'"Every engineer dreams about saving the universe and having sex with aliens. This is much more glamorous than the real life of an engineer, which consists of hiding from the universe and having sex without the participation of other life forms. Consequently, ratings for
Star Trek will remain high as long as they stay away from any realism."
So you just picked up this book about a character who's powerful, incredibly talented
, irresistible to the opposite sex
, long-lost royalty
, and Friend to All Living Things
. Sounds like a horrible Mary Sue
Except that you don't mind at all. Instead, you're seeing yourself in their shoes and enjoying it. After all, everyone
likes to fantasize about being awesome once in a while. You can argue over whether or not they're a Mary Sue
, but they're definitely an Escapist Character.
While Mary Sue
is generally defined as being a bad thing, some of the most widely loved characters in existence are Escapist Characters with any number of Common Mary Sue Traits
. While a badly written Escapist Character can come off as a Mary Sue
, the key difference between the two is that a Mary Sue
is the author's
wish fulfillment fantasy, while the Escapist Character also functions as the audience's
wish fulfillment fantasy.
Some members of the audience may identify with a character and others may not identify with the same character. Whilst many audience member's Wish Fulfillment
fantasies have common elements
, they are not all identical. Thus, the distinction between this and Mary Sue
is very much a subjective matter.
Please remember that conceptually, neither Wish Fulfillment
nor Escapism are bad.
Compare the Showy Invincible Hero
. See also: I Just Want to Be Normal
, I Just Want to Have Friends
, I Just Want to Be Special
, I Just Want to Be Badass
; wishes that are fulfilled by escapist characters.
Compare-Contrast the Expectation Lowerer
; a character that allows you to feel awesome by being much worse than you are, and This Loser Is You
; a character who the creator feels is a representative of the audience. This trope has nothing to do with the Escapist Film
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Anime and Manga
- Outlaw Star: Gene Starwind is almost certifiably the epitome of this trope: Hot, muscular guy with lots of Shirtless Scenes? Check. Awesome fighting skills? Check. Lecherous pervert who still scores booty all the time with various incredibly hot women? Check. Spends cash like popcorn yet never runs out because some bounty is always available for collection? Check. Has a highly sought after Cool Spaceship? Check. Commands a Badass Crew that is mostly female, follows his insane orders without much questioning and adores him? Check. Has a Magical Girlfriend that loves him dearly and heals all his injuries via Intimate Healing? Check. Wields a one of a kind Hand Cannon that is also a Wave Motion Gun? Check. Allways leaves the bad guys screaming in frustration? Check. Can act as an obnoxious, irresponsible Man Child all the time and get away with it without breaking a sweat? DOUBLE CHECK. Yes, you totally want to be him. And if not: BITE HIM!
- Usagi from Sailor Moon might be one of these. She starts out as an ordinary school girl, then quickly gains magical powers, a small platoon of new friends, a destined love from a previous life, and finds out that she's a princess who's going to rule the world sometime in the distant future. Though considering Usagi's personality, that last one might not be so great after all.
- Haruhi Suzumiya. Somewhat deconstructed, especially considering she's the closest thing that the early novels and the anime have to an antagonist...
- One could argue that Kyon is more of an escapist character. He's reportedly very smart (though he never claims it), constantly making witty comments, and is surrounded by three good-looking (as acknowledged in-universe) female characters, at least one of whom is likely to appeal to you.
- The other Haruhi from Ouran High School Host Club. A poor girl with incredible grades, great cook, and surrounded by six drop-dead gorgeous men (and making snarky comments all the while)? Yep, Haruhi definitely fits here.
- Golgo 13. The thing about Mr. Togo is that, yes, he's a nigh-unstoppable assassin with aim such that he's unironically referred to as the Hand of God, with more money than the entire nation of Japan, who regularly talks women he's never met before into bed... but he doesn't seem to enjoy any of it. Verges on deconstructing the idea.
- Alucard from Hellsing. Seras is also an example, as she goes from a police girl with a tragic past to an elite vampire soldier and even takes Alucard's position for a while.
- It could be argued that there are Escapist Character tendencies for most of the cast. There are many scenes that may and probably will go beyond suspension of disbelief, but the stylization with which Hirano pulls it off is so awesome that it can be excused on account of Rule of Cool.
- Love Hina's Keitaro Urashima. For everyone who ever couldn't get a date, what could be better than suddenly becoming the guy in charge of an all-girls inn, with an onsen, where practically all of them eventually fall for you? Sure, there's the physical pain inflicted on a nearly daily basis, but most would agree that it's Worth It.
- Of course, this also pretty much applies to the protagonist in any harem series. Tenchi Muyo!, Maison Ikkoku, etcetera. Amusingly, one of the biggest complaints about these sorts of characters being wishy-washy ignores the fact that it's the easiest way to make an escapist character not feel openly exploitative of the situation.
