"Oh such grace, oh such beauty— so precious, suspicious, and charming, and vicious,
Oh darling, you're a million ways to be cruel."A classic character type, the beauty who uses her feminine wiles to undermine a moral and upright man, for evil purposes. She's evil and sexy, a liar and a sneak, and uses the good guy's sympathy against him, often with a sob story about her mother and some hospital bills or a Wounded Gazelle Gambit. Unlike the Femme Fatale and the Mad Scientist's Beautiful Daughter, she is rotten to the core, and will never be swayed from the path of darkness by love. (In eras where Make Up Is Evil applies, expect her to paint when no other woman does.) The name comes from Rudyard Kipling's 1897 poem "The Vampire." It was popularized by the 1915 silent film A Fool There Was, which quoted liberally from the Kipling poem. It quickly became a trope of classic silent films, where this character is part of a standardized plot. A red-blooded American boy must choose between his familiar, cutesy-plain sweetheart and this seductress. This trope is Cyclic. In certain eras, as with the "hat dichotomy" from westerns, but more actual in fact, The Vamp is almost always black-haired, while the good girl is a blonde. At other times, blondes are inherently more evil. In the cold war era, the raven-haired temptress was a Soviet spy, when not just a torturer like The Baroness. Is often the Lady in Red or the Woman in Black. Although the name is derived from "vampire," this character is most commonly a normal human, but some supernatural entities are known to influence men in this way. Succubi and Sirens are known to lure men in to be eaten or drained of Life Force, or occasional literal vampires use their supernatural beauty and wit to lure male prey to their deaths, for example. Expect some praying mantis imagery for these characters, as female mantises (are believed to) eat their mate's head after they've mated. Compare with the Femme Fatale, the somewhat more sympathetic (and less sexual) version of this character (which may overlap with this trope if the character has an ambiguous agenda), and The Casanova. Often overlaps with the Black Widow, who is just a particularly successful Vamp. See also Villainesses Want Heroes. Contrast with the Heroic Seductress, The Vamp's direct Counter Trope, who uses sex for noble and heroic purposes. Not to be confused with the other Vamp.
— OK Go, A Million Ways
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Anime and Manga
- Mitsuko Souma in Battle Royale.
- Slan from Berserk.
- The female Apostle that Guts kills in the very beginning of the manga is another big example, using her beautiful, naked, female human form to lure men into her embrace before assuming her Apostle form and eating them alive, with her most notable kill being Corkus during the Eclipse.
- Parodied in Sayonara, Zetsubou-Sensei, where a woman tries to pull this to steal government secrets from a group of Otaku. Of course, they were specifically chosen to guard the secrets because their obsession with 2D girls would make them immune to The Vamp...
- Soul Hunter has Dakki.
- Light Yagami from Death Note is a rare male example.
- In Corsair, Canale is treated as a vamp by a lot of characters, almost all of whom are trying to defer their guilt to him because they refuse to accept that their desire for him is their fault.
- Mikaze from Occult Academy.
- Underdog has the buxom tournament coordinator Noa Takayanagi, who uses her feminine wiles early in the series both to convince Naoto to participate in the tournament and to get him out of trouble with a couple of police officers on patrol, by distracting them with her cleavage.
- Windaria Selenia is ordered by the Big Bad to seduce and then kill Alan. He's so taken with 'every beautiful inch of her' that it almost works.
- Bloody Agatha from Claymore — she's one of the few Claymores who shows an interest in sex. Roxanne of Love and Hate could also count, depending on how you interpret her attitude towards her victims. Her modus operandi was to befriend another Claymore and copy her powers. That Claymore would later die in...mysterious circumstances. It also enabled her to leap up the ranks to Number 1.
- Kanoko's stepmother in Velvet Kiss is a chessmater who uses a combination of sex and blackmail to manipulate events, such as by having the wife of her lover killed due to neglectful hospital care, and then trying to do the same thing to the lover himself (now her husband). Deconstructed when all it takes is two people standing up to her and the entire plot crashes down around her.
- Yu-Gi-Oh! had a Sadist Teacher version named Ms. Chono from the first arc of the manga and the first anime series. She enforces arbitrary rules and enjoys expelling students, so much so that she regularly orders desk inspections to find out if any students are carrying contraband items. She also likes going on matchmaking dates just to crush men's hopes, and the one time a guy dumped her first she had a gigantic temper tantrum in the school bathroom. She gets her just desserts when Yami Yugi challenges her to a jigsaw puzzle game, where she cheats, and has her true ugliness exposed. Later on she's able to appear normal with enough make-up, but when she acts mean or cruel her face will suddenly crack.
- This was the MO of Rize Kamishiro from Tokyo Ghoul. Known as "Binge Eater", she used her beauty to satisfy her infamous appetite by seducing attractive young men and then eating them. She attempted this on the protagonist, an innocent young man named Kaneki, but her feeding is interrupted and the plot of the series is triggered.
