A vague, wispy look of emptiness given by a character that's supposed to convey intense emotional shock, horror, or revelation, but really looks like they've been binging on every single narcotic known to man for their entire lives.
Trope named for a skit in an episode of Mystery Science Theater 3000 where Mike Nelson attempts to guess the emotions portrayed by Kathy Ireland in Alien from L.A.; the correct answer for each was "Dull surprise!" It is also a meme in Transformers fandom, in reference to the art of Pat Lee.
The exact opposite of Chewing the Scenery. See also That Makes Me Feel Angry. Contrast Frozen Face, Emotionless Girl, Kuleshov Effect.
Examples:
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Anime & Manga
Kira in Gundam Seed Destiny sports this when Meer Campbell dies and everyone is crying and he just looks like he just smoked a bunch of pot. Considering that Kira's cry is notorious for sounding like a dying horse, the viewers got off lucky.
Takumi Fujiwara in Initial D gets to Ctrl+Alt+Del levels when his driving passion is awakened while watching his rival's performance during an illegal race.
One theory is that the artist was so good at drawing cars, he decided to use the same methods on human beings.
Kyon, of the Suzumiya Haruhi series, mentally criticizes Itsuki of this in the SOS Brigade movie. Strange in that since his normal persona is at least something of an act, and a pretty good one at that. Even Kyon has trouble figuring out what he really thinks about anything.
In Nyoron Churuya-san, everyone except Churuya and Achakura have one same monochromic expression.
That is, they all look like this: -_-. All the time.
This happens a lot in Gantz. One the most obvious examples is this panel◊ from chapter 303.
Done intentionally with Ichiro in Nerima Daikon Brothers—he's so calm and sedate that he reacts to almost everything with a blank, slack-jawed expression. Actually, it seems like most of the guys at the Host Club behave this way for some reason.
Shortly after the voice cast change on Pokémon, many of the new actors were subpar for a while, having been picked for their ability to mimic the previous voice cast rather than to perform for themselves. Some (most notably Team Rocket and Brock) adjusted relatively quickly. Others spent the next two seasons locked in a perpetual state of Dull Surprise before they figured out how to act. Unfortunately, the protagonist was one of the latter.
Every character Tsutomu Nihei has ever drawn. His most famous stoic is Killy from Blame!!, who is quite well known for having the emotional range of a broken toaster.
Gaara of Naruto, after his Heel Face Turn, tends to embody this trope for the most part. Even when Kimimaro nearly succeeded in shoving a bone-turned-drill through Gaara's face in the Sasuke Retrieval arc. It wasn't until Kimimaro's kill-you-with-my-last-breath attack that the Kazekage at last showed shock and fear that was on-par with the other characters of the series.
Shaman King's HaoAsakura usually conveyed minimal shock, fear or surprise at something unexpected happening around or to him. That is, until things got serious.
Many characters in Ubel Blatt look like they're in perpetual Dull Surprise, although there are a few times where they do show some emotions but that tends to be most of the older cast or when the younger cast are very angry.
Chief Kushima shows remarkably little emotion for a man whose arm has just been torn to shreds by a metal cable in the first episode of Real Drive, despite of not yet having a cybernetic body at this time.
Kotori Makino from Koe De Oshigoto! While she can simulate the proper expressions when acting, her own emotions are very rarely visible on her face. She has yet to be seen surprised, shocked or angry, which is quite a feat, considering what usually goes on around her.
Ulquiorra Cifer from Bleach is pretty much the physical embodiment of this trope. The closest he gets to an expression besides line face is during battles where he's shocked, which is expressed by just barely widening his eyes. If it wasn't for dramatic speed lines or speech bubbles with exclamation marks you may not even catch that his expression changed at all. Even when he's about to be nuked by Ichigo's hollow form after being caught off guard, all he does in response is stare blankly at him and say "do it".
Winry Rockbell's seiyuu in the second anime adaption of Fullmetal Alchemist has this problem. She does fine when she is in Genki Girl mode, but it's most noticeable in the "dramatic" scenes, such as when Winry finds out who her parents' killer is, and that he is trying to kill her childhood friends, too. What should have been a Tear Jerker falls flat as the actress only gets the first emotion (shock) across, instead of also showing her hysterical when it finally sinks in and just a hint of anger in it when she picks up a gun and is about to shoot Scar.
