Film / (500) Days of Summer

"This is a story of boy meets girl, but you should know up front, this is not a love story."
— Narrator

(500) Days of Summer is a 2009 independent Romantic Comedy starring Joseph Gordon-Levitt and Zooey Deschanel.

Tom Hansen works as a writer for a greeting-card company; Summer Finn is a quirky young woman hired as his boss's assistant. Tom, a hopeless romantic, immediately falls for her; Summer doesn't believe in true love, and isn't looking for a relationship. They quickly become more than just friends, but while Summer doesn't consider their affair to be serious, Tom believes she's "the one", and wants something more. The film takes a look at their quasi-relationship from Tom's perspective, numbering the days and events that lead to its buildup and eventual downfall.

Directed by Marc Webb (from a script by Scott Neustadter and Michael H. Weber), the film has been praised by critics for eschewing romantic comedy cliches. Instead, it portrays the highs and lows (mostly lows) of a modern relationship and the fractured way in which we remember them.

Webb is apparently interested in doing a sequel.

This film provides examples of:

  • Adorkable: Tom. He's awkward and silly, but many viewers found him lovable. Rachel thinks he's a bit of a nerd.
    Rachel: Just because some cute girl likes all the same bizarro crap you do doesn't mean she's your soulmate.
  • Aloof Dark-Haired Girl: Tom and his co-worker friend initially assumed Summer to be this.
    Tom: That sucks. Why is it pretty girls think they can treat people like crap and get away with it?
    McKenzie: Centuries of reinforcement!
  • An Aesop: This film warns the viewers of what can happen when you put someone up on a pedestal as a romantic ideal rather than viewing them as a real person with flaws.
  • Ambiguous Ending: Will Tom find real lasting love with Autumn, or will it be another failed relationship? Since we only see them on the first day of their meeting, guessing in either direction is pure speculation.
  • Anachronic Order: The film begins on Day 488 and then jumps around among the 500 days as Tom (through the narrator) recalls them.
  • Arc Symbol: The color blue represents Summer. Throughout the film, Tom sees and ignores many objects with this color which serves as a Foreshadowing (see below).
  • Benevolent Boss: Vance, Tom's boss, notices the latter's Creator Breakdown and makes him use his misery to be more work-productive instead of firing him. Still didn't work, sadly.
  • Better Than a Bare Bulb
  • Bigger Is Better in Bed: In the case of one of Summer's ex boyfriends, whose name is Puma.
  • Bittersweet Ending: Tom and Summer don't get back together, but he's on the path to achieving his dreams, she's in a happy relationship, and he might have a good relationship starting.
  • Bi the Way: Summer talks about her exes, including Charlie. "She was nice."
  • Blind Date: Tom goes on one with another, unnamed girl after Summer dumps him; as he's still too distraught to do anything but talk about their breakup, it doesn't go well.
  • Bluebird of Happiness: During Tom's Happy Dance with half of Los Angeles, a Disneyesque cartoon bluebird flies in and lands on his finger. And then winks at the camera as it flies off.
  • Book Ends: Day 488.
  • Boy Meets Girl: To quote the narrator: "This is a story of Boy Meets Girl." Deconstructed.
  • Brick Joke: The Graduate.
  • Cerebus Call Back: Done the other way round. Tom finds a card saying "I love us" and looks at it sadly. It then flashes back to inform us that he wrote the card inspired by his relationship with Summer.
  • Color Failure
  • Color Motif: Blue is associated with Summer.
  • Comically Missing the Point: Tom completely misinterpreted the ending of The Graduate as a child, contributing to his tendency to romanticize relationships as an adult. Summer, however, seems to get it, as she leaves the cinema crying and Tom just can't understand why.
    • It's shown fairly evidently in the script, where it is shown that after his college girlfriend (briefly mentioned in the film) broke up with him in a flashback by using a song he showed her as a metaphor (skipping the song that she used to like), Tom misinterprets it and tells her it's a "great fucking song."
  • Cool Big Sis: Technically, she's a Cool Little Sis, but she sure does not sound or behave like a kid.
  • Coming-of-Age Story: The movie is in many ways a story of Tom growing from being a young adult who is in many ways an adolescent (working a job he has no passion for, being naive about how love and relationships work, and even his style of dress) to a (hopefully) more functioning and happier adult who isn't as focused on finding love.
  • Creator Breakdown: In-universe example; Tom writes increasingly caustic and inappropriately cynical greeting card messages as his relationship with Summer deteriorates.
    • "Roses are red, violets are blue, fuck you, whore."