- Lust from Fullmetal Alchemist is aptly named, making heavy use of this trope in every single version of the series. As one of the primary agents of the Big Bad, she uses her incredible beauty and cunning mind to manipulate men...often killing them once they are no longer useful. The manga and Brotherhood paints her as a cruel and dangerous woman, while the 2003 anime version presents her as more of a tragic Anti-Villain. Her design perfectly calls up the classic image, with flowing black curls and a slinky black dress, as well as smoky makeup.
- Ava Lord from the Sin City story "A Dame to Kill For" was an evil (by her own admission) and greedy seductress who manipulated her old lover, Dwight McCarthy, through a Wounded Gazelle Gambit into murdering her husband so she could get her hands on all his money, and then tried to kill him once he had outlived his usefulness to her. As Manute, her Dragon (who would later show up in "The Big Fat Kill"), explains, Dwight is not the first man she has destroyed with her deadly wiles. Lampshaded-slash-deconstructed in her admission, as she points out that "evil ruthless seductress" is so cliche nobody believes she can be one...until it's too late.
- Poison Ivy, especially before she became an eco-terrorist.
- Nocturna is another seductress foe.
- Sandman Mystery Theatre had an arc titled The Vamp, featuring one of these. The title character became a bit more sympathetic when her Start of Darkness story was told.
- Mystique, long time foe of the X-Men, is the absolute embodiment of this trope.
- Selene, the Black Queen of the Hellfire Club, also qualifies.
- Bridget Keating from Knights of the Dinner Table, although Bridget is more selfish than evil.
- Lulu Romanov in Nikolai Dante
- Fiona Fox from Archie Comics' Sonic the Hedgehog. In addition, Rouge can qualify in her darker interpretations.
- Metamorphia from Sonic the Comic.
- In Mega Man: Defender of the Human Race, Splash Woman brainwashes and seduces Mega Man, and forces him to promise not to tell anyone about her. Even thinking about Kalinka doesn't free him from her control, and Rush is enthralled by her powers.
- Subverted with the plasmavore in Children of Time. She starts out as the seductress who wants nothing more than to suck all the blood out of your body, but she quickly becomes far more complicated a character than that and far more sympathetic. It should be noted that she does attempt to seduce Sherlock Holmes twice, and the second time, she nearly succeeds, helped along by a pheromone-enhancing concoction. However, she undergoes Character Development, namely Villain Decay.
- Bart Simpson Attorney At Law: Jessica Lovejoy has graduated into this from Fille Fatale. She is described as grown very hot and alluring, and uses her seductive power to become the secretary for the successful attorney Bart Simpson, and then sleeps with him. The relationship however, causes Bart enormous stress, not liking being manipulated by the same girl who him in trouble when he was ten, and when he rejects her, she kidnaps him and tries drugging him into saying a marriage vow. When that doesn't work, she sues him for sexual harassment, claiming Bart took advantage of her citing to the court his bad boy image, all the while mouthing to him "You're mine" .
- The character of Irma Vep in the 1915 french silent film serial Les Vampires. Her name is an anagram of "Vampire".
- In Body Heat, Mary Ann Simpson is explicitly labeled "The Vamp" in her high school yearbook. She's Kathleen Turner's character, which we've been lead to believe is Matty Tyler Walker, and is playing Ned Racine, the real Matty Tyler, and her husband for all they are worth.
- Black Widow (1987), played by Theresa Russell, a serial killer of rich men she married, ostensibly for their money. Has strong bisexual theme as well.
- Pick a version of The Parent Trap. In this case, it takes the twin girls wreaking havoc on The Vamp to make Dad realize that he's about to marry a gold-digging bitch, which was completely obvious to everyone else from the moment the woman appeared on the screen. She'll likely overlap with the Rich Bitch in this case.
- Kris Bolin from The Temp
- The 1967 version of Bedazzled (1967) has Lust, played by Raquel Welch. The Devil herself (played by Elizabeth Hurley) is one in the 2000 version.
- Silent film actress Theda Bara in...pretty much anything, but especially 1915's A Fool There Was, where she's actually billed as "The Vampire". The film even quotes Rudyard Kipling's poem (see Literature below).
- Elektra King in The World Is Not Enough.
- The woman from the city in silent classic Sunrise.
- A whole series of Film Noir movies made in the 1940s and 50s: Phyllis in Double Indemnity, Kathie from Out of the Past. Even Marilyn Monroe's character in Niagara.
- A significant portion of Marlene Dietrich's career was built on such titles as Devil Is a Woman.
- Conchita in Bunuel's That Obscure Object of Desire. Hell, it took two actresses to carry all this vampishness.
- Kara is even referred to as such in the 2006 high school noir, Brick.
- Cthulhu (2007). Susan tries to seduce the protagonist, Russell Marsh, as part of the Cult of Dagon's plan to have him pass on his seed (creating a Hybrid Monster). As Russell is gay, her charms don't work on him, so she drugs and rapes him instead.
- In Transformers: Revenge of the Fallen, amazingly hot college girl Alice is intent upon getting with Sam for unclear reasons. She's a Decepticon spy named Pretender. Yes, they can turn into humans now.
- Bridget in The Last Seduction (1994).
- Suzanne Stone, the Villain Protagonist of To Die For (1995), is a partial parody of The Vamp - she's beautiful, utterly ruthless, manipulative...and dumb as a post.