- Thirteen Dot Cartoons was incredibly popular in Hong Kong in the '60s and '70s, but mainly among a much lower economic class than its protagonist, who could never afford the fancy clothes she wears or all the things she buys. Plus, since she's a dimwit, readers got to feel good about themselves even as they wished they were someone else. Notably, after the recent growth of Hong Kong's economy there no longer seems to be as much of a market for the series.
- Death Note: Light Yagami. His Magnificent Bastard nature, perceived sexuality, fan fixations, and the fact that evil rocks doesn't hurt either.
- Yami Yugi from Yu-Gi-Oh! I mean, what Shrinking Violet hasn't wanted, at least once, to beat up the school bully and get away with it?
- Guts from Berserk can be seen as this. Even though some really nasty and horrific things do happen to him the whole time, his conviction in facing opponents that would terrify a normal human being, along with his cool sword and great look, probably make him someone to admire.
- A good deal of Puella Magi Madoka Magica fans want to be the seemingly worthless girl who made a wish to save her best friend and became a Groundhog Peggy Sue, learning to fight and getting ever more powerful weapons along the way; some others want to be loved by the aforementioned Peggy Sue character. Something for each gender/sexuality!
- But just like the Berserk example above, Madoka Magica is a Deconstructor Fleet. Considering that this girl leads a battle she is doomed to fail every single time and loses the girl she loves in the end, and as of the latest movie becomes an emotionally disturbed satanic figure, you probably don't really want to be her.
- Ciel of Black Butler. An incredibly rich and beautiful Teen Genius that nearly everyone loves and respects who has an almighty Bishounen Battle Butler that can grant his every wish and can be extremely close to him at times? Not to mention his Dark and Troubled Past (which he was 'rescued from' by the aforementioned butler), Even the Guys Want Him, he works for the queen, and he owns the largest toy company in Britain...all starting before the age of twelve.
- Simon the Digger of Tengen Toppa Gurren Lagann. His beloved adoptive brother is Kamina, he hangs out with Yoko and Nia, almost everyone around him is incredibly supportive and he ends up leading a rebellion against (in order) an earth-wide tyranny, then a universe-wide tyranny at the ages of about fourteen and then about twenty-one. In a world where mechs quite frequently do the impossible, he's literally the best Gunmen pilot there is.
- Fist of the North Star: In another story, Kenshirou would be a Mary Sue. Luckily, it's not too hard to want to be him. This is a dude who beats enemies and blows them up like bombs on a day-to-day basis, and these enemies happen to be super evil that toys around with the weak just to be a bully because they have strength, so it's ALSO an escapism of upholding justice and beating evil in the most epic way possible. He protects the innocent, and more or less turns into The Messiah. He has to work at his victories and doesn't just get them handed over to him on a silver platter. This guy has coolness surrounding him like an aura.
- Lupin of Lupin III. He's a Phantom Thief with a Heart of Gold, traveling the world stealing priceless artifacts with his masterful cunning, trying to score with recurring Femme Fatale Fujiko (or the Girl of the Week) and always managing to be one step ahead of both the law and his adversaries. As quoted from author Monkey Punch in an interview with Anime News Network: "Lupin is by far the character I most relate to. What I really like about Lupin is his freedom, his boundless freedom that allows him to do whatever he wants whenever he wants and never really be tied down to anything or anyone in particular."
- The majority of Shōnen protagonists. They all tend to be around the same age as their target demographic, Bad Ass in some way, shape or form, have multiple love interests, gather a close and tight-knit group of allies (usually a Ragtag Bunch of Misfits) who go on to become a Bad Ass Crew over the course of the story, and get stronger just by the power of sheer determination and friendship on their side. Bonus points if they're The Chosen One.
- Kouta Hirano in Highschool of the Dead, both a borderline-psychotic killing-machine when he has ammo, and a deconstruction of this trope in zombie fiction. Inside the realm of a Zombie Apocalypse, all his years of accumulated military-knowledge let him act upon his violent tendencies on a city's worth of undead. Finding a safe-haven in the Takagi mansion, many of the adults working there don't approve of him carrying around so many military-grade weapons. When trying to take them away, he cries that without them he'll go back to being the pathetic military Otaku he used to be. As if to hammer this home, one early chapter even lets him hold some of former bullies at gunpoint, and when the first barrier goes down in Takagi's fortress-like defense, while the adults that tried to take his guns away are scrambling, he ends up using those guns to save them along with several other lives, shown to be the most effective with them of anyone in the compound.
- The titular problem children in Problem Children are Coming from Another World, aren't they? but especially Izayoi can be considered this - they are beautiful, smart, super strong and have awesome adventures, yet aren't annoying unlike many a Mary Sue character.
- Don't forget Doraemon!
