The Master of Disguise
is a character who can slip in and out of costume at the drop of a hat, who is such an accomplished actor and makeup artist that no one can identify them until they reveal themselves.
This trope is just about the "accomplished actor" part.
When they want to, they can change their mannerisms, their voice, and every other non-physical aspect to seem like a completely different person. Usually done by evil characters, in a Bitch in Sheep's Clothing
sort of way. This is the kind of character that causes fans to cry "wait, is that even the same character
A Required Secondary Power
for most Shapeshifters
. Otherwise, how could they pass as - for example - the President of the United States? Of course, much humor can be had
if they don't
fall under this trope.
A sub-trope of Master of Disguise
. An in-universe version of He Really Can Act
. Can overlap with The Power of Acting
. Contrast Hugh Mann
, for when a shapeshifter doesn't
get this as a secondary power.
open/close all folders
- In Fullmetal Alchemist Envy can not only shapeshift but also change his voice. Unfortunately, he doesn't always get the mannerisms correct, though.
- Light Yagami of Death Note actually convinces most of the cast that he isn't Kira and is able to win people's trust with a few practiced smiles. In the data book his acting skills are rated 10/10.
- Captain Aizen in Bleach to the point it's no longer a spoiler. He even fooled his subordinate Gin who spent a century plotting Aizen's death and acting as his subordinate to get close enough to him to help him find a way to kill Aizen. When Gin finally makes his move, Aizen reveals that he knew all along that Gin was plotting to betray him and, while Gin did manage to spring a couple of surprises on Aizen regarding the nature of his power, all it did was play right into Aizen's plan, which had been to use Gin's desire for vengeance as a stepping stone to even greater power. Gin had no idea until Aizen told him that Aizen had been onto him for years.
- Kaede in Kämpfer is secretly the Big Bad and behind nearly everything in the series—including, quite possibly, the main character's stupidity. Very few people saw this coming, and those that did assumed it would be a case of Split Personality.
- Airi in the anime Those Who Hunt Elves is a supreme actress; in addition to being a master of disguise, she can manipulate just about anyone with the right act.
- Keima in The World God Only Knows is very good at putting on an act to get girls to fall for him provided they fit certain archetypes seen in dating sims. Even if the girls don't fit those types, he's still able to improvise very quickly. Haqua is briefly disturbed when she sees him immediately shrug off one such persona as easily as most people take off masks.
- Tora Dora has Ami, the Bitch in Sheep's Clothing, who acts nice and innocent, but eventually reveals her true nature.
- Grelle Sutcliffe of Black Butler is introduced as the shy, bumbling, unassuming, and thoroughly incompetent servant of Madame Red. When she's caught red-handed in the middle of a murder, she grins, changes her entire posture, manner, and (in the anime, at least) cadence of voice, and thanks the ones who caught her for complimenting her work. "I'm an actress, after all— and a top-rate one, at that!" And the only physical things she changed were rinsing out the ink in her hair and putting her makeup back on. It's usually forgotten about because from that point on Grelle's persona stays fairly consistent, but the transformation is incredible.
- Batman to a ridiculous degree. He can switch between the roles of billionaire playboy, brilliant businessman, and badass loner vigilante crimefighter in the blink of an eye. His real personality, which his extended surrogate family of sidekicks and his butler have to occasionally remind him still exists, is simply a good and generous man who is driven to help others. He even mentions he took acting lessons from Alfred when he reveals to a villainess who tried to manipulate him romantically that he hadn't fallen for her act and he was just playing along.
- Kellhus in The Second Apocalypse is a man of near-god level intellect and virtually zero emotion. However, he has complete control over his entire body, including facial features and voice, so he can fake emotions very well. When someone figures it out and confronts him, it's mentioned that every muscle in his face just goes dead, like a switch was flipped.
- In Robert A. Heinlein's Double Star, Lorenzo Smythe is shown to have this ability, to the point that someone who actually knows him doesn't recognize him because of his acting ability.
- The character Varys is a master of disguise in George R. R. Martin's A Song of Ice and Fire, and uses this skill in the course of his duties as the king's spymaster.
- Silk of The Belgariad is shown to do this multiple times in the series through a combination of acting talent and contorting his face to change its apparent shape.
- Professor Quirrel from Harry Potter.