- Lady Kaede in Akira Kurosawa's Ran starts out as a Lady Macbeth to her husband. After he's killed in battle, she becomes a Vamp to his brother, seducing and becoming a Lady Macbeth to him and making him order the death of his wife, Lady Sue.
- In Draculas Daughter, the actual vampire Countess Marya Zaleska tries to play this role with Dr. Geoffrey Garth. This is lampshaded when the Head of Scotland Yard tells his man-servant that he is going hunting "vampires", to which the latter replies: "But I always understood you went after them with chequebooks, sir."
- Nazi Vamps like Ilsa Haupstein (from Hellboy) and Dr Elsa Schneider from Indiana Jones and the Last Crusade. Unrepentant and black-hearted bitches. Also examples of The Vamp, Blondes Are Evil, and Evil Is Sexy.
- Myrna Loy was stuck playing this type of role for years in early Hollywood, often with an additional ethnic flavor, finally escaping to better parts with the success of The Thin Man.
- Lady Marsh in The Lair of the White Worm seduces both men and women to their doom.
- Mini from Mini's First Time has elements of Femme and Fille Fatale, but her utter soullessness qualifies her for this trope.
- In Monty Python and the Holy Grail, there's a whole castle of vamps.
- Ariel in Alien Intruder.
- Kathryn in Cruel Intentions.
- Debbie in Devil In The Flesh.
- The leading role of the theater troupe's play in the silent comedy Exit Smiling is a vamp, and is the role that the heroine is constantly trying to score.
- Not only was Francesca in Ghost Ship involved in the mass murder, but she also seduced one of the crooks into killing his comrades before offing him herself. Unfortunately for her, her feminine wiles don't work on supernatural beings, but even after death she's still just as much a vamp as she was in life, tempting Greer and leading him to his doom. Inverted when Francesca's backstory reveals that said supernatural being actually seduced her into playing her role in the scheme.
Benvenuto a bordo note
- Angelique in Hellraiser: Bloodline is a demon currently occupying the body of an attractive woman and seduces her victims only to kill or torture them to death later on.
- In "The Ten Commandments", Nefertiti is this role.
- Invoked by Kelly in Neighbors. Her plan to break up Teddy and Pete's bromance is to make out with both Peter and Teddy's girlfriend and then coercing the pair into have sex. She also claims that this isn't the first time she came between two guys.
- In Ex Machina, when he reveals that the test was actually to see if Ava could manipulate Caleb, Nathan claims that she used her feminine charm to deceive him and does not care about him at all. This turns out to be true - she escapes the facility alone and leaves Caleb locked in it to die.
- Rudyard Kipling wrote a poem called "The Vampire". Trope Namer.
- Milady de Winter in The Three Musketeers.
- Played for laughs in The Science of Discworld II: The Globe; the queen of The Fair Folk tries to seduce Rincewind, but all he desires is potatoes.
- Berelain in the Wheel of Time started out as one, who seduced people for political advantage and spent multiple books chasing after Perrin to the detriment of Perrin's marriage, but is starting to look a bit more sympathetic. Her current infatuation with Galad, putting an end to the horrific Poor Communication Kills arc of the last five books, certainly helps.
- The title character of "The Snow Queen" by Hans Christian Andersen.
- The White Witch of C. S. Lewis's The Chronicles of Narnia, even more so in the films. In the film adaption of The Voyage of the Dawn Treader, Edmund even imagines her promising to make him "a king...and more", making it obvious that this was a large factor in his decision to become her mole. But even in The Magician's Nephew, she strikes Diggory as stunning (while Polly doesn't see the attraction), and Uncle Andrew loses his head over her, even imagining she might find him attractive. And, of course, the Lady of the Green Kirtle from The Silver Chair seduces and enslaves the prince. Jill does see the attraction.
- Zenia in Margaret Atwood's The Robber Bride.
- In Graham McNeill's Warhammer 40,000 Horus Heresy novel Fulgrim, Bequa Kenska. When her attempt to seduce Ostian Delafour fails, she is enraged both to lose the chance to corrupt his youth and innocence and because she had never failed before.
- The title character in Andrew Vachss' Strega (the second Burke novel) is explicitly The Vamp to the extent that she even Lampshades the fact that she can bend men to her will. The protagonist, Burke, does succumb to her sexual wiles, but subverts the trope in that he's perfectly aware of what she represents, and manages pulls away once her goals are no longer parallel with his. The girlfriend in Vachss' The Getaway Man plays the trope straight, however.
- Lara Raith of The Dresden Files. She's also a psychic vampire who feeds on people's souls during sex.
Mab: Are you frightened of me, Harry?Harry: I'm sane.
- Mab, the Unseelie Queen of Air and Darkness, has elements of this archetype. While it normally doesn't come up (since she's more powerful than most gods), she has proven capable of using seduction when the situation calls for it. Harry also describes her as "too terrifying to be beautiful."
- Maeve, the Unseelie Lady and Mab's daughter, uses this trick quite a bit more than her mother, and is far more blunt about it. She's about as subtle as a prostitute sticking her hand down the front of your pants. A very, very, very beautiful prostitute, with friends, but still.
