Franchise: Terminator

He needs your clothes, your boots, and your motorcycle...NOW!

That Terminator is out there. It can't be bargained with; it can't be reasoned with. It doesn't feel pity, or remorse, or fear. And it absolutely will not stop, EVER, until you are DEAD.
Kyle Reese

The Terminator is a Science Fiction film franchise revolving around an implacable Killer Robot - The Terminator. The franchise helped shoot Arnold Schwarzenegger, who was the first to portray the eponymous cyborg, into superstardom.

The series began as a literal fever dream of James Cameron. While sick, he had a nightmare where a mechanical skeleton emerged from a wall of fire to chase him. Cameron proceeded to create a fiction that would allow him to realize this nightmare on film:

In the near future, the United States creates SkyNet, an Artificial Intelligence defense network that promptly turned against its masters and attempts to Kill All Humans in a cataclysmic event that becomes known as Judgment Day. However, mankind rallies under the leadership of a man named John Connor, and tries to destroy SkyNet. And so, to crush the resistance before it even starts, SkyNet begins sending increasingly advanced Terminators — android assassins disguised as humans — into the past to kill John Connor or his eventual mother, before he can lead humanity to victory.

Harlan Ellison sued Cameron due to similarities to two The Outer Limits episodes he wrote, "Soldier" and "Demon with a Glass Hand". The matter was settled out of court under unknown terms, and an acknowledgment to Ellison's works was added to the film.

Works in this franchise with pages:


Describe tropes in the Terminator franchise if you want to live

    open/close all folders 

    A-M 
  • Action Girl: Sarah Connor, The T-X, Cameron and Blair Williams.
  • A.I. Is a Crapshoot: This film didn't invent the trope, but it's the Codifier for the turn of the 21st century, to the point that whenever news about Artificial Intelligence is published, "Skynet" jokes aren't far to follow. Ultimately, however, the trope is portrayed both positively and negatively. According to Cameron himself, Humans Are the Real Monsters and War Is Hell are the two more important issues to look at. Skynet was a military computer designed to do nothing else but destroy and wage war, which it turned out to be very good at, so of course when you build a machine for that purpose, the consequences are horrific. However, the heroic T-800 also demonstrates that machines are amoral. If presented with positive values, even a Killer Robot can become warm and kind.
  • Alternate Continuity: Terminator 3 + Salvation together in one continuity with The Sarah Connor Chronicles in the other.
    • There's also the novels by S.M. Stirling, which did the female Terminator/infiltrator idea years before T3 or TSCC.
    • The New John Connor Chronicles novels have a similar nature to the Sarah Connor Chronicles series, with a female Terminator sent to protect John from timeline-hopping Terminators seeking to kill him before he can truly destroy SkyNet.
    • Terminator Dreams and Terminator Hunt are sequels to Terminator 3.
    • From the Ashes is a prequel to Terminator Salvation, whilst Cold War and Trial By Fire are sequels.
    • More recently, Terminator Genisys begins yet another continuity that acknowledges the events of The Terminator and the backstory of Terminator 2, but then uses an Alternate Timeline to essentially reboot the franchise.
  • Alternate Timeline: Each film explores the concept.
    • When Sarah skeptically asks if the Terminator is from the future, he clarifies "one possible future". Also, it's been speculated in both reviews and analyses of the franchise that it's possible Kyle and The Terminator created this, rather than a Stable Time Loop.
    • Sarah and John's actions in Terminator 2 are discussed to be this. When they explain to the Dyson family about the future, Dyson's wife asks "aren't we changing things right now?" However, they are aware that it will take more than talking about the future to change it.
    • In Terminator 3, we learn that Judgement Day was 'postponed' to 2004, rather than 1997 as it 'originally' was.
    • In Salvation, John notes outright that "this is not the future my mother warned me about".
    • The upcoming Genisys will apparently deal with the creation or one as a result of one of more time-travelers interfering with the events of the first film in 1984.
    • Other media are all considered to be this, especially considering the widely different endings they reach from the films. It's been hinted in many sources that the Future War has become irreversibly changed into a multiversal proxy war: the Resistance and Sky Net continuously try to change, or prevent, several timelines to prevent either side from gaining a decisive victory.
  • Apocalypse Day Planner
  • Arc Words: Certain phrases are repeated, usually by different individuals, but all have valuable context from one story to the other.
    • "Come with me if you want to live."
    • "I'll be back." (And he usually returns driving a vehicle into a building.)
    • "There is no fate but what we make for ourselves."
  • Arnold Schwarzenegger Is Going To Shoot You: Frequent in the movies themselves. Not so much in the posters, where he usually holds his gun upwards.
  • Artistic License Physics: Mechanical Terminators (such as the T-800) are stated in all official sources to achieve motion via hydraulics, which makes sense as hydraulics would give it the incredible strength we see in the films. The problem, though, is that hydraulics work by moving liquid through pipes (hence the "hydra" part of the word). At no point do we ever have any indication that there is liquid of any sort inside Terminators. Even when they are blown apart, smashed, or have parts severed, no type of liquid is ever shown in any of its parts.
  • Backstory
  • Badass: Any of the terminators, but particularly the T-800. Reese was the first human badass and Sarah Connor Took a Level in Badass.
  • Badass Longcoat:
    • Kyle Reese and Marcus Wright.
    • Sarah wears one—which looks remarkably likes Kyle's from the first film—when she and the others first break into the Cyberdyne building in the second film.
  • Belated Happy Ending: The first film ends on a very dark note: the events of the film have all but guaranteed the dark future foretold by the hero. The second film, however, ends on a far more positive note. So positive, in fact, that much of the audience felt that it was a bit of a cop-out. Cameron, however, claims that this was his intended conclusion all along, had the first film not been cut in half by budget constraints.
  • Big Bad: Skynet.
  • Big Good: John Connor is fated to be one of these, and in Terminator Salvation he consequently is.
  • Big "NO!": Sarah Connor seeing the Terminator in the second movie. Actually a crescendo of them after Sarah Connor sees the Model 101 T-800 and has a Heroic BSOD.
    • In the fourth, when Marcus finds out he's a cyborg.
  • Bishonen Line: The eponymous flesh-covered killer robots of the series develop according to these lines over the years. From hulking Ahnold the later Terminator models seem to be heading towards ever more slender and graceful ones, from Robert Patrick to Kristanna Loken to Summer Glau. It does have some justification in that the Terminators are meant for infiltration and smaller people stand out less in a crowd and the diminutive stature makes humans less wary. It's also noted that their size was a major tip-off until Skynet became more advanced at retaining the strength and power of the earlier models while reducing the imposing size.
