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Transformation Sequence
A rare male example
Before the Ordinary High School Student (or a hidden Bad Guy) can access their secret powers, there must be a powerup. This usually involves a change of form or at least costume, although the precise mechanisms usually vary by type.

A Magical Girl's Transformation Sequence is usually triggered by a key phrase and special gestures, and sometimes requires a magical token of some sort. It normally includes a long, symbolic light show, and can strip its subject naked for at least a few seconds before the new uniform starts forming out of ribbons, energy, feathers, or whatever the dominant paradigm of the character demands. Although this nudity is typically fodder for fanservice, it also has its own significance, in that the character is symbolically discarding her "mundane" identity and taking on a magical one.

The character is lifted into the air, spun around and can undergo a number of contortions which they probably would not normally make of their own free will; they are then deposited back on the ground in their empowered form, at which point most of them feel compelled to give a short speech identifying themselves to anyone who hasn't already figured it out.
There are few "magical boys" and even fewer undergo a true Transformation Sequence; those that do don't seem to need quite as much frippery as the girls. Their outfits are usually more uniform- or armor-like. However, sentai-esque series such as Ronin Warriors will often have them.

A Demonic or pseudo-Demonic Transformation Sequence usually involves ripping skin, gouts of blood, screams of pain and other unpleasantries, depicted either in silhouette, or in excruciating close-up detail. Clothing is shredded and abandoned; replacements are optional and depend on the motif of the resultant demonic form. (See also Magic Pants.) If the transformation is voluntary, it's triggered by a simple act of will. (See Generator Gawl, Guyver, or any horror/sci-fi bishounen anime for samples of this variety.) This variant is also common for alien, mutant, or otherwise monstrous transformations. See also Transformation Trauma, Painful Transformation.

Another variant is the "assisted" transformation sequence, which can happen in a To The Bat Pole moment.

Transformation Sequences are good for a show's budget because they provide a large amount of Stock Footage that can be (and often must be) reused each episode. They also provide nice filler for the writers. If a particular transformation sequence occurs multiple times in one episode, a shortened version will often be used after the first time (hopefully).

The shots and angles used in a Transformation Sequence owe a great deal to the Lock And Load Montage.

Humongous Mecha that can transform and/or merge often do so in this manner, especially in old-school mecha shows of the "giant metal super hero" vein.

Rarely is there a special-effects sequence for changing back.

It seems to be an unwritten rule that evil characters almost never get a Stock Footage transformation sequence, instead opting for a special-effects-assisted "insta-transformation". This is a good way to spot the Sixth Column or a Noble Demon looking to make a Heel Face Turn somewhere down the line.

Note that many transformation sequences are actually just for the viewer's benefit (and to eat up air time), and the actual change as experienced by the character is instantaneous — or at least very brief. This might explain why bad guys (almost) never attack a hero during his transformation sequence, although the Dangerously Genre Savvy usually will not let the opportunity slip by.

Compare Take Off Every Zig.

