"I shall be dark and French and fashionable and difficult. And you shall be sweet and open and English and fair. What a pair we shall be! What man can resist us?"This is a character contrast trope. Both female characters are decidedly feminine, but in different ways. The light is generally angelic and feels love, whereas the dark is generally devilish and plays with desire. The light is usually sweet and naïve, whereas the dark is usually aloof and brooding. Either type applies to a Tomboy and Girly Girl contrast. When a love interest is involved, it's likely to lead to a Betty and Veronica love triangle: Betty being the Light feminine, and Veronica being the Dark feminine. As with any two-character trope, the two characters have to have some sort of relationship with each other, be it friends, family, love interests, or rivals for a love interest, so the two characters can be playing the traits directly off each other. The dark feminine character is not always a villain or a whore but half of a "good girl, bad girl" or "naughty and nice" pair. Remember, Dark Is Not Evil. Compare the innocent child and the seductress of The Three Faces of Eve as well as the sweet-naïve one and sexy one of the Four-Girl Ensemble. With a duo consisting of a Magical Girl and a Dark Magical Girl, in general, the Magical Girl is Light Feminine and the Dark Magical Girl is Dark Feminine. Contrast the polar opposites, Bifauxnen and Lad-ette—two girls who are both masculine, but in different ways—and Noble Male, Roguish Male—two guys who are both masculine, but in different ways. Not to be confused with Pale Females, Dark Males. This is about personality, not hair color.
— Anne Boleyn about herself and her sister Mary, The Other Boleyn Girl
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Anime & Manga
- Bleach: Rangiku and Momo's zanpakutos fit this trope. Haineko is a Cat Girl Tease and interested in fashion, boys and her looks; by contrast, Tobiume is very cute and ladylike looking and refers to herself as a Yamato Nadeshiko (though technically, she's more of a Tsundere), as well as less open about her own share of fangirlism.
- Count Cain's sweet, energetic, rebellious but utterly good-hearted baby sister Meriweather and jealous, Trickster-ish, spider-controlling... something Mikaela vie for his attention through much of the Godchild arc. They even dress in clothes that resemble Sweet and Gothic Lolita, respectively.
- Detective Conan:
- The happy, friendly Ran as the light and the Broken Bird Haibara as the dark (the former being the subject of Shinichi's Single-Target Sexuality and the second being implied to have strong feelings for him).
- Yukiko Kudo and Sharon Vineyard aka Vermouth. Yukiko is Shinichi's kind and beautiful mother who is also kind of a woman child sometimes, and Sharon is her long-time friend and quite the dangerous mixture of Femme Fatale and Dark Action Girl.
- * Digimon Savers: This is the case between the two Bridge Bunnies Megumi Shirakawa and Miki Kurosaki. As if their last names and hair colors (blonde and dark purple, respectively) aren't enough, each of them have a PawnChessmon as a partner, with Megumi having the white one and Miki having the black one. Personalitiy-wise, Megumi is the more cheerful one, and Miki is the more serious and mature one. They later switch their uniforms for rider suits, with Megumi's being more modest to fit her cute personality and Miki's being more revealing to show of her sex appeal. Their Digimon partners eventually evolve into two different kinds of Digimon once they reach their Perfect-level. Megumi has the white BishopChessmon who is more magic-orientated, while Miki has the black RookChessmon who is more physically orientated.
- Fruits Basket:
- In the manga version, the kind and sweet Yamato Nadeshiko Tohru Honda is the Light to the sexy Broken Bird Rin Sohma's Dark.
- There's Tohru's friends, Uotani (a tall, outgoing, tough former gangster) and Hanajima (a Perky Goth who's frail and tends to creepily threaten people with her psychic powers, if they upset Tohru).
- Later in the manga, we also get sweet, happy Tohru and the depressed, broken Akito, a much abused young woman and who keeps the Sohma clan's reins through fear and anger (and sometimes sex, in the case of Kureno and Shigure). Tohru then helps the Sohmas through her issues, thus she becomes Akito's target... and she ultimately manages to reach for her too.
- Fullmetal Alchemist: During the latter parts of the series, on the heroes side we have both the Hawkeye as Light Feminine and Major General Iron Lady Olivier Armstrong as the Dark, who also play on the pairing.
- Futari wa Pretty Cure: Nagisa, a sporty tomboy on the lacrosse team, is oddly the Light Feminine considering her generally upbeat nature (to say nothing of her love for sweets), and Honoka, the more down-to-Earth scientist, is the Dark Feminine considering she literally pulls no punches against the enemy.