- Black Bullet's Tina Sprout. Even among folks who hated this show, it's generally agreed that many want Tina as their little sister instead of Enju (especially in America). It also doesn't help to note that Tina's personality does not fit into the typical Japanese stereotype of an American.note
- Superman. The name "Metropolis" comes from the Greek and Latin roots for "city," so Clark Kent is basically Everyman, Everywhere.
- More specifically, he was the 'Man of Tomorrow ', i.e. he was supposed to be what ordinary people might dream of someday becoming.
- Batman. Grant Morrison actually talked about this and claims that for all the talk about how much of a fantasy Superman is, Batman is even more so:
"Batman is obviously much cooler, but that’s because he’s a very energetic and adolescent fantasy character: a handsome billionaire playboy in black leather with a butler
at his beck and call, better cars
than James Bond
, a horde of fetish femme fatales
baying around his heels and no boss. That guy's Superman day and night. Superman grew up baling hay on a farm.
He goes to work, for a boss, in an office. He pines after a hard–working gal.
Only when he tears off his shirt does that heroic, ideal inner self come to life. That's actually a much more adult fantasy than the one Batman’s peddling but it also makes Superman a little harder to sell. He's much more of a working class superhero, which is why we ended the whole book
with the image of a laboring Superman."
- Or as a comedian put it: "I wish I was Batman; not so much the fighting crime, I just wish I was rich and my parents were dead."
- Captain Marvel took up the Wish Fulfillment a notch by taking Billy Batson, a boy within the age range of the target demographic, and giving him the ability to transform into a superhero very much like the one kids were into at the time. Unfortunately, the courts agreed with DC that it was a little too similar (which interestingly ended up with them in the same universe).
- The entire Kid Sidekick phenomenon was justified originally under this premise. It was only when the audience got older that they started to wonder what kind of person takes a kid with him to go fight crime.
- Kitty Pryde of the X-Men is this trope personified. Started out as the team's Naïve Newcomer, and grew up to be a Badass ninja genius with a pet space dragon and Gentle Giant boyfriend. And the fandom rejoiced, for they watched every step of this journey from Everygirl to Super-Special Heroine and wished they could be her (or "be with her").
- And, of course, Wolverine. So. Very. Much.
- Storm is almost as blatant a one of these as Kitty, being one of the most powerful members of the team, worshipped as a goddess, having mad fighty and thiefy skills, and being heart-stoppingly gorgeous.
- In the case of both Storm and Wolverine, sometimes this got carried so far that even for teenage dreamers, it became something of a running joke. For example, the infamous scene where a depowered Ororo somehow manages to defeat Scott Summers in a Danger Room contest, using rules which he more-or-less could not lose under. She manages to dodge energy blasts moving at the speed of light, more-or-less, and it was so blatant that even many of the fanboys ended up saying 'what?' And Wolverine, after a while, simply became a running joke with a Lampshade on his head much of the time.
- Even Chris Claremont, who wrote the Storm/Cyclops fight, seemed to realize it was a bit silly, as 50 issues later he retconned it by claiming that Cyclops was being psychically influenced at the time by Madeline, who wanted him to lose so he would retire and come live with her instead.
- Hercules is male power fantasy to a fucking tee. He's a Rated M for Manly Handsome Lech, who Really Gets Around, and solves nearly every problem he encounters through Attack! Attack! Attack!. He has thus been most guys' personal fantasy made manifest for the last couple millennia.
- Spider-Man straddles the line between This Loser Is You and an Escapist Character pretty much constantly. No matter how much his life ends up sucking (Hero with Bad Publicity, dead parents and uncle, "rocky" love-life pre-MJ, One More Day) he's a superhero who gets to web-sling from skyscrapers and he always has a quip ready. There's also something very appealing about an everyman amongst so many other powerful superheroes (even more so when you consider how most Marvel Universe characters are everymen already).
- Could be a Deconstruction, as his gifts hardly benefit him either due to thinking too small (his first use for his powers was entering small-time show business) or focusing his constant efforts on validating his right to have those gifts (rescuing people and fighting crime, selling his photos or teaching chemistry for change rather than exploiting his photographic talent or scientific know-how for greater profit).
- Several critics have argued that the character has become this to the writers even more so than to the reader. Hence why the franchise has gone through so many eras where the character pandered to each writer's personal vision of how the character should be instead of focusing on delivering a cohesive narrative. Also why Peter is reduced to a Static Character or even a perpetual Man Child. Not to mention his love life.
- One of the major themes of Rick Remender and Colin Bunn's run on Venom is not just Spider-Man as an escapist character, but escapism in general and the negative and positive effects it can have. Flash Thompson idolizes Spider-Man and wants to be a hero like him and as a result goes to war and gets his legs blown off. Later on, Flash becomes the new host of the Venom symbiote due to his bravery, basically becoming a new Spider-Man. Due to this, he constantly fights for control with the symbiote, gets possessed by a demon, loses his girlfriend, gets stuck on a team with people he hates, gets so many sedatives in him he now needs the symbiote to live, and gets conned by the Superior Spider-Man (thus ruining his friendship with Peter and his view of Spider-Man). However, because of that same hero worship Flash became a better person, became an Avenger and a Guardian of the Galaxy, saved hundreds, if not, thousands of lives, and never let any of the bad things that happened to him bring him down.