  • Crowd Song: A Crowd Dance, to be more accurate, since the characters onscreen are not the ones singing: the morning after Tom and Summer spend their first night together, Tom giddily struts down the streets of L.A., where he is joined by a crowd of dancers, a marching band, and animated birds, all set to Hall and Oates' "You Make My Dreams".
  • Deconstruction: Deconstructs traditional "happily ever after" endings of most romantic comedies (which Tom grew up on), and more specifically, Garden State-style quirky indie romances.
  • Did Not Get the Girl: The audience knows this from the start.
  • Did You Just Have Sex?: One of Tom's friends asks him this, not realizing that Summer is in the other room, listening.
  • Drowning My Sorrows: After Tom discovers that Summer's marrying someone else.
  • Dull Surprise: A common criticism of Zooey Deschanel.
  • Emotionless Girl: How the Narrator introduces us to Summer. Probably evidence that he's an Unreliable Narrator.
  • Entitled to Have You: What Tom thinks of Summer.
  • Epunymous Title: "Summer" in the title.
  • Expository Hairstyle Change: When Tom at least tries to get over his break-up with Summer, he now wears his hair slicked back. Summer's hair is worn up when she sees Tom after their break-up. After she's been married she appears with her hair slightly longer and curled, and the fringe swept to the side.
  • The Faceless: Summer's husband.
  • Foregone Conclusion: The narrator tells us right near the start, "This is a story of Boy Meets Girl. But you should know up front, this is not a love story. "
  • Foreshadowing: Summer has an art installation of paper cranes in her apartment, all but one are blue (a colour strongly associated with Summer throughout the movie) and the odd one out is red (Autumn is wearing red when Tom meets her). Guess which crane Tom picks to fidget with? Also an example of Colour-Coded for Your Convenience.
  • Fourth Date Marriage: The entire story, including Tom's post-break-up depression, takes place over a little less than a year and a half. Consider how Summer spends less than half that time (Days 288-500). Most couples spend more time between the engagement and the wedding than Summer took meeting a total stranger and getting married to him... which suggests that her big Love Epiphany might be just another whim.
  • Freudian Excuse: According to the narrator, Summer's parents' divorce when she was young is the reason she's become an Emotionless Girl, unable to form any permanent attachments. But see also Unreliable Narrator.
  • Freudian Slip: Summer fakes one in order to gently tease Tom and to let him know that she overheard the Did You Just Have Sex? conversation between him and his friend.
  • Genre Savvy: Most of the characters — except when they're Wrong Genre Savvy. Rachel fits this most, as she points out to Tom from the beginning that it will likely not end well for him.
  • Happy Dance: Tom after his first night with Summer... along with everyone else in the street he's walking down.
  • Here We Go Again: Tom meets a new girl at a job interview. Her name? Autumn. Day 1.
  • Heroic B.S.O.D.: Tom's response upon learning that Summer has gotten engaged to someone else.
  • Heroic Resolve: Days 456-476 shows Tom somehow starting to get his act together again.
  • Hollywood California: Set in Los Angeles; Tom, having trained as an architect, takes Summer on a tour of his favorite buildings around the city.
  • Homage: Specific scenes from Children of Paradise, Persona, The Seventh Seal, and The Graduate. More generally, the films of Woody Allen, especially Annie Hall.
  • How We Got Here: The first day of Tom and Summer's relationship we see is Day 488, near the end of it — in fact, exactly two hundred days after she dumped him, and several days after she married someone else. The rest of the movie jumps back and forth through the five hundred days to explain How We Got Here.
  • Hypocritical Humor: Incessant.
    Summer: All we do is argue.
    Tom: That's bullshit!
  • In Medias Res: Related to the Anachronic Order, we see the effects of their breakup in the first scene, before we even meet the couple.
  • Ironic Echo: Because of the film's Anachronic Order, we often hear the echoed version first. One of the reasons the movie is in some ways Better on DVD. One in particular has them at a hardware store and Tom makes a joke about the uselessness of showfloor appliances, which Summer is apathetic over. It then jumps to earlier in their relationship when they sort of became a couple after an afternoon of goofing around in the same place making the exact same kind of jokes. One was cute and charming, the other incessant.
  • "It" Is Dehumanizing: A variant. A Jerkass at a bar who failed to pick up Summer saw her with Tom and lashes on him/them with this trope.
    Jerkass guy: I can't believe this is your boyfriend!
  • I Want My Beloved to Be Happy: Tom, ultimately.
    Tom: Summer, I really do hope that you are happy.
  • Just Friends: Despite being Friends with Benefits, the core of the tension between Tom and Summer is his desire to be more than Just Friends, and her desire not to.