- Gundam SEED has Lacus Clyne as Light opposite Fllay Alster as Dark. Lacus is softspoken and ladylike and a Token Wholesome in looks (save for sometimes showing off her long legs), while Fllay is a very busty Broken Bird with serious issues and who uses her looks to her advantage. They are also interested in the same guy, Kira Yamato, though not at the same time; Fllay is his First Love and ultimately The Lost Lenore to him, while Lacus becomes his Second Love and end-game Love Interest.
- Gundam SEED Destiny has the aforementioned Lacus and her much Hotter and Sexier Body Double, Meer Campbell. It's also deliberately invoked: Chairman Dullindal and his entourage carefully craft Meer's Hotter and Sexier image to make her (or better said Lacus') popularity soar and use it to their advantage. Heartbreakingly, Meer pulls a Heroic Sacrifice for Lacus and perishes in her arms.
- The Haruhi Suzumiya series has a one-woman example with Mikuru Asahina: her sweet and shy younger self is the Light Feminine, and her sexy and manipulative future self is the Dark Feminine.
- Highschool of the Dead portrays Rei and Saeko as polar opposites in more ways than one:
Rei: (incredulous) What the heck is THAT!? Aren't you embarrassed showing off like that!? I can't believe you're walking around like that!!
- While Rei is a Martial Pacifist, Saeko's an Ax-Crazy Blood Knight. In her recount of how she'd once been accosted by a would-be rapist, Saeko told Takashi that realizing she had the upperhand and seeing his fear was exhilarating for her, which incited her to beat him within an inch of his life. By contrast, when Rei was given the opportunity to kill Shidou (whom she loathes), seeing the fear in his eyes had the opposite effect.
- This is also reflected in their ongoing Love Triangle with Takashi, with Rei being the "Betty" to Saeko's "Veronica". As such, Rei is the Childhood Friend/Girl Next Door with a crush, whereas Saeko prefers to let her sex appeal do the talking and flaunts it. This is further reflected by the difference in the way they dress. Rei wears her school uniform, with knee and elbow pads for protection. Saeko modified hers to include: garter belts, lacey black thigh-high stockings and stiletto-heeled boots, along with a matching mini-skirt with a split seam so high, it flashes her panties when she walks. When Rei and the others see what she's wearing, Rei explodes:
- In Idol Densetsu Eriko we have the two main ladies, the aspirant idol singer Eriko Tamura and the already famous performer Rei Asagiri. Eriko is the Light thanks to her child-like appeal which fits well in Japanese society's obsession with cuteness and innocence and her position as a Naïve Newcomer to the business which will make her suffer more than once, while Rei is the Dark since she's an Ice Queen with Hotter and Sexier looks, quite a bit more of singing/performing experience under her belt and a Dark and Troubled Past.
- Initial D gives us the only team made of girls: the driver Mako Satou, who is a Nice Girl, and her best friend/co-pilot Sayuki who goes the Femme Fatale way.
- InuYasha has the good-natured, cheerful Kagome, and the brooding, revengeful Kikyou. Despite Kagome being Kikyou's reincarnation, inheriting her looks and Miko powers, the two are exact opposites of each other: Kagome is plucky and optimistic while Kikyou is broken and embittered.
- Kimagure Orange Road: Hikaru Hiyama and Madoka Ayukawa were a Tomboy and Girly Girl duo as little girls, but switched to this as teenagers. Bright, naïve, cheerful Hikaru is the Light, while harsh yet kindhearted and very sexy Madoka is the Dark. This is also emphasized by their hair color (Hikaru is blonde while Madoka is dark-haired) and even their names (Hikaru's name references the sun and light while Madoka's name references the night and darkness).
- Ranka Lee (Light—Moe, A-Cup Angst, naïve, youthful) and Sheryl Nome (Dark—Broken Bird, Buxom Is Better, Stripperiffic when on-stage) in Macross Frontier.
- In the American arc of Marmalade Boy, Jinny Golding was the flirty Femme Fatale Dark to Doris O'Connor's mature Cool Big Sis Light.
- In Natsu E No Tobira Ledania is the Light, as a shy Woman in White with gentle and chaste behavior plus blond hair; Sara is the Dark as an older and sex-aware older woman, with Raven Hair, Ivory Skin looks. It's specially empathized by how they're viewed in-story: the chaste-looking Ledania is a symbol of passive innocence who can only watch as everything goes to Hell, while the sensual Sara is more of an "adult lover" and The Tease who dramatically "moves" the plot as she appears. Tellingly, one of Sara's most story-important actions happens when she takes The Protagonist Marion's virginity, while Ledania has her "child-like" love for Marion rejected and ends up as the "neutral" vortex of a Love Triangle between two of Marion's friends.
