on their toes.
  • Buzz Lightyear Of Star Command took what could have been a cheap knock-off show and turned it into pure awesome through a combination of Genre Savvy and this trope. Zurg gets extra points for being Dangerously Genre Savvy...most of the time.
  • Avatar The Last Airbender. Example: it takes Elemental Powers, plays them to the hilt by having the benders use their powers for more than just fancy martial arts. There are a few subversions, notably Azula's interruption of Aang's Avatar transformation and Zuko's subverted Heel Face Turn at the end of the Season 2 finale. This just makes those trope subversions all the more jarring and awesome.
  • The Simpsons, in spades. Just check out the length of their page.
    • And there's even more than what you can find on their own page. Pick a random trope, any trope. Chances are, there will be an example from The Simpsons there.
    • Along with Family Guy.
  • Phineas And Ferb. Their favorite is Better than a Bare Bulb, but judging from the page length, they're no strangers to any trope — almost every single one has been played straight, subverted, double-subverted, inverted, etc.
  • The Scooby-Doo reboot, Scooby Doo Mystery Incorporated. By the first episodes official airing its page had dozens of tropes, and as of this writing only around seven episodes have been replaced and it's almost as big as the main page. It's also noteworthy that very few other shows in the series have their own page yet.
  • Sym-Bionic Titan is just one huge love letter to the super robot genre and tokusatsu and boy, does it ever show.
  • Jimmy Two-Shoes. The show isn't even two seasons long yet, but the page for it is filled with tropes.
  • Adventure Time. This entire show is just one big love-letter to The Nineties' cartoons.
  • Regular Show is another, if not bigger love-letter to The Nineties' cartoons and even goes as far to have many references to The Eighties. Its characters, crazy plots, and overall surreal nature is loved by many a tv troper.
  • My Little Pony: Friendship Is Magic. The two-part pilot draws from nearly every Magical Girl trope in the book. The rest of the series is a Slice of Life comedy with heavy Looney Tunes influences, numerous shout outs that the target demographic might not get, and An Aesop applied at the end of nearly every episode. It's also self-aware enough that it lampshades most of these tropes. Is it any wonder why this show got such a vocal Periphery Demographic?
  • Total Drama Island, both because of its parody of reality show tropes and its 24+ different character types with their own personalities.
  • South Park has made a mission of spoofing, skewering, twisting, parodying, lampooning, deconstructing, and (often) at the same time abusing and celebrating virtually everything under the sun, especially Tropes.
  • Both incarnations of ThunderCats feature a setting that combines fantasy and science fiction, which surprisingly works extremely well.
  • Wakfu has to split its tropes up into 8 separate pages; and that's not counting those for The Legend of Ogrest.


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