Examples

Anime
  • Cutey Honey is the archetypical transforming Magical Girl, including catchphase, naked transformation, and In The Name Of The Moon.
  • Was done in an adaptation of Zorro. Regular Zorro. He transformed.
  • The majority of protagonists, antagonists, and minor enemies in Guyver are capable of changing to and from incredibly strong and sentient beings; the most prominent is the main character, Sho Fukamachi (a.k.a. "Guyver 1").
  • Moldiver parodies the conventions with a transformation that destroys clothing unless the transformee strips naked first.
  • Similarly, Poemi Watanabe's transformation to Puni Puni Poemi automatically strips her bare — except for her socks, which she has to manually remove before she can complete the sequence.
  • Parodied in Hayate The Combat Butler; Hayate once drew a manga about a magical girl that won a manga contest. When he showed it to the other girls at their insistence, the girls noted with some irritation that the transformation sequence was too Moe Moe and full of Fan Service.
  • The Transformation Sequence in Futari Wa Pretty Cure is unusual in that it requires both girls in the show to invoke it together; it is also extraordinarily pyrotechnic in appearance.
    • This troper noted that the "implied nudity" present in almost every transformation sequence in anime is only present in the original Pretty Cure and Max Heart; subsequent series have the girls go from civilian clothes straight to glowy shapes which explode into the new outfit.
    • Mercifully in Yes Precure 5, the individual girls' sequences are very brief and often happen simultaneously via split-screen. Five long transformation sequences may be pretty and cheap but it ain't half boring the umpteenth time.
  • Macross had a mechanically detailed slow-mo sequence of the Valkyrie's shape-shift in the opening, but most times the changes happened lightning-fast, without Stock Footage. The later Macross series generally followed the lead of the first, although beautifully animated slow-motion transformations (as in Focker's VF-0 transformation in Macross Zero) were retained, these sequences were mostly one-off Fan Service moments.
  • UFO Princess Valkyrie has at least 4 different transformation sequences, all of which provide plenty of fanservice:
    • Let's not forget doing at least one of them, both ways, at least one per episode.
    • Valkyrie: a fairly standard transformation sequence, triggered by Valkyrie kissing Kazuto.
    • Hydra: another fairly standard transformation sequence, triggered by Akina temporarily removing the seal on Hydra's power.
    • Valkyrie Ghost: an evil-type transformation: involves lots of chains and darkness, appears to be painful, causes manacles to appear around Valkyrie Ghost's wrists.
    • Akidora: fairly standard sequence, this transformation combines Akina and Hydra, averaging their "assets"; introduced in episode 9 of season 2 and used 3 times in that episode alone (full-length every time), plus at least once more during the series. Triggered when Akina and Hydra are annoyed at each other, dissolves if they start feeling friendly toward one another.
  • A unique variant on the Transformation Sequence appeared in Mononoke (and the Bakeneko arc of Ayakashi it was developed from). In it, the Medicine Seller doesn't so much transform as summon a warrior body to replace his normal one- the patterns slide off his blue robes and pale face and crawl onto his warrior form's golden robes and dark-skinned face before his original form vanishes, in what is unquestionably the coolest Transformation Sequence ever animated.
  • Ronin Warriors had multiple Transformation Sequences for different levels of power.
  • Getter Robo, one of the classic Transforming Mecha series, subverted it when the prototype Getter units were destroyed as an enemy attacked in the middle of the transformation sequence. A modern sequel had the heroes pull the same trick against their Evil Counterparts — after doing their own combination sequence first — to prove how much more Bad Ass they are.
    Ryoma: "What's the matter? Can't even pull off a change without checking the controls?"
    • Then gleefully subverted with the relevation that the heroes only destroyed one of the machines. The other two formed enough of the machine for their enemies to keep fighting. Of course, one Stoner Sunshine later...
    • This scene seems to be based on the first battle in the Shin Getter Robo manga, though in that version they managed to destroy the partially-formed mecha before it could fight back.
  • Zettai Muteki Raijin-Oh took this trope to epic levels early in the Super Robot genre — Not only does the titular combiner have a gattai sequence, the classrooms of the school transform into a command centre, with the whole structure of the school building rearranging itself. The three pilots do a whole To The Bat Pole sequence, and the school hall, pool, and sports track all unfold to reveal the three component robots of the titular mecha.
  • Spoofed in episode 41 of Keroro Gunsou, where Tamama suggests the squad attack Kogoro during his Transformation Sequence, but Keroro insists they wait until it's finished.
  • Sailor Moon, with its heavy dependence upon stock footage, used pretty much every variation of the Transformation Sequence over the years.
    • Transformation sequences gradually evolved over the course of each season as the novelty wore off: condensed, "team transformation" sequences created by intercutting the various characters' individual transformation sequences predominate in later episodes.
    • In Ami Mizuno's Day In The Limelight episode of Sailor Moon R the camera actually cut away from her Sailor Mercury transformation sequence twice. The sequence appears to be happening in real time and her opponent appears to transfixed by the lightshow.
    • When we actually see a character (namely, Sailor Uranus) transform back on-screen, it apparently requires only an act of will, as opposed to the "By The Power Of Greyskull" phrases used for normal transformations. Also, there are a few plot-critical moments at which Sailor Moon is temporarily depowered by a villain, reversing her transformation; these, however, are obviously not voluntary.
  • Similarly, Tokyo Mew Mew shows Mew Ichigo voluntarily transforming back into her normal form at least twice (with no nudity shown), seemingly just by touching her pendant; in the last episode, the entire team gets their transformations reversed because their powers are no longer needed.
  • Mermaid Melody Pichi Pichi Pitch gives everyone two separate sequences; one if they're in human form, and one if they're mermaids. Also, once they get their first wardrobe and weapon upgrade, it appears that Lucia, Hanon and Rina cannot transform separately until near the end of the season, for the simple reason that the animators didn't make the necessary Stock Footage.
  • Saint October dispenses with glittery body outlines and comes up with things like... giant balls of mud dripping down and covering the magical girl.
  • In Princess Tutu, you can tell the Dark Magical Girl by the pain she goes through when transforming — black wings rip out of her back and thorny vines wrap around her as she voicelessly screams. The title character, however, gets a regular Transformation Sequence with glowy body outlines and beautiful water, egg and light imagery.
    • The main character also has a short transformation sequence that takes place when she turns from a duck into a girl, although we see the transformation from the viewpoints of outsiders about as many times as we see the sequence, and it seems like most people simply see it as a bright flash of light followed by a naked girl standing where a duck was a moment earlier. Also, it's a little interesting to note that in comparison to a lot of other magical girl shows, Tutu's transformation sequence is very short — the main character only disappears into a golden egg for a moment and comes out fully clothed. The promo video made before the show was produced shows a much longer, more traditional transformation sequence, however.
  • Parodied nicely in Genshiken; when forcing Saki to cosplay, a somewhat...unhinged... Ohno, with a creepy laugh and in a sing-song voice, says "Time for all the gentlemen to get out of here, so Saki can begin her transformation sequence".
  • Parodied in Asagiri No Miko where during one monster attack Seiko orders the girls to "Transform!"... And they run into a locker room and laboriously change into their miko clothes.
  • Magical Girl Lyrical Nanoha features long transformation sequences for the heroine and her female comrades. Notable for the nudity of the heroine even when she was a minor, although no secondary sexual characteristics are depicted. In certain cases, even the weapons get their own transformation sequences. In the third season, Nanoha StrikerS, the clothes of the only male on the team explode directly into his Barrier Jacket with no implied nudity in between — particularly conspicuous next to the consecutive transformation sequences of the females, who have their clothes explode long before the Barrier Jacket appears.