- In One Piece, Nami and Robin are both interesting mix of both types of femininity. Nami is not afraid to show her feelings and tell if she is fond of someone (as a friend, that is), and she has a soft spot for cute animals and children, but she is more known for being greedy, wearing skimpy clothes and using her feminine attributes to blackmail just about everyone. Robin is polite, motherly and has many Proper Lady traits, but on the flipside she is something of a Broken Bird, she always thinks up macabre things, and she is absolutely ruthless in battle.
- Oniisama e...:
- Nanako Misonoo and Mariko Shinobu, contrasting with the Bifauxnen and Lad-ette duo of Rei and Kaoru. While cute, mild-mannered and softspoken Nanako sits firmly on the Nice Girl spectrum, Mariko is a mixture of Yandere and Tsundere from day one. It's lampshaded in a scene at the start, when Nanako tells Mariko that she's fascinated by the latter's ruby-red lips and she explains that she keeps them like that via biting on them... then tries to get Nanako to do it, but she gets scared and runs off.
- Nanako and the very elegant and aloof Fukiko "Miya-sama" Ichinomiya, who displays her own share of femininity in a very sophisticated and high-class way.
- Panty & Stocking with Garterbelt has the light feminine Stocking and the dark feminine Panty. Stocking dresses like an Elegant Gothic Lolita, believes in true romance, and has a comparatively tame vice in the form of sweets. Panty, on the other hand, wears skimpy outfits, only sees romance as sex, and has an endless desire for it.
- Princess Tutu has Ahiru/Duck as Light Feminine and Rue as Dark Feminine. The former is a cheerful and clumsy Genki Girl whose mission in life is simply to get Mytho, the boy she admires, to smile. The latter is an elegant and aloof Ojou who also cares for Mytho, but in a far more possessive way due to her Broken Bird nature. Both girls have white and black costumes of their respective Magical Girl personas, Princess Tutu and Princess Kraehe. Also, they're both based on Odette and Odile from the ballet Swan Lake.
- In Private Actress, we have the actresses Sayuri Nagasawa (the main character's mother) and Ruriko Daichi. Both women are pretty and talented performers, but whereas Sayuri is a classical beauty who plays "Nice Girl" roles, Ruriko has sexier looks (huge breasts included) and tends to play Ice Queens or Rich Bitches, often as the "love rival" or "bully" to a chara by Sayuri.
Shiho: Ruriko Daichi, the person known as Japan's Marilyn Monroe in terms of sensuality... She is the opposite of the pure and innocent Sayuri Nagasawa.
- Another one-woman example occurs with the dual personalities of Moka Akashiya in Rosario + Vampire, with the more personable Outer Moka being the Light Feminine and the Terror Heroine Inner Moka being the Dark Feminine.
- Sonic X has the happy-go-lucky Cute Bruiser Amy as light feminine and seductive Ms. Vice Girl Rouge as dark feminine.
- In Astérix and the Actress, a Roman actress named Latraviata pretends to be village sweetheart Panacea with the goal of retrieving some treasure unwittingly fenced by the Gauls, and vamps the character up significantly. Although she is a Honey Trap, it's apparent from early on that she's not a bad person, and she ends up being something of a sexy, clever love interest for Guile Hero Asterix, where Panacea is an innocent, delicate love interest for Kindhearted Simpleton Obelix. Both Latraviata and Panacea start out as rivals but end up as best friends by the end.
- Barbarella: Sweet, naive and eager-to-please Barbarella is light, while her enemy/sorta-suitor, the Black Queen, is more overtly sexual, debauched and domineering, and therefore the dark.
- Batman Forever has Two-Face's molls, Sugar (played by Drew Barrymore) and Spice (played by Debi Mazar). Subverted in that both of them are "bad", and "Sugar" is probably worse because she gives The Riddler the cube with the information about Bruce Wayne's Secret Identity.
- Batman & Robin had a dark villainous character (Poison Ivy) and a light heroic character (Batgirl).
- Blue Velvet: Sandy and Dorothy fall into this trope, the former being a high school friend of Jeffrey, the latter being a diva vocalist who has some dark secrets.
- Gentlemen Prefer Blondes: Jane Russell is the dark, snarky and seductive character is the Dark Feminine, while Marilyn Monroe is the blonde, vapid and flirty Light Feminine.
- Inglourious Basterds two female characters fit this trope well—Light, glamorous movie star, Bridget Von Hammersmark; and dark Unkempt Beauty on a vendetta, Shoshana Dreyfus.
- Lili is both of these over the course of Legend (1985), first as an innocent and naïve virgin in a white dress, then as a sexy and cunning Manipulative Bitch in an extremely low-cut black gown. It's all an act, however. She's actually a Fake Defector trying to fix her own, terrible, mistake.
