->'''Mrs. Kendel:''' Why, Mr. Merrick, you're not an elephant man at all.
->'''Merrick:''' Oh no?
->'''Mrs. Kendel:''' Oh no... no... you're a Romeo.
The VeryLooselyBasedOnATrueStory saga of Joseph Merrick, the Elephant Man.
Basically, one of the saddest films ever, and one of Creator/DavidLynch's few non-MindScrew SurrealHorror movies, depicting Joseph (here called John, and played by Creator/JohnHurt) Merrick's struggle to leave an abusive circus sideshow, while meeting Dr. Frederick Treves (Creator/AnthonyHopkins), who takes him out of that place and gets him into the London Hospital, where he--being an educated and kind person but still with the outward appearance of a freak--becomes the focus of London's attention, raising the question: is Merrick just moving from one circus to another?
Also starring Sir John Gielgud, Dame Creator/WendyHiller, and Creator/AnneBancroft. Creator/DonLaFontaine narrated the trailer, using lines he wrote himself, and called it his favorite of his numerous trailer works. Music/MichaelJackson often cited it as his favorite movie.
!!Tropes present in the film:
* AllThereInTheManual: In the novelization by Christine Sparks:
** The film's version of events take place from 1889 to April 1890, a possible explanation for the odd timeline of the film.
** The night porter's name is Jim Renshaw.
* BeautyEqualsGoodness: Inverted.
* BittersweetEnding: [[spoiler:Merrick dies. But he dies on the happiest day of his life, and dies doing what he wants to do: to sleep like he's normal.]] It does not count as a DownerEnding.
* BodyHorror: Sort of. Merrick's physical anomalies become ever less-repellent as his kindly personality is revealed.