    • Said sequences happen in decreasing frequency through subsequent seasons. A's has the characters perform the transformation sequence twice for the whole season, while StrikerS also had it twice for the main characters only during its 26-episode run. Heck, the Wolkenritter who were introduced in the second season did not have a transformation sequence until the third season, and it was very brief. After transformation sequences have been done previously, the characters usually just gets enveloped in a ball of light and transforms in a split second.
    • Doubly subverted in the second episode of the first season where a giant dog of a Jewel Seed monster attacks Nanoha during her Transformation Sequence... only to get tossed away like a rag doll by the powerful barrier it generates.
    • We also see variations on transformations, including one that is virtually instant (Nanoha says simply, "Raging Heart, please?" and her Jacket flows over her), and numerous detransforms that are not only simple but clearly triggered just by willing them.
  • Yami Yugi's appearances in the early episodes of Yu-Gi-Oh were usually preceded by a Transformation Sequence. After a while they cut this short, but the dub version left it in for a while afterwards.
  • Subverted in Card Captor Sakura, where the transformation leaves title character Sakura the same, instead transforming the tiny geegaw she wears on a necklace into a three foot long staff which she needs in order to use the magic cards. Any changes to her wardrobe are done in an entirely non-magical way. Oddly, these transformation sequences don't always use Stock Footage, since Sakura wears different costumes in almost every episode.
    • In fact, it only used stock footage when she was in her school uniform, which she rarely was for a fight.
  • Konjiki No Gash Bell featured a parody of the elaborate transformation sequence, with one-shot villain Coral Q able to transform into a variety of forms to counter Gash's spells. He takes great pride in these transformations (with theme song sung by sentai mainstay Hiroki Takahashi), and Kiyomaro counters them by simply saying he blinked and missed them, forcing Coral Q to de-transform and re-transform.
    • Kiyomaro makes Coral Q do it over several times — for the first two, he did miss it: Coral Q goes from being a laughably tiny half-transformed box-like thing to a ridiculously giant robot in an instant. Kiyomaro makes him do it over twice because he's convinced that he somehow missed a step... and then he gives up trying to figure it out and starts screwing with Coral Q.
  • Capcom has been experimenting with this a lot lately in the Rockman / Mega Man series. Cross Fusion starting in the third season of the EXE/NT Warrior anime, Denpa Henkan/EM Wave Change in the new Ryuusei/Star Force game/anime, and the "Rock On!" ability that underpins the ZX series.
    • Specifically, in ZX Advent, Ashe and Aile get full-on Magical Girl-esque transformations (Vent and Grey's transformations are similar, but much shorter; Grey's appears to be a Painful Transformation).
  • Double Subversion in Voltron. During one episode, the villains decide to attack Voltron while it is transforming. Unfortunately for them, they find out that a force field protects Voltron while it is transforming.
    • Similarly, Gao Gai Gar is surrounded by a tornado of greenish energy during its Final Fusion sequence. This time triple subverted when at least one Monster Of The Week was actually able to breach it and attack the machines in the middle of transforming, and had to be distracted by another Brave robot.
      • Gao Gai Gar also had to fight off the second Monster Of The Week himself in mid-transformation.
      • It should also be noted that at least twice Gao Gai Gar is shown to perform "Fusion Out" with help of hangar machinery, making it a rare demostration of nominal way of ungattai-ing the combined mecha.
      • The earlier Brave show Brave Express Might Gaine had no such protection & actually did get attacked mid-gattai by a Genre Savvy opponent at least once.
    • The title mech of Gravion is surrounded by a huge bubble of turbulent gravity-manipulation as its parts join together. Notable in that even the pilots of the separate machines have to be careful and concentrate on what they're doing, or it's quite capable of knocking them away too.
      • Subverted in Gravion Zwei, where a zeravire specially designed to brake Gravion combination sequence appears. It succeeds, and proceeds to use energy of Elgo Form to wreck general havoc.
  • Subverted in Bleach, where in order for Ichigo to become a Shinigami all that is required is for anyone with an appropriate 'soul-removal' tool to give him a good smack with it.
    • He can do himself two ways though, either with the badge he acquires after the Soul Society arc, or by putting Kon into his body.
    • Although Ichigo and Renji's Bankai both give them new outfits, although the extended transformation sequences are usually just for dramatic purposes, and are typically much shorter after the first time.
  • Averted in Galaxy Fraulein Yuna where one of the characters has a literal three frame transformation from normal clothing to battlesuit. Phenomenally cool.
  • Subverted in UFO Robo Grendizer (Westernized as "Grandizer"). The villains exploited a design flaw in the Grandizer unit — as it left its ship (its transformation sequence), the pilot's seat took eight seconds to travel from the ship's control center to the robot's. The locals end up developing another support craft for the robot to respond to this, complete with its own full-time pilot.
    • Played straight with the Pilot's transformation sequence, announced with a roaring Dude Fureedo!
  • Subverted in the second episode of Ultimate Girls when Tsubomi and Vivian transform. Instead of the stock animation which is later used, a "now transforming" meter is displayed which looks suspiciously like an Adobe Flash Player loading bar.
    Tsubomi is currently transforming. Please wait.
  • Tekkaman Blade has a rare male nude transformation sequence. However, the transformation sequence was pretty much dropped after about six or seven episodes. It was replaced with Stock Footage of the Humongous Mecha, Pegas, being deployed.
    • When Saban created their dub of the series, Teknoman, they reinserted the sequence into most episodes that didn't have it. It was even combined with the Pegas launch-sequence, creating a double-length sequence.
  • Moka's super-vampire transformation in Rosario To Vampire shows up nearly every time, and seems to have bats flying into her body and increasing her breast size. The DVD version goes a step further and removes the glow from her body, canceling out at least some of the Anime Anatomy. Come the second season, another, slightly more elaborate one is used.
    • Oh, and apparently this sequence happened in real-time and included a voice-over that was actually part of the sequence. Played for laughs in at least one instance when Moka transformed off-screen... and yet the voice-over describing what was happening could still be heard.
  • Guyver has a rare non-nude transformation sequence, as the Guyver Armor appears over any clothes the user is wearing. It additionally provides an explanation for why the user can't be attacked, as he's protected by a Sphere Of Destruction during the transformation. In one of the early episodes, one of the Mooks attempts to grapple the hero in mid-transformation, and gets splattered into a fine meat-paste for his trouble. In another, Sho is chained to his girlfriend so that he cannot transform without killing her.
  • Wedding Peach had two, one for the wedding dress form, and one for their standard Magic Warrior form.
  • To Love Ru: Lala's change into "Dress Form" somehow manages to combine this and Naughty Tentacles. Seriously.
    • Which is, unusually, skipped after just the first two episodes.
    • In To Love-Ru's Show Within A Show, Magical Kyoko, the transformation sequence is subverted. Kyoko, a magical girl, has a cat partner that transforms into her costume — and only her costume. Kyoko has to manually put it on.
  • Subverted in Blue Dragon where as several robots begin to merge together in a transformation sequence, one of the heroes quickly slices them in half while berating them for thinking she would stand still and wait while they used such a long sequence during battle.
  • The Pretty Sammy series mostly plays it straight with an epileptic seizure-causing bit of Stock Footage, but sometimes parodies aspects of it. One of the first times Sammy transforms ends with her getting kicked down by Pixy Misa as she's posing.
  • Himeno Awayuki of Pretear has seven six available transformations, depending on the Leafe Knight she is merging with; all sequences look pretty similar, though. No special words are used, the process is triggered by joining hands. The de-transformations are also shown occasionally, but they don't get any special footage, and don't neccessarily happen at her own will.
  • Onmyou Taisenki has a variation, in the form of Shikigami summoning sequences. Interestingly, pretty much everyone has them, and it's a pretty good way of telling how significant a Toujinshi is to the plot: important characters get long personalized sequences, while Mooks and Red Shirts all get the same generic sequence.
  • The Demonic subtype is played straight when the titular character of Naruto pulls out his fourth kyuubi tail. Watch it here while listening to Linkin Park.
