Predator is a 1987 sci-fi action/horror movie, directed by John McTiernan. Its success spawned the multimedia Predator franchise.In 1987, Major "Dutch" Schaeffer (Arnold Schwarzenegger) and his elite "rescue" squad were sent to rescue a cabinet minister in a Banana Republic, and after slaughtering the guerrillas they discover the hostages were actually CIA agents and their employers have lied to them. But all of that takes a back seat once a mysterious, invisible enemy with weapons not of this Earth starts killing off Schaeffer's team one by one...What made the first film such a successful piece of cinema were its groundbreaking special effects, big-budget action sequences and unique premise. Considered the manliest movie ever made, it's hard to argue; Arnold Schwarzenegger, Carl Weathers (of Rocky fame), and Jesse Ventura took major roles, and were all very big, strong guys who were prone to bleed and sweat. (Though they ain't got time to bleed.) On the other hand, the emphasis on big, sweaty men being sweaty with each other in the jungle makes it one of the most Ho Yay films of all time, perhaps second only to Schwarzenegger's own Commando.
This film provides examples of:
Agent Scully: Dillon has the most trouble buying that anything non-human is after them.
Ammunition Backpack: Blaine's Mini-Gun backpack magazine. Yes, it may just be an oversized magazine, but considering it's Blaine, Predator, and the whole awesomeness in general of that movie, well, it becomes awesome by proxy.
Bittersweet Ending: Dutch and Anna escape and the Predator is killed, but Dutch's entire team was killed as well. The forlorn look Dutch gives at the very end makes it perfectly clear this sacrifice was a bit too much for him.
Cannot Tell a Joke: Hawkins starts off afflicted with this trope, though it doesn't help that he likes telling them to Billy, who seems to not possess a sense of humor at all. Averted later (somewhat) when he tells yet another vagina joke to Billy, who this time breaks character and lets loose a loud, hearty series of guffaws.
Caught in a Snare: The team sets up a net trap to catch the Predator. It works, but not for long — he cuts himself free in seconds.
Crushing Handshake: When Dutch and Dillon meet after many years apart, they crush each other's hands in an competition of alpha male superiority. After the camera lingers on their bulging arms for a few seconds, Dillon finally surrenders.
Curb-Stomp Battle: Dutch and his team absolutely decimate the guerillas early in the film.
Daylight Horror: A very good example of this trope; Dutch's team are all killed off in broad daylight, with only the finale taking place at nightfall.
Dead Man's Trigger Finger: A variant: The titular creature blasts Dillon's arm off with its Shoulder Cannon. The arm falls to the ground, with the dead hand still pulling the trigger of the weapon it's holding and the gun still firing.
Despair Event Horizon: Mac goes through one of these after Blaine's death. Billy seemingly resigns himself to death the moment he believes something other than a human is hunting them.
Digital Destruction: The "Ultimate Hunter" Blu-Ray relied so heavily on DNR, that the film boasts NO grain — but as a cost; Arnold and Carl Weathers now look more like they got one fine wax job in a few scenes, especially the beginning.
Don't Explain the Joke: Inverted. Hawkins' fumbling attempt to explain the joke ("You see, because there's an echo...") is the only reason the joke works at all.
Dwindling Party: The special forces team starts off with seven people, then picks up an eighth with the female prisoner. And then the dying starts. By the end of the film, there's only one of the original team left.
Enemy Mine: Anna the rebel helps the team when she realizes they are all being hunted.
Evil Laugh: The Predator gives one hell of a menacing cackle before it dies, especially since his laugh is a hideously distorted mimic of Billy's laughter.
Fast Roping: Used at the beginning and justified because the helicopter didn't have enough room to set down.
Flaying Alive: The fate presumed to have been suffered by the team of Green Berets at the beginning.
Gatling Good: The famous GE M134 minigun "Ol' Painless" wielded by former Navy SEAL, former Pro Wrestler and later Minnesota Governor Jesse Ventura, and was the first handheld minigun ever to be used on film (or in any fiction for that matter). The actors firing that thing had to be braced just offscreen, lest the recoil knock them on their ass. And that was just firing blanks. They also had to connect it to an external power source offscreen, via a wire that went down his pants. Jesse himself has stated that while the gun was suspended from an offscreen crane in early takes, later he actually managed to fire it without. According to him: "You just had to grit your teeth and hold on. It's like firing a chainsaw. It's fucking ridiculous. Why the fuck would anyone want to use something like that?"
Genre Shift: Starts off as the usual military shoot-em-up action flick with hostages, CIA spooks & such but then morphs into basically the plot of Alien.
Give Me a Reason: Anna (the captured guerilla) tries to escape from Dillon, her captor. After she's recaptured he says to her "Try it again...please", a threat of what he'll do to her if she does.
Handy Cuffs: The captured rebel Anna had her hands tied in front of her and took advantage of it to escape. Somewhat justified because the team was traveling through steep, rough terrain and she needed her hands in front of her to hold onto things and avoid falling.
Hard Work Montage: Two; the team preparing traps to catch the title opponent, and Dutch for their one-on-one confrontation.
Honor Before Reason: The Predator has its own (admittedly twisted) Noble Demon code but it's there. It doesn't attack the unarmed, given they're not much sport, sparing Anna as she was a civilian. Later it gives Dutch a better shot at him by stripping off his mask and shoulder cannon when he had him at his mercy. Not that the fights anywhere near even, given his superior strength and wrist-blade, but it's more fair than long-range instant death.