Inverted in-universe with Kasuka Heiwajima of Durarara!!, who is a Master Actor even in the most camp and B-movie of roles... and has the emotional range of Rei Ayanami on valium when not acting.
The Medicine Peddler in Mononoke, whose reactions to the titular demonic apparitions are usually limited to phrases such as, "Oh my." or "My word." Especially amusing when the people around him are cowering and screaming in fear.
Comicbooks
Transformers fans have used this term to describe the emotions portrayed by the characters in any Dreamwave comics drawn by Pat Lee or anyone aping his style.
The page image is a particularly infamous example; the expressions on everyone's faces, especially Devastator, are so bland, readers thought that it was some sort of Twist Ending, like Omega Supreme showing up to save the day, or Unicron arriving to wreck stuff up.
And Don Figueroa's "new style" in the Ongoing tops it by giving all his Transformers (or at least the ones with visible mouths) a gnarling sneer perpetually frozen on their faces.
During the Spider-Man story arc "The Other," an entire issue is devoted to Mary Jane's shock and grief at Peter's apparent death. Whom did Marvel hire to draw this emotionally-charged issue? Pat Lee, who is notorious for this sort of thing. Cue 20 pages of Mary Jane looking far more stoned than grief-stricken, even if you want to believe that she was in shock the entire time her expression didn't change at all.
Linkara mocks an issue of Uncanny X-Men (#423) for having Nightcrawler reveal a surprising bit of info and having all the characters react in shock... "or rather with apathy, shock, confusion, boredom and surprise".
The comic book version Anita Blake reacts this way to everything. No matter how shocking, horrific or terrible the event, she reacts basically by opening her mouth slightly and looking perturbed.
At one point in in the "ill-conceived" DC series Amazons Attack!, Batman looks down and frowns slightly while saying, "An Amazon attack, a deadly bee weapon. Bees. My god." Made into a running joke by Linkara.
Despite the arc being drawn by what's often considered the best artist from the series the Sonic Adventure adaptation of Sonic The Comic suffers from this. Amy and Tikal in particular have dull expressions.
Film
The Graduate. Everyone save Mrs. Robinson. However, this is the rare positive case in which that was exactly what was intended by Mike Nichols. It's the entire point.
Fifty years ago, critics would probably be praising his "manly restraint" or some such, but it can be argued that actor Keanu Reeves has this in all of his movies, but it's most noticeable in The Matrix trilogy (which is apparently why the Wachowskis hired him).
For the scenes within the Matrix, this was done deliberately by all the actors at direction from the Wachowskis to help create a sense of disconnect caused by Morpheus and the others knowing the Matrix isn't real. Admittedly this is somewhat undermined by the whole "Your mind makes it real" speech.
The worst instance of this is when he is waiting for Dracula's carriage to show up, and before it does, finds himself surrounded by rather hungry looking wolves. By looking at the "fear" on his face, you'd think he was surrounded by pigeons. Also, "BYUUUUDAPEST."
In Johnny Mnemonic he alternates between this and narm, though that's probably more the fault of the script than anything.
And yet, he has no signs of this in Bill and Ted's Excellent Adventure. So, yeah, he can do things besides Dull Surprise... or at least he used to.
Reeves playing a stoner? May be a case of typecasting.
Never more obvious than when he played the good guy in The Devil's Advocate, next to Al Pacino playing Satan. How can you root for the hero when the villain cares so much more?
Used pretty well in Speed, where he reacts to each new piece of danger with chilly competence, only to completely lose it when his partner is killed.
The Room, with Tommy Wiseau. It is not difficult to imagine every line of his in the script, except questions, ending in a period, given his flat, mostly-unaffected delivery. He sounds bored even when his character is supposed to be outraged.
Johnny: Oh, HI, (fill in the name)! (Endlessly. Even to a dog.)
Johnny: "I did not hit her. It's not true. It's bullshit. I did noooooooot. Oh, hi, Mark."
Selma Blair maintains this expression at all times in the film version of Hellboy and the sequel, though not so much in the latter. It works when her character is hooked to a thorazine drip, but other than that...
Given that she was still staying at a mental health facility it's quite possible she was supposed to be on medication the whole time, just... not as much. This and the fact that she's pregnant would also explain why she's more lively in the second movie.
She gets out-acted by a fish man, a giant red demon, an insane Russian necromancer, a wind-up Nazi and a German man made of smoke. Enough said.