  • Do-chan, the sentient Battle Dogi from Ranma 1/2, isn't actually worn. When it finds a suitable master, it flashes into a bolt of lightning that crashes down on its owner, ripping her clothes to shreds (which leaves them naked momentarily,) and reforming on her body. It is also emphatic enough to know precisely when its owner wants to transform.
  • The Impulse Gundam from Mobile Suit Gundam SEED: Destiny uses a variation on the original series' Core Block System to launch — the cockpit is a transforming fighter, the legs are a separate module and the entire upper body is a third, with extra equipment arriving as a fourth after the main body has combined in mid-air. Faintly subverted because the transformation actually takes place in real time, and therefore it's very vulnerable to a quick-thinking enemy.
    • It actually seems to be played straight instead because Shinn is never attacked during that sequence, even if the opportunity has been given more times than this troper cares to remember. Mook Chivalry maybe?
    • No such luck for the protagonist of Victory Gundam, despite having a very similar combining/transforming sequence; well over half a battle can and is spent just trying to get all the peices together without being interrupted or outright destroyed by the enemy, leading to such gems as Uso having to fight without arms or even legs.
    • In contrast, G Gundam just went for straight up Fanservice. Unless there was some other deeper meaning this troper missed while watching the latex wrap snugly over Domon Kasshu's buttocks. In close-up.
  • Uta Kata has quite a bit of variety in its transformation sequences for Ichika, depending on which Djinn she summons. Each of her costumes is designed by a different well-known manga or anime artist. Ichika sometimes becomes fully naked, but also changes almost instantly on some occasions.
  • Shugo Chara, by its very nature as a Magical Girl series, has these. It has an odd case in Ikuto getting a transformation sequence that has all the sparkles and effects the girls' sequences have. Also subverted briefly when Amu goes through the motions without her Transformation Trinket, only realizing too late that it won't work.
    • However, Ikuto is not wearing pink or anything like that. It's still manly, and it's about time the boys got in on the action. The No Male Senshi rule was very sexist. Compare to Super Sentai, where there are very often 2-3 girls.
  • Kaze No Stigma is positively laden with transformation sequences, mainly Ayano Kannagi whipping out her sword Enraiha. This troper has watched several dozen anime in his time, but still couldn't contain the laughter every time this ridiculously stereotypical one was played — often several times per episode (or at least it felt that way).
  • Saber Rider and the Star Sheriffs has a "4 vehicles transform into one Mecha" every episode.
  • Not only do the Digimon have several transformation sequences every episode, seasons 3 and 4 had the humans transforming, several times with the naked scenes.
    • Subverted it the movie, where a virus Digimon observes their Ultimate Digivolutions, then attacks them in mid-change. This is notable as he is the only character in the entire franchise so far to attack during a transformation, despite this being a major flaw in all Digimon. One antagonist was a sentient deletion program, yet it waited the several on-screen minutes needed for their transformations.
      • However, much of the series seems to imply that it takes only as long to actually happen as it takes to say "<name>mon digivolve to...<name2>mon!". A speed of plot type of thing.
    • Using the power of their Transformation Trinket (D-Tectors and Human/Beast/Fusion/Unified Spirit), the characters in Digimon Frontier go through a 32 second transformation sequence to change into their digimon forms. Lots of Anime Anatomy, screaming, and pretty lights are involved. The sequence doesn't look like it, but transforming is painful, and the amount of pain correlates with how powerful the form is (one word: ew.). Takuya's voice actor refused to voice Takuya's final evolution because he didn't want to harm his voice with all the screaming and all.
  • Dinosaur King uses transformation sequences for the six main dinosaurs (Chomp, Ace, Paris, Terry, Spiny, and Tank). Notably, they change from 2D chibi dinosaurs into CGI realistic dinosaurs. As the series progresses, they shorten these sequences, cutting from the chibi dinosaur straight to the CGI.
  • Almost completely averted by the titular character of Inu Yasha, who became human for the night of the new moon. The transformation had no visible effect on his clothing, there was a brief a pulse of power during the transformation, and his hair and eyes changed color, while his ears shifted between human and hanyo form. And his fingernails would change length. In the manga it was clear the entire transformation happened in under a second. Nonetheless, it could be quite dramatic, because when Inu Yasha returned to hanyo form, you knew he was going to open a can of whupass on the opposition.
    • The same generally goes for his Superpowered Evil Side transformations, although they tend to be more drawn out for dramatic effect (although his power boost and reluctance to lose his humanity probably play a part, too.)
  • Getsumento Heiki Mina (aka Lunar Rabbit Weapon Mina) has gratuitous Fan Service-laden sequences. Complete with Gainaxing. Yes, magical Gainaxing. (Jump to 1:58 for the good stuff.)
    • Also, in the last episode, we find out that everyone else just sees them having a bright light surround them for about half a second, then they are done transforming.
  • Solty Rei showed a member of the RUC team suiting up with her Powered Armor in a fashion reminiscent of this trope, complete with a bit of bounce.
  • Subverted in Moetan. While Ink and Sumi's transformations fit the standard fare, Arks and Karts would be shown observing the naked transformations and drooling and Nosebleeding respectively, showing that the transformations take place in real time.
  • Possibly subverted in Mononoke as the Medicine Seller's transformation sequences are all sort of similar but never the same way twice.
  • Kirby has a variety of transformation sequences, one for each ability. Most of them are cute and silly, but a few are darn cool.
  • Figure17 has a short, less flashy sci-fi themed transformation sequence for Tsubasa and Hikaru. It appears to be mostly symbolic, however, because when we see the transformation occuring from "outside" it's just a dome of green light that envlopes the characters.
    • This is also implied to be a little bit negative, in fact — the need for so much time to transform seems to be a symptom of Hikaru being a malfunctioning Figure. Normal figures are able to transform for combat fast enough to react to an attack; Tsubasa and Hikaru have to transform somewhere safe before getting involved.
  • Angel Blade features one or two of these. They never show a power down or what it looks like to the others in the area. Also since it's hentai any implied nudity is thrown out the window as it's all plainly visible.
  • Parodied in Happy Lesson. "Activate tutor transformation! Actually, I was wearing these underneath..."
  • Tengen Toppa Gurren Lagann features transformation scenes for each of the "stages" of the Gurren Lagann, featuring an especific background, and their awesomeness increases with the size of the resulting combination. The Chouginga Gurren Lagann scene deserves an special mention because half of it is about how epic sunglasses just got.
  • My Santa does this with the main character Mai getting an adult form, including gratuitous close-ups, including one after the transformation after the co-main character points out her added appeal. Is it any coincidence that it was created by Ken Akamatsu?
  • Some "soul resonances" in Soul Eater take a minute to charge up, noticeably Death the Kid's "Death Cannon" attack, which employs glowyness, dramatic angling, a countdown and a call. His definitely counts as a Transformation Sequence due to the fact they generally involve his guns molding themselves to his body and transforming his forearms into giant cannons.
    • Cruelly interrupted in episode 50 of the anime by the Dangerously Genre Savvy demon god Asura, who speared him through the stomach before he was done powering up. (This troper blames Black*Star, who was told to "stop his movements until I finish my Transformation Sequence" but didn't.)
  • Phoron's One Man Orchestra (before it was built into the bike) in Shinkyoku Soukai Polyphonica has a bit of an elaborate sequence for setting itself up in Crimson S.
  • "Releasing control-art restriction system to level 3... level 2... level 1."
  • In Saint Seiya, the Cloths (living suits of armor built to resemble the 88 Constellations) are typically carried around in enormous chests. When the Saint activates his Cloth, the chest shines spectacularly and bursts open (sometimes revealing a spectral construct shaped like Pegasus, a Dragon, a Swan, or whatever constellation the armor represents.) The Cloth within the chest reveals itself, assembled in the rough likeness of the creature from the constellation, before splitting into pieces that fly towards the wearer and clasp onto his body, one at a time. When it is complete, the Saint strikes a pose with the constellation shining in the background.