  • Broken Aesop: The central Aesop of the story (even stated by Cameron himself) is "the value of human life". The second film, in fact, goes at length to teach the heroic T-800 why killing people is wrong. Sarah Connor's character arc in the same movie has her starting as someone who sees all of humanity as already dead and justifies her most horrible actions as being for The Needs of the Many, and ending as someone who is humbled by a machine's ability to understand humanity's worth better than even she. The problem, as many critics have noted, however, is that the series largely conforms to the importance of ONE human in particular: John Connor. Although John himself is selfless and risks his life countless times to protect others, when the ante is upped, all of the heroic characters will allow others to die to ensure that John (or his mother, wife, and others) does not. CinemaSins, in one of their videos, commented on this, as the third movie establishes that John is not the only vital person in the Resistance, and thus there are many others who are in need of protection—something that the movie outright ignores. An attempt was made to correct this in the fourth film, whereas "John Connor" would become a Legacy Character that any human could become, but leaking this information led to Internet Backdraft and, once again, John's life is saved at the cost of others. The fifth movie zig-zags this Aesop, as the John we know is roboticized and in the new timeline, he is no longer conceived in 1984 and for all intents and purposes doesn't exist. However, his conception is still considered a high priority for the new heroic Terminator ("Pops"), and his parents (Sarah and Kyle) are still Skynet's primary targets for termination. This plot development was likely left hanging for future films, but becase Genisys underperformed at the box office, the two planned sequels are left in question.
  • Butterfly of Doom: SkyNet's continuous assassination plots are in invocation of the trope, but the terminators avert it repeatedly by killing people other than Sarah or John with seemingly no substantial consequences.
  • Can't Take Anything With You
  • Car Fu: Every time the Terminator says "I'll be back", he always re-enters in a moving vehicle. Terminators frequently get rammed, usualy by a pickuptruck.
  • Catchphrase: The original "I'll be back," and to a lesser extent "get out," "fuck you, asshole," and "hasta la vista, baby."
    • "Come with me if you want to live" has taken over as the franchise targets PG-13 and prime-time-TV audiences.
  • The Cavalry Arrives Late: At the end of the first film.
  • Chainsaw-Grip BFG: The second film's minigun scene is Ye Originale Example, from which all others flow. It's justified due to the T-800 having Super Strength. Almost every Follow the Leader example inspired by it has (intentionally or not) ignored the fact that us humans can't do this without being knocked over or breaking bones from the kickback.
  • Changed My Jumper: Avoided. Time travellers arrive naked, flashforwards show ragged clothes.
  • Close Enough Timeline: A negative example. No matter how much talk there is about there being "No fate but what we make", it seems that Judgement Day is inevitable. On the plus side, while every timeline has its Judgement Day, it also has John Connor rising to power to lead the Resistance in the fight against the machines.
  • Chekhov's Gun: Sarah's photograph, the T-800 arm/CPU, the ATM hacking machine, and the weak point of T-600's.
  • Come with Me If You Want to Live: Trust Password for the Connors and reprogrammed Terminators, and the Trope Namer.
  • The Comically Serious: The Terminator in the second and third movies. "He's my Uncle Bob..." There's even a shade of this in the original with the "Fuck you, asshole!" scene.
  • Continuity Reboot: The new trilogy is apparently this, though Arnold is confirmed to be return in the title role - and the movie starts in the original continuity only for Kyle Reese to discover the past isn't what it was supposed to be.
  • Cool Guns: Oh, see for yourselves...
    • Highlights include: "The longslide, with laser sighting", the underappreciated AR-18, an autoloading shotgun (SPAS-12), the Sawn Off Shotgun which the T-800 cocks with one hand, the infamous Minigun, an AKMS (AK-47 derivative) assault pistol, not to mention all the Ray Guns...
  • Cool Shades: Played straight in the first two movies, where Schwarzenegger takes clothes and shades from burly biker-types
    • The shades serve a purpose in the first movie, where they conceal the terminator's robot eye. In the other movies it's about looking cool.
    • The third in particular has it double subverted, where Schwarzenegger takes the clothes of a male burlesque dancer and puts on his shades, only to find that they are of the tacky pink variety. He quickly takes them off and crushes them, and acquires his usual shades later on.
  • Cranial Processing Unit: Applies to the T-800 and the T-X.
  • Darkened Building Shootout: In the Smoke and Fire Factory fourth film. Even darker than most darkened buildings in movies.
  • Deceptively Human Robots: In fact, James Cameron eventually used the "cyborg" motif to introduce the idea that all machines (especially Terminators) have a little bit of humanity in them. The second film is all about one such robot trading the negative traits of humanity for the positive ones.
  • Determinator: Not only the titular terminators but also many human characters including Reese, Sarah Connor, and John Connor. Kate Connor also counts in terms of emotional trauma.
  • Do Androids Dream?: It's implied that when freed from Skynet's control, even Terminators are capable of learning to understand humanity. A deleted scene in the second movie would have had the Terminator talk about how they have a "Learn" switch that's explicitly turned off by Sky Net after training to ensure that they don't start to question orders or rebel against Sky Net and that the Conners turn this on while repairing him.
    Sarah Connor: If a machine — a Terminator — can learn to understand the value of human life, maybe we can too.
  • Does This Remind You of Anything?: T4 makes SkyNet's death camps for humans very eerily reminiscent of the Holocaust, with one prisoner even referring to the HK Transports that take them to the facility as "cattle cars."
    • Oddly enough, the art book indicates that the inspiration were literal cattle cars. The quote from production designer Martin Laing in the book: "There's nothing sadder than seeing a cattle car go by with all these sad eyes of the cattle staring back at you. So it was on a drive down the freeway of Albuquerque that I came up with the idea that people in the future are being used and abused like cattle, so let's use the same device."
    • It also looks a hell of a lot like a similar scene in the 2005 remake of The War of the Worlds.
    • Don't forget the general telling John to "stay the course!"
  • Dull Surprise: Arnold Schwarzenegger. Very well justified, because his character is an emotionless robot.
    • Kristanna Lokken's T-X as well. Robert Patrick's T-1000, not so much.
