The Grand Budapest Hotel is a 2014 American comedy-drama film written and directed by Wes Anderson and distributed by Fox Searchlight Pictures. The film was inspired by the writings of Stefan Zweig.The movie opens in the present day in the "former republic" of Zubrowka, a Mitteleuropean nation that was "once the seat of an empire" but is now recovering from war, poverty and rule by first fascists and then communists. A young woman visits a cemetery to pay her respects to the celebrated writer known only as "The Author." Sitting down by the memorial she starts to read his memoir, The Grand Budapest Hotel.The story cuts to 1985 where The Author (Tom Wilkinson) relates the story of the Grand Budapest Hotel. In 1968 the Author (played as a younger man by Jude Law) took a trip to the alpine Grand Budapest Hotel, by then very much fallen on hard times. He meets the owner, Mr. Moustafa (F. Murray Abraham), who tells him the story of how the hotel fell into his possession and why he maintains it despite its clear decline.Finally, *deep breath*, Mr. Moustafa flashes back to the glory days of 1932 where he was the young lobby boy Zero (played as a youth by Tony Revolori) being trained by the legendary concierge M. Gustave H. (Ralph Fiennes). The hotel is glorious, the clientele is rich, and the concierge keeps everything twirling. But danger strikes in the midst of this paradise, when M. Gustave is accused... of murder! What follows is a madcap caper of art, war, secrecy, and, of course, true love.The film also stars Adrien Brody, Saoirse Ronan, Bill Murray and Willem Dafoe.
This film contains examples of the following tropes:
Affably Evil: The inmates Gustave becomes friends with. After they escape, Ludwig wishes him and Zero the best right before they kill an innocent man and hijack his car to escape.
The Alcatraz: Check-Point 19 where Gustave is held awaiting trial.
Amoral Attorney: Inverted. Not only is Deputy Kovacs honest, he actually refuses to act corruptly because he's an attorney. Sadly, Jopling murders him when the Desgoffs-und-Taxis discover he can't be bought.
Ascended Fanboy: After being thoroughly unimpressed with Zero's resume, Gustave askes him why he wants to be a lobby boy. Without a hint of sarcasm, Zero responds "Who wouldn't at the Grand Budapest, sir? It's an institution." He's hired on the spot.
Badass Mustache: Gustave manages the seemingly impossible feat of a mustache that is both Badassand elegant. In imitation a young Zero takes to penciling on a fake mustache by the end he has grown one for real..
Beware the Nice Ones: Zero is a nice young man ...which doesn't stop him from throwing Jopling over a cliff to save Gustave, and seemingly having no qualms whatsoever afterwards. Also, stealing the painting was his idea in the first place.
Bittersweet Ending: Gustave is vindicated of any involvement in Madame D's murder and she leaves him with a large sum of her fortune, BUT Dmitri escapes, the hotel falls on hard times, Gustave is shot by enemy soldiers after defending Zero yet again, and Zero grows old and lonely after Agatha and his infant son succumb to a fatal disease. The story of the Grand Budapest does live on long after the building is demolished however, immortalised by the Author.
The Cameo: One of the fascist gunmen seen poking their head out during the final shootout in the hotel is George Clooney.
Camp Straight: Gustave is exceedingly camp, calls everyone (including men) 'darling' and covers himself with an extremely potent perfume. He is also a shameless womaniser with a taste for (much) older women.
Car Cushion: When Zero and Agatha fall off the balcony of the hotel, they crash through the canvas roof of Mendl's delivery van, landing in a pile of pastry boxes.
Catch Phrase: Gustave refers to everyone as "darling" when he's being friendly.
Chekhov's Gun: Agatha's facial birthmark (or rather the lack of it) helps confirm that it's not her head in that basket.
Chekhov's Gunman: The scar-faced inmate that likes the mush that Gustave makes. He lets him and his mates escape when his cellmate tries to call the guards on them.
Commie Land: The grim, faded Zubrowka seen in the 1960s is heavily implied to be part of the Warsaw Pact. Mr. Moustafa notes that the once sumptuous steam baths in the Grand Budapest could not have been maintained because they were "too decadent for current tastes." The Author later notes that Mr. Moustafa handed over his great fortune to the local commisar to stop the hotel falling into government hands as "communal property"... and it still failed to stop its demolishment.
