Creator / Simon R. Green
British science fiction
He created the following series:
As well as some stand-alone books:
- Drinking Midnight Wine
- Shadows Fall
This writer provides examples of:
- Angels, Devils and Squid
- Author Appeal: Expect a love of The '60s to crop up in any modern fantasy series he writes.
- Author Catch Phrase: In all three of his urban fantasy series, he uses variations on "Needs must, when the devil drives" and "Suddenly and messily." And when we say variations on the first one, we mean he's gotten pretty damn creative. Also, he loves to have his characters to use their over-the-top reputations to intimidate their foes.
- blank always lies; unless the truth hurts more.
- Why this is hell, nor am I out of it.
- Ah, the old jokes are the best.
- But then, you would say that, wouldn't you.
- There's some shit with which I will not put up.
- "[something possibly negative]," they said, not unkindly.
- Green's more recent works tend to feature novel ways of threatening to smack people (e.g. "I've got a slap in my pocket, want to borrow it?").
- Batman Cold Open: All three of the modern fantasy works have employed this, as have the Hawk & Fisher novels.
- Battle Couple:
- Canon Welding: He's managed to tie in almost all of his own personal property without even resorting to parallel dimensions (though those do exist in his works).
- Deus ex Machina: Frequent and unashamed.
- Early Installment Weirdness: Drinking Midnight Wine, the first Greenverse novel to feature characters from our own Earth and era, depicts the real and magical worlds as side-by-side realities (Veritie and Mysterie) that don't interact much, with magic being greatly weakened in the former and science, little-known in the latter. All his later Urban Fantasy works depict the extraordinary as a fully-integrated, albeit secretive component of our world, equally-rich in sorcery, weird science, and the supernatural, that's only kept hidden from the masses by a combination of The Masquerade, Invisible to Normals, and a whole lot of Weirdness Censor.
- Eldritch Abomination: He absolutely loves them. Even more, he loves having his heroes bitch-slap them and laugh in their faces.
- Fantasy Kitchen Sink: Up to Eleven
- Go Mad from the Revelation: Whatever the series, it's always dangerous to use the Sight in the Greenverse, because seeing too much of how the world really is can destroy humans' sanity. Also, it's repeatedly suggested that long ago, humanity was denied our original destiny: one that's completely at odds with anything we've imagined it to be, such that learning what it is either drives us insane or converts us into incomprehensible Starfish Aliens.
- Hand of Glory: A recurring feature of his fantasy works, along with aboriginal pointing bones.
- Our Cryptids Are More Mysterious: If it's a cryptid, it's bound to turn up in one series or another.
- Rule of Cool: Done in all of his works
- Shout-Out: Several references to the works of M. R. James turn up in his novels.
- Superman Stays out of Gotham: While characters from his three Urban Fantasy series (Nightside, Secret Histories, Ghost Finders) have had a few crossover cameos, and numerous back-and-forth references are name-dropped, each series still has to solve its own problems. Thus, we don't see Droods participating in the Lilith War or hunting the Flesh Undying, or John Taylor dropping by to Find ghosts with his Gift.
- The World Is Always Doomed