Mister Darcy has a consistent problem with this in various film versions of the book. The reason seems to be that in the book, he starts out disdainful and cold to the point of rudeness, and different actors struggle with how to play him so that he can be accepted by the audience in a romantic role despite coming off as a jerk less than an hour ago.
Just imagine the number of sedatives the cast of Death Bed: The Bed That Eats must have been on while making the movie. There is a scene in which a man's hands get burned off and he doesn't seem to mind. You've probably made a bigger reaction to losing your keys!
She's the same in Adventureland, where she is seriously depressed. Doesn't as well when she is having her breakdown and she looks as if she got some onion in her eye.
Also the acting prowess of Robert Pattinson. While many think his body is made of marble, others think it's just his expressive-as-stone face.
Taylor Lautner seems to possess only two emotions: bored and constipated.
Sofia Coppola in The Godfather Part III. From the amount of emotion in her dying "Dad?" you'd expect she wanted to ask Michael to pass the orange juice.
Moonraker: Doctor. Holly. Goodhead. Really, my dear, if you're facing the end of humanity by toxic freaking nerve gas, would it kill you to at least sound kind of interested?!
Carole Bouquet in For Your Eyes Only averts this trope and justifies it: She's on a Roaring Rampage of Revenge and is one of the most badass, cold Bond girls, but one who shows quite a lot of emotion during scenes with Bond.
Hayden Christensen in almost everything he's ever been in, but especially in the Star Wars prequels.
Ironically Darth Vader has more range and expression than Anakin, and he is sealed in a suit where no one can even see his face!
Although most people acknowledged it wasn't completely the actors' fault. Quite a few critics admitted at least part of the problem was being forced to work for most of the movie against a green screen. Having scenes and props to work with greatly helps with emoting, whereas having to act terrified of a garishly-painted wall makes things difficult. Considering they turned Oscar-winning Natalie Portman into a mannequin, putting all the blame on the actors is a little unfair.
Christian Bale seems to have a variety of facial expressions comparable to a marble statue. This is largely due to his MO of playing sociopathic and/or emotionally disaffected characters. Several of his films feature bipolar performances swinging between Vulcan-like emotional coldness and sudden, manic frenzy.
Would it be crass to say that following his Terminator Salvation rant, this seems to be his real life MO as well?
Orlando Bloom. Although he'll probably strike a heroic pose at the same time, just to mix things up. The one time Bloom showed genuine emotion is his grin when Jack Sparrow commented "Nice hat" to him in Pirates of the Caribbean.
Early into Kingdom of Heaven, Balian murders a priest (his own half-brother in the extended version) in the heat of the moment. Even during this act of passion, Bloom's facial expression is that of mildly confused curiosity.
Deliberately played with in Scanners, where the protagonist has literally no personality, and delivers all his lines in a Creepy Monotone. This makes Stephen Lack's performance easily confused with simple bad acting - his roles usually have more emotional range to them.
Clive Owen wears the same dully surprised face for the entirety of King Arthur.
In 12 Monkeys, this trope is well justified because Bruce Willis' character is either heavily sedated or mentally traumatized for most of the movie. In addition, this provides a perfect counterweight to Brad Pitt's maniacal bombast.
Steven Seagal. In Italy, and possibly, elsewhere, TV advertised a series of Steven Seagal films with this line (translated):
"His facial muscles are firm, but leg and arm muscles moves like lightning".
Zooey Deschanel. For example, in Tin Man and in The Happening. This culminated in her role as the title character of (500) Days of Summer, where her emotionally mute acting style worked great as an emotionally dead character to explain why the main character, obviously hoping she'd be a Manic Pixie Dream Girl, had such a terrible relationship with her.
The Happening even gives her the line "I don't like to show my emotions," which many suspect was a desperate attempt to make her lack of any performance work.
William Hurt in the 1998 Lost in Space movie. The robot displayed more emotion than him. Hurt's dull performance could be summed up in just one line:
"I love you, wife."
And when his family is killed by the planet debris, he's so dull the music has to do the acting for him.
Actually, almost the whole cast suffered from this, save Gary Oldman's Dr. Smith, Lacey Chabert's Penny, and the robot.
Rooney Mara in the A Nightmare on Elm Street remake. Several reviewers unfavorably compared her with the much livelier and more emotional Decoy Protagonist played by Katie Cassidy, who was the POV character for the first third of the movie.
Harrison Ford's terrible narration in the theatrical cut of Blade Runner. It was added due to Executive Meddling, and it really shows, since the rest of his acting is fine.