Comic Books
  • The Clown from Spawn becoming the terrifying devil Violator. The detailed transformation in the movie is particularly disturbing.

Film
  • American Werewolf In London, and The Howling both have werewolf transformation sequences of the most painful and not to mention terrifying kind you can imagine.
  • Several other horror films with Vampires and/or Werewolves:
    • Underworld and Under World Evolution, with static Vampires (except for the main vamp boss with the somewhat typical beastly demon-form) but human-werewolf transformations, and their werewolves have inverted knees digitigrade legs.
      • Not much outright transformation was shown in the first movie, the most notable sequence being one shot where two lycans change back, as well as one sequence where a character had an aborted change. The second film had some decent shots of man-to-wolf changes, but they went quick because they were mooks.
    • Van Helsing has werewolves, Including Van Helsing himself near the end, for an awesome battle royale with Dracula, and all the Vampires have a demon-form for flying.
    • Fright Night had something like this with Evil Ed turning back into a human from being a wolf, and the vampires have 3 stages of transformation.
  • The 80s remake of The Fly. However those kinds of creepy transformations are just plain terrifying.
  • Ghostbusters has the scene where Dana and Louis turn into Terror dogs; it's quite a disturbing process, though.
    • Also, the sequence where a ghost librarian turns into a hideous ghoul.
  • The 90's remake of the Nutty Professor had some surprisingly gruesome ones with plenty of Body Horror.
  • Videodrome is just plain weird in general but the transformation parts are even weirder.
  • Steven Chow's God of Cookery takes this to absurdity with Magical Chef Transformation Scenes. A character (not the lead) takes a power pose, his clothes fly off in all directions and underneath he is already dressed as a chef, all that is required is that he put the trademark hat on.
  • Gremlins has a very important rule: "Don't feed them after midnight." If you do, the Mogwai goes into a slimy cocoon and mutates into a hideous monster. Unfortunately in the movie somebody makes that mistake as well as getting them wet (causing them to multiply, which looks incredibly painful). There are several gruesome gremlin-related transformations in the sequel, including those involving a bat, spider, fruit, electricity, and even a woman!
  • Witches Of Eastwick has the final scene in which the three witches mix up the body parts of a voodoo doll that resembles the main antagonist Daryl (Jack Nicholson) who at first turns into a giant, but then turns into a worm-like thing.
  • The Jekyll and Hyde transformations from The League Of Extraordinary Gentlemen. We agreed to put this on here on the grounds that the film never happened.
  • In Mary Reilly, John Malkovich undergoes one of the most gruesome and spectacular Jeckyll / Hyde transformations ever committed to screen. Then, afterwards, he looks exactly the same.
  • The A Nightmare On Elm Street series has quite a few of these. For instance, in Dream Master, fitness girl Debbie is turned into a cockroach and then trapped in a roach motel by Freddy Krueger.

Literature
  • Animorphs: Characters who morphed had to wear tight clothing or risk becoming naked when they remorphed. The latter only occurred once. The books made it quite clear that morphing almost never happened the same way twice, and was usually highly disgusting unless the morpher had an unusual talent for it (as did Cassie).