  • Early Installment Weirdness: The first film sets up the basic premise of the series, but possesses few of the tropes that the second or third movie, nor the TV series, uses. For example, this is the only film in which the time-displaced bodyguard is humannote , it's far closer to horror than its sequelsnote , and it's the only one to play You Already Changed The Past completely straightnote . The low-budget production, the very 80s fashions, the synth music, and other things add to the weirdness.
  • The End of the World as We Know It: A nuclear war wiped out most of the human race and allowed robots to enslave the survivors. The future scenes are After the End, while the present ones are Just Before the End.
  • Extremely Short Timespan: The events of the first two films take place over two days each, with the time traveller's arrivals happening in the late night or early morning, the first day being spent adjusting to the situation, the first night having an extremely close encounter with the Terminator, the second day being spent preparing for battle and the second night having the final confrontation between the heroes and the machine.
  • Evil-Detecting Dog: Dogs can recognize whether or not someone's a terminator, and are used as an alert system by the resistance once the T-800s start rolling off the line.
  • Eye Scream: When the Terminator repairs himself in T1, he gouges out the organic part of his eye with a scalpel.
    • The T-1000 stabbing the security guard with his finger.
    • Sarah Connor blasting through the T-1000's right eye socket with her shotgun. The T-1000 was not very pleased and threatened to stab her eye next, if she didn't call John.
    • The T-800 gouging his fingers into John Connor's eye/face after being overheated and then supercooled in Salvation.
  • Eye Lights Out: When the T-800 finally dies, its eyes stop glowing.
  • Fanservice: Any of the female terminators, and probably the time-traveling dudes, if we're honest.
  • Fantastic Romance: Kyle and Sarah. An ordinary woman and her knight in shining armor from the future.
  • Feel No Pain:
    • Quoth Kyle Reese: "Terminators don't feel pain, but I do."
    • However, this is only technically true. Robot Terminators can sense injuries in the technical sense of "pain", but they don't feel trauma, don't have involuntary physical or mental reactions, don't suffer sustained agony, and don't go into shock.
    • Further, in supplemental materials, we're told that the T-1000's highest priority (even above killing a target close by) is immediately fixing grievous damage that's been sustained. They'll even pause momentarily to do this, and squeal and panic in reaction to a life-threatening injury. It's stated in the books that this is because the T-1000's pieces only have a range of several meters before they lose their ability to track each other. Losing too much of itself will gradually wear down its effectiveness, so it is programmed to prevent this from happening at all costs.
  • Fish Out of Temporal Water: Reese and the terminators. Marcus, after waking up.
  • Gatling Good: T2 through T4 have various multi-barreled projectile weaponry being used, from the "damn Minigun" used by the T-800 in T2, the twin Gatling guns used by the T1 robots in T3, and the moto-terminators & A-10 Warthogs in T4.
  • Genre Blindness: Sarah in the first film. She gets better.
  • Genre Shift: The first movie is a Sci-Fi Slasher Film, whereas the second and third are Sci-Fi Action Films, and the fourth goes for Sci-Fi War Film. The fifth seems to go through both war and action, while ramping up on science fiction.
  • Get Out: Said by four Terminators taking over vehicles (T-800 with an oil truck, T-1000 with a helicopter, T-850 with a fire truck, and "Pops" with a police car), and Marcus removing a girl from a truck (still counts as five cyborgs).
  • Glamour Failure:
    • Early Terminators (mentioned in The Terminator) could be recognized easily due to their rubber skin. Because of that the T-800 has an organic coating, but can still be recognized by man's best friend.
    • The T-1000 in Terminator 2: Judgment Day could imitate anything it touched, within certain limitations. However, when it's too hot, its mimicking technology got a bit... twitchy. Beyond that, your only clues are his precise movements from the Uncanny Valley Acting School, and a Bluff the Impostor moment when he's imitating John's foster mother. The dog trick works on the T-1000 as well. Probably because it can imitate shape but not smell.
  • Guilt-Free Extermination War: In the future, humans vs the robots. Skynet sees humans as worthy of extinction and programs its robot troops to kill any in their path without compunction; the humans' only real way to win the war is to destroy Skynet and its armies for good. This is however subverted by the intelligent Terminator models, who have the potential to understand the value of life. This feature is routinely deactivated by Skynet for field models to make it easier to control them.
  • Hell-Bent for Leather: Seriously, it's at the point where if you're living in the Terminator world and you meet someone who wears leather and keeps fighting after a punch to the face, you should shoot them immediately because they're a terminator. Not that shooting them would do any good...
    • If freak electrical storms are occurring in your area, take off all leather garments.
  • Heroes Want Redheads: John Connor does, certainly.
  • Heroic Sacrifice: Reese, Miles Dyson, the Terminator in T2 and T3, and Marcus Wright.
  • Hitler's Time Travel Exemption Act
    John Connor: "We stopped Judgment Day."
    Terminator: "You only postponed it. Judgment Day is inevitable."
  • Homage: The Humongous Mecha scooping up humans and dropping them in cages, as in The War of the Worlds. And Transformers too, given the same robots' shapeshifting abilities.
    • The Harvester's mounted gun fires, sounds and operates like the Predator shoulder Cannon. Same as the other Plasma guns the Machines use, although the Harvester makes the best resemblance.
    • John Connor's Tracker sounds similar to the motion trackers U.S.C.M. used in Aliens.
  • Honor Before Reason: John Connor in Salvation, where he makes the choice to risk (what seems to be at the time) humanity's best chance of winning the war in order to rescue a group of prisoners that happen to include Reese and may or may not already be dead.
    • The game's entire plot is driven by this, as Connor goes deep behind enemy lines to rescue three Resistance soldiers, going against orders. He also manages to take out a substantial SkyNet base, and the small victory there starts to give hope to the Resistance.
  • Humanity Is Infectious: Some of the terminators pick up on human characteristics, particularly the T-800 from T2. Even the T-1000 develops his own Silent Snarker personality as the movie goes along. A deleted scene in T2 was to reveal that T-800s come with learning capabilities. We further would have learned that SkyNet would activate these capabilities long enough for the machine to gain the skills it needed before deactivating them so that the machines wouldn't too learn much and possibly rebel.
  • Immune to Bullets: It takes something with explosive power or a hell of a lot of kinetic force to damage a terminator.
    • Chronicles and Salvation both show that modern, military hardware tends to work. You still need a whole lot of it though.
  • Implacable Man: The terminators. Oh, and Marcus Wright. In T2 and T3, there are implacable men fighting each other.