- Nefer of The Egyptian, although she is considerate enough to actually warn him first. Doesn't help, though.
- Cavilo (who had already thus secured control of a mercenary warfleet) attempts this with Emperor Gregor Vorbarra in the The Vor Game. As you might guess from the "attempts", it doesn't work out the way she planned.
- This trope is so old that even parodying it is Older Than Steam. At the end of the King Arthur story Sir Gawain and the Green Knight, Gawain claims he has learned never to trust women, that they only lead you to sin, etc., etc. The Green Knight tells him this is ridiculous and that he has to take responsibility for his own failure.
- Male example: Spyros Stavaronas, the attractive young shrimp fisherman in Alexandra by Scott O'Dell. At first, he uses his charms to distract Alexandra so his henchmen can smuggle cocaine on her boat. When Alexandra finds out, he further tries to charm her into keeping his secret and not turning them in to the cops.
- Marquis Merteuil in Dangerous Liaisons, a Bitch in Sheep's Clothing variety.
- Mr. Wickham from Pride and Prejudice is another male example. Unlike the passive if Hedonistic Casanova Willoughby of Sense and Sensibility, who doesn't care if he breaks hearts, Wickham actively tries to win the heroine over and turn her against Mr. Darcy via Malicious Slander. This is years after he tried to get revenge on Mr. Darcy by seducing his sister. Later, he tries to get back at her by seducing her little sister Lydia and very nearly succeeds. Elizabeth later feels terrible over how easily she believed his lies.
- The woman in Robert E. Howard's "The Gods of the North", who lures Conan the Barbarian to her brothers to be killed. When this does not work, things get rather uglier for her.
- Thalis tries this in "The Slithering Shadows". Conan is embarrased because Natala, his slave girl, is watching.
- Parodied with Muriel Kane in The Beautiful And Damned. She wants to be seen as a vamp (and happens to look like Theda Bara, mentioned above), but tries far too hard.
- Roberta "Bobbie" Wickham from the Jeeves and Wooster series is a light comedic variant. A troublemaker with Evil Redhead tendencies, she makes a habit of luring Bertie into trouble and then working against him to benefit herself. Of course, Bertie is an Extreme Doormat who can get talked into anything, but in Bobbie's case, the fact that she's gorgeous and flirtatious doesn't hurt her cause.
Bobbie Wickham ... went about the place letting the pure in heart in for the sort of thing I was doing now.
- Matilda fills this role in The Monk, particularly if you read her character as deliberately leading Ambrosio astray rather than merely being tempting.
- Extremely common in The Sword of Truth, especially among the Sisters of the Dark. Nicci is perhaps the best example prior to her High Heel-Face Turn, and has a long history of using her beauty and sex to get what she wants. The generally antagonistic (though not evil) and neutral at best witch woman Shota tends to play this at times as well. Calling her default wardrobe "revealing" doesn't even cover it.
- Lilith Eve Mabus in Steve Alten's Resurrection is an extreme example of the trope.
- Cersei Lannister in A Song of Ice and Fire. Men desire her and she's willing to use that. Littlefinger actually pities her because her beauty is the only true advantage she possesses — everything else is due to the men in her life — in the game of thrones, and that will fade with time. Eventually Deconstructed hard, as the consequences of being exposed as the Vamp become apparent. The High Septon finds out and forces her to walk through the city naked and shaved. This destroys all the power she has gained; no one will respect her now that everyone has seen her in such a vulnerable state. Even Jaime is unsympathetic and abandons her in her time of need. He thought she was cheating on her husband with him because he was her true love, and the discovery that she's sleeping with other people to win their allegiance makes him question their entire relationship.
- Annabella Wilmot in The Tenant of Wildfell Hall, as Lord Lowborough discovers too late. Gilbert warns Frederick Lawrence that Jane Wilson is not to be trusted before he can choose a similar fate.
- Delia of Eldorne in Song of the Lioness deliberately pits men against each other and seduces Prince Jon, toying with his moods by giving or witholding her attention (and sex) in order to keep him off-balance. All of this is in aid of Duke Roger's plan to usurp the throne, because she wants to be the queen.
- In The General Suzette Whitehall's modus operandi (seduction, manipulation, provoking duels over herself, having Obstructive Bureaucrats dumped in the river with 40 kilo roundshot chained to their ankles, etc.) fits with this... but she does so not For the Evulz but for the sake of the husband she actually does love (an honest soldier whom the Deadly Decadent Court of the Gubierno Civil would probably destroy otherwise).
- Melisande Shahrizai from the Kushiels Legacy series is an almost perfect example this trope, especially early on.
- Wyre from Dark Heart. She's not averse to using sex to manipulate men, though she's also good at mind-warping magic.
- Gretchen Lowell is the extreme of this trope, as a beautiful female serial killer who claims to have over two hundred kills. Not just any kills, either—she likes to torture using blades and chemicals to extend the torture session for as long as possible. She uses sex to collect "apprentices," weak-minded selfish men who she can mold into serial killers themselves.
- Angel: While under Jasmine's control, Cordy plays this trope to the hilt.
- Lilah Morgan is this trope to a T.