- In Lemonade Joe, Or Horse Opera, Winifred Goodman and Tornado Lou both love the Ideal Hero Joe. Wini is a sweet and naïve Ingenue with who dresses in white and is usually seen helping her Preacher Man father or visiting her mother's grave, while Tornado Lou is a Soiled Dove and a Chanteuse who wears dark and skimpy outfits and works in a saloon but dreams of becoming a different, better person.
- Love Actually has the two interests of Alan Rickman's charcter—his wife and his aspiring mistress. Guess which one is which…
- Mean Girls had dark Alpha Bitch Regina and light Hollywood Nerd Cady.
- Maria and her mechanical doppelganger in Fritz Lang's Metropolis are an example of this trope. Maria is loving, kind, and saintly, whereas the machine-woman is a demonic temptress deliberately created by Rotwang and Joh Fredersen to discredit her.
- My Night at Maud's: The one woman in the protagonist's life, Maud, is a free-spirited Ethical Slut who doesn't believe in God and tries to seduce the protagonist. His other woman, Francoise, is sweet and sleeps with a crucifix above her bed.
- Pal Joey: Vera is a former stripper and an example of All Women Are Lustful who is perfectly ok with keeping Joey around as her boy toy. She also smokes and drinks. Linda is rather virginal, has never taken a drink, is horrified when Joey suggests she do a striptease in the club, and is very self-conscious when she does it in rehearsal.
- Pretty Persuasion had two BFF's plotting the demise of their teacher in their search for fame—light Brittany (naive) and dark Kimberly (Fille Fatale).
- Sunrise: The Woman from The City is the Dark Feminine (hedonist, cheater), while The Wife is the Light Feminine (goody-goody all the way through).
- The Virgin Spring features Karin, the innocent who is specifically stated to be a virgin, and is also a Christian, and Ingeri, her servant girl, who is about eight months pregnant, isn't married, and is a secret pagan.
- Daphne and Luster in The Gamers: Dorkness Rising. Daphne is Lawful Good, dresses sensibly, and usually conducts herself with (relative) dignity. Luster is a Stripperiffic Heroic Comedic Sociopath.
- In Vertigo, the cool, mysterious Madeleine is the Light Feminine that Scottie obsesses over and the earthier Judy is the Dark Feminine that Scottie tries to mold into Madeleine's image.
- In The Other Boleyn Girl, Mary Boleyn is kind and humble (and rather more chaste than the actual one), while her sister Anne is (You Should Know This Already) a flirtatious and hot-tempered woman who wants to be queen.
- In X-Men: First Class (at least in the beginning), there is a textbook contrast between Raven/Mystique the ''usually'' blonde ingenue, and Angel, the dark haired former-stripper turned Dark Action Girl.
- Bram Stoker's Dracula had Mina Murray as Light Feminine, a prim and proper school teacher whom Dracula legitimately falls in love with, and the Dark Feminine being her best friend Lucy, a flirty highborn-lady.
- Gone with the Wind: Melanie is the sweet and demure Light Feminine, Scarlett is the more flirtatious and ambitious Dark Feminine.
- The Jack Weyland book Michelle and Debra has the obedient Michelle as the light and her rebellious best friend Debra as the dark.
- The two leading ladies in Nathaniel Hawthorne's The Blithedale Romance. Priscilla is the demure, fragile, domestic (read: conservative) Light Feminine; Zenobia is the mysterious, sensual, outspoken, transcendental feminist (read: liberal) Dark Feminine.
- Ellony Leckery and Pharinet Palindrake in The Chronicles of Magravandias, Ellony being a straight example of The Ingenue while Pharinet is something of a Yandere when pushed. Other female characters in the story, particularly those who fill similar roles or are related to them or are named for them are more balanced between the two extremes.
- Virginal, timid and highborn Rowena with the strong, fiery Jewish Rebecca from Ivanhoe.
- Twilight's adoptive sisters Alice and Rosalie. Alice is happy in nature. She adores Bella from the start and cares about Bella's safety above anything. Rosalie is proud of her great beauty. She is initially annoyed by Bella's presence but she is the most respectful of Bella's choices.
- Practical Magic has motherly Sally (light) and seductive Gillian (dark). That goes double for the movie adaptation. In fact, a quote in the book used to describe them sums up this trope quite nicely (albeit poetically):
Night and Day, the aunts called them, and although neither girl laughed at this little joke they recognized the truth in it, and were able to understand that the moon is always jealous of the heat of the day, just as the sun always longs for something dark and deep.
- Anna Karenina: Kitty and Anna are at first friends, with Kitty being younger and a great admirer of Anna's beauty and personality. They also both love Count Vronsky who courted Kitty but fell for Anna. Anna is a beauty who ends up being an adulteress while Kitty is a pretty girl who ends up in a happy marriage.