- Captain America. Scrawny 4F artist from Brooklyn becomes a Super Soldier and the embodiment of all that is good and right about America.
- Iron Man. He's a billionaire playboy who has access to an awesome Powered Armor, and solve problems by blasting it. If that doesn't work, get another suit with even more fire power.
- The Incredible Hulk is a mix between This Loser Is You and this. Most people can relate to feeling like poor, downtrodden Bruce Banner at least once in their life and he can provide wish fulfillment by turning into an unstoppable rage monster that can curbstomp almost anything that pisses him off.
- The titular Johnny the Homicidal Maniac is this to more misanthropic readers of comics. Sure, his life is pure misery and he hates everyone and everything around him (including himself), but all of us feel like that sometimes. Not all of us can blow off steam by going on a sadistic killing spree and get away with it.
- The titular protagonist from Herge's The Adventures of Tintin series could possibly qualify as one of these; he's a successful journalist embarking on incredible adventures accompanied by a medley of unusual comrades. Not only that, but Herge himself admitted that Tintin's limited personality was a means of enabling readers to assume Tintin's position and experience such great adventures, and that writing the books provided him Wish Fulfillment, having initially conceived Tintin as an idealized version of himself.
- Richie Rich, without a doubt, can be considered one of these. Who WOULDN'T want to be the richest kid in the world, who literally has everything, and yet somehow remains the embodiment of Spoiled Sweet?
Films — Animated
- Aladdin. In just 90 minutes he went from living off stolen food to having the friendship of an all-powerful-genie-Robin-Williams, a flying carpet, the affection of the richest, most desirable girl in the kingdom, and an assured future as the next Sultan — and this status remains through two movies and 86 half-hours. That's pretty darn escapist.
- Vanellope Von Schweetz from Wreck-It Ralph, evoking sympathy from her situation as an outcast to becoming a Badass Adorable, has spawned a legion of cosplayers in a very short amount of time.
- Atlantis Milo goes from being freshly fired friendless nerd to having an expedition financed to search for his dream. By the end of the movie he basically has everything he ever wanted.
Films — Live-Action
- James Bond, although the films since 2006's Casino Royale show him being much more flawed. Until then, the movies had undergone Serial Escalation as the producers tried to outdo themselves with increasingly over-the-top quips, cars, gadgets, and Bond Girls.
- Indiana Jones: Travel the globe. Pick up chick. Punch Nazis. Find priceless artifact. Reveal ancient secrets. Get hounded by college girls. Repeat.
- Star Wars: One cannot forget the Jedi, and to some extent, the Sith, kicking ass throughout the galaxy with a glowing sword that can easily cut steel and the coolest Psychic Powers.
- Scarface's Tony-fuckin-Montana was never intended to be this but the only thing anyone remembers of him is how hardcore he was and how epic his death was. Entire subcultures sprung up just to emulate his badassitude.
- Liam Neeson's character in Taken is this for the middle-aged set. Despite being a middle-aged divorcee, he is still freakishly competent on his quest(s) to save his family (that does still love him, deep down), including rescuing his (explicitly) virginal college-aged daughter. And he is pretty much always right.
- In American Dreamer, Cathy saw Rebecca Ryan as this In-Universe, even though the character seemed to take James Bond's apparent Sue traits Up to Eleven.
- The lead character of Ferris Bueller's Day Off is popular, funny and rich. He has a hot girlfriend, does whatever he wants, and pretty much everything works out perfectly for him.
- Limitless presents us the answer to “What if they make a pill that would give you Super Intelligence?” Eddie Morra takes Wall Street by storm and wins millions by only taking a pill. Sounds like fun? But if you get everything you want by only taking a pill, you felt entitled to a lot of more other things without any effort. The movie deconstructs Eddie into a Jerk Ass with Acquired Situational Narcissism that cannot recognize where is the Moral Event Horizon anymore.
- Smith from Shoot 'em Up is a master of every firearm known to man, kills dozens of people in increasingly more creative ways, battles strawmen on both sides of the political spectrum, gets to have sex with Monica Bellucci, and rams inconsiderate drivers off the road without consequence.
- Word of God states that the Avatars Navi were designed to be a whole race of these.
- J from Men In Black definitely qualifies. He gets to wear a natty black suit, gets some awesome gadgets to play around with including an Amnesia Ray and the ray gun equivalent to a Cute Bruiser, a car that can drive on the ceilings of tunnels, and he STILL gets to out-cool Rip Torn and Tommy Lee Jones as well. He even manages to recruit a female MIB and avert the loneliness of the job. And he gets to save the world and hang out with alien pugs and chain-smoking worms all day!