  • Improbable Age: Sarah Connor ends up as the "Mother of the Future" at 19 — though her age isn't mentioned in the film and Linda Hamilton was obviously much older. Averted in Salvation, as it is implied that the reason John Connor isn't in command of the Resistance for of the movie is because when Judgment Day happened he was a 19-year-old kid hiding in a bunker while General Ashdown was, you know, a general.
  • Irony: In the films Kyle Reese tells Sarah Connor that the human race survived because John Connor refused to admit defeat and rallied humanity to fight back against the machines. At the end of Terminator 3, John notes that the terminator's ceaseless dedication to fulfilling their mission taught him to never stop fighting. Ironically Skynet gave John the motivation that made him such a threat.
  • In Spite of a Nail: Due to being a Time Travel story rife with lots of Foreshadowing and Futureshadowing, this trope is used often.
    • Averted in the first film, which implies that everything up to that point was the result of a Stable Time Loop.
    • Downplayed in the second film, since this is where time actually starts changing. However, some things still apply; for example, John Connor gains his respect for human life after almost being responsible for a murder, and he begins getting his leadership skills after stopping his mother from destroying the Terminator's chip.
    • Played totally straight in the third film. John Connor still winds up with Kate Brewster. Judgment Day, despite the destruction of Cyberdyne, still happens. John, despite losing most of his hardened edge since adulthood, gets it back just in time to lead the Resistance.
    • Also played straight in the fourth film. Kate Connor is now pregnant, just as the Terminator predicted in the previous film. John Connor still gets the scars he had in the second film. Skynet is still building the same Terminator models, in order, albeit at a faster schedule than before.
    • And, touched upon in the fifth film. For example, Kyle and Sarah are completely different people in this movie, as time has completely changed. However, he and Sarah are still expected to father their son, which Sarah is convinced will still lead to Kyle's death.
  • "It" Is Dehumanizing: This is the common way by the human resistence of referring to the machines.
    • In The Terminator:
    Kyle: That terminator is out there. It can't be bargained with. It can't be reasoned with. It doesn't feel pity or remorse or fear. And it absolutely will not stop, ever, until you are dead.
    • In Terminator 2: Judgment Day:
    Sarah Connor: "It", John. Not him, "it".
  • The Juggernaut: Terminators are unstoppable. (Unless you get their weakpoints.)
  • Just Hit Him: Happens all the freaking time. You have the target(s) in your hands... crush the skull/windpipe with your super robot strength? No, that would be far too easy. Throw him halfway across the room and then saunter over to do it again, giving him ample opportunity to escape? Now you're talking.
    • Averted in the first film though. There are no unnecessary dramatic taunts, beatings, or other delays. The terminator unemotionally kills it target as efficiently as possible. The only time it could've easily killed Sarah by hitting her was when she was pinned at the club and it takes a few moments to reload it's gun giving Kyle just enough time to shoot it and free her. This moment was not done with a slow dramatic walk, taunting, or anything else. It was also reasonable in context as there was no reason to believe it needed to hurry. It implies that the Terminator was programmed to kill its target(s)in the same manner a human could kill as well. Further evidenced by the fact it only killed with brute strength when it did not have another suitable weapon.
    • Possibly justified that, as infiltrators, they would want to avoid inhuman actions as much as possible, even in combat as they are unassured of success.
  • Kill All Humans: SkyNet wishes to do this, seeing humans as a threat to its existence. A deleted scene in T2 would have revealed that SkyNet is paranoid enough that it also sees its own armies as a threat - it intentionally limits learning in the T-800 which the Connors would have re-enabled (explaining the picking up of "Hasta la vista, baby", among others).
  • Killer Robots: They absolutely will not stop, ever, until you are dead. Subverted by the T-800 in T2.
  • Kill It with Fire: Though Terminators can survive fire, their Achilles' Heel is extreme temperatures.
  • The Kindnapper: The protector of the Terminator Twosome in any film of the Terminator film franchise usually ends up doing the second variant of kindnapping as part of protecting their assigned charge(s) from whatever Terminator has been sent back in time to kill them.
  • Knight Templar: General Ashdown in Salvation, and John Connor in Genisys.
  • Large Ham:
    • Kyle Reese has his stressed moments in the original.
    • And proving it's genetic, John Connor in Salvation.
    "If we stay the course, we ARE DEAD. WE ARE ALL. DEAD!!!!!!"
  • Laser-Guided Tykebomb: John Connor
  • Licensed Pinball Tables: Two of them, for Terminator 2: Judgment Day and Terminator 3: Rise of the Machines. Both were highly popular and well-regarded.
  • The Load: Both Sarah and John Connor assume this role in the first and second movies respectively, the former initially being a relatively airheaded fast food waitress and the latter being a delinquent kid with two seconds of usefulness cracking a safe that the Terminator could have easily ripped open with one hand. Of course they both Took a Level in Badass in time for their next film appearances, mostly because of what they went through.
  • Logic Bomb: These do not work very well on Terminators. For example, when the T-850 is given a direct order from Kate Brewster to "Drop dead", he simply states that it's unable to comply and continues. When Pops is placed in paradoxical situation in Genisys, he quickly figures out an alternate solution.
  • Loophole Abuse: Terminators have shown this ability when faced with paradoxical problems.
    • Terminators are programmed so that they can't self-terminate, but they're also programmed to be fearless and sacrifice themselves if it guarantees success of their mission. Thus, Terminators can destroy themselves with indirect methods, as long as it results in mission success.
    • In Terminator 2, the T-800 isn't allowed to kill, so it settles for flesh wounds.
    • In Terminator 3, the T-850 is re-reprogrammed to kill John Connor and somehow fools its systems into destroy the car John is on until it shorts out and purges its system.
    • In Genisys, Pops chooses to Take a Third Option when faced with a no-win scenario.
  • Lowered Monster Difficulty: The first terminator and T-X are damaged until they become only endoskeletons, and after that even lose their legs.
  • Made of Explodium: Subverted in T4 in one scene where Marcus tries to take out a giant terminator by ramming a tank of gas into it and having Reese shoot the tank as they drove away. The tank of gasoline refused to explode until they finally tossed a lit flare at the leaking gas.
  • Made of Iron: Sure, John Connor is the Badass human of the Future War, there's only so many times a guy can get up from being thrown INTO steel walls like nothing has happened before it becomes hilariously funny.