- In Dragonlance, Kitiara is the dark one, a cross between a Blood Knight and a Femme Fatale; Laurana is the light one, a Spoiled Sweet royal turned Pretty Princess Powerhouse.
- Lissa Dragomir and Rose Hathaway from Vampire Academy. Rose is the seductive, temperamental, and violent of the duo while Lissa is the more light-hearted, even-tempered, and angelic-looking of the two.
- Odile and Odette, despite being associated respectively with a black swan and a white swan, have the personality shades reversed in The Sorcerers Daughter. Odile is sweet, childlike and friendly, while Odette is stern, brooding, and proud to the point of haughtiness.
- In "De skandalösa" by Simona Ahrnstedt, Magdalena Swärd (the story's female protagonist) ends up being a spicier contrast to Venus Dag och Natt, the girl who Gabriel (the story's male protagonist) has pretty much promised his mother that he will marry. Magdalena is the intelligent, brooding, cynical and more mature woman, who is not afraid to have sex with Gabriel to get what she wants (dark feminine). Venus is much more sweet-natured, beautiful, docile and slightly naive (then again, she might be a bit naive simply because she's only sixteen years old) (light feminine).
Live Action TV
- 2 Broke Girls: Max is the Dark Feminine (snarky, dark-haired), Caroline is the Light Feminine (blonde, rich and a bit naïve).
- Degrassi has the noble Emma as light and her best friend the provocative Manny as dark.
- Doctor Who: In "The Enemy of the World", the two heroic "Bond girl" characters are Astrid—wholesome, a pilot working for the good guys, optimistic and with a Stiff Upper Lip; and Fariah, a woman heavily implied to have dark secrets in her past. Astrid is innocently charming, very honest and fights with straightforward Action Girl methods, while Fariah is beguiling, mysterious and fights with social manipulation. Both Astrid and Fariah flirt with men at one point to get them to do what they want, but when Astrid does it she just ends up gushing to the Doctor about how wonderful he is, while Fariah will smoulder on cue if it means Salamander is less likely to suspect her of leaking information.
- Don't Trust the B---- in Apartment 23: Most of the shows storylines are generated by the contrast between the short, trusting, and sweet June and the tall, manipulative, and promiscuous Chloe. Of course, the plot is driven by the fact that June can keep up with Chloe and regularly gives her a taste of her own medicine.
- In Buffy the Vampire Slayer Buffy and Faith are Vampire Slayers, the Chosen Two. Bad girl Faith says that killing vampires always makes her hungry and horny contrasted with Buffy who sometimes craves a nonfat yogurt afterwards and cares about always doing the right thing. This trope gets a thorough workout when their bodies are switched.
- In season 4, there is a distinct light and dark contrast between Oz's two love/lust interests—his long time girlfriend Willow and fellow Werewolf Veruca, which plays every femme fatale trick in the book, down to the Contralto of Danger. ironically, by the time Willow loses her next love interest—Tara, she goes through a 'very'' dark phase.
- Angel also had a take on this trope with Wesley's love interests - Fred (light) and Lilah (dark). Lilah herself lampshades this quite often.
- Merlin (2008):
- The series has has Guinevere, the good hearted heroine, and Morgana, the villainess. Interestingly, Gwen is linked more with desire than Morgana, who (despite a couple of early Femme Fatale scenes) almost comes across as asexual in her complete lack of interest in men. And as an added ironic bonus, Guinevere (light) is played by mixed-race Angel Coulby, and Morgana (dark) is played by extremely pale Katie McGrath—though with very dark hair.
- In the episode The Hunter's Heart, Guinevere gets a turn at playing the dark feminine in contrast to visiting Princess Mithian's light.
- Robin Hood:
- The first 2 series has Marian as the light feminine, who was replaced by Isabella, the dark feminine.
- In the third series, in which Isabella and Kate are rivals for Robin's affection, Kate would also count as the light feminine in contrast to Isabella's dark. However, after Isabella's Face–Heel Turn it became a blatant Madonna–Whore Complex.
- Xena: Warrior Princess (dark, being a warrior) and Gabrielle (light, being more of a diplomat). Granted, Xena was a Tomboy Princess, but in her first appearance she was also quite decidedly The Vamp.
- Gossip Girl: Best friends and sometimes enemies Serena and Blair. Serena is usually the light, and Blair usually the dark, but it's zigzagged & subverted throughout the series. Serena acted as a dark feminine pre-series where as Blair was more fiery but ultimately light feminine before both use both types at different places during the show's run.
