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Film: The Elephant Man

Mrs. Kendel: Why, Mr. Merrick, you're not an elephant man at all.
Merrick: Oh no?
Mrs. Kendel: Oh no... no... you're a Romeo.

The Very Loosely Based on a True Story saga of Joseph Merrick, the Elephant Man.

Basically, one of the saddest films ever, and one of David Lynch's few non-"omgwhaththehellisthisaaaaaaaaaI'mscared" movies, depicting Joseph (here called John, and played by John Hurt) Merrick's struggle to leave an abusive circus sideshow, while meeting Dr. Frederick Treves (Anthony Hopkins), who takes him out of that place and gets him into the London Hospital, where he—being an educated and kind person but still with the outward appearance of a freak—becomes the focus of London's attention, raising the question: is Merrick just moving from one circus to another?

Also starring Sir John Gielgud, Dame Wendy Hiller, and Anne Bancroft. Don LaFontaine narrated the trailer, using lines he wrote himself, and called it his favorite of his numerous trailer works.

Tropes present in the film:

  • Beauty Equals Goodness: Averted, subverted, inverted, beaten over the head with a shovel, driven out to the desert, executed gangland style, dismembered and buried.
  • Bittersweet Ending: Merrick dies. But he dies on the happiest day of his life, and dies doing what he wants to do: to sleep like he's normal. It does not count as a Downer Ending.
  • Body Horror: Sort of. Merrick's physical anomalies become ever less-repellent as his kindly personality is revealed.
  • Circus of Fear: They are bad places, especially the second one after Merrick has been spirited to Belgium.
  • Come to Gawk: One of the film's themes. Treves has an attack of conscience after realizing that the highborn society people visiting Merrick are gawking in just the same way that the commoners in the freak show did.
  • Creator Cameo: David Lynch is in the mob chasing Merrick around a London train station.
  • Creepy Circus Music: The soundtrack (in places), and it's heartbreaking.
  • Cut Himself Shaving: When Treves is summoned to treat Merrick, Bytes claims that Merrick's injuries came from falling down. Treves sees Bytes's heavy walking stick, and is not fooled.
  • Deliberately Monochrome: Interestingly, one of two black-and-white flms to get nominated for Best Picture of 1980, the other being Raging Bull.
  • Dream Sequence: Provides the surreallism, since most of the film avoids the Mind Screw Lynch is known for.
  • Gray Rain of Depression: Occurs when Merrick is being exhibited in the squalid Belgian freak show.
  • The Grotesque
  • Heel Realization: Dr. Treves is shaken by the Head Nurse's observation that the arrangement he set up for John Merrick, which include receiving respectable callers, means he is still being treated as a freak on display, albeit in a high class cushy style.
    "Why did I do it? Am I a good man or a bad man?"
  • Heroic BSOD: Merrick in the train station. See below for Punctuated! For! Emphasis!
  • Historical Villain Upgrade: While Bytes was a Composite Character, the real-world Merrick's managers for most of his life were not bad people, and he was generally grateful to them.
  • Humans Are Bastards / Humans Are Special: The whole movie questions "What does it mean to be human?"
  • I Just Want to Be Normal: Merrick is disappointed when Treves admits that he can't cure him. And John eventually dies after deciding to lay down and sleep like a normal person.
  • Inspirationally Disadvantaged: An Unbuilt Trope here, and it could easily be read as a deconstruction, since a big part of the movie's point is that he's still being exploited. As Mothershead the nurse points out, "he's just being stared at all over again."
  • Jerk with a Heart of Gold: Mothershead. She's stern, strict and humorless, but clearly comes to like Merrick, even giving Treves a What the Hell, Hero? speech for exploiting him.
  • Little People Are Surreal: Invoked but averted, with a pair of little people working at the Belgian circus who help John escape. They're portrayed as very normal, good people. Lynch would later play this one famously straight, though.
  • Maniac Monkeys: The big mean baboons at the circus.
  • Monstrosity Equals Weakness: Truth in Television for the real Merrick, sadly.
  • Not So Different: Bytes accuses Treves of being just as exploitative of John.
  • Oscar Bait: A downplayed version. It was a tragic biopic about a physically disabled man shot in black and white, which certainly covers several typical Oscar Bait traits, and was nominated for seven different Oscars. However, it won none of them.
  • Playing the Heart Strings: That old standard, "Adagio for Strings", as John lays down to die.
  • Punctuated! For! Emphasis!: "I! AM NOT! AN ELEPHANT! I AM NOT! AN ANIMAL! I! AM A HUMAN! BEING! I! AM! ...a man." This exclamation works; the mob immediately becomes more sympathetic.
    • "Where - is - he?"
  • Promotion To Love Interest: Mrs. Kendall is treated as a love interest for John, in a very chaste sort of way. In real life, it's doubtful they ever met, and his autographed photo of her was actually delivered by her husband.
  • Reasonable Authority Figure: Carr-Gorm, Treves' boss.
  • Shaming the Mob: "I AM NOT AN ANIMAL!" does the trick.
  • Shout-Out to Shakespeare: Mrs. Kendall and John together read a scene from Romeo and Juliet.
  • Single Tear: Treves's reaction upon first seeing Merrick.
  • Sir Not-Appearing-in-This-Trailer: Executive producer Mel Brooks deliberately kept his name off the film, for fear people would expect it to be a comedy. He did the same with The Fly, among other films in the '80s.
  • Spot of Tea: Merrick breaks down weeping at the Treves house, unused to people being nice to him. What does Mrs. Treves do to help him feel at ease? Offer him some tea, of course.
  • Suicide Is Painless: It almost seems pleasant.
  • Take Our Word for It: For the first chunk of the movie, we never get a good look at John. It helps build the suspense as we only see the reactions of others to poor Merrick's physical deformities. To make it even more effective, the film averts Trailers Always Spoil- both the posters and the trailer only show Merrick with his head covered or in a position where you can't clearly see him. You have to watch the movie in full to find out what the main character actually looks like.
  • Very Loosely Based on a True Story:
    • For starters, the man's name was Joseph. The name "John" here is probably due to Frederick Treves, who for some unknown reason changed Merrick's name to "John" in his memoir.
    • Bytes is a Composite Character, with evidence indicating that Merrick was actually well-treated in the British sideshow. The Belgian one was probably about as bad as the movie suggests.
    • Mrs. Kendal probably never met Merrick.
    • The cruel porter is an invention, and the kidnapping of Merrick never happened. In Real Life the unfortunate Belgian tour (which was bad, with Merrick being robbed and abandoned, but not locked in a cage with baboons) happened before Merrick was permanently admitted to Treves' hospital.
    • The speech impediment caused by Merrick's facial deformities was even worse than in the film. Visitors generally could not understand him, although Treves and the hospital staff learned to understand Merrick's speech. This didn't stop Merrick from sitting at his hospital window, as he became less shy, and hailing passersby and engaging them in conversation.
    • Merrick really did build a lot of cardboard model churches, houses, etc. However, he was buying these as kits from local toy shops and not dumpstering boxes. He also wove baskets and sent them to friends. His model of Mainz Cathedral still exists.
  • Victorian London: The setting for most of the film.
  • You Bastard: The second half of the movie makes you feel bad for wanting to get a good look at him in the first half.

Duck SoupCreator/ParamountEscape from Alcatraz
Don't Go in the WoodsFilms of the 1980sFame
Ordinary PeopleAcademy AwardRaging Bull

alternative title(s): The Elephant Man
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