  • Lampshade Hanging: Of Romantic Comedy conventions. Usually (but not always) by the narrator. Usually (but not always) subverted or deconstructed.
  • Le Film Artistique: During his post-break up depression, the protagonist sits through a collection of European monochrome movies that strangely resemble events from his own life.
  • Lemony Narrator: Certainly a mild example compared with the Trope Namer, but the narrator is definitely odd and quite possibly at least a little unreliable.
  • Love at First Sight: Tom's feelings for Summer. Summer seems to evoke this response from most men she meets.
  • Love Hurts: Oh, yes.
  • Lucky Charms Title: The brackets for the number (500).
  • Manic Pixie Dream Girl: Subverted/deconstructed; Tom initially thinks of Summer as one, and pursues a relationship with her even though she flip-flops between being clear that she's not interested in anything serious and leading him on, which leads to getting his heart broken when she dumps him and marries someone else. Thus are explored the very true-to-life hazards of treating a woman as a romantic ideal rather than a human being. Arguably, Tom may have been a Manic Pixie Dream Guy to Summer, who tells him at the end that he taught her that love is real. Word of God on the subject:
    "Yes, Summer has elements of the Manic Pixie Dream Girl — she is an immature view of a woman. She's Tom's view of a woman. He doesn't see her complexity and the consequence for him is heartbreak. In Tom's eyes, Summer is perfection, but perfection has no depth. Summer's not a girl, she's a phase."
  • Master of the Mixed Message: It seems like every time Summer tells Tom she's not interested in something serious (and despite it being obvious that he is), she immediately throws a curve ball in the form of hand-holding, kisses or sex. Just before she breaks up with him, she impulsively kisses Tom in the street. The worst example is when they have a huge fight, Summer tries to tell him they are Just Friends, he storms out, and Summer goes over to his place in the morning, in the rain, has sex with him and implies she was wrong and wants to stay in the relationship.
  • Maybe Ever After: Tom and Autumn.
  • Meaningful Name: Summer and her possible successor, Autumn. Also, the names Tom Hansen and Summer Finn are a Shout-Out to Tom Sawyer and Huckleberry Finn.
  • Meet Cute: On (Day 4), in the elevator, between Tom and Summer. Also, on (Day 500) / Autumn: (Day 1), another more standard Meet Cute, between Tom and Autumn, as they wait to interview for a job they're competing for. The two Meet Cutes have something in common: one party was already interested beforehand while the other was oblivious to that person's existence. The first time, it's Tom who's already interested and Summer who's been oblivious; the second time it's Tom who's been oblivious (too caught up angsting over Summer) and Autumn who's already interested.
  • Mood Whiplash:
    • Between romantic elation and romantic disappointment. Repeatedly.
    • Tom's reactions to breaking up with Summer is both funny and heartbreaking.
  • Narrator
  • Never Trust a Trailer: The title and trailer imply that the movie is about the 500 days in the relationship between Summer and Tom. In fact, Summer breaks up with Tom on Day 288, and the remaining days document his attempts to get over her. Furthermore, most viewers of the trailer expected Summer to be a straight portrayal of a Manic Pixie Dream Girl — considering she's played by Zooey Deschanel and all — instead of a Deconstruction of the trope.
  • Oblivious to Love: Summer to Tom.
  • Only Sane Man: Rachel, who points out that "just because some cute girl likes all the same bizarro crap you do... that doesn't make her your soulmate." To Tom's surprise but not the audience's, she's right.
  • Our Lawyers Advised This Trope: Parodied with the Suspiciously Specific Denial cited below.
  • Perspective Reversal: In the beginning, Tom is hopelessly romantic, while Summer does not believe in love. By the end of the movie, their dispositions toward love are inverted.
  • Post Modernism: Plenty, including the nonlinear narrative, the spontaneous dance sequence, the onscreen count of the actual 500 days, and one scene which contrasts "Expectations" vs. "Reality" via Split Screen.
  • Pun-Based Title
  • Raven Hair, Ivory Skin: Summer's beauty and very dark hair have been noted several times.
  • Reality Ensues: The movie's climax.
  • Reasonable Authority Figure: Tom's and Summer's boss.
  • Red Herring: In a sense. One of the opening shots shows Summer with a ring on her finger. It turns out not to belong to Tom but another man.
  • Regina Spektor: Has two songs on the soundtrack. The first being "Us" in the opening credits, and "Hero" during the Expectations vs Reality party.
  • The Reveal: At a party Tom already finds just about unbearable, he suddenly notices Summer's engagement ring.
  • Romantic Comedy: A Deconstruction of the genre in the general vein of Annie Hall and Manhattan.