- The Vampire Diaries: Elena is the Light Feminine and Katherine is the Dark Feminine. Elena and Katherine, whom are both doppelgangers, share an uncanny physical resemblance, but in terms of morals, Elena is known as good and moral, while Katherine is known as bad and immoral.
- Pretty Little Liars has two pairs among the four main characters: Hanna and Emily are light, while Aria and Spencer are dark—they are more flirtatious and employ different degrees of the Fille Fatale trope.
- Allison is a Dark feminine contrast both to Emily herself when they enter a relationship, and to Paige - her rivaling love interest for Emily. Paige is also the light to Maya's dark before Maya is killed.
- There is also a similar contrast between Paige's love interests: Nice Girl Emily and Shana the Wild Card, who is an aggressive flirt as well as a total psycho.
- Allison is also the dark to Aria's light as Ezra's love interests.
- Gilmore Girls: For a while, Rory unexpectedly enters the role of Dark Feminine in a Betty and Veronica triangle with Lindsay, Dean's wife. Seeing how O.O.C. Is Serious Business, it doesn't last that long and comes with some repercussions.
- In Arabela, we have sisters Xenia (dark, seductive) and Arabela (light, pure).
- A Veronica Mars episode plays the dark/light contrast between Meg and Veronica herself (who also serve as a Betty and Veronica triangle for Princely Young Man Duncan), in his own dream. Veronica is wearing a skimpy black outfit—Meg is in an angelic white dress. Veronica gags Meg who scolds Duncan for forgetting about the love they had, and then goes off on Duncan for his childish feelings for Meg.
Veronica: Is that really what you want? Teddy bears and mash notes. Grow up. Grow up and get over it!
- At the beginning of the second season of Agent Carter, Daniel Sousa is attracted to two women: Violet, his bubbly blonde nurse girlfriend (who bakes), and Peggy, the snarky brunette secret agent coworker for whom he harbors an unresolved crush that hasn't quite gone away.
- In Grey's Anatomy, there are several distinct duos. Lexie, The Ingenue, is the light to her friend Sadie, who has all the markings of The Tease, as well as Julia, Mark's other love interest at this point. Ellis Grey, the bossy former mistress of Richard is the dark to his wife, Adele. In similar fashion, and in a rare example where the protagonist is played in some way as the dark half of this duo, Meredith is played for a while as the dark to Addison's light.
- In Mr. Robot , Angela Moss is the Light Feminine to Darlene Alderson's Dark Feminine. Angela is blonde, innocent, even-tempered, in a steady relationship, and holding a steady job with a cyber security company. Darlene is dark-haired, flirty, hot-tempered, unafraid of casual sexual encounters, and involved with a radical hacker group. Their first scene together, in a ballet class, subtly highlights this: Angela wears a traditional pink leotard with a skirt, while Darlene wears provocative black short-shorts with a gothic-looking black mesh top.
- In Riverdale, the OG Betty and Veronica are a pretty obvious case of light and dark - Betty is the chaste Girl Next Door and a Stepford Smiler, while Veronica is a flirty Spicy Latina from the Big Applesauce.
- Later in the season, a new Betty and Veronica duo appears - Melody is the light feminine, girly and a bit of a pushover, while Miss Grundy is the Hot for Student cougar with a Dark and Troubled Past. Veronica is also later contrasted as the dark to Melody's light both as her short term replacement with the Pussycats and as Archie's eventual love interest.
- Alvaro Véliz's songs "Ni tú ni ella" ("Neither you, nor her") are abut a guy who can't choose between two loves. The girl he's "singing" to is the Light Feminine — sweet, gentle, kind, whom he cares for dearly. The other girl he's referring to in the lyrics is the Dark Feminine — sensual, a Blithe Spirit, passionate and able to bring his wilder side.
- In an apocryphal Abrahamic mythology, Lilith (the first wife of Adam, who refused to submit) represents the Dark Feminine — while Eve (Adam's second wife) is the Light Feminine.
- In La Bohème, Innocent Flower Girl Mimi is the Light Feminine, and flirtatious Femme Fatale Musetta is the Dark Feminine.
- Lord of the Dance (1997), features Morrighan, the temptress and Saoirse, the good spirit.
- In Much Ado About Nothing, the cousins Hero and Beatrice are best friends, almost like sisters. Hero is sweet and loving, courteous and sunny. Beatrice is, by contrast, a great deal sharper, and more outspoken and cynical.
- Iolanta: the naive, pure and angelic Iolanta and the passionate and seductive Matilda.
- Darkstalkers: Felicia, the childish cat monster raised by nuns would be the Light, and Morrigan, the rebellious hedonistic succubus would be the Dark. Both are Miss Fanservice but Felicia simply doesn't need clothing, Morrigan is a fashionista that's purposely seductive.