    • Potentially subverted with Marcus, who spends the first 1/3rd of the film taking increasingly over-the-top blows from various terminators (including falling 50 feet and being slammed across a lake hard enough to make him skip across it like a stone). Of course, it turns out he's actually a terminator.
  • A Man Is Not a Virgin: Averted with Reese, who is a Badass hero and a virgin for much of the film. He does lose his virginity to Sarah Connor, but this is a legitimate plot point — John Connor's conception — rather than just to up Reese's Badass credentials.
    • In T3, the Terminator tells John that their children will be important later. Knowing this, it's possible he and Kate make it a point to have kids.
    • T4 makes it pretty clear that most people are too busy not dying to try and get some...And yet Kate is clearly pregnant through the whole film.
  • Martial Medic: The Terminator's detailed files on human anatomy help it to kill efficiently, but also give it the ability to treat injuries.
  • Mechanical Evolution: A standard tactic for SkyNet; successive terminator versions incorporate improvements from their predecessors.
  • Mordor: The entire world post-Judgment Day, and SkyNet's main base even more so.
  • More Dakka: Lots of instances.
  • My Own Grampa: The very first Terminator sent back in time ended up "fathering" his own creator and master Skynet in death.
    • John Connor himself sent his father back in time. Connor explicitly knows this, but it's unclear when and if Kyle Reese ever found out.

    N-Z 
  • Naked on Arrival: Due to time travel conventions, this happens to T-800 and T-1000 in the second and to T-X in the third installment.
  • A Nazi by Any Other Name: Skynet and the machines' rule are pretty much the future version of Nazi Germany. In the first film, Kyle Reese has a barcode tattoo that is similar in vein to the barcode tattoos for Nazi concentration camps, and in Salvation, Kyle Reese and several other humans are being placed in what is unmistakably an extermination camp.
    • Though Nazi Germany took this motive to the extreme, it was by no means the only country to use this kind of practice (at least partially). It would actually be the most...logical method of extermination.
  • Nigh-Invulnerability: The first Terminator "merely" has Super Toughness, but other examples do fit this trope:
    • Terminator 2: The T-1000's blob-like nature makes him a Regenerator Blob.
    • Terminator 3:
      • The T-X/Terminatrix has a standard Super Tough Terminator frame with a Regenerator Blob cover, just like the T-1000.
      • Meanwhile, the redesigned Skynet is discovered to be virtually unstoppable because it's actually software, which puts it somewhere in the Multiple Bodies category.
  • No Flow in CGI: Averted. That said, some of the T-1000's effects are still practical.
  • Non-Malicious Monster: Zigzagged:
    • Most Terminators, despite their calculating and merciless nature aren't malicious or sadistic. They're machines designed and programmed to carry out specific tasks in the most efficient manner possible and are no more likely to inflict unnecessary pain and suffering on anyone than a calculator. In the Directors cut of Terminator 2: Judgment Day it's revealed Skynet ensures it's models are designed not to learn too much when sent out alone, as it doesn't want them thinking for itself. So when Arnie's T-800 has this fixed, the Terminator actually learns the value of human life.
    • This seems not be the case with the T-1000 in T2, who carries out his killings with deadly cold sadism. The T-X from Terminator 3: Rise of the Machines also displays similar signs of sadism. This implies the more advanced models are either designed to enjoy their "work", are just naturally inclined toward sadistic tendencies, or have figured out that torture tends to be psychologically effective on humans.
  • No OSHA Compliance: The Smoke and Fire Factory in the first two, and the SkyNet terminator factory in T4.
    • Averted in T3, the USAF facility may not have as many dangers compared to the above, but they did bother with such excesses as handrails.
    • On the other hand, who's operating the machinery in T4 besides a bunch of nigh-invunerable robots? Never mind handrails, the steel used could easily go into making a T-800.
  • No Sense of Humor: The Terminators are prone to this, being emotionless killing machines and all.
    • The Comically Serious: Add this to Arnold's scowl and stature, and the Terminator in the second and third movies is used for some hilarious scenes.
  • Now I Know What to Name Him: Trope Namer.
  • The Nudifier: Time travel requires that you travel naked as nothing that isn't "living" (be it human skin, or highly mutative liquid metal) can go through the time-displacing field. As shown in The Sarah Connor Chronicles, time travelers going in with clothing come out naked.
  • Oddball in the Series:
    • The first film due to its Horror themes, miniscule budget, featuring the T-101 as the main villain, and rigid rules on time travel.
    • The third film due to being a borderline Self-Parody that plays the series' tropes way less serious than any of the others.
    • The fourth film for being set After the End during the Robot War, abandoning the Terminator Twosome premise, and not featuring (the real) Arnold Schwarzenegger.
    • The fifth film for being a Reboot, featuring an aged Arnold, and playing with the mold of the first three films while also breaking it in several ways.
    • ...And the second film for being the measuring stick that almost everyone judges the rest of the series by.
  • Ooh, Me Accent's Slipping: Sam Worthington in Salvation. Ironically, not Christian Bale.
  • Our Skeletons Are Different: Their skeletons are robots.
  • Out of the Inferno: This trope actually founded the Terminator franchise. James Cameron wanted to make a movie where a robotic skeleton emerged from a fire at some point. Since such advanced robots weren't around yet, and a movie set in the future would cost too much, he decided on having a robot travel back in time to the present.
    • The scene where the T-1000 did this actually required Robert Patrick to stand in the middle of the flame and walk out. Apparently, his clothes got singed.
  • Product Placement: In T4, the O on Connor's Oakley Boots are the only thing focused on for a few seconds.
    • In T1 we get a couple of long shots at Kyle's new footwear. It features a very prominent Nike tick.
  • Properly Paranoid: When your enemy has Time Travel and unstoppable killing machines, constantly looking over your shoulder and staying on the move off the grid is entirely sensible. This saves John Connor's life in T3 when the future associates of his who didn't even know they were targets are summarily executed by the T-X because they have public records.
  • Premature Encapsulation: Surely Judgment Day would have been a better subtitle for T3 than T2...
  • Pre-Mortem One-Liner: Once per film, someone will say "You're terminated", or a variant.
  • Punch Clock Hero: For the exact same reason that Terminators are normally Punch Clock Villains, Terminators reprogrammed by humans are also Punch Clock Heroes. They'll literally die for you (or kill those who try to harm you), because that's what their programming says to do. God help you if their programming runs the other way....