  • Romantic Runner-Up: The main character is one of these. While he was completely in love with her, she wasn't at all in love with him. The key theme is the difference between his expectations and the reality of the situation.
  • Roses Are Red, Violets Are Blue: "Roses are red, violets are blue, / Fuck you, whore." Arguably qualifies as a Precision F-Strike, too.
  • Running Gag: Plenty of them.
  • Seasonal Motif: Summer, of course, who's fun but flighty and unpredictable. The bereavement card project Tom works on when he's depressed after their breakup is called The Winter Collection. The girl Tom meets at the end is called Autumn.
  • Secondary Character Title: While Tom and Summer are equally billed as co-leads, the film focuses more on Tom than Summer.
  • Sliding Scale of Beauty: Summer is considered World Class beauty.
  • Shorttank: Tom's younger sister, Rachel.
  • Shout-Out:
  • Shower of Love: Tom and Summer did this to emulate a porn movie.
  • Single-Target Sexuality: Tom for Summer. Even on his blind date, he can't stop talking about Summer (albeit not exactly the nicest things, but still).
    • Also, his obliviousness towards Autumn, who had seen him before, but he never noticed her until they meet.
  • Spiritual Successor: It has a lot in common with another recent movie that deconstructs the romantic comedy genre, 2008's Definitely, Maybe, including but not limited to a flashback-centric narrative structure, an ambiguous, less-than-happy ending, and a female lead named "Summer". They both also feature girls who are Wise Beyond Their Years that the main character is telling the story to (the protagonist's sister in this case and his daughter in Definently Maybe.)
    • A romantic comedy that's about love and not a love story where the protagonist doesn't live happily ever after with the girl from the beginning with Anachronic Order? Sounds a bit like Annie Hall for Generation Y.
  • Spit Take:
    Summer: "They used to call me Anal Girl."
    *Tom spit-takes*
    Summer: "...I was very neat and organized."
  • Stalker with a Crush: Very early in Tom's relationship with Summer, one of his friends teases him that he's one of these toward Summer. Of course she overhears.
  • Stealth Parody: See Stock Character and Wise Beyond Their Years, below.
  • Stock Character: Rachel, the absurdly Wise Beyond Their Years younger sister of main character Tom.
  • Stupidest Thing I've Ever Heard: Tom's thoughts about Summer's "PENIS!" game.
  • Suspiciously Specific Denial: The film's opening disclaimer: "AUTHOR'S NOTE: The following is a work of fiction. Any resemblance to persons living or dead is purely coincidental. Especially you Jenny Beckman. Bitch."
  • Take That:
    • Parodied in the Suspiciously Specific Denial.
    • Played straight when Tom complains about a kind of fashion that isn't even present in the film.
  • Teen Genius: Or rather, pre-Teen Genius: Rachel, Tom's kid sister. In her case, Wise Beyond Their Years by so many years that she acts more like a Cool Big Sis (see above).
  • Thinks Like a Romance Novel: Tom was raised on "sad British pop music and a total mis-reading of the movie 'The Graduate'", and it shows.
  • This Is for Emphasis, Bitch!:
    • "Especially you Jenny Beckman. Bitch."
    • "Better luck next time... bitch."
  • Token White: Tom and Summer attended a wedding of a co-worker (former in Summer's case) near the end of the film. The wedded couple and their guests are almost all African-Americans. Since Tom and Summer already broke-up at this point, they no longer count as a Token Minority Couple.
  • Tragic Hero: Both Tom and Summer. By the end of the movie, they decide to make their lives less tragic by going their own way, with Tom himself becoming a great architect.
  • Tranquil Fury: Tom smashing plates with a blank expression.
  • Troubling Unchildlike Behaviour: Tom is notably creeped out that Rachel, who is a preteen, has knowledge of how relationships work (not to mention PMS).
  • True Blue Femininity: Summer most of the time.
  • Truth in Television: Applies to most of the movie, but the Expectations vs. Reality scene is so excruciatingly truthful that it's heartbreaking.
  • Unreliable Narrator: A lot of things the narrator says about Summer turn out to be, if not flat-out incorrect, then at least skewed. It's as if the narrator were Tom himself, looking back at the relationship from years later. See Emotionless Girl, above, for an example.
  • Viewers Are Geniuses: The Anachronic Order, of course. In addition, the film includes throw-away allusions (including running gags) to Shakespeare, Magritte, Hopper, Serrano, Bergman, Wilde, and Goethe. Plus, you know, obscure stuff.
  • Wham Shot: Tom seeing Summer's engagement ring.
  • What Is This Thing You Call "Love"?: Summer's attitude is somewhat of a version of this.
  • Wise Beyond Their Years: Tom's pre-teen sister Rachel is possibly the wisest character in the whole film.
  • Wrong Genre Savvy: Many of the characters, but Tom most of all.