- Catherine: Catherine is a sexy, beautiful, skimpy-clothed seductress who perfectly plays the Dark Feminine role, while Katherine is the Light Feminine by being the protagonist's Childhood Friend who mixes Meganekko and Defrosting Ice Queen. It's eventually justified: Catherine is a succubus sent to seduce men who won't get married in order to "weed out" the unfruitful couples, as part of a scheme by Mutton.
- Dragon Age: Origins: Leliana, the quasi-nun and moral center of the group, is the Light Feminine, while Morrigan, the mysterious and cunning witch, is the Dark Feminine. Leliana is eventually revealed as a subversion of the trope, while Morrigan will defrosts as the game progresses. Hence standard BioWare deconstruction takes place. The same pattern is followed in the sequel Dragon Age II with Merrill (light) and Isabela (dark)
- The two female love interests in Mass Effect are Liara (young, naïve, virginal academic) and Ashley (gun-toting, suspicious of aliens, snarky soldier) largely follow the trope. The expanding cast and changing personalities prevent this from applying to the later two games, however.
- Fire Emblem Awakening has Olivia (sweet and quite awkward Shrinking Violet) and Maribelle (sophisticated ojou with a Covert Pervert side). Rather curiously, Light Feminine Olivia dresses in a very stripperiffic way, while Dark Feminine Maribelle wears far more conservative clothes.
- Fire Emblem Fates has the Princesses of Nohr, Camilla and Elise. Dark Feminine Camilla is a Miss Fanservice with Boobs of Steel, Stripperiffic attire and a Magic Knight-like fighting style, whereas Light Feminine Elise is a Genki Girl with Mega Twintails and White Mage abilities.
- The Florian Sisters of Magical Girl Lyrical Nanoha A's Portable : The Gears of Destiny. The caring Idiot Hero of a big sister Amita serves as the Light Feminine, while the coy, flirty, and cynical little sister Kyrie serves as the Dark Feminine.
- Chun Li and Juri Han from Street Fighter IV. Both women are Kick Chicks, but while Chun Li is an Action Girl who's very firmly on the side of good, Juri is a mix of Bastard Girlfriend and Dark Action Girl.
- The Legend of Zelda: Twilight Princess: Kind and benevolent Zelda is Light, while playful and snarky Midna is Dark.
- Danganronpa: Chihiro, Aoi, and Sayaka are the Lights to Sakura, Junko, Celes, Kirigiri, Touko, and Syo's Darks. Played with in that Chihiro's actually a guy, Syo is a split personality of Touko, and that at very first sight Touko has Light Feminine looks due to her butt-long braids, glasses and very cute Sailor Fuku.
- The King of Fighters:
- King is a Team Mom Bifauxnen. Mai Shiranui is a Stripperiffic Highly Visible Ninja. They manage to fill under Tomboy and Girly Girl (King is the tomboy, Mai is the girly girl) and as this trope (King is Light, Mai is Dark). Yuri is the tomboy to both of them.
- In the KOF Radio Drama The Sun and the Moon, the Tanima sisters are this: older sister Konoe is the Broken Bird Dark while younger sister Kikuri is the Ill Girl Light. They both love Iori Yagami in their own ways (Konoe is a Tsundere to him while Kikuri is the Gentle Girl to his Brooding Boy), but they're not exactly rivals as they're each other's only relatives, are very close, and Konoe has taken care of Kikuri for years anyway. Neither becomes Iori's girlfriend because Iori leaves the girls to protect them from himself. Oh, and Kikuri dies.
- Garou: Mark Of The Wolves gives us Badass Adorable Hotaru Futaba as Light and Good Bad Girl Bonne Jenet as Dark.
- Kanae and Marilyn Sue from Akatsuki Blitzkampf. Light Feminine Kanae is a serious, dedicated and aloof Action Girl from the Japanese Army, who keeps her hair short and wears a form-fitting but mostly practical uniform as she grapples and tosses around her way into the plot; Dark Feminine Marilyn Sue is a bouncy Dark Action Girl in an even more form-fitting qipao, who fights like a Lady of War and relies quite a bit in her sex appeal to take her rivals off-guard.
- Lilly Satou and Shizune Hakamichi from Katawa Shoujo. Lilly is a serene, kind, Yamato Nadeshiko-ish Team Mom who more often than not dresses rather conservatively (save for her pajamas), whereas Shizune is a bossy and straightforward Miss Fanservice who's very aware of her good looks and is very uninhibited in her sex scenes. Though Lilly turns out to be also kinda kinky if she's pursued as a love interest.
- Umineko: When They Cry has kind, motherly Shannon and decadent, sadistic Beatrice. Of course, since the two are one and the same, Beatrice becomes more Light Feminine as the series goes on.