Supposedly Ford was forced, pretty much at gunpoint, to do the narration, so he did it in the dullest, most unenthusiastic voice possible, in the hope that it would be rejected. He wasn't best pleased when they ended up using it anyway.
Hurd Hatfield in the 1945 The Picture of Dorian Gray. The voiceover is saying he's seized with terror and panic, and he just looks kinda bored. Even when he murders Basil, he seems like he's thinking about what kind of sandwich he wants to make later.
Channing Tatum and Sienna Miller in GI Joe The Rise Of Cobra. Their roles could have been played with cardboard cutouts and tape recorders and nobody would have noticed the difference (at least one reviewer said the special effects are more animated than Tatum).
Fireproof manages to make this look natural with Kirk Cameron's character. As a volunteer firefighter, Caleb tends to automatically swallow his emotions in a crisis, leading to vacillating between Dull Surprise and completely exploding.
Fred Clark, at Slacktivist, has credited Cameron's acting style to his having learned to act as a child actor in a family sitcom: child actors in such shows learn, primarily, a) to mug and b) to wait until someone else has delivered a line. "Watch CamCam's reaction. See if you can spot one. I couldn't. CamCam isn't talking, so CamCam isn't acting."
According to Sergio Leone, in the '60s, Clint Eastwood had "two facial expressions: one with the hat, and one without it". His acting style evolved a lot since then.
Legend has it that Leone once explained Eastwood's appeal by saying that "when Michelangelo looked at a block of marble, he saw David; when I looked at Eastwood, I saw a block of marble." Leone was initially drawn to Eastwood by his restrained performance as Rowdy Yates in Rawhide, and the two men worked hard to perfect this for A Fistful of Dollars. His character's trademark wardrobe - the poncho, the cheroot, the hat - were all intended to deemphasise the character's humanity, and of course he had no name. Except for Joe.
Shyamalan'sThe Last Airbender. Every child character, for every situation, in every scene throughout the entire movie. Especially Aang/Ong. His reactions are so incredibly mild, that he might not have enough emotion to qualify for this trope.
Kill Bill - This is precisely the expression that Uma Thurman had upon waking up from her coma, so shocked that she sat straight up in bed, emphasized by the freeze-frame.
Daryl Hannah isn't exactly well-known for emoting in her acting. However, this works for her character in Kill Bill because this makes her a lot more ruthless and threatening. An example is her apathy to Michael Madsen's death by black mamba (the snake, not the Bride)
Malin Akerman in the Watchmen movie. Her reaction to being teleported to Mars is remarkably sedate.
She, in fact, took this to the meta level by requesting that the filmmakers cut anything that might add characterization to Laurie outside of acting, such as her smoking, profanity, stammering, etc. Dull Surprise applied to thematics as well as delivery is a terrible thing to behold.
Matthew Goode, as Ozymandias, provides a more mild but still persistent problem. In particular, the comic's ebullient "I won!" (accompanied with raised fists and a shot of Alexander The Great in the background) is replaced with a near-whisper indistinguishable from any of his other lines.
Elizabeth Moss in Get Him to the Greek. Justified: she's clearly using it to portray her character - an intern - as so overworked and drowsy that she cannot express emotions normally.
Paul Walker has always used this as his backup mode of acting, but nowhere was this more evident than in the 5th The Fast and the Furious. He reacts to the fact that his girlfriend is pregnant with an expression of "meh, that's good too." A pity, because the acting of the cast all around has improved somewhat (especially Vin Diesel, who is now able to show emotions!)
Michael Pitt in damn near everything.
Sam Worthington is infamous for this. He was commended at one point for his acting in Terminator Salvation. Then Avatar and Clash of the Titans rolled around, and people realized that he wasn't doing a brilliant role as an emotionless robot, he was trying to act normally.
Emily Browning in Sucker Punch - though mostly justifiable in that she's clearly scared or baffled through the major part of the film.
Played to great effect in the 1979 ghost story "The Changeling" and George C. Scott. He's seen so much weird shit by the time he's in the well that he seems almost bored when the medal makes its appearance.
Justin Timberlake spends most of In Time with the same grumpy facial expression. May be justified, but it's really not due to having taken a lover while all the chaos happens in the movie.
Live-Action TV
Kristen Kreuk's Lana Lang in Smallville. From finding out she's pregnant, to finding out about Clark's superpowers, to overwhelming joy, to anger and so on and so on (her other expression is the eye-roll-and-vague-smile combo). Except in the earlier seasons, when she would make a face like a squirrel instead.