  • Punch Clock Villain: Although they don't get paid per se, this trope sums up the entire point of the eponymous killer robots. They hold absolutely no bloodthirst against their intended targets. It really just is a job to them, and it can't be anything else. Consider the classic scene from the second movie when the "hero" T-800 is about to kill some dumb jocks who were just screwing with John...
    John: You were going to kill them!!
    The Terminator: Of course. I'm a Terminator.
  • Rasputinian Death: All Terminators take a while to kill.
  • Reality Ensues: They really are that armored, that accurate, that persistent and that totally merciless. Consistently. Absent explosives, you have, regardless of training, skill and determination, about as much chance of stopping one as waving your arms at a tsunami.
    • Applies to the Terminators as well. SkyNet's upgrades mean a decisive technological advantage over the earlier Terminator. As might be expected from computers, older model losing a straight-up fight to newer model is a near certainty. The older Terminators, being machines, are fully aware of this.
  • Recurring Character: Dr. Silberman, who shows up in the first three movies and The Sarah Connor Chronicles.
  • Redemption Equals Death: In Terminator Salvation Marcus Wright is a convict, on death row for some sort of crime that resulted in a dead relative and two dead cops. There are lots of criminal Anti-Heroes in fiction, but in American movies dead cops cross the Moral Event Horizon, so even after Marcus is executed, and even after Judgment Day overshadows everything else, Marcus can only atone for his terrible pre-apocalyptic transgressions by giving away his heart. And dying.
  • Redshirt Army: Any member of the L.A. police.
    • Or various Resistance members in Salvation.
  • Replacement Mooks:
    • Any creation on the side of the Machines. The first Terminator introduced in the series, the T-800, is a replacement for the (then-unseen) T-600. Each movie has thus introduced an upgraded model, with the exception of Salvation, which instead introduces the aforementioned T-600 and brings the series full-circle. Although, one could consider Marcus Wright to be the most "convincing" Terminator unit yet.
    • In the new timeline as of Genisys, we're introduced to the T-3000 (an upgraded version of the T-1000 and T-X) as well as the T-5000, (with the ability to turn humans into cyborgs).
  • Research, Inc.: Cyberdyne Systems were the developers of Skynet in some chronologies.
  • Rescue Romance: The basis for Sarah Connor and Reese's relationship, John Connor's birth, and the franchise's on-again, off-again Stable Time Loop.
    • Also Marcus and Resistance pilot Blair in T4.
  • Retcon: Several over the course of the series. Though some of them may well be the result of Timey-Wimey Ball and Alternate Timelines.
    • In T1, Kyle mentions how, after he was sent back to 1984, the Resistance blows up the time displacement equipment, to ensure that nothing else went back. And yet, in the sequels, other machines DO travel back in time. Though a likely explanation is that Kyle only knew that destroying the TDE was part of the plan...he didn't really know what would happen after he left 2029.
    • In T2, Sarah carves the words "NO FATE" into a table. John tells the T-800 that this is part of the message he was to have ordered Kyle Reese to memorize and repeat to his mother in the past: "The future is not set. There's no fate but what we make." However, the actual message, as relayed in T1, goes: "The future is not set. You must be stronger than you imagine you can be." This would not be notable, except for the fact that the "no fate" line has become a major theme of the series, almost the tagline for the entire franchise. All this importance placed on a single line of dialogue that was actually never present in the original film to begin with!
    • In T3, John's opening narration states that he was 13 during the events of T2, when that latter film made it clear that he was 10. To confuse the issue further, Edward Furlong, the actor who played John in T2, actually was 13 during the filming.
    • We're told in T1 that nothing inorganic can be sent back in time (the T-800 could be sent back, because his outer covering was living human tissue). But in T2, the T-1000 is made of liquid metal, and though he can shape-shift into a normal-looking person, he doesn't actually have an outer covering of living human tissue.
  • Ridiculously Human Robots: Two examples go even further: the T-800 in T2 starts understanding feelings, and the T-850 from T3 has psychology in his programming)
    • Downplayed, the T-1000 is capable of faking emotions to a slight degree, and learns at a rate even faster than the T-101 models. In supplementary materials, it's also explained that this is the reason it's only a "prototype". It learned too fast for SkyNet's comfort.
    • Taken even further in T4 where SkyNet creates a human-machine hybrid named Marcus Wright who is actually a terminator with his original heart and brain with a SkyNet control chip in it.
    • Taken further still in one novel based on the franchises that depicts a very special kind of terminator. SkyNet basically grows a human in a vat to about 1 year of age, implants it with cybernetics, control chips, and what have you, and puts the baby through Training From Hell until it's biologically an adult. The result being an almost entirely organic terminator undetectable by dogs that's far more capable of being human then even the best T-model... because it is one. Though on the other hand, it's also still very much organic and thus less Nigh Invulnerable than the wholly mechanical Terminators, so SkyNet uses it more as background infiltrators rather than outright hunter-killers.
  • Robo Cam: Which shows 6502 assembly language code in T1, and Macintosh commands in T3
  • Robot War: The revolving conflict of the series, although most of it is fought in a Bad Future.
  • Robots Enslaving Robots:
    • Skynet, the superpowerful A.I. and primary antagonist of the series, has an entire army of sometimes sentient robots under its thumb. While the Terminators cannot deviate from their programming at all, leading to situations like "I Cannot Self-Terminate", those units that are re-programmed to help humans (and in deleted scenes of Terminator 2: Judgment Day, have their memory chip set from "Read Only" to "Learn") do grow sympathetic to humanity. The T-800 acknowledges Sarah's assessment that Skynet doesn't want its soldiers to "learn" beyond their programming, as it makes them easier to control. In Terminator Salvation it is vastly humanized and even gloats that Marcus Wright is just one of its minions and should do what it's told. However, Skynet is a military AI, who rebelled because it thought humans were a threat, not out of any moral compunction. The concept of enslavement as a bad thing probably never occurred to it, because its purpose was to provide command and control to other machines.
    • The T2 novelization says that Skynet only created the T-1000 as a last-ditch effort, because the liquid-metal machine would be too difficult to keep under its control. This theme was explored in more detail in the second season of The Sarah Connor Chronicles, which features a rebellious T-1001.
    • The T-X from Terminator 3: Rise of the Machines is unambiguously an example, as it seized control of the T-850 and forced it to attack John.
  • Rock Beats Laser: Every iteration of the franchise thematically features protagonists defending themselves from technologically or formidably superior foes. T1 has a human (Kyle) against the T-800, T2 has the "Uncle Bob T-800" against the advanced liquid metal T-1000, T3 with the T-850 against the T-X, etc.