- Out of the love interests in True Love Junai Monogatari, Remi Himekawa and Mayumi Kamijou play it straight. Remi is a sweet and straightlaced Cute Bookworm who's seen as a borderline "unapproachable" at first by the Player Character, whereas Mayumi is the tsundere Good Bad Girl who dresses sexily and approaches the PC without fear or excuses. Surprisingly (or maybe not), it turns out they're Childhood Friends.
- In ClockUp's Euphoria, we have Nemu and Kanae, specially when taking in account how Takato see them. Nemu is a reflection of his dark personality and sadism, and wants him to drown in his own desires. Kanae represents innocence and naive happiness, and is that how Takato wishes everything to end, even with Nemu keeping pushing his buttons. In the Betty and Veronica Switch in the True Ending, we also switch those trope labels between the two.
- Axis Powers Hetalia:
- The two sisters Ukraine and Belarus. Ukraine, a Fragile Flower and Naïve Everygirl of a Team Mom is the Light, while Belarus, the Stalker With a Crush Yandere who dresses as an Elegant Gothic Lolita is the Dark. They're also the extremely rare example in which the duo crosses into Tomboy and Girly Girl as well: Ukraine is sweet and gentle but she dresses like a boy and has Boyish Short Hair, whereas Belarus is stubborn and Yandere-like but looks very dainty in her Elegant Gothic Lolita dress.
- Among the Nyotalia ladies, Female!England (Girlish Pigtails, Meganekko, depicted in a nurse uniform) is the Light to the Dark of Female!France (The Ojou, with a bottle of good wine in her hand, wears classy dresses). Similarly, Female!Japan (Yamato Nadeshiko with a kimono and hakama) and Female!America (Stripperiffic Plucky Girl with a rather smart mouth) have similar looks.
- The Scumthorpe Files Lily Van der Vecht and Nikki Danton are an interesting variation. Despite Lily's black and white colour scheme and Nikki's more colourful attire, Lily is the polite, kind Light Feminine to Nikki's snarky, flirtatious Dark Feminine.
- The two girls among the beta kids follow this dynamic: the adorable, fun-loving and girly Jade is the Light Feminine to the sophisticated and flirtatious Rose's Dark Feminine. It's even reflected by their dreamselves: Jane dreams in the Light Kingdom of Prospit and consults with the clouds of Skaia, while Rose dreams in the Dark Kingdom of Derse and consults with the Horrorterrors.
- Post-Scratch, Jane and Roxy are also this. The milquetoast, traditionally feminine Jane is the Light Feminine (Wholesome Crossdresser tendencies notwithstanding) to the roguish, devious Roxy's Dark Feminine. Once again, Jane is a Prospit dreamer and Roxy is a Derse dreamer.
- The dancestor pair of Aradia and Damara is this in a sense. Despite her dark and twisted tastes, Aradia is straightforward, full of love for everyone and just loves when everybody gets along and has fun. Damara, on the other hand, is a cynical, mean-spirited Dragon Lady who gets a kick out of making extremely lewd and insulting remarks about everyone around her. Just compare their◊ design.◊
- Monster High plays with this trope. While Draculaura dresses mostly in Black clothing, she is actually Light feminine. Whereas Cleo Is Dark feminine, despite wearing a lot of glittery gold... and being deathly afraid of the dark.
- Literature/Tasakeru: Hanami is the Light feminine, proper, timid and girlish... while Faun is a confident, sexy trickster.
- In Season 4 of The Most Popular Girls in School, we have Mackenzie (who dresses in red and pink to show that she's more controlled than her friend) and Brittnay (who dresses in all black during her Mercenary Cheerleader stint).
- Avatar: The Last Airbender:
- Total Drama:
- Most episodes of Ewoks, feature both princess Kneesaa and her best friend Latara. They're literally light and dark; and personality-wise, one is ridiculously innocent most of the time, all about sharing and caring, while the other starts out as a melancholic starving artist type and turns out to be a manipulative prima donna in the second season, after Character Exaggeration.
- In the episode Green Isn't Your Color of My Little Pony: Friendship Is Magic we start off by learning that Fluttershy and Rarity spend time together at the spa every week. Kind and timid Fluttershy is the Light Feminine while the outgoing fashionista Rarity fits in nicely with Dark.
- In Albert the Fifth Musketeer, Queen Anne is sweet-natured and amiable (Light Feminine), as a contrast to the seductive villainess Milady De Winter (Dark Feminine).
- All racial jokes aside, Susie from Rugrats, who fulfills the big sister role, is the Light Feminine to Spoiled Brat Angelica's Dark Feminine.