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- The Cry of the Children (1912) is about rich businessmen exploiting dirt-poor factory workers, and specifically about the horrors of child labor.
- Marty, which won the Academy Award for Best Picture of 1955, is a simple story about a butcher who falls in love with a schoolteacher, and his mother who is worried that Marty will abandon her.
- The movies of Ken Loach tend to be of this type.
- Many of Shane Meadows' movies, such as This Is England.
- Many of Jimmy McGovern's films.
- The 1980 Soviet film Moscow Does Not Believe in Tears, about a working-class girl struggling to make it in the capital.
- The American play and resulting film The Subject Was Roses.
- Min and Bill is about working-class people who live by the docks, and particularly about an old lady innkeeper raising a Doorstop Baby.
- The Blot is about a professor and his poor family struggling to get by on the sub-poverty wages paid to university professors. Almost literally a kitchen sink drama, actually, as several scenes show Mrs. Griggs struggling to make tea for visitors or dinner for her hungry daughter while Mrs. Olson, the rich neighbor, prepares rich dinners.
- British soap opera Coronation Street was a proto-example of this; it was one of the first shows that really looked at what life was like for the working class in Britain.
- Nearly everything ever written by Jack Rosenthal, who got his start writing for the aforementioned Coronation Street, though he also expanded it into the "aspirational" lower-middle classes of Stepford Suburbia.
- Paul Abbott's Shameless, which is semi-autobiographical, plays the trope for Black Comedy instead of Wangst.
- An earlier example from Paul Abbott is Clocking Off.
- Steptoe and Son was an example of this in sitcom form; it was one of the first television sitcoms to take the comedy out of upper / middle class drawing rooms and into a poor working class environment.
- Its American clone, Sanford and Son, tries to do much the same thing, with the added twist that the poor, working-class people are mostly black (oh, boy, class and race in one sitcom!).
- Some Monty Python's Flying Circus sketches invert or subvert this trope:
- The Four Yorkshiremen sketch featured four stereotypical men from Oop North competing with increasingly outrageous stories of childhood deprivation.
- Another sketch had a pure inversion; the well-dressed, soft-spoken son comes home to his family with his rough-talking, clearly working class father... Only to reveal that the father is a theatre playwright living in the centre of London and the son has become a coal miner in Yorkshire. The whole sketch is like an inversed Cliché Storm Kitchen Sink Drama: Instead of having damp-lung and being overworked at the factory, the father has writer's cramp and is stressed out over press interviews, the father doesn't comprehend what the bloody hell a "tungsten carbide drill" is, and so on.
Father: Hampstead wasn't good enough for you, was it? You had to go poncing off to Barnsley! You and your coal-mining friends!
Son: One day you'll learn there's more to life than culture; there's dirt! And mud! And good honest sweat!
Father: Get out! You labourer!
- Naturally, as he's a playwright, he immediately lampshades the developments of the sketch as "I think there's a play in here".
- The UK TV series Brass parodies this and a whole related bunch of tropes — or rather, parodies the genre of "Grim Oop North" kitchen sink dramas.
- There is a whole group of Swedish authors known collectively as "proletarian authors" (or "worker authors") from the early-mid 20th century that deals with this kind of material. Authors include Harry Martinsson, Eyvind Jonsson, Vilhelm Moberg and Ivar-Lo Johansson.
- From Russia, we have Maxim Gorky.
- From Norway: Oskar Braaten, Alf Prøysen, Ingeborg Refling Hagen and Kristoffer Uppdal.
- In America, whilst his works preceded the British movement, John Steinbeck's works often cover similar ground.
- From Finland, V??nna.