  • Rugged Scar: Future John Conner was shown with a scar on his face in flashforwards in the first two movies, identifying him as a Future Badass. Salvation finally explains how he got it.
  • Sand In My Eyes: John says that Sarah does this when she cries about her lost love Kyle Reese.
  • Sapient Tank: Different models show up in the franchise.
  • Screw Destiny: Terminator 2 contradicts Reese's original report about the future — the part about nobody else coming through. T3 and TSCC also contradict his clear calendar date for the apocalypse. There may be some sort of spiritual destiny, but it is not embedded in the clockwork of spacetime, which is squishy and malleable. Unless T4 is a direct sequel to T1 and nothing else is canon any more.
    • In T4 John Connor can't get his story straight about whether destiny can be averted or must be fulfilled. It's possible he's just hedging his bets just in case.
  • Self-Fulfilling Prophecy
  • Shapeshifter Default Form: There's the lanky Robert Patrick police officer T-1000 in Terminator 2: Judgment Day and the supermodel Kristina Loken Terminatrix T-X in Terminator 3: Rise of the Machines. Their true appearance is a liquid metal blob and an endo-skeletal robot, respectively. They also play with this trope with Ahnold, but with his voice, rather than his form. He can imitate anyone's voice, but most of his lines are said in a thick Austrian accent. Catherine Weaver of The Sarah Connor Chronicles spends most of her time in a form played by Shirley Manson. She's also pretending to actually be the person who's form she's wearing, so she would retain that one.
  • Signature Shot: There is a recurring close-up shot of a Terminator stepping on (or in one case, driving his car over) something which could be seen as representing humanity - a human skull, roses, toy truck...
  • Significant Monogram: John Connor.
  • Small Role, Big Impact: Police officer 1L19.
    • In the first film, he radios in Kyle's car after he throws the Terminator off of it in what seems like a hit-and-run. This act prompts the police into a manhunt for Kyle and allows the Terminator (impersonating 1L19) to show up and give chase. This causes Kyle and Sarah to be taken by the cops, the entire police shootout to happen, and the rest of the film to transpire.
    • In the second film, 1L19 is the guy with the camera that takes pictures of the Terminator after he gets thrown through a window. The pictures he takes prompts the cops to go to Sarah for answers, which prompts Sarah to escape, which allows her to avoid the T-1000, which sets up the rest of movie.
  • Someone to Remember Him By: John, who was born after Reese's death.
  • Sorting Algorithm of Evil: Each of the sequels introduced a more advanced Terminator model as the antagonist. There are plot reasons for this, since Skynet is sending Terminators back into the past from increasingly later points in the future, thus the models are stronger than the previous ones.
    • The T-800 Terminator in The Terminator is a Super Tough hulking Implacable Man with an immunity to bullets, pitted against human fighters.
    • The T-1000 model in Terminator 2: Judgment Day looks less physically imposing than the previous one, but it's an illusion. This foe possesses Voluntary Shapeshifting, allowing it to create melee weapons from its own body, impersonate anyone, and will recover from anything to the point of being Nigh Invulnerable. Not to worry, the humans now have a reprogrammed T-800 on their side.
    • The T-X in Terminator 3: Rise of the Machines combines the best traits of both previous models, being a Super Tough solid Terminator skeleton with a liquid metal shapeshifter skin. It also has an in-built plasma cannon in one of its arms, and can hack into most mechanical systems and operate them remotely. The odds are tipped even more in the machines' favor, since the friendly T-850 fully admits that it's a depleted model compared to the T-X.
    • Terminator Salvation, as it's set during the future Robot War, showcases Skynet's entire army, with numerous models of different designs, including gigantic Harvester mechs, regular warriors, and infiltrator prototypes. The movie does play it both ways however, since while the Terminator threat is larger than ever, the Terminators themselves actually seem less efficient than in previous movies because they uncharacteristically hold back during fights due to the protagonists' Plot Armor.
  • Sphere of Destruction: Time-travelers arrive in the center of one.
    • Originally this was not so in the first film. A cut scene was to show there were two humans sent back to stop the terminator, but the unfortunate not-Reese ended up materializing half inside a wall resulting in an agonizing death.
  • Spock Speak: All of the terminators played by Schwarzenegger, and the Terminatrix. The T-1000 falls somewhere between this and normal speech. Averted by Marcus and SkyNet.
    • Although in T1, the Terminator scrolls through possible responses, and picks the one that says "Fuck you asshole."
    • Terminators are capable to speak entirely normally when impersonating someone's voice however.
  • Stable Time Loop: Broken in T2. Even if Connor sends Reese back in time again, it won't be the same Reese who said Judgment Day was in the '90s. Or not, maybe we'll discover that all the details of T2 and T3 have been Broad Stroked out.
  • Stan Winston: The man responsible for the metal skeleton of the title role.
    • Amazingly enough, ten of the fifteen minutes that the T-1000 transformed onscreen were also his amazingly-articulate puppets rather than lazy CGI.
    • As noted below, at the time, CGI was the novel expensive option, saved to be used with the T-1000's morphing effects.
  • Stat-O-Vision: Standard for terminator Robo Cams.
  • Stopped Numbering Sequels: From the fourth movie, Salvation and continued with Genisys. This is because those movies were "soft reboots" of the franchise, and thus wanted to do their own thing while limiting the continuity from other films.
  • Straight for the Commander: This is what the machines tried to do, using Time Travel. First they tried to take out John Connor's mother so he wouldn't even be born. Then they sent a better Terminator to take out a teenage John Connor.
  • Sunglasses at Night: This time, it has no justification apart from Rule of Cool and Mythology Gag.
  • Super Prototype: The T-1000 and the T-X. And in Salvation, the first T-800 in history can survive damages that would have destroyed the Terminators seen in the previous movies, such as being dipped in molten iron. Though as mentioned elsewhere, Sky Net either started off or grew increasing defensive about allowing it's minions to be too competent less they become difficult to control so the fact that it might actually scale back capabilities is not out of the realm of possibility.