Ashley Scott in Jericho. Sometimes she tries to cover this up by holding her hands over her blank face. With mixed success - many times this has simply ended up looking like she's sniffing her fingers, not a major improvement.
Ghost Whisperer. Watching Jennifer Love Hewitt do this has been the source of many a narmy moment. It really doesn't help that they end about half the scenes with a nice big close up of her so desperately struggling to make a facial expression, any facial expression.
The principle of Adam Westing, which Adam West himself did the whole time in Batman, when he didn't sound drunk that is.
Anna Torv in Fringe. Considering that she shares scenes with one of the Largest Hams known to mankind, which is sure to emphasize any poor attempts at more subtle expressions in others. She's gotten a bit better with it though.
She finds out her boyfriend is a double agent, then sees him get killed, then he packs his suitcase and moves into her brain. Later she finds out that she was a Tyke Bomb guinea pig in Walter and William Bell's drug experiments. If she had a normal emotional range it would be a miracle.
But then, it's called subtlety (it's all in the eyes, baby!) It works very well for a character as subdued as Olivia, but viewers have become so used to actors chewing the scenery that it's probably hard to recognize and not mistake for woodenness.
On the other hand, her emotional problems are a plot point in Season 2. The trauma of being a human guinea pig wrecked her emotionally and taught her to channel any fear into anger. We meet an alternate universe version of Olivia who is much more emotional, confirming that it's a deliberate acting choice.
This is more a problem with her co-star, Joshua Jackson, who literally has two modes: Deadpan Snarker, and just deadpan. This is especially visible in Season Three, when his character has to deal with a whole bunch of emotional problems about half-way in.
Milo Ventimiglia, who played Peter in Heroes. About the most "emotion" he shows is a slight curl of his lip, but that's actually a result of partial face paralysis.
It's glaringly obvious when he's in a scene with someone who can actually act—Jack Coleman, Cristine Rose, Christopher Eccleston, Zachary Quinto, David Anders, Hayden Panettiere, and on into the sunset (fortunately he never had a scene with Mr. Muggles). Watching his interactions with his on-screen brother Adrian Pasdar is especially painful. One comes across as dangerous, calculating and creepy, the other appears lobotomized. Oooooh dear.
Ellen Muth (Georgia Lass) in Dead Like Me, in every scene. Serves perfectly to define Georgia Lass character.
A bizarre case is the usually-good Joanne Froggatt in Robin Hood. Her character Kate spends most of her time with her face screwed up due to her constant scowling, crying and whining, but when she's faced with an actual crisis such as a threat from her brother's murderer or the dead body of one of her comrades, all she can muster is a blank stare.
It was a point of some parody (including a Mad TV sketch) during the popularity of The X-Files that both David Duchovny and, to a lesser extent, Gillian Anderson would frequently react to mysterious or horrific events with deadpan near-monotone exclamations (since their acting was justfine when the other's character was in danger, though, one could assume that they've become a bit jaded). There was even a joke about it in the first movie:
Scully: I saw your face, Mulder. There was a definite moment of panic. Mulder: You've never seen me panic. When I panic, I make this face. [Remains expressionless.]
On one episode of Frasier ("The Late Dr. Crane"), Niles is talked into getting a botox injection. Due to the paralyzing nature of the treatment, a revelation causes him to exclaim "Oh my God!" without moving a single muscle above his mouth.
Martin once gave a similar (non)-reaction after returning from the spa. When asked why he didn't smile or anything after receiving good news, his response was that he thought he was smiling.
The Camden twins, Sam and David, in the later seasons of 7th Heaven, were a particularly awful example of this trope. Everything they said came out in an almost robotic monotone.
Taub: Here's my impression of Foreman on the happiest day of his life. (dons a completely flat expression) Now on the saddest day of his life. (does the same face)
Ellie Spicer, the abducted little girl in the Criminal Minds episode "The Longest Night", seemed to unintentionally smirk through a lot of scenes in the episode, regardless of the situation.
The Olsen twins, sharing the role of Michelle on Full House, were at times painful when they got old enough to have actual lines. In all fairness, they were very young at the time, but it went on to dog their later work as well, and was a major contributing factor in the complete failure of their one and only theatrical starring feature, New York Minute*
(they were billed below Steve Guttenberg and Kirstie Alley in 1995's It Takes Two)
, which only grossed $14 million dollars during its whole box office run. Both twins, now adults, have turned to other careers.
