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Series: The Bletchley Circle
The Bletchley Circle is a 2012 miniseries about a quartet of women who solve crimes in 1952. The four worked as codebreakers during World War II, though they're not allowed to say anything about it anymore, of course. Their new careers as criminal investigators begin when Susan, one of the four, takes advantage of her free time as a middle-class housewife to investigate a pattern in a series of murders, using the information available from The BBC.

A second miniseries of two two-episode stories aired early in 2014.
This miniseries provides examples of:
  • Abandoned Hospital: The killer's base of operations in the first series.
  • Acceptable Breaks from Reality: You can't disarm a grenade by putting the pin back in; that's like unfiring a gun by unpulling the trigger. However, a massive explosion wouldn't have been in keeping with the rest of the miniseries.
  • Bad Guys Play Pool: In the second half of the second series, Jane and Lucy are trying to track down whoever took Mellie, and end up in a pool hall.
    Jane: Did you see him with any bad types?
    Bookie: It's all bad types in here, love.
  • Badass Longcoat: The four ladies all frequently wear long coats, and they all look sexy and badass in them. Justified because it was the fashion at the time.
  • The Baroness: Somewhere between the two types. She's not unattractive, but not a sexpot. A "woman of a certain age", but willing to engage in cold-blooded torture. In the second series.
  • Black Market: What Millie and Jasper are involved in during the second half of series 2.
  • Book Ends: The series starts with Susan noticing a spiral pattern in the four murders. It ends when she notices a spiral pattern in all 12.
  • Break the Cutie: Everyone but especially Lucy. Heck, she gets slapped about by two different men twice in one day.
  • Cliff Hanger: At the end of the second episode, Susan goes into an abandoned hospital with a strange man...
  • Classy Cane: Jean gains one thanks to the events at the end of the first story of the second series. They dress her up to the nines for an undercover operation in the second.
  • Dad the Veteran: Timothy. But he does not seem to be much of a hardass.
  • Darker and Edgier: The second story of the second series. It very thoroughly shakes Millie up.
  • Dead Man Switch / Mexican Standoff: At the end, Susan has a gun, the killer has a grenade.
  • Domestic Abuse: Lucy's husband, Harry
  • Eureka Moment: Several, e.g.:
    • When Susan realizes the killer finds his victims on trains.
    • When Susan realizes the first victim ... isn't. She's the eighth, at least.
      Susan: The first time you baked a cake, what happened?
Unfortunately for the ladies' credibility with the police, sometimes the killer is further ahead than they had realized.
  • Fall Guy: Gerald Wiggins The killer chooses a patsy first, then goes hunting for victims, and finally plants incriminating evidence.
  • Four Girl Ensemble:
    • The Leader: Susan. She does love her husband and children, it's just that they're not enough for her, so she decides to hunt a serial killer. She sees the patterns and provides the group with its drive to succeed.
    • The Lancer: Millie. Whereas Susan settled down, Millie took her own advice to "Never be ordinary" and traveled the world. Only now she's working as a waitress for a pervert. Until she tells him where to shove it. Where Susan sees patterns, Millie tries to think outside the box.
    • The Big Guy: Jean. She's the Team Mom, who keeps everyone on point. She also pulls out the stops and threatens someone with blackmail in order to get her information.
    • The Smart Guy: Lucy. She's the small, naive one, but she can also memorize entire novels of data in a single sitting.
  • Four-Temperament Ensemble: Susan (sanguine), Jean (choleric), Millie (melancholic), and Lucy (phlegmatic).
  • Freudian Excuse: The killer was trapped under rubble with a dead woman for three days during the war, after which he was different. However, the team's investigation showed that all that did was exacerbate his already existing tendencies (the woman he was obsessed with, whose death he's repeatedly recreating, filed a complaint against him three months before the bombing that killed her and trapped him with her body).
  • Girls Need Role Models: And how.
  • Glory Days: It's Susan's longing to recapture the sense of excitement and importance that she felt during the war years that galvanises her to go get the team back together and go in search of a serial killer.
  • Hidden in Plain Sight: The killer. They realize in the first episode that he's a ticket taker or something like that. But then the trope is subverted. It turns out that the killer is has has killed seven other girls before and framed others for the crime. This time he's framing a railway guard who's rather simple thanks to a head wound.
  • Housewife: what Susan and Lucy became after the war. Millie does her best to avoid this trope.
  • I Love the Dead: The killer in the first episode. The first shot after the codebreaking intro is of the killer fondling a corpse. It's understatedly graphic.
  • The Ingenue: Lucy is a little younger and a lot more innocent than the three others.
  • Lighter and Softer: The first story of the second series. It deals with some nasty stuff, but it's not a psychopathic serial murderer/necrophiliac.
  • Mama Bear: Played straight and inverted in the second series. Lizzie is very defensive of her biological mother. Although said biological mother had to give her up at birth, said mother was also willing to take the rap for a murder she thought she'd committed.
  • Masquerade: The four ladies aren't allowed to talk about their work as codebreakers thanks to the Official Secrets Act. Susan brings them back together to start a "book club". She also doesn't want to tell her husband that she's tracking down a serial killer.
  • Near-Rape Experience: Lucy is used as bait to try and draw the killer out. Unfortunately, they snag a common date-rapist instead of the intended serial-killer/necrophiliac.
    • In the second series, Millie has a very unpleasant encounter with her black-market-partner's Maltese suppliers. She manages to talk her way out of it, bargaining her services as the front man for their black market goods. But, on getting out, she pushes her luck with the guy who drove the windowless van...
  • Photographic Memory: Lucy has a perfect memory, and is also a page-at-a-glance reader. Played for Drama later on.
  • Plucky Girl: Susan, the bored mother of two, talks her way into a meeting with a police.
  • Rape Is a Special Kind of Evil: Referring to the Maltese and their trafficking in girls. Neither the police nor the Circle really care about scents and nylons, but as soon as it comes out that girls are being sold out of a hotel lobby...
  • Reasonable Authority Figure: The general Susan talks to in the second episode of the second series. It turns out he's not behind the events, and as soon as she gives him all her information, he immediately works out what has happened and absolutely forgives Susan. He even provides her a car so she can go see her friends, one of whom has been hurt.
  • Sex Slave: Millie's partner's suppliers don't just smuggle goods. They traffic girls out of Russia and into their hotel. The girls' parents think they're getting them jobs as chambermaids...
  • Stepford Smiler: Susan's life as a housewife is a light Type A.
  • Team Mom: Jean is older than the other three and was their supervisor in the war.
  • Technology Porn: The opening credit sequence is chock full of WWII-era code equipment in use.
  • Trapped by Gambling Debts: Millie's partner. He stole from his suppliers to bet on the dogs. They slit his throat.
  • Vomit Discretion Shot: In the second series, after Millie discovers that the Maltese smugglers killed her partner.
  • Wicked Cultured: The killer can quote Latin poetry.
  • Worthy Opponent: The killer, by the end, comes to see Susan this way. He's enthralled and delighted that she is the only person ever to figure him out and see past the false trails he was laying.
  • Wrench Wench: Alice repairs an old, out of order Enigma machine in the last episode of the second series.
    Millie: You're talking to the machine again.
    Alice: They like to be talked to.

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