- Vorpax Mortal Kombat: Conquest. Not that there's anything wrong with wanting to seduce Shang Tsung...
- Victoria Metcalf, the psychotic, poetry-loving bank robber who was the love of Benton Fraser's life in Due South.
- Lila in Dexter. Granted, Dexter is most certainly not your typical "moral and upright man", but Lila's willing to go places that even he won't. The nihilistic temptress comes complete with black hair, in contrast to Dexter's blonde good-girl girlfriend Rita.
- "Saffron" in Firefly has married numerous men under as many aliases for pretty much the express purpose of ripping them off. Damn good criminal mastermind, too.
- Oz. Shirley Bellinger, who drowned her own child in a fake accident based on the Susan Smith case. She gives sexual favours to both inmates and prison guards in exchange for preferential treatment, leading to a Crowning Moment of Funny when, as she's being led off for execution, Shirley calmly informs Warden Glynn that the guard escorting her has been "coming into my cell every night and fucking me." Faced with a glowering Warden and a prisoner who'll soon be beyond any retaliation, the guard can only mutter, "Bitch."
- Ashton Main Huntoon Fenway from North and South (Trilogy). She marries James only to gain a sort of political power and wealth despite coming from a Southern aristocratic family, plots against her sweet sister Brett and Billy's romance-turned-marriage, seduces multiple men after a failed attempt to get into Billy's pants...and this is all just Book One...
- Vala Mal Doran from Stargate SG-1 was introduced as a straightforward vamp, but she got better.
- Theresa Conners on the short-lived series EZ Streets, played by Debrah Farentno. She sleeps with her mob boss client as well as the detective tasked with bringing him down.
- Tammy, Ron Swanson's ex-wife on Parks and Recreation, played by Megan Mullally. She's the deputy director of the Library department who seduces her ex, Ron, the head of Parks and Rec dept., and sleeps with him again in exchange for the empty lot his deputy director Leslie Knope wants to turn into a park. As Tammy tells Leslie: "Les, there are two kinds of women in the world. There are women who work hard and stress out about doing the right thing, and then there are women who are cool."
- On her first appearance on Hercules, Xena was this as well as a Dark Action Girl. By her second appearance, all traces of the vamp had disappeared and she was only the Dark Action Girl before being redeemed.
- Sarah from Survivors is first seen using her feminine wiles to manipulate a smitten plague survivor, who she promptly leaves to die after he breaks his leg in an accident. She begins working her way through the male members of the main cast from there.
- A very similar character appeared in the original version of the series under the name Anne, although she only appears in handful of episodes.
- The Vampire Diaries has Katherine. Uses her charm and seductive wiles in order to get what she wants.
- The X-Files: Frohike and Langly saw Suzanne Modeski as The Vamp, and were really pissed off that Byers fell for it. The truth turned out to be a little more complex. She's actually a woman tormented by a shady government organization who wants to use her smarts and destroy her when she wants to expose them.
- Professional dominatrix Irene Adler in the "A Scandal in Belgravia" episode of Sherlock is like this towards all her more influential clients (from whom she gains confidential government and MI6-related secrets during the course of "recreational scolding"), as well as the titular hero. It's not a personal vendetta: she is in cahoots with the "consulting criminal Moriarty, and plays off of Sherlock's lack of sex knowledge to get him to do whatever she wants. It somewhat backfires in the end, though Sherlock is so impressed by the fact that she managed to fool him for so long that he compliments her - in a manner of speaking - by saving her life.
- The notable thing about Irene is that she does, in fact, develop genuine feelings for Sherlock somewhere along the line; however, she doesn't so much as consider affecting a Heel-Face Turn like in a typical example of the 'villainess' who falls for the hero, instead fully intending to see her mission to thwart Sherlock and his brother Mycroft through to the end. This makes her an unusual cross between The Vamp and a Femme Fatale.
- This happens often on Merlin (2008). Thus far we've had Morgana, Morgause, Nimueh, Sophia, Catrina, Lamia and Helen/Mary using feminine wiles at one point or another to manipulate the men-folk.
- In fairness, this could be partially because they believe that a seductress won't be seen as powerful sorceress, and that people won't see past the cleavage. On current evidence, Merlin (mostly) excepted, they're right. Ain't broke don't fix it.
- Lilith from Robin of Sherwood.
- Regina in Once Upon a Time clearly wants to be this, invoking Evil Is Sexy and trying to seduce men to do what she wants. It never works (probably because the men are Genre Savvy enough to know sleeping with an evil witch-queen never ends well), so she falls back to her magic and/or loyal army.
- Princess Ardala from Buck Rogers in the 25th Century.
- Star Trek: Deep Space Nine has the Female Changeling, the ruthless leader of the Dominion and the public representative of the Founders. She served as an evil mentor to Odo in "The Search," teaching him about his Changeling heritage and helping him hone his shapeshifting skills. However, during the Dominion occupation of Deep Space Nine, she uses linking and sexuality to weaken Odo's resolve. We learn in "Favor the Bold" that her seduction of Odo isn't just about neutralizing an opponent, but about bringing her fellow Changeling home.