- Also Barty Crouch Jr. He may have used Polyjuice potion but keeping the act up for most of a year would require considerable skill and focusnote . Even more so in the film continuity where the potion doesn't alter the user's voice.
- Sherlock Holmes.
- The Ghost In The Tokaido Inn, one of Thomas and Dorothy Hoobler's Judge Ooka mysteries, has Tominio, a Kabuki actor whose ability to impersonate women is eerie, and also a Chekhov's Gun.
- In The Shakespeare Stealer, it is revealed that Simon Bass, the Big Bad, is a former member of Shakespeare's troupe, and a gifted actor, leading to the revelation that Falconer is Simon Bass in disguise.
- Players of Gor. Tarl falls in with a Commedia dell'Arte troupe, one of which is a classicly trained actor who never appears on stage. Then in the book's climax he saves Tarl's life by acting the part of an Imperious General, much to Tarl's surprise, who says "You can act!."
- Jack from the Dragonback books. When he does a radio response pretending to be a nasty mercenary called Chiggers, his method acting was so perfect that to Draycos, he looked like he had flipped a switch and somehow become the guy.
- Tomjon from the Discworld book Wyrd Sisters, as the somewhat accidental result of the gifts given to him by the Witches.
- Megan Drake in Dark Jenny. Up until the climax she's mentioned but apparently never seen, until it's revealed that she's a master of disguise who's shown up as at least four different characters. With no makeup or other external aids, though it's unclear whether magic is involved.
- Fisk, from the Knight and Rogue Series. This is a result of much practice, since he's a professional con man.
- Sir Percy Blakeney, of The Scarlet Pimpernel. It comes in handy during his daring rescues, and even more the rest of the time in preventing anyone from thinking of him as the kind of person who might be responsible for the daring rescues.
Live Action TV
- Burn Notice: Michael Westen, Fiona, and a few other characters.
- Several characters in Mission: Impossible, particularly Rollin (Martin Landau), Cinnamon (Barbara Bain), and Paris (Leonard Nimoy).
- The Pretender was based on this. Jarod was taken from his family at an early age because he showed potential for being able to slip into the identities of others unnoticed. After escaping from The Centre, he used his talents to help people in need.
- Saturday Night Live: Jon Lovitz's "Master Thespian," if only in his own mind.
- Captain Horatio Hornblower R.N.: Kitty Cobham is an actress who was impersonating The Duchess of Wharfedale, and for a long time nobody had the slightest suspicion. She does such a good job acting her part that if Archie Kennedy and later de Vergesse hadn't recognised her as a Drury Lane actress, she would have been escorted home with absolutely no one suspecting she wasn't who she seemed. When Horatio wonders who the real Duchess is, Kitty says that she exists, and exactly as she played her.
- Sherlock: Due to the creators finding the idea of the Consulting Detective pulling off wacky disguises in modern day London to be too corny, Sherlock Holmes ended up with this trope. Sherlock is able to change his physical mannerisms, accent, and his vocal pitch when necessary to get information. His whole demeanor changes entirely and he is able to slip into and out of character at the drop of a hat. He even cries on cue no less than twice.
Mythology and Religion
- Going on WMG, Battler Ushiromiya of Umineko no Naku Koro ni might be this. Throughout the sixth arc, he acts like an incompetent mess, getting himself trapped in a Logic Error for years until Kanon saves him. But a WMG theorizes that he planned the whole thing in order to revive Beatrice, which if true means that he managed to not only fool Erika and Bernkastel, he managed to fool the readers, most of whom thought he was just being an idiot.
- The World Ends with You: Joshua is a supreme example, considering he was acting as a normal human during his week with Neku, when he was actually a God.
- Zola "Heterodyne" of Girl Genius takes this to truly impressive levels, along with Obfuscating Stupidity, fooling everyone (especially the audience) into severely underestimating her. Repeatedly. Even after being warned not to. Even after warning each other not to. Even against the Big Bad.
- This is also an Informed Ability of the Lucrezia Mongfish, though the acting we see her do is rather unimpressive (granted, she knew nothing about the person she had to imitate).
- Zartan and Zarana from G.I. Joe. Zartan, especially, is such a master of disguise and language that he is able to perfectly copy someone's voice after hearing them speak once.
- Samurai Jack: Aku, being a shapeshifter, is good at this as a Required Secondary Power. He once traveled with Jack for a good period of time without getting found out, while in the form of a humanoid woman.