Creator Thumbprint: Mocked by Wes Anderson himself in the movie. An article reviewing his films noticed that he has a habit of killing dogs in his movies. In this movie he continues this tradition but this time by killing a cat.
Dark Is Evil: Dmitri and Joplin wear particularly dark clothing.
Gustave and Zero spend quite a lot of time running around in the snow covered roof tops/country-side/mountains. While they'll fully dressed, they're notably lacking in coats, gloves or really anything to keep the warmth in - Zero in particular has short sleeves and no shoes in one scene! - but the cold never really seems to bother them too much. This really comes into play when Zero and Gustave chase after Jopling in a very high speed chase down snowy mountains.
After exiting the art museum and walking through the snow-covered street, Jopling doesn't bother to put his shoes back on.
Fake Kill Scare: When the film makes us momentarily think that Jopling has murdered Agatha, but it's actually the less significant character of Serge's sister.
Fingore: Kovacs's fingers are severed when Jopling slams a door on them.
Framing Story: The great bulk of the story takes place in 1932, is related by the much older Zero Moustafa to the Author in 1968, who writes his memoir in 1985 which is read by a young woman in the present.
Freeze-Frame Bonus: A funny one revealing the fate of Dmitri with a newspaper article shown for only a couple of beats. Really scrupulous viewers will notice that the second paragraph repeats the contents of the first verbatim.
Gray and Black Morality: Gustave and Zero make off with a painting that Madame D bequeathed to Gustave in her will, although it does not technically belong to Gustave until legal confirmation of the will can be carried out. That said, Dmitri is an evil little shit.
Jail Bake: When Gustave is recruited into helping break out his cellmates (and himself), Zero gets Agatha to bake tools into her pastries and sent to Gustave. The dainty pastries are such works of art that the prison warden can't bring himself to destroy them to check for contraband. However, because they're so small, Agatha can only fit miniaturized digging tools inside of them.
Kick the Dog: When Jopling kills Kovacs's cat in front of him, a couple of hours before murdering Kovacs himself.
Meaningful Background Event: The gradual descent of Zubrowka into fascism and final annexation by an aggressive neighbor, that becomes increasingly obvious as the film progresses and finally causes Gustave's implied death-by-overconfidence/over-developed sense of decency.
Meaningful Name: Zero, who has "zero" experience and a lowly social station. As an undocumented immigrant, he's also a non-person in the eyes of the government.
Menacing Stroll: Dmitri attempts this while following Agatha, but when he rounds a corner he realizes that she started running as soon as she was out of sight, forcing him to start frantically sprinting after her.
Mishmash Museum: The Kunstmuseum has a very eclectic collection consisting of Old Master paintings interspersed with Egyptian sarcophagi and medieval plate armour.
Gustave, who, as it turns out, shares Zero's experience in having... well, zero, in addition to having been a lobby boy himself.
Zero, as well, up until Gustave snaps at him for not bringing the Panache perfume after his escape - it's revealed all his family were executed in a war, and those who survived were forced to flee.
Nazi Nobleman: Dmitri is associated with Zubrowka's "Zig-Zag" fascist movement.
No Ending: The deaths of Gustave and Agatha are brushed over - shot and dead of a sickness that was easily cured in the 1960s, respectively - as is, presumably, Zero's, and the Grand Budapest Hotel is demolished. The Author notes he never returned to the Budapest before its demolishment, and it turns out, the Author has many other stories - and we return to the reading young woman, who is only partially through the book, still reading.
No Name Given: The character played by Tom Wilkinson and (as a younger man) by Jude Law is never given a name. He's listed as "Author" both on the credits and his own monument. The credits call his younger self the "Young Writer." The young woman in the beginning is also only known as "Student" in the credits.
Not Even Bothering with the Accent: Everyone. Wes Anderson clearly doesn't care what accent the characters have, and all the actors keep their native dialect regardless of whom they are playing. American actors sound American, Brits sound British, and so on. Even people within the same family have wildly differing accents; Madame D. is played by Tilda Swinton and sounds British, while her son Dmitri is played by Adrien Brody and sounds American. Even Saoirse Ronan is finally able to use her native Irish accent.
Obviously Evil: Dmitri and Jopling couldn't look more villainous if they tried.
The monks repeatedly confirming Gustave's identity with the exact same line. Even Gustave gets tired of it.