One of the many, many problems with the recent UK remake of The Day of the Triffids. Dougray Scott as the hero was a particular offender, delivering lines like "we have to warn everybody" with all the urgency of someone reminding their wife to pick up milk on the way home.
Firefly: Mal's reaction to finding out Doctor Simon Tam's luggage is a crazy naked girl reads "I wasn't expecting that. I'll get back to you with an emotion later."
The fact that it would be completely in-character for him to actually say that suggests this may have been deliberate.
Nor will this be the last time he opens a package to find it contains a body.
Jason London as the titular character in the Hallmark miniseries of Jason and the Argonauts. From being told that his uncle killed his father to nearly drowning, he has the same nauseated look.
Played for laughs in Scrubs. Somebody knocks into Jordan, who has just had plastic surgery.
Jordan: Oooow, the pain, it's excruciating. (all grumbled with her mouth barely even moving)
The main cast of Stargate SG 1 criticized themselves for the ending to "Thor's Chariot," where they only seemed mildly intrigued by the sight of a ship the size of a city appearing and eliminating an entire Goa'uld army in seconds. In behind-the-scenes interviews, they explained that none of them appreciated just how impressive (or big) the ship would look in the finished episode, so they did not think to put more awe or fear into their expressions.
Adorably subverted on Fox's Raising Hope. Typically tv babies just stare or appear agitated, bored, and fussy, but the twins playing Hope always seem to be genuinely fascinated by what's going on around her(them). Their reactions always seem to fit the scenes.
Hell, even during sex scenes they can suffer from this. Honestly some actors look more bored than in bliss. Seeing how there's a bunch of people watching while one of them is telling you what to do, it's surely kinda boring. Just another day at the office.
In a lot of Hentai games, you'll also see this. Especially the amateur-made ones. Also often seen in the 3D games, where occasionally, the creators didn't bother to animate the scenes at all except for parts that absolutely have to, meaning that the character models are just standing there totally stone-faced and stiff-legged, even during sex.
Professional Wrestling
When Christian returned to the WWE on an episode of ECW in 2009, Todd Grisham sounded... less than enthusiastic.
A certain 2009 promo featuring both Drew McIntyre and John Morrison. Just knowing those two are going to be talking in the same promo is basically "assume crash positions".
Melina Perez as a face. As a heel, not so much. You'd think your face would be more expressive.
Announcer Scott Stanford has yet to sound not monotonous even when he's annoyed.
Texas Dingo. He puts absolutely no enthusiasm into this interview to the point that it's So Bad, It's Good. Made even more hilarious by the fact that his opponent is a Large Ham.
John Laurinaitis reacted to CM Punk's GTS the same way he does everything, by staring blankly at what's directly in front of his face.
Video Games
One of the few real faults of Dragon Age Origins is how wall-eyed the Warden is to just about everything - which is especially disturbing considering that a great deal of work went into the facial animations of the Companions, and compared to the rather animated Hawke in Dragon Age II.
Shadow Of Destiny has fairly limited facial animations, so most of the characters look like this at some point, but Eike spends virtually the entire game in a state of Dull Surprise. It doesn't help that his English voice is fairly monotone.
Silent Hill characters have this tendency given the limitations in the graphics; many fans consider the fourth game's protagonist Henry Townsend to be the worst offender.
Henry is particularly bad because he has no personality, to be brutally honest.
The limited engine of Deus Ex, combined with acting that ranged from ridiculously over-the-top (and borderline racist) to the flattest line readings imaginable lead to Dull Surprise in more than a few situations. The creators of the game actually stated that this was done intentionally, to have the player produce the emotions instead of them forced on him.
JC Denton's deadpan delivery is a constant source of (intentional) hilarity, producing some immortal lines in the process:
Similarly, there's Metal Gear 2: Solid Snake, where his one facial expression was this◊. It's somewhere between terrified, baffled and annoyed. *
If that's the kind of thing he has to put up with through the whole game, though, then it's no wonder.
The main character in Knights of the Old Republic always looks sort of mildly interested in dialogue mode, complete with nodding or raising an eyebrow occasionally, which works for much of the time but not when something dramatic is going on.