- Sucker Punch invokes this both for the characters themselves and for the audience. To cope with the traumas in their lives, the girls create fantasized versions of themselves, who are badass warriors who mop the floors with robotic Nazis, orcs, and whatever else comes their way. Meanwhile, they invoke all kinds of daydreams the audience members have: piloting awesome mechas, mowing down enemy soldiers with machine guns, fighting robotic samurai with katanas, etc.
- Marty McFly of Back to the Future fame is, like Peter Parker, somewhere between "everyman" and "cool guy you want to hang out with". He's good at playing guitar, skateboarding, hoverboarding, wooing ladies, escaping by the skin of his teeth, and video games - pretty much everything an Eighties kid or teenager would love. Plus, his best friend is a mad scientist who invents time travel, allowing both to have exciting adventures in past and future. Shame about his mother, though.
- Bruce from Bruce Almighty. Aside from having a fairly attractive girlfriend and a steady job, he gets to spend several weeks with God's Powers, with which he could do absolutely ANYTHING he wanted (Aside from tell anyone he was God or affect free will), such as getting a promotion at work, revenge on people who'd done him wrong, making himself the world's greatest sex machine, and effectively sending Grace into a second puberty, her boobs growing, with the option for other changes. Really the only reason all the bad stuff happened to Bruce was that he was stupid, and seemed to forget that he could, in his own words, "Clean everything up in 5 minutes if he wanted to".
- Sherlock Holmes can solve any case, no matter how bizarre, and can identify a person by a strand of hair inside a hat! And right so inhumanly often. (People tend to forget the cocaine addiction and original shut-in nature.)
- Conan the Barbarian and Tarzan were and are both this for fantasy fans of a certain age. Big, heroic Badass of a guy who has grand adventures and (for Conan) gets lots of hot babes? Sign me up!
- Harry Potter, before the Cerebus Syndrome set in. His character is almost entirely this in the first book (an abused orphan discovers that he is rich, famous, and oh yes, a wizard), but the following six consist of him slowing learning a: the magic world is just as messed up as ours and b: It Sucks to Be the Chosen One.
- A good way to see this is by reading any of the later books (especially Order of the Phoenix) and comparing them to the first: don't want to be Harry Potter anymore, do ya?
- Bobby Pendragon in the Pendragon books starts out this way. That is, until we see just how awesome a villain Saint Dane is. And maybe even after that too.
- Bella Swan (for Twilight's target audience). Her oft-complained about blandness was not a result of bad writing, but a deliberate decision on Stephenie Meyer's part so readers can step into her shoes more easily and experience what it's like to be loved by Edward Cullen.
- Lisbeth Salander from the Millennium trilogy. An uber-hacker, punk bad-ass (but still vulnerable), slim-bodied (then conveniently well-endowed), absurdly wealthy, master-of-disguise bisexual Manic Pixie Dream Girl GENIUS with a strong sexual appetite and a sympathetic Dark and Troubled Past? What's not to want? Blomkvist certainly fits the trope, as well.
- Pippi Longstocking. Why does she get Super Strength, lots of gold, a horse, and no parents around to tell her what to do? Because that was your fantasy.
- Lord Peter Wimsey has elements of this: Dorothy L Sayers created the character when she was desperately poor and got a certain satisfaction from making him the richest and most self-indulgent man in London.
- Artemis Fowl. Doesn't have to go to school because his parents are either missing or bedridden. He has a Battle Butler and enough money to indulge a self-admitted childish belief in fairies and magic. Though only 12, he's treated like an adult.
- Percy Jackson. So what if you don't do well in school, and your stepfather is a jerk? You're really a super-powerful demigod with Poseidon for a father, and you get to do cool stuff from now on! Though as with Harry Potter, Cerebus Syndrome set in, and became more of an example of It Sucks to Be the Chosen One.
- Dagny Taggart of Atlas Shrugged. Whilst she is clearly an idealized author avatar, a significant portion of the book's female audience has found Dagny provides a satisfying fantasy for them, as well.
- Tavi of Calderon from Codex Alera. So what if everyone outclasses you? You can kick their asses anyway! And they don't really outclass you, you're just a late bloomer.
- Tyler Durden of Fight Club basically exists to pass on Testosterone Poisoning to the men of The Nineties. This was subtly parodied in the book, but lampshaded like a mofo in the movie.
Tyler Durden: I look like you wanna look, I fuck like you wanna fuck, I am smart, capable, and most importantly, I am free in all the ways that you are not.
- Lila Nova of Hothouse Flower and the 9 Plants of Desire is a rather shameless one of these.