The ridiculously-long ladder in the prison.
Pet the Dog: Gustave comes across mostly as an asshole when we first meet him. Our first indication that he's a good guy is when he emotionally defends Zero from arrest.
Politically Incorrect Villain: Dmitri calls Gustave a "fucking faggot" when accusing him of seducing his mother. When Gustave points out how the accusations conflict, Dmitri covers by claiming that Gustave's bisexual.
Posthumous Character: All of the characters are posthumous taken from the very first scene, as the Author is long dead. In the 1960s, Agatha and Gustave have died, both shortly after the events of Mr Moustafa's tale.
Precision F-Strike: Gustave, an impeccably proper gentleman, is prone to sudden outbursts of incongruous and almost childish cursing.
Punk Rock: The first shot we see is a mohawked punk rock fellow having a smoke in front of a graveyard. Later, we get a good look at the young woman reading the Author's book - her jacket is covering up what appears to be a punk rock shirt and she has several buttons pinned to her, each of which seem advertise local bands.note Pinning badges and buttons of your favorite bands is often, though not strictly, a punk rock thing.
Putting on the Reich: Zubrowka has its own homegrown "Zig-Zag" fascist movement which both Dmitri and Jopling are members of. Its emblem is a double Z in a style reminiscent of a mirror-image version of the "sig rune" emblem of the SS, and towards the end soldiers are seen wearing black uniforms reminiscent of SS ones.
Quick Nip: Jopling always keeps a small bottle of whisky in his pouch, next to a gun.
Reasonable Authority Figure: Inspector Henckels. He handles the deaths and crimes that take place very seriously, doesn't allow Jopling to hang around a crime scene (and makes it quite clear he knows he's somehow responsible for Kovacs's murder) and makes finding the murderer of Serge's sister top priority. At the end of the movie, when a gunfight breaks out between Dmitri (who is trying to shoot Gustave) and the other soldiers staying in the hotel, he orders a full ceasefire and tries to find out who started everything. Upon learning that Dmitri began it but was shooting at a man already wanted for various other crimes including the alleged murder of Dmitri's mother, Henckels orders everyone to stay where they're at until he's had a chance to get to the bottom of things. And when Agatha finds a letter hidden with the painting, he hears her out and reads it in front of everybody, clearing Gustave's name and getting him a fortune.
Really Gets Around: Gustave, albeit usually with blonde older women like him. He does, however, state he might blow the black market profit of the sale of "Boy with Apple" on whisky and hookers.
Refuge in Audacity: Zero and Gustave use a humorously pornographic painting to replace Boy With Apple, yet Dmitri doesn't notice until much later.
Ruritania: With its mix of German, Hungarian and Slavic naming elements, Catholicism, fallen nobility and rising fascists, Zubrowka is strongly reminiscent of the former lands of the Austro-Hungarian Empire between the wars.
Scenery Porn: As with all Wes Anderson films, the costuming and scenery is all highly stylized and beautiful.
The Desgoffs-und-Taxis family are a nod to the real-world Central European aristocratic Thurn und Taxis family, who had a virtual monopoly of courier services in the early modern era and are still extremely wealthy.
Silk Hiding Steel: Agatha, the quiet put-on baker and real genius of Mendl's, runs through hails of gunfire and risks getting decapitated by an angry fascist to be with the boy she loves (and help out the man lording over the boy she loves).
Sinister Shiv: The 'throat-slitter' made by M. Gustave's cellmates. It is used both to slice up the Mendl's pastries smuggled to them, and for its named purpose during the Great Escape.
Sophisticated as Hell: Gustave is very dapper, elegant, courteous and impressively foul-mouthed. For instance, he refers to an elderly and frightened friend as "Shaking like a shitting dog."
Sympathetic Inspector Antagonist: Inspector Henckels is an honest, dedicated officer doing his job. He is visibly upset at having to arrest Gustave, but doesn't let his personal feelings get in the way.
Translation Convention: Most of the on-screen text (signage, newspapers, documents, etc.) is in English (with several instances of German), so is the dialogue (with some instances of subtitled French), leading to the conclusion that English stands in for Zubrowkan language for the viewers' convenience.
Villainous Breakdown: Dmitri becomes increasingly aggressive in his pursuit for Boy With Appleand the evidence that shows he killed his mother after Joplin dies.