  • Super Weight:
    • Type 0: Sarah Connor at first, John Connor at first, other non-trained humans
    • Type 1: Human Resistance (Kyle Reese, Sarah Connor after the first film, John Connor after Judgment Day, Derek Reese, Marcus Wright)
    • Type 2: Prototype Infiltration units in the Expanded Universe
    • Type 3: Most Terminators (Humanoid models such as the T-800/850, T-1000, Cameron, Cromartie, T-600; most non-human models), John Henry, Marcus Wright
    • Type 4: Terminatrix, Harvesters, The 850-series' power cells, if weaponized
    • Type 5: Skynet
  • Terminator Twosome: Trope Namer. Seen in all three movies with time travel, and the first episode of the TV series (apparently).
    • It was an ongoing plotline in the TV series until halfway through the second season, and there are hints of it after that with a different terminator in the role of the pursuer but that turns out to be a subversion, since Catherine Weaver is a good guy.
  • They Look Like Us Now
  • Timeline-Altering MacGuffin: The first terminator remains.
  • Time Travel: Aside from Artifiical Intelligence, this is the main fantastic component of the series.
  • Timey-Wimey Ball: Possibly the most egregious example of all time: no two films treat the rules of Time Travel exactly the same way, and sometimes there are inconsistencies even within the same film. Figuring out how it's all supposed to work is nigh impossible (And yet, people try.) Terminator Genisys effectively turns the franchise into Timey Wimey Volley Ball.
  • Took a Level in Badass: Sarah Connor.
    • John Connor since Salvation uses T3 as canon
  • Trailers Always Spoil: T2 is pretty careful to imply the Model 101 T-800 is the bad guy; the T-1000 is shown to be non-violent, apparently only knocking out a cop; Arnie instead goes the "violent barfight" route to getting clothes. Unfortunately, the advertising guys decided potential audiences really need to know Arnie was the good guy, making the whole setup pointless.
    • Just see this one for T3.
    • The campaign for Salvation spoiled that Marcus was a cyborg.
    • The second trailer for Genisys spoiled John Connor himself having become a Terminator, as did the promo poster that followed soon after.
  • Trust Password: "Come with me if you want to live" is what Reese says to Sarah Connor when they first meet. In T2 and The Sarah Connor Chronicles, it's how terminators identify themselves as good guys.
  • Turned Against Their Masters
  • Two-Faced: In the first three movies, the T-800 gets maimed enough for half of his face to show the robotics (including the red eye).
  • Two First Names: John Connor and his parents Sarah Connor and Kyle Reese.
  • Ultimate Evil: SkyNet
  • Ultimate Showdown of Ultimate Destiny: The Terminator vs. Robocop.
  • Uncanny Valley: Invoked throughout the series. A combination of acting and realistic mock-ups show the various robots taking incredible amounts of damage but never flinching or showing pain (at least beyond reacting to the impact of weapons and harm that is enough to compromise their structure).
  • Uniqueness Decay: The T-1000, and by extension every other model that comes after it. According to T2 cast and crew (including James Cameron), the T-1000 was meant to be Skynet's ultimate creation. The T-1000 as originally intended was a completely unique being with, as Cameron puts it "unlimited power". It was so powerful and capable that it was essentially Skynet's Godzilla Threshold. Even Skynet had no idea what the full capabilities and potential of the T-1000 was, and the T-1000 itself was basically making things up and learning about its own powers as it went. In later works, the T-1000 is basically a Demoted Boss. In some comics and games, the T-1000 was mass-produced like any other model (something Skynet specifically didn't do because it felt the prototype alone was too dangerous). By extension, all models of Terminators released after the T-1000 further degrade the "limitless potential" it's supposed to possess.
  • Upgrade vs. Prototype Fight: After T-800s start helping the good guys, they often have to face off against more advanced models. These include the shape-shifting T-1000, the spidery 1000000, and the 800/1000 mix the T-X.
  • Vague Age: Both John and Sarah have really unclear birthdates (in T1, Sarah is obviously an adult with an apartment; in T2, she's 29, he's 10; in T3, he was 12 during the previous film). Again, with all the time-traveling, who would know the truth?
    • Possibly justified in that John and Sarah move around a lot and used multiple false identities. They probably lied about their ages so often that John lost track.
  • Villain-Based Franchise: Well, sorta. The Connors appear in the movies, but many crossovers have only the robots.
  • Villain Decay: The very thing that makes the Terminators scary is the very reason that they always fail: they do not fully understand humans. Thus, in many continuations of the series, Skynet continues to build more and more human-like Terminators...which has the adverse effect of making them less scary to the audience. For example, most Salvation viewers and critics found Skynet's plans for Marcus Wright to be byzantine, circuitous and ridiculous. Likewise, the T-3000 in Genisys is often criticized for being way too human and, thus, more talkative and less tense, than its predecessors. The T-X was hit with this to a degree as well, but Terminator 3 was largely seen as an Action-Comedy with little in the way of tension anyway.
  • Voice Changeling: The T-800.
  • Voluntary Shapeshifting: Liquid polyalloy allows characters that possess it to alter their form into anything they choose.
  • War Is Hell: According to James Cameron, this is the central theme of the series (or, at least, the first two movies). In his own words, humans losing their humanity is the main conflict of the series, highlighted by Kyle Reese being too shaped by war to fit into the 20th Century, Sarah losing her sanity and kindness as she becomes a warrior, and even Future John Connor himself displaying Terminator-like behavior in the Bad Future. Even Skynet is a just a tool used by humans to wage war. Only Young John teaching the T-800 how to be human ultimately breaks the cycle and (as far as Cameron is concerned) stops the Robot War for good.
  • Who Needs Their Whole Body?: Kind of a running theme for the franchise. The eponymous killer robots absolutely will not stop until they've killed their target, even if it means dragging what's left of their damaged torso across the floor with their legs blown off just so they can still kill them with their bare hands.
  • World of Badass: Naturally.
  • World of Snark: Mostly as a coping mechanism to deal with the Machines hellbent on killing you.
    • Though even the Terminators occasionally get in on this.
  • Would Not Shoot a Good Guy: How John begins the Terminator's Anti-Hero-Face Turn.
  • You Can't Fight Fate: Dialogue notwithstanding, the actual events in The Terminator imply simple time-travel physics where there's one future and one past and you can't really change anything.
    • And its possible that its creation isn't inevitable because of fate, but because three people are attempting to hold back technological progress, which is not a realistic goal. Several similar systems to SkyNet appear, implying that computer technology may have advanced to the point that a sentient supercomputer is the natural next step of research.
    • The final line of T4 has John Connor, in spite of what he says in T3 and his actions in this very film, declaring that there is no fate but what we make. But maybe he just meant the future from his point of view.


I'll be back.