Female Changeling (to Weyoun): Neutralize Odo?! Is that why you think I'm here?! Odo is a changeling. Bringing him home, returning him to the Great Link means more to us than the Alpha Quadrant itself. Is that clear?
- Seska from Star Trek: Voyager.
- Teen Wolf:
- Lydia TRIES to be this. With anyone. Including Scott. And Allison's dad. While Allison is in the room. Neither of them notice. She does eventually succeed with Scott.
- After a childhood of feeling sickly and unattractive due to her epilepsy and the meds she had to take for it, Erica wants as much attention as she can possibly get when the bite makes her healthy and beautiful. It goes to the degree of overcompensation.
- Angelique in Dark Shadows. Even more in the movie.
- Ingrid of Young Dracula was this in season 1 with Paul and Ian. Magda is also this to the Count (though he's not exactly morally upright himself).
- Illithyia in Spartacus combines this with Lady Macbeth. Among other things, she uses sex appeal to encourage her husband in military ruthlessness and get a teenage boy to order a gladiator killed.
- True Blood: A flashback shows Bill encounter a woman while badly injured. After she patches him up, Bill thanks her before taking his leave. Only for her to throw herself at him since he didn't try to rape/take advantage of her like every other man who ended up in her home. Bill demurs saying he has a wife and child to return to. The woman angrily reveals she's a vampire and turns Bill because If I Can't Have You.
- Tony Stonem from Series/Skins would be a rare male example. His whole character revolves around seducing Girls and a Boy for no other reason than boredom.
- River Song from Doctor Who was raised to be this - she killed the Doctor with a kiss. Fortunately, it was short-lived.
It was never going to be a gun for you, Doctor.
- Babylon 5: Londo describes his wife Mariel as being drawn to men of power as a moth to flame, but in the end, she burns them.
- Bree Sharp's "Cheap and Evil Girl" describes one.
- Hall & Oates' "Maneater", as seen in the former page quote.
- A major part of Shirley Manson's stage persona. She also provided backing vocals on The Bird and the Bee's cover of "Maneater".
- Disturbed's Serpentine.
- "She Was a Vamp", sung by Cher on The Sonny And Cher Show
She was a scamp, a camp and a bit of a tramp
She was a V-A-M-P...Vamp!
- The subject of the Michael Jackson song Dangerous
Myths & Religion
- The classic Vamp, of course, is Delilah, from the biblical story of Samson. The Biblical story clearly treats her as a villainess who tempts Samson away from his godly ways, and thus brings about his downfall, emasculation, and captivity. She betrayed him very effectively, although her life was threatened. People weak in faith turning their backs on their powerful protector when threatened by the vast but easily avoidable powers of the wicked is a bit of a theme in the Bible, yes.
- Samson was also a subversion, which indicates the trope is older than that. He consistently fed Delilah information she consistently used to get his enemies deployed where he could deal with them. Until he got arrogant enough to reveal all his secrets, he was managing her vamping quite well.
- Another, more apt biblical example would be Amon's queen, Jezebel.
- There are a few mythological creatures who act like this.
- Older Than Dirt: Mesopotamian Mythology has the goddess Ishtar/Innana, who tends to cause her lovers' deaths, and the seductive Child Eater Lilitu. (Lilith if you were Hebrew)
- Chilota mythology has the Trauco.
- Taeler Hendrix after her heel turn, would openly try to hit on men, especially referees, for an advantage. When she found out Heidi Lovelace had a fan girl crush on her, Hendrix was willing to exploit that too.
- The female, and literal, vampires of the Daeva clan from Vampire: The Requiem are the EMBODIMENTS of this trope. Although it depends on the player, the nicest Daeva vampiresses would be considered Femmes Fatales, but the book encourages you to play it straight; in other words, be downright evil.
- Mina Devlin from Deadlands.
- Dungeons & Dragons has a Temptress character class amongst its many third-party sources.
- A far more obvious example in Dungeons & Dragons and Pathfinder are the succubi, who are reimagined from medieval sexual predators to deadly femme fatale Horny Devils who manipulate their prey into eternal damnation before ripping out their souls and dragging it back to their home dimension. The exact fluff changes from edition to edition.
- In some editions, the Fallen Angel erinyes is similar, but prefers to manipulate individuals to tyrannical ends.
- There are also always about a dozen variants on the theme, such as the vampy devils called Brachina. They corrupt the servants of good gods.
- Incubi are usually depicted as the Gender Flip variant.
- Ravenloft has the Gentleman Caller, a mysterious incubus who seduces and impregnates important women just to ensure their doom.
- Jacqueline Renier of Ravenloft is an example of this trope; she's a beautiful, raven-haired noblewoman. She's also a murderous wererat doomed to assume her true form in the presence of anyone she actually loves. This is a setting where Friendly Neighborhood Vampire is completely averted, and any sane person in the Land of Mists would draw their weapon or start running upon meeting any lycanthrope.
- Ivana Boristi is this trope incarnate, as a seductive poisoner who cuts through men like a hot knife through butter. Unlike Jacqueline, she is pretty much a normal Hot Gypsy Woman aside from some Gypsy Curse powers. She, too, is Blessed with Suck, as her relationship with the Gentleman Caller has him out-Vamping her; their offspring is supposed to lead to the destruction of Ivana's people.