- Honor Harrington: The eponymous heroine is a starship commander, the most victorious admiral in her either of her two nations' histories, the first or second highest ranking officer in both militaries, a feudal lord in both those nations, filthy rich from prize money and her landholdings, is genetically engineered to be stronger and faster than the average human, has several bionic implants, is one of the few humans to be mentally bonded with a friendly but badass alien companion, and Married both to a handsome, intelligent man and his kind and loving wife. To top it all off, every one of her victories, titles and ranks was earned by her own hard work and talent. If only all of our toils paid off as well as hers!
- Sara from A Little Princess is in denial about her (unconventional) beauty, filthy rich yet sweet to everyone, treated unfairly by the antagonists who eventually get their comeuppance, extremely smart, Wise Beyond Her Years and can speak fluent French. She is still a likeable character, with a little help from Grandfather Clause.
- There's Taran, from the Chronicles of Prydain. He goes from being an awkward, rather whiny Idiot Hero to being a brave fighter who participates in multiple battles and even is a war leader in the last one. He meets and holds council with the land's High King and multiple princes and noblemen, with one lord offering to name him as heir to his lands. He's wise (said lord wanted to adopt him because Taran was able to use his wits to end a long feud between two bickering noblemen), kind, and inspires the Common Folk to rise up and participate in the war against Arwan. The series also ends with him becoming High King and marrying the beautiful, clever princess Eilonwy. On the other hand, he only gets most of those things by sacrificing most things he desires, constantly feels the pain of those who died under his command, and ends the series with his friends leaving him, and him considering the position of High King to be mockery, initially.
- The human(or once human) Animorphs are this. They're 5 ordinary teens who are suddenly given the potentially limitless superpower of being able to become any animal they can touch, who then go out and save the world from brain infesting parasites.
- But, like many other instances on this page, this wears off as the series goes on. By then, the main characters feel totally isolated from others, are dealing with intense PTSD and grappling with incredibly huge questions of morality. They've discovered that War Is Hell, and both they, and the reader, just want it to end.
- Ender Wiggin is a mix. On the one hand, he is the smartest kid in the entire Battle School, and while not the strongest is clever enough to crush much bigger and stronger foes with ease. He's constantly hailed as the only hope the human race has of defeating the buggers, and manages to win every battle of the war, as well as in the Battle School. That is really cool to read as a kid, especially when you get to imagine yourself playing through all the fun sounding battle simulation games Ender trains in. On the other hand, Ender is constantly targeted by bullies, the people who hail him as a savior of the human race have no respect for his mental health and well being beyond being able to defeat the buggers, and the stress eventually starts driving Ender a little crazy.
- Rand al'Thor of The Wheel of Time is a rather brutal deconstruction. He's an ordinary teenage farmboy who discovers that he has tremendous magical power, becomes a fantastically skilled warrior, has three beautiful women in love with him, and is destined to save the world from the God of Evil. Unfortunately for him, It Sucksto Be The Chosen One big time; his magical power will eventually drive him insane, every few books he gets another Wound That Will Not Heal inflicted on him, about a third of the world treats him like a living god, the second third wants to use him, and the rest just want him dead, he has no idea how to stop the Big Bad, and the previous Chosen One- his previous incarnation, by the way- went mad and killed everyone he loved, and then himself (and his Ax-Crazy ghost is now hanging out in Rand's head, occasionally sharing space with The Dragon). Have a fun time, Rand!
- Rachel and Kirsty from the Rainbow Magic series are these for younger readers; they hang out with fairies and save the world from Jack Frost all the time.
- The protagonist of the Tairen Soul series is saved from her abusive fiancée when the handsome Sorcerer King of the Fey literally descends from the sky to claim her as his divinely intended soulmate and make her queen of the Fey. All of this happens in the first three chapters, and the Wish Fufillment only escalates from there- not that that's a bad thing. (Oh, and she's also a magical prodigy who's able to wield the five elements with enough power to intimidate experienced mages, and secretly incredibly beautiful. Fortunately her biological parents cast a spell to hide that.)
- The House of Night, is filled with these. *ahem* The vampyre race is persecuted by humans, despite being superior to them both physically and aesthetically (and having superpowers). Because vampyres are more creative and passionate than any human, they are responsible for nearly all intellectual and artistic advancements, ever. They're all incredibly wealthy, and so socially progressive that their society is ruled entirely by women. Most importantly, upon reaching puberty, a human may be chosen by Nyx and taken away to become one of these glamorous creatures of the night. (To be fair, though, this same process may kill them.)
- The Heralds of Valdemar series tries to subvert this trope. It really does. But...about half its protagonists escape dreary (and/or abusive) lives when a magical white horse takes them away to have cool adventures, so a degree of escapism is unavoidable.
- Star Trek:
- Data and Spock both serve as the same sort of wish fulfillment archetype for socially awkward Trekkies. To wit, they're smart, respected, physically powerful, long-lived, and they're blessed with loving and devoted friends even though they themselves have never learned human social skills.
- Riker. Has a killer beard, grew up in Alaska, knows martial arts, plays trombone, will wipe the floor with you at poker, isn't afraid to break the rules, unflappable (well mostly)... And then he turns out to be an augment exile in one of the books. Squee!
- Kirk, the handsome, two-fisted, galaxy-trotting captain who calls the shots and bangs the aliens.
- Jean Luc Picard was a more educated, articulate, enlightened alternative to the pulp-reminiscent Kirk. Arguably, Sisko and Janeway were a Darker and Edgier alternative to both.
- Wesley was intended to be this to young viewers; a kid who could hold his own and had skills gradually prove himself to the crew as someone useful.
- Worf also became this in many of the more Klingon-centric episodes. The Proud Warrior Race Guy is usually pretty popular with the Fanboys.
- The Doctor, from Doctor Who. Owner of an effectively self-powering, Bigger on the Inside time machine that lets him go anywhere in time and space he feels like - and no matter where that is, his ability to save the day lets him get away with acting (and dressing) like a complete lunatic regardless of cultural norms. Oh, and his travelling companions tend to be attractive twenty-something women.
- As a corollary, the Doctor's companions (especially Rose, who was explicitly created for this). Many, many children in the UK have grown up wishing the Doctor would come and whisk them away to adventures in his TARDIS.
- Jane By Design's Jane is shaping up to be this. She has multiple potential love interests, a fantastic job that comes easily to her, and all problems she has are quickly resolved.
- Dr. House, despite the chronic leg pain and occasional mental breakdown, is really fun to watch because he skewers stupid people without mercy. And he pretty much always gets away with it. Who doesn't want to be able to tell coworkers and customers exactly what you think of them?
- Back in the 70s, The Six Million Dollar Man embodied this in some ways (though Steve did have some problems his bionics could not solve). Interestingly, the other in-universe characters provided some counterpoint, there was another bionic man who had turned out to be psychologically unable to handle it, and Steve's lady-love Jaime Sommmers had recurring problems of bionic rejection that made her superpowers something of a double-edged blessing.
- Breaking Bad's Walter White is an interesting example. He's a lower-middle-class teacher who gets crapped on in every possible way, including getting cancer... and he's also a meth dealer who is completely bad-ass. A lot of people can identify with the crapped-on part—in that sense, he's a This Loser Is You character. And then we fantasize about kicking ass, like Walt's alter-ego does. Like Harry Potter, just grittier. Much grittier. Eventually Deconstructed as all of the consequences of his sins eventually come slamming home.
- Jason King writes best-selling novels, travels to exotic locations around the world, seduces beautiful women by the busload, and had a knack for getting himself into and out of tight situations. And he does all this with his own individual and peculiar sense of style.
- Aaron Sorkin practically builds casts around this trope, with Sports Night and The West Wing being the two big ones.
- Sports Night was once described as the office where everyone wants to work (in contrast to The Office, where everyone does). Issac is the ideal boss, Dan and Casey are the friends/co-workers you wish you had, and the loyalty of the characters to each other is extreme. Whenever a group member has a problem, expect the characters to do rally around them, even when doing so would be firmly at odds with their stated job duties. The characters and their choices are wildly improbable and idealistic, but they're the gateway to a world in which people do the right thing.
- The West Wing: Keeping in mind the above, but with the stakes raised from "cable sports show" to "the White House." Would any White House staff member ever be so idealistic and willing to put principles ahead of politics, let alone be so bold in their politics? See their rivals as human beings first and enemies second? Of course. Almost the entire cast falls under this trope, but Donna, the audience surrogate (who is treated very well despite being an administrative assistant), Sam, Toby, and Leo stand out for being incredible idealists with improbable skill-sets.
- Harmon Rabb, Jr. from JAG comes across as this. His character imperfections are few and far between and they pale completely when compared to his strengths: an Ace Pilot, Perry Mason quality litigator, a resourceful man of action with Ultimate Job Security, Tall, Dark and Handsome, and Friend to All Children…
- Since he's a James Bond Expy, it's not surprising that James West easily qualifies. His partner, Artemus Gordon, gradually develops into one as well.
- Hannah Montana is a textbook example for the preteen girl demographic of the show: an average, dorky, unpopular girl who is secretly a beautiful, glamorous pop star whom everybody loves.
- You know those people who take too long at lines, are massive hypocrites, abuse animals, borrow money without returning it, or just generally piss you off every day? Do you wish you could beat up those annoying people with no consequences? Everett True can.
- Dogbert. Scott Adams has even said that he represents the kinds of things he wishes he could get away with and say to people.
- Much of the appeal of "Stone Cold" Steve Austin was that he said whatever he wanted and did whatever he wanted, then cracked open a cold beer (or six) afterward. Raise your hand if you had a boss or co-workers you've fantasized beating the hell out of and telling off with no repercussions. Exactly.
- The Escapist Character is the central premise of all tabletop role-playing games. From Bunnies & Burrows to Exalted, they all focus on allowing the players to run characters who aren't bound by the rules of that pesky Real Life.