It's Probably Nothing: Billy sense the Predator is watching them, looking at the spot where the Predator is watching from. Major came to know what's up with him.
Billy: Do you see anything? Up there? Dutch: Nothing. What do you see? Billy:(after a moment of silence) I guess it's nothing, Major. (continues walking, with Dutch looking at him in confusion)
The Ketchup Test: Possibly justified, considering Predators bleed flourescent green.
Knight of Cerebus: Compared to the other films, the Predator's presence is dealt with much more seriously and greatly drains quite a bit of the campy comedy out of the movie when it arrives. Rather fitting considering the team members are in their comfort zone against human opposition, hence their general levity, but once the Predator turns up and makes it clear they're outmatched, they find themselves in a much more dire and unfamiliar scenario.
Lured Into a Trap: Dutch attempts this after retreating from the Predator by trying to lure it into an obvious choke point lined with sharpened wooden stakes. The Predator doesn't fall for the Schmuck Bait, but Dutch reveals that he has a counter measure to it being Genre Savvy as well; the Predator circles around instead, unaware that he has just stepped underneath an even more dangerous deadfall trap.
Magical Native American: Billy senses the presence of the alien long before anyone else does. Justified as he is after all their scout, but Billy's reactions are very different from what you'd expect if an ordinary human enemy was stalking them, indicating that he somehow understands the otherworldly nature of their foe.
Billy: "I'm scared, major." Poncho: "Bullshit! You ain't afraid of no man." Billy: "There's something out there waiting for us. And it ain't no man. (cocks his gun) We're all gonna die."
The Mockbuster: Robowar, starring Reb Brown of Space Mutiny fame. Oddly, while copying the film almost entirely in visual style and rough plot, it replaced the alien predator with a cyborg The Government had made from Brown's character's war casualty friend, self-loathing but suffering from I Cannot Self-Terminate. Which one could argue in the hands of a proper studio and writers could actually have been better.
Mr. Fanservice: Almost every male character is shirtless at some point and all are well built and muscled. Dutch in particular spends the climax of the movie shirtless.
No Animals Were Harmed: Notably averted. In his DVD commentary, director John McTiernan makes a point of noting that the scorpion which Mac stabs and later stomps was a real one.
Not So Different: Dutch, upon seeing the mortally wounded Predator, asks "What the hell are you?" It replies, "What the hell are you?" Though it might just be mimicking the sound, considering the context, it's very likely he was inferring a similar response regardless.
Outside-Context Villain: Dutch and his team have everything under control, until an interplanetary hunter with technology, skills, and physical strength beyond any of them arrives.
Out-Gambitted: How the Predator is defeated. In the final encounter most of his traps count on this, forcing the Predator to second guess everything and guiding him toward his own demise. The final fatal instrument counts on the Predator being smart enough to notice it, in order to fall prey to an even worse trap. Still had the Predator been a little less cocky, he'd have killed Dutch a few times over before then.
A Real Man Is a Killer: Despite being a mercenary, Dutch doesn't think so and turned down numerous high-profile jobs for this reason.
Dutch: We're a rescue team, not assassins.
Dillion tells that's not his decision to make.
Dillon: You're an asset. An expendable asset. And I used you to get the job done, got it?! Dutch: My men are not expendable. And we don't do this kind of work.
Red Herring: Early on in the film, much is made of the Predator's ability to mimic human speech. Specifically, it is shown analyzing and duplicating Mac's dialogue "Turn around. Over here." Over an hour of screen time later, Dillon hears Mac's voice beckoning him with the exact same words and tone. At this point, the entire terrified audience believes that the Predator is baiting him, only it turns out... it really was Mac after all. The Predator never does use that gambit.
Though it may have been using it; Mac just happened to actually be there. After Mac is killed, the Predator taunts him with Mac's "Anytime" dialogue, so it is employed as psychological warfare.
Averted! Despite exploiting the Predator's heat vision to his advantage, Dutch's low-tech approach fails to beat the alien. It's only when the latter decides to "even things out" by removing its multi-purpose helmet and shoulder gun that Dutch stands a slender chance. And even when he wins it's in no small part due to luck and the Predator's strange blend of arrogance and honor.
Unintentional: though Alan Silvestri's work usually sounds different from movie to movie, half the score here is very similar to his Back to the Future score, making it hard to take those parts of Predator seriously.
The sitcommy cast credits play over the dark, pounding end music, further adding to the Mood Whiplash.
Stab The Salad: Dutch's prisoner Anna has her hands tied in front of her. He pulls out a knife and then slashes down with it...to cut the ropes securing her wrists and free her.
Taking You with Me: After being pulverized by Dutch's deadfall trap, the dying Predator tries to take his enemy out as well by initiating a self-destruct sequence that wipes out an enormous swath of jungle.
This Is Gonna Suck: Dutch's expression after the Predator walks around the death trap he was trying to sucker it into. However, since this quickly gives way to Dutch's triumphant grin after the Predator unwittingly steps underneath the deadfall trap, this may have been a clever ruse in order to trick the Predator (and the audience) into thinking he's failed.
Thousand-Yard Stare: Dutch gives one at the end after everyone in in his squad is killed and the Predator's subsequent suicide.
Trap Master: Dutch's entire team is incredibly skilled at laying out exhaustive trap networks, from log deadfalls and net snares to tripwire-activated claymores. Dutch himself embodies this trope during his final battle with the Predator.
Vine Swing: While Dutch is hiding in a tree the Predator climbs by him, so he uses a vine to swing to another tree.