Live Action TV
  • The many and varied Ultraman series usually involve a man-to-giant-alien-robot-thing transformation.
  • Pretty Guardian Sailor Moon (2003-2004) showcased several different transformations managed via digital effects. The results ranged from Moon's clumsy and cringeworthy transform (the first created by the production team) to Dark Mercury's showstopper (the final transform created, after the team had gained months of experience with their tools).
    • As with its animated counterpart, we see only one or two instances of de-transformation, and these also appear to be simple acts of will.
    • Additionally, we get to see one transformation — Minako to Venus — from the "outside", as an eyewitness on the scene would. Instead of all the fancy effects, it's an instantaneous, blink-and-you'll-miss-it change that she performs while running, thus validating years of fan speculation.
    • A later sequence, however, has Ami transforming. Unlike Minako, however, she gets a blue glowy thing.
    • They also fondly parodied the trope in one of the supplemental shorts: Mamoru becomes "Tuxedo Mask" just by putting on a tuxedo, top hat and mask, but the one time he does it on camera, it gets all the same fancy shots, edits, and sound effects as the girls' magical transformations.
  • Many, many, many Kamen Rider characters had this. Even the enemies had transformation sequences, even if they amounted to little more than the camera zooming in on them, blurring a bit, and revealing the monster from its disguise.
    • In several early Kamen Riders, the enemies sometimes stopped the henshin gestures by attacking during the middle of the gesture, or setting traps that would halt them.
      • The "transformation chivalry" was humorously acknowledged in the first Kamen Rider Den-O movie: the Big Bad's minions attack Ryotaro as he attempts to transform, causing Momotaros to angrily shout "Bastards! You're not allowed to interrupt the transformation sequence!"
  • An earlier Filmation production of Shazam! from the 1970s had the magic-word-and-lightning transformation between Billy Batson and Captain Marvel. It was usually paired with a similar show, Isis, which had its own transformation sequence.
    • In a case of typical Filmation cheapness, the detransform from Captain Marvel back to Billy was handled by simply running the transform footage backwards, even though that meant the sequence ended with a lightning bolt unstriking Billy.
  • The 1970s Wonder Woman series actually had two different Tranformation Sequences. In the first season it was essentially a slow-motion montage of Lynda Carter spinning in place in different stages of the change. Starting in the second season, though, a much shorter and more dramatic sequence was used where Carter would spin, there would be an optical of an explosion over her, and then she would appear in costume. The latter has become subject to much parody. (As well as an homage in an episode of Justice League Unlimited)
  • Power Rangers: In the earlier seasons, the usage of Stock Footage became quickly grating, as the rangers would look the same at the beginning of the sequence, regardless of what clothes they'd been wearing beforehand or changes in their hairstyle. In later seasons, it became standard to use clever tricks to downplay this: in Power Rangers Ninja Storm, Power Rangers SPD, Power Rangers Mystic Force, and Power Rangers Operation Overdrive, the rangers are always wearing uniforms before the (full) sequence begins (in Ninja Storm, this is achieved using Flung Clothing). When Mystic Force does a direct from street clothes transformation they follow the next point down. In several other seasons, the sequence is cut such that their pre-transformation clothing is hidden during the sequence using close-ups and visual effects.
    • Occasionally, a shorter Stock Footage-free Transformation Sequence was used instead (sometimes called "on-the-fly" morphing), which, with a very few exceptions, used a much blander and more generic special effect. As seen in Countdown to Destruction as well as several other times throughout the various series, the actual transformation is in fact instantaneous and consists of nothing more than a small explosion masking the shift — the drawn-out sequence is purely for the audience's amusement.
    • The MMPR Transformation sequences weren't very elaborate... so in "Once a Ranger" a new, snazzier sequence was made for Adam (the second MMPR Black Ranger) so he wouldn't be the only one without.
      • That, and Disney trashed it when they liquidated MMPR productions.
      • Then there's Justin's transformations in Power Rangers Turbo where he grows to the same height as the other rangers.
    • Like everything else in Power Rangers, nothing is safe from lampshading by RPM. Not even morph sequences.
  • The Twilight Zone pulled off an impressive transformation scene despite limited special effects in The Howling Man. A man walks down a pillar-lined hallway as the camera follows alongside him. As he passes behind each pillar, he gets gets more and more demonic (ending with a cliche horns and tail Satan). It's cut so that it appears to be one long take, but there's no effects on screen at any point.
    • This technique is also used for the Wolf Man transformation in the 1935 film Werewolf of London.
  • Masters of low-budget kid shows, Sid and Marty Krofft had a few of these. "Activate Electra-Change!" turned Lori and Judy into Electra-Woman and Dyna-Girl, and a magic horn turned the junky Schlep Car into Wonderbug.
    • Plus Oh Mighty Isis
  • The Mystic Knights Of Tir Na Nog, the ancient Irish Power Rangers.
  • Manimal, starring Simon MacCorkindale.
  • Weird Al Yankovic undergoes a transformation sequence at the start of his video "Fat" that fortunately does not strip him nude in the process.
  • Similarly enough, the music video for "Right Here, Right Now" has a transformation sequence based on the theory of evolution.
  • George's werewolf transformation in Being Human, heavily influenced by An American Werewolf In London.

