"I want to try not to repeat myself. But then I seem to do it continuously in my films. It's not something I make any effort to do. I just want to make films that are personal, but interesting to an audience. I feel I get criticized for style over substance, and for details that get in the way of the characters. But every decision I make is how to bring those characters forward."Wesley Wales "Wes" Anderson (born May 1, 1969) is a director who specializes in weird and quirky comedies loaded up on dysfunctional characters and Dysfunctional Families that typically deal with themes of Parental Abandonment. He often has the same actors in his movies and uses the same techniques, including highlighting ornate background details, using wide-angle anamorphic lenses, and ending on a slow-motion shot.Frequent collaborators in Wes Anderson films include: Eric Chase Anderson, Seymour Cassel, Bill Murray, Mark Mothersbaugh, and Owen Wilson (a full list can be found on Wikipedia).Martin Scorsese apparently really likes Wes Anderson's work. Scorsese even believes him to be "the next Martin Scorsese". His first seven films are part of The Criterion Collection.He's the great-grandnephew of legendary pulp fiction writer Edgar Rice Burroughs, the creator of Tarzan. He's also not Jeff Mangum, believe it or not.
— Wes Anderson
- Bottle Rocket (1996)
- Rushmore (1998)
- The Royal Tenenbaums (2001)
- The Life Aquatic with Steve Zissou (2004)
- The Darjeeling Limited (2007) - Released theatrically with a 13-minute short film, "Hotel Chevalier" featuring Jason Schwartzman and Natalie Portman's characters from The Darjeeling Limited.
- Fantastic Mr. Fox (2009)
- Moonrise Kingdom (2012)
- The Grand Budapest Hotel (2014)
- Come Together (2016) - A Christmas commercial short film for the brand H&M, starring Adrien Brody.
- Isle of Dogs (TBA) - his second stop-motion animation film after Fantastic Mr. Fox, currently in production
Tropes associated with Wes Anderson's work include:
- Bittersweet Ending: The main characters of Anderson films usually end the film happier than they started, but still suffering from loss or regret.
- The Caper: Most of Anderson's films involve a plan to steal something, infiltrate somewhere or escape something.
- Costume Porn: Characters tend to each have their own stylized, colorful, and highly distinguishable costume. By contrast, identical (but still stylized) uniforms are also common. Anderson is sometimes said to treat his characters like dolls.
- Dysfunctional Family: Characters typically suffer from an unhappy family life.
- Episode Title Card: His films are often divided into chapters.
- French New Wave: Anderson takes some inspiration from this film movement.
- Impoverished Patrician: Many of his characters are from wealthy backgrounds, but lack any real income.
- Parental Abandonment: Most of his characters lack parental role models. Their parents are dead or simply distant.
- The Plan: Anderson's characters are as meticulous as he is. Almost every film will feature characters giving very precise instructions or laying out a very detailed plan for the events to follow. In Bottle Rocket, Dignan's plan maps out the group's entire lives.
- Production Posse: Anderson has a large and loyal posse of go-to actors who fill out all of his films. He also tends to collaborate behind the scenes with the same loose group of people as well.
- Rich Boredom: Almost all of his early films focus on the ennui of the wealthy class, usually contrasted by one lower-class go-getter.
- Scenery Porn: Anderson's films are all meticulously shot and costumed in a very stylized manner. Critics have described/accused his characters of looking like dolls in a doll house.
- Unsympathetic Comedy Protagonist: Most of the heroes in Anderson's films are examples of this.