In Team Fortress 2, the Spy is the class most likely to be incinerated by a triggerhappy Pyro. Thus, one might expect the Spy to fear his natural enemy. However, where the others might bawl out "I'M BURNING!" and "ON FIRE!" at the top of their lungs with expressions of obvious distress, the Spy's response? Just him with practically the same unperturbed expression he usually exhibits, coupled with an extremely blasé "I do believe I'm on fire," or "I appear to have burst into flames."
However, all of the classes (even the Pyro, whose face is obscured by an all-encompassing gas mask) are very expressive with their feelings, their emotions ranging anywhere from sadistic glee (when they're doing well) to Oh Crap (when they aren't).
Your Mission Control in Persona 3, Fuuka Yamagishi, narrates pitched battles in an incredibly flat, stilted manner. She's a bit better outside of combat, but there are still times where her voice actress is clearly valiantly struggling to keep the emotion down.
Happens again in Persona 4. Shadow Mitsuo's voice is flat and stilted. Mitsuo's shadow is intended to represent his inner emptiness. Unlike the previous game, it's perfectly justified and not at all due to the failings of the VA.
X does this in the opening cutscene to Mega Man X8. Facing down an army of shapeshifting Reploids should yield a stronger reaction than, "did I leave the oven on?"
In Final Fantasy VI, all of Shadow's sprites are like this, including his laughter and surprise graphics. Partially justifiable in that he's wearing a maskand he has "killed his emotions", but you can still see his eyes—in a game where just about everyone's eyes are clearly visible and show obvious emotion during laughter and surprise.
Magus in Chrono Trigger has sprites like these, with a contrast similar to that of Shadow's in Final Fantasy VI mentioned above. He actually doesn't even have a surprise animation (He has an animation, but it's a deep scowl rather than a look of shock like everyone else).
Nearly everyone in the first Baten Kaitos game, thanks to the phoned-in voice acting. Xelha, in particular, seems to have trouble expressing any strong emotion.
In Killer7, Mask de Smith says things like, "Yeah, I'm here to kill Mr. Fukushima" with all the gravity of, "Yeah, I'm here to do the dishes". This was probably intentional, given that Mask, like the rest of the Killer7, is a professional assassin.
Webcomics
Ctrl+Alt+Del: The internet term "B^U" is frequently used by detractors to describe the lack of facial expression (everyone evidently usually looks slightly slack-jawed) as well as everyone looking really similar. It's also become shorthand for "Tim Buckley", who has his own unique set of emotional cripplements.
In a tutorial on drawing facial expressions, Tracy Butler of Lackadaisy specifically included a "Buckley face" as an example of bad art.
The Inexplicable Adventures of Bob!: Bob's standard default expression is eyes wide with his mouth in a tiny O shape. This perhaps reflects the fact that he's constantly encountering new weirdnesses, but has become too used to it to ever look more than mildly startled.
My Little Pony: Once Upon A My Little Pony Time. Slightly more emotional than most of the examples here, but only in the sense that the ponies' expressions, in emoticon terms, are limited to "happy" and "sad".
Squidward in SpongeBob SquarePants sometimes is like this - for example, while there are vikings thrashing the Krusty Krab. But he usually doesn't care too much unless it's directly affecting him.
A great example in The Justice League comes from The Joker of all people. When an explosive he had planted in Las Vegas seemingly fails to go off, The Joker watches a video replay in super slow motion that reveals that The Flash had carried the device to the outskirts of town while it was exploding. The Joker's only reaction was uttering a subdued "Huh."
Real Life
Queen Elizabeth II of the United Kingdom was specifically groomed throughout her life to be this way — she strives never to show emotion in her face. See also Stiff Upper Lip.
Also the palace guards are supposed to be this way, and are often goaded by tourists hoping to get them to break face.
And if you piss them off, indeed they just might "break face".
The fourth cartoon on this page shows South Africa's ex-president Thabo Mbeki in a range of emotions, though yet to show even one.
A running joke concerning many Finnish athletes, who apparently have hard time showing emotion even when they win something big. A good, notable example is the F1 driver-turned-rally-driver-turned-F1-driver-again Kimi Räikkönen, parodied here◊. Another one is ski jumper Janne Ahonen, the only man ever to win the 4-hills tournament five times. He even got a dubbed nickname, "The Mask", from the German press due to this.
After Ahonen won the 4-hills for the 4th time, he was keeping his regular stoic face on during celebrations. A German reporter asked him to smile, just a little, for the camera. His response? "I am smiling."