Video Games
  • Sonic The Hedgehog regularly delves into this trope with the titular character's EleventhHourSuperPowers. The most notable are Super Sonic and most related transformations, and Excalibur Sonic (Both of which are not actually spoilers, mind you).
  • Subverted in Disgaea, when Etna shoots two Sentai members during a transformation sequence because, hey, they were wide open during it.
  • Parodied in Silent Hill 3 (Of all places...) when Heather equips her ridiculous Princess Heart outfit, triggering a lengthy transformation.
  • The early Mario and Castlevania games actually pause the action around the player character while he's transforming.
  • The SRX from Super Robot Wars has an impressive combinations transformnation which has its own theme called "Variable Formation".
  • The Breath Of Fire series is the king of this trope for video games, since the main character of each game (all named Ryu) can transform into a dragon, with a more elaborate sequence in each game. Furthermore, in the first and third games, a second character has a transformation sequence (Karn in Bo F 1, and his Fusions; Rei in Bo F 3, and his Weretiger transformation), and the fourth game's antagonist, Fou-Lu, is playable and can also transform into a dragon in a sequence largely identical to Ryuu's.
  • SaGa Frontier: Red had one but nobody could see it because he needed to maintain his Secret Identity. But a good Secret Identity Change Trick (Power Outage, Mecs only in party, Characters stunned/blinded) allows him to go Alkaiser no problem.
  • The Legend Of Dragoon has individual anime-like transformations for every single playable character in the game, as they turn into their Dragoon forms. One villain also gets a mid-battle transformation into a Dragoon with his own sequence. Dart, the main character, gets a second Dragoon form late in the game with an even more over-the-top sequence.
  • Saiyuki: The Journey West features characters who can transform into monsters. Each one has an elaborate transformation sequence and an equally elaborate reversion sequence. Furthermore, there's two more sequences for transformation and reversion used in cutscenes (even though they otherwise use the same sprites!)
  • More minor transformation sequences are used in Final Fantasy VII (Vincent's Limit Break) and Wild ARMs 2 (Ashley's transformation into Knight Blazer). These pretty much are of the "original character fades out, new form fades in" variety rather than the flashy sequences mentioned above, though.
  • This trope is arguably the entire point of Final Fantasy X-2. Luckily, there's an option to shorten or turn off the transformation sequences after the first time the girls have changed into their new Dresspheres.
  • The character of MOMO in Xeno Saga gets powerups that can be used once per fight that include transformation sequences.
  • "Model X! Model Z! Megamerge!" Vent and Grey both get transformation sequences just as long as the girls'.
    • Not quite. Aile's transformation in ZX Advent is about thirty seconds longer (it's quite noticeable in the game) because she has an extra part where she dances or plays with Z and X as glowy balls of light. Vent just transforms.
    • Never mind every single villain and hero in the Star Force games, though admittedly usually everyone except for Geo gets theirs shortened to a quick fade to white and back.
  • The Tekken series has quite a few. Including Devil Jin's ending from the fifth game and Ogre's transformation into True Ogre in Tekken 3.
  • Transformation sequences were an oft-requested feature in City Of Heroes, and a small set of four costume-change emotes are now available as part of the Magic Booster Pack (released in Spring 2009). Another half-dozen or so will become available when Issue 15 goes live.
    • Kheldians and Nictus, the game's resident bodystealing shapeshifting aliens, follow this trope to a T. Switching into their forms involves a moment of concentration and a big, screen-shaking flash of Kheldian/Nictus energy, whereas switching back just makes the human pop into existence where the alien used to be.
  • Super Smash Bros. Melee has a relatively quick transformation sequence between Zelda and Sheik. This is lengthened in Brawl because of loading, and Pokémon Trainer goes through a similar "transformation" when switching Pokémon, but the character transforming cannot be damaged or intercepted from the time the sequence starts to when it ends. There is still a lag period at the end, though.
  • Altered Beast has a momentary pause before buffing up when one of the magical floating steroid balls is collected, followed after a third time by a transformation sequence to make you into a werewolf, dragon, or giant cuddly bear with halitosis. The werewolf one is particularly detailed.
    • The Japan- and Europe-only PS 2 game Project Altered Beast has horrifying transformations. The player takes the role of a "Genome Cyborg" investigating a town that has been overrun with "Genome Mist" transforming all its inhabitants into horrifying monstrosities. The main character appears as a human but has the ability to take various forms. No matter which form is chosen, it is accompanied by a gruesome CGI video detailing every aspect of the transformation as limbs blow up and regrow and various organs are mutilated and reshaped, with no limit on the amount of gore.
  • Diablo 2: In the cutscene before Act IV narrated by Marius, he has the misfortune to witness The Wanderer's horrific transformation into Diablo. Spikes burst out from his back, his face distorts horribly, and it ends with Diablo casting aside what's left of his human shell like a dirty rag.

Webcomics

Western Animation
  • W.I.T.C.H.
  • Winx Club
  • The Centurions — About a 15-second sequence, as all the various parts of the chosen weapons system would beam in and attach to the heroes' exo-frame, ending with the helmet rudely clamping on to the head. Often showed all three back-to-back, and had the same trigger phrase: Power Xtreme! (Later episodes of the show usually skipped the stock footage, and just showed the pieces appearing and attaching all at once. The two extra characters added later never even got the stock footage versions).
  • He Man And The Masters Of The Universe, when it was a Filmation production, got maximum mileage out of Prince Adam's transformation into He-Man with lots of digital pyrotechnics for very little physical change. (He-Man looked identical to Adam except for a tan and a deeper voice; how nobody put two and two together is baffling.) If Cringer was present, his transformation into Battle Cat would further pad the scene.
    • He-Man's twin sister She-Ra had a similar sequence, but it was actually longer (and more sparkly). Like Cringer becoming Battle-Cat, She-Ra also had Spirit/Swiftwind, a talking horse that became a winged unicorn.
    • In contrast, in the more recent 2004 series, He-Man's transformation takes mere seconds and he looks almost nothing like Prince Adam, though it retains its predecessor's Stock Footage ability to be used time and time again.
  • Spoofed in an episode of Invader Zim. Gir begins a Transformation Sequence, complete with music, lights, and midair spinning... and then simply steps into his dog costume and zips it up.
  • Curiously, the original appearance of the Transformers in the West did not include overt transformation sequences. The characters would make the switch between robot and vehicle/device forms wherever they were standing in complete continuity with the scene (although they always transformed the exact same way). This is more cultural than cost; newer series such as the shows of the Unicron Trilogy, which were actual anime, frequently featured such scenes, and the Japanese Alternate Continuity third season of Generation 1 featured transformation sequences for new characters only (old ones kept scene continuity). Transformers Animated is generally in-scene but faster than G1, unless the bot in question is about to do something important(i.e. Megatron transforming for the first time after being rebuilt and telling the Decepticons to "Transform and Rise Up").
    • 'Transformers Animated also had the Autobots using Japan-esque transformers sequences in the final episode, mostly for dramatic effect.
  • Ben 10 has ten unique, albeit recycled, sequences. There's one for each alien creature Ben has the ability to change into (though Grey Matter's didn't actually get used until season two). Two more are added in season two, but one was lost after the events of "Ghostfreaked Out". Some are longer and more detailed than others, but all follow the same pattern of showing the change progressing outward from his wrist. Sometimes a simple green flash of light is substituted for the transformation, and red light is always used for Ben changing back. Seasons three and four added more new aliens, but no new sequences, oddly enough. Future-Ben supposedly had ten thousand alien forms but we didn't (obviously) didn't see all of them.
    • And one-shot villain Doctor Viktor gets his own Transformation Sequence, going from oversized scientist into frankensteinish monster. It's only used once, though.
    • Ben 10 Alien Force also has the sequences, and he's gained an irritating tendency to say the name of each creature he's turned into when he's done. The changes are actually instantaneous, as he's shown an ability to simply switch between forms in seconds when needed. It also regularly shows him changing back. Both of the latter use the same "glowing green dots" effect.
      • One particularly humorous moment has Ben's parents (who have forbidden him from using the Omnitrix) managing to catch him in the act during one of his (around 10-second) sequences, in episode 20 of Alien Force.
  • The old Spider-Woman cartoon series features a transformation sequence for Jessica Drew to change into the titular heroine.
  • In Avatar The Last Airbender the Avatar State has this happen with a pause that is clearly in real time, with most people just too scared to react when they see it. Azula commits a dire breach of anime etiquette when she takes advantage of Aang's Transformation Sequence to shoot him from behind with a lightning bolt.
    • The DVD Commentary actually mentions that is a vulnerable opening and part of mastering the Avatar State is not doing that.
    • It should be noted that Aang did try and protect himself, as he made himself a little cocoon out of crystals to cover himself. Wait a minute, that means We Could Have Avoided All This if it weren't for Power Floats!
    • He learned from that event, though, and by the time the Avatar state kick in again, it's instantaneous.
  • An animated adaption of Shazam! featured Billy, Mary, and Freddy, and a drawn-out transformation sequence. Unlike most, they had sequences for transforming back to normal as well, and a variety of different stock sequences for various combinations of the main characters, transforming singly, in pairs, or all three at once. (Interestingly, the comic version is specifically stated to be instantaneous. In the 1970s it was furthermore stated that, between the speed of transformation and the blinding flash, most people don't know that Billy is Captain Marvel, even when he transforms right in front of them, though that hasn't carried over to post-crisis versions of the character)
    • In fact, Filmation in general. In addition to the ones mentioned above (He-Man, She-Ra, Shazam), there was also Web Woman, Super Strech and Microwoman, Fantastic Voyage, The Ghostbusters (the 1986 cartoon), and Bravestarr (30-30 had transformation sequences when he went from bipedal to quadrupedal and back), just to name a few.
  • A late 1970's version of The Thing (from the Fantastic Four) by Hanna-Barbera featured him as a teenager (implied in one episode to be due to a "cure" gone wrong), but he could become the Thing by touching his rings together and announcing "Thing Ring, Do Your Thing". This also had a reverse transformation sequence, without a required phrase.
    • The series was mostly humorous in intention, and it even spoofed itself. At least one episode had the hero retreat to a nearby doorway to transform, only to be interrupted by an old woman exiting the door. She stopped long enough to give him a lecture.
    • Like Filmation, Hanna-Barbera were also good at filling time with these sequences. In addition to the Thing, there was also the Mighty Mightor (with a sequence very similar to He-Man, but predating it by twenty years), Arabian Knights, The Impossibles, the Super Globetrotters, Super Friends (in the Wonder Twins' segments), Wonder Wheels, Mighty Man and Yukk, The Drak Pack, and even SWAT Kats. (And I'm sure I forgot some)
      • Pretty good list, though. Samson and Goliath/Young Samson was one of this troper's childhood favorites.
  • Hanna-Barbera also spoofed this trope with one version of Captain Caveman. On The Flintstones Comedy Show, he worked as a copy boy named Chester at a stone-age newspaper, disguising himself with a pair of glasses and his cape folded into a bowtie. Despite the minimal disguise, he still required a coat rack and an elaborate transformation sequence (which included heroic music, explosions, lightning bolts, rockets, fireworks, and stars, and was loud enough so that the entire city of Bedrock could hear it) to become Captain Caveman. See it here, at 3:00
  • In Bananaman it's triggered whenever Eric eats a banana. Its most famous form is in the Opening Credits, in which Eric sprouts muscles and grows two feet.
  • Freakazoid!
  • Subvert a bit, with Jerrica "Jem" Benton of Jem And The Holograms, which is only a "Showtime, Synergy" to summon Jem hologram and a "Show's Over, Synergy" to remove the Jem hologram — the answer is usually a pink light and very quick.
  • The Powerpuff Girls: In the episode "Super Zeroes," the girls each try to change their look to be more like the super hero in their favorite comic books, complete with such elaborate transformations that, by the time they're done, the monster has left town.
  • In Spider-Man and his Amazing Friends, Spider-Man's amazing friends could do it, to his envy.
    • In the short lived and mostly forgotten 1999 animated series Spider-Man Unlimited (nothing to do with the comic with the same name) he finally got one via nanotech.
  • The 90's cartoon King Arthur and the Knights of Justice had a transformation sequence for each of the knights as they put on their battle armor. Sometimes it was further padded by transforming their horses.
  • Subverted somewhat in Danny Phantom, as the transfomation sequence there is refreshingly simple and short, while still being rather stylish with a chance to play around with it and not use Stock Footage. Whenever the titular character wants to transform into the titular alter-ego he simply focuses for a few seconds, a ring of blue white light appears, bisects and travels over him, leaving one superhero in place. Easy, done.
  • "MBC, poooooooower up!!"
  • Mummies Alive had this.
  • Most of the time after the first few episodes this happened in Static Shock.
  • The Nickelodeon TV movie Groove Squad, which was about three cheerleaders who could transform into, you guessed it, superpowered cheerleaders by drinking a magical red juice. After they drank said juice, the girls went through a rather overdone transfomation sequence to change into their superheroine forms.
  • Mumm-Ra, lead villain of Thunder Cats, had a stock transformation sequence, complete with a power-up chant. Incidentally, he also became a lot less clothed in the transformation.
  • Mon-Star, main villain of Silver Hawks, had a very similar transformation sequence to Mumm-Ra. One interesting note is that he grows metal spikes from various parts of his body, which is animated in a way that looks fairly painful, but no mention of pain is made.