- Yu-Gi-Oh!: Vampire Vamp's name and effect actually invokes the trope. Konami even supports it in their TCG blog article on her.
- Lucy The Slut in Avenue Q. The extent of her character is, well, Self Explanatory.
- Lola from Damn Yankees is a subversion. She presents herself in her establishing song "A Little Brains, A Little Talent" to be The Vamp to end all Vamps, but her seduction of Joe is unsuccessful, in part because she fails to be evil enough.
- Mallory in the musical City of Angels. She's redeemed by (in-story) Executive Meddling.
- Not so much evil as irresponsible and immature, Mayzie La Bird is a kid-friendly version in Seussical.
- The two female protagonists, Roxie and Velma, from Chicago are using their vamp skills to literally get away with murder.
- Generally, whoever sings 'Turn Back, O Man' in Godspell tends to be a bit of a parody of this.
- Sally Bowles from Cabaret is another more irresponsible and immature than evil version.
- Fastrada, Pippin's Stepmother from Pippin, is this to a V. She manipulates both Charles and Pippin to make sure her 'darling' son Lewis is next in line to the throne. Of course, she's manipulating Pippin for other reasons..."Sometimes I wonder if the fornicating I'm getting is worth the fornicating I'm getting."-Charles
- Adelheid von Walldorf in Johann Wolfgang von Goethe's Goetz Von Berlichingen. She uses her beauty to enamour and manipulate the Knight Adelbert von Weislingen; then, when he has outlived his usefulness, has him murdered.
- Cirque du Soleil examples:
- The Black Widow in Mystere tries to corrupt the Archangel who performs the aerial cube act.
- Two of the Mutants in Zarkana, Kundalini and Tarantula, aim to lure the hero away from his quest to reunite with his sweetheart. They are both Mix-and-Match Critters — one a snake(s) woman, another a spider woman.
- The pole dancer who performs to "Dangerous" (see Music above) in Michael Jackson The IMMORTAL World Tour.
- Final Fantasy VII's Jenova is a bizarre example. A mimetic creature from space (similar to the creature from The Thing (1982)), it crash-landed on the planet and morphed into the vague form of a woman. Jenova apparently uses its shapeshifting abilities to trick its prey - in this case, the lost civilization of the Cetra, which it destroyed. Following this, Jenova was locked up for thousands of years before being excavated by a hapless science team, lead by a researcher who mistakenly identified her as a Cetra. Jenova's knight is Sephiroth, a solider infused with "her" cells who believes she is his mother, making him the rightful heir to the Cetra. Irony abounds.
- Shin Megami Tensei I has Yuriko, who has the general look and mannerisms down, but quickly revealing her Murder the Hypotenuse tendencies kinda killed her effectiveness. Really doesn't help that she's actually Lilith and thus hit with a severe case of No Campaign for the Wicked.
- The SiN series features Vamp/Baroness combo Elexis Sinclaire.
- Metal Gear:
So don't let me become the one you love, 'cause I'll just take your blood and use you up,
- The series features a male character codenamed Vamp, who fits aspects of this trope. His codename is derived not from his taste for drinking blood, but from his bisexuality, playing off of an older use of the term. The sexual aspects were downplayed in-game, compared to the original trailer, but it was conclusively stated that he is not, in fact, a vampire. Twice.
- Vamp is a subversion. Vamp had a boyfriend in the form of Scott Dolph before said boyfriend was killed in the tanker incident. Although it's never outright stated that his relationship wasn't for some sort of underlying, self-centered motive, nothing about it ever gave him any kind of gain. His boyfriend was his best friend's father, on top of it, which could've conceivably risked damaging that friendship, so the only possible reason for him to have the relationship was out of genuine care for Dolph. It's played straight in Guns of the Patriots, however, as he's really friendly with Naomi, and she does have something of value he wants: his own death.
- From Metal Gear Solid 3: Snake Eater, there's EVA, to some extent, though you don't find out 'til the ending. However, she's a subversion of this trope, as it's revealed that she genuinely did love Big Boss, and even joined him in overthrowing the faction of The Patriots lead by Major Zero, Para-Medic, and Sigint after the organization was split in two, thanks to a falling out between Big Boss and Major Zero, part of which was caused by Zero cloning Big Boss and creating Big Boss' "sons". Moreover, EVA volunteered to be the surrogate mother of Solid and Liquid, all because of her love for Big Boss, and even though Solid Snake was a clone, she still saw him as a son.
- Image Song of Mistral mentioned this.
- The series features a male character codenamed Vamp, who fits aspects of this trope. His codename is derived not from his taste for drinking blood, but from his bisexuality, playing off of an older use of the term. The sexual aspects were downplayed in-game, compared to the original trailer, but it was conclusively stated that he is not, in fact, a vampire. Twice.
- From the third Phoenix Wright: Ace Attorney, there's Dahlia Hawthorne, who manipulated at least 3 men using her innocent facade.
- Trauma Center: Under the Knife 2 has Reina, who attempts to get Derek to join her company, steals his Healing Touch, and finally carries the final Neo-GUILT.