- Jace Beleren from Magic: The Gathering was explicitly designed to be this for the game's largest demographic, he is a shy, introverted creative person in his late teens to early twenties and he is the most popular of the game's colors among the fanbase (blue). He is also known for his great power, very strong cards, and anime hair. The official game font used for card titles as of Magic 2015 is even called Beleren.
- Barbie is meant to be every little girl's fantasy come to life. Say what you will about her, but she's been a doctor, a zookeeper, a fairy princess, The President, an astronaut, and many more, all while being as attractive and glamorous as they come.
- The title character of The Fancy Adventures of Jack Cannon Sure, he doesn't get all the chicks (at least not yet), but he can beat you down faster than you can say, "Look out! Jack Cannon's about to punch you with his kung-fu-like action!"
- The Kids in Homestuck. You can't get along with your parents and your only close friends are online, SHIT IT'S ADVENTURE TIME. And then it all turns out horribly wrong. Have fun!
- Tedd Verres of El Goonish Shive has a shapeshifter girlfriend and access to transformation technology. Elliot is also somewhat of this trope having recently developed superpowers particularly with respect to his reaction to being able to fly.
- Lyle Phipps of Great is perhaps the ultimate example of this trope, about as much as the aforementioned Simon. After being brought to the edge of the Despair Event Horizon when losing his job and his wife on the same day, he decides to hell with it and swears that from that day forth, he would be a Bad Ass. Which he promptly does. He goes to a bad part of town and challenges a street gang. Not only does he win, he becomes their leader, and helps the now-Neighborhood Friendly Gangsters deal with their emotional issues. This eventually leads to him meeting a beautiful woman who marries him, and the two of them take over Lyle's new father-in-law's noodle shop, becoming multi-millionaires whom everybody looks up to. He also has such great charisma that he is able to create a self-help program that actually works, through sheer force of personality alone. He then becomes a deconstruction of this trope when his wife becomes a better chef than him, leading to him going off on his own to improve himself some more, only to become a reconstruction when he realizes that he doesn't need worldly success to be happy, and contents himself with running a small noodle stand at the park.
- Kirk in The Gungan Council is based heavily off of the Kirk, and generally flew around in a ship blowing up things and getting lots of tail. However, averted due to having a terminal disease.
- The Bastard Operator from Hell is the quintessential Escapist Character for netadmins. The early stories were rapid-fire blackmail/torment/abuse stories where the BOFH would perpetrate atrocity after atrocity upon the hapless end-users (spelled end-lusers) on his network in revenge for their wasting his precious time. Later stories are accounts of him and his assistant masterminding hilariously convoluted schemes to leverage or maintain their political untouchability around the office. Among the most memorable stories is the account of his negotiating overtime as well as meal expenses for after-hours network maintenance. When the boss grudgingly agrees that "Fine, I'll go as far as pizza," the BOFH wastes no time in ordering a $15,000 stainless-steel imported Italian pizza oven to put in the company cafeteria. And gets away with it scot-free. The number of bosses he's gone through, due in no small part to stress-induced cardiac arrest, is uproariously funny.
- Spoofed in an episode of The Simpsons with Biclops, a nerdy superhero who wears glasses that resemble Milhouse's and spends his time beating up jocks.
- Ben Tennyson from Ben 10 for all kids who would like to turn into any alien with superpowers that they want to. Even more so in the sequels, where he eventually gets Famed in Story.
- Bugs Bunny. There is a quote on the Daffy Duck page that says: "Daffy is who we are, but Bugs is who we would like to be." This could very well be the appeal of the Karmic Trickster, defying the laws of physics to stay several steps ahead of your foes in the most hilarious way possible.
- Family Guy: Peter Griffin is loud and obnoxious, somewhat sociopathic, and often hilarious. He gets away with things many people wish they could.
- Phineas and Ferb, especially Phineas, seem like Marty Stus in that nothing can defeat them. But without Phineas's optimism and the inventions the brothers build, the show wouldn't be nearly as awesome and fun.
- The leads of shows like Dexter's Laboratory, The Adventures of Jimmy Neutron: Boy Genius, and The Fairly OddParents. What kid didn't wish for an Improbably High IQ or Fairy Companions to invent or wish their imagination to life and help them out of childhood's many jams?
- Finn the Human Boy lives in the fantasy world of every kid's imagination, enjoys fighting evil like no-one's business, and has a talking, stretching dog as his sidekick, and when he's not adventuring, hangs out with the likes of a living video game console and a sexy, fun-loving, and all-around fun vampire girl. Unfortunately, things get deconstructed as he grows older. Namely, dealing with different sides and hidden secrets of his friends, the ramifications of being (possibly) the last human alive, and most painfully, dealing with his love life with very little guidance and no prospective romantic partners that match both his age and his species.