- You can play one in the Neverwinter Nights mod A Dance with Rogues. There are a surprising number of quests in which having sex with enemies is a shortcut to let you kill them more easily, or, in the case of the Dhorn Generals' Heads quest in the first chapter, the only path to getting to kill them.
- Also possible in Fallout New Vegas, a female protagonist is able to seduce Benny and bypass the security. From there she can either sleep with him and kill him, or just kill him as soon as they enter the room.
- Morinth from Mass Effect 2. Her modus operandi is seducing people, then killing them via her genetic defect that causes brain overload during sex. Interestingly, she's a recruitable character.
- I-No from Guilty Gear.
- In Golden Sun: Dark Dawn, Chalis is a spy who specializes in charming kings out of national secrets (and into trouble) with "a rare beauty not often seen in Angara". She also tries to tempt Matthew into cooperating, and he literally can't turn her down. Her ambiguous motive still make the fans argued that she is this trope or Femme Fatale.
- In Yu-Gi-Oh! Monster Capsule GB, Mai flirts with Yugi when she first sees him, much to Tea's annoyance.
- In Girl Genius this is currently the view given of Lucrezia.
- Amelia Sturtz in Dominic Deegan used her looks to get men close enough to her to hypnotize them through eye contact.
- Sabine from The Order of the Stick is a succubus in red leather. In a bit of a subversion, her vamping doesn't work on the Genre Savvy Roy Greenhilt the time she tried it on him, and most of it is directed at her boss, Nale. It didn't work on Miko, either.
- The Fox Sister: The Kumiho uses the attractiveness of her human form to bait men.
- In Sinfest, Seymour accuses Monique of being this.
- In Oglaf, Mistertique is both a parody of the cliche and a male example.
- In Survival of the Fittest, several female players, such as Katherine Marks, Clemence, and Chi Masumi, have used their looks to try to seduce male opponents and catch them off guard or get protection/help from them. Usually, they try to kill the male once they're vulnerable. This has just about never worked, James Coombs, Naoji Hideyoshi, and Aaron Redfield being the only actual victims of this tactic so far. Non-player females sometimes try to do something similar to charm males into helping them, but this has become rare by v3.
- Vamp's MO. May or may not continue now that she's going to Whateley.
- The Spoony Experiment recently did a Counter Monkey episode on how frequently this trope is employed in tabletop roleplaying games. As mentioned above, Dungeons & Dragons has a character class for it and more than one monster is built on this concept, most commonly the succubus.
- The Martian Queen from Duck Dodgers tries. The hero's too stupid to fall for it. (In some episodes, she's a Defrosting Ice Queen who's genuinely in love with Dodgers, but he's still too stupid to notice.)
- Subverted in one of Saturday Night Live's "Ambiguously Gay Duo" cartoon shorts. An alien queen plans to use her feminine wiles to distract Ace and Gary, but Dr. Bighead replies, "I, uh, don't think that'll work on those two." Which it didn't. They have very strong moral constitutions, obviously.
- It doesn't seem to be intentional with Azula in Avatar: The Last Airbender. She sounds like that talking to...well, everyone, including her own brother... but when she actually tried to seduce someone, it fails dismally.
- Venus in The Tick is a G-rated example, played for comedy. She can channel her "feminine wiles" into a form of actual mind control.
- Blackarachnia of Transformers Animated wavered between this and Femme Fatale. Even if she was redeemed, it would be very hard for anyone (besides Optimus, the sap) to trust her. Which is odd, because while she's fairly sexy by human body shape standards, she's also techno-organic—and most Transformers are repulsed by anything organic. However, many of the Autobots find her very attractive and only Blitzwing and Sentinel Prime react with anything approaching disgust. The latter even tries to kill her, despite the fact that she was once his girlfriend.
- Hollie Would from Cool World. Kind of like the evil blonde version of Jessica Rabbit.
- Sedusa of the Powerpuff Girls
- Darla Dimple from Cats Don't Dance, despite being just a child.
- Lolita and Tanqueray from Beavis And Butthead
- Hatta Mari from Plane Daffy.
- Queen Chrysalis in My Little Pony: Friendship Is Magic plays this trope quite well.
- Considering she's essentially a G-Rated Succubus, it's not too surprising.
- In the American Darkstalkers cartoon, Morrigan fits the bill. She only seuces men and fellow monsters) to gobble them up, and works with Pyron.
- In Samurai Jack, there was Josephine Clench (also a Dark Action Girl) who once formed half of an Outlaw Couple with her husband Zeke. This seemed to be a vital part of the pair's strategy; she would cozy up to a victim in order to gain trust so that he would let his guard down, and be unprepared for the far-less subtle attack from Zeke. (Even better, if the victim tried to defend Josephine from him thinking she was in danger, he'd likely expose his back to her, and it would be over for him quickly.) Unfortunately for the pair, she was so rotten that Zeke divorced her and got a restraining order. They called a truce to collect the bounty on Jack (at which point her skills at seduction worked very well on the Samurai) but Josephine double-crossed Zeke in the end (which leads you to believe that may have caused the divorce in the first place). Ironically, this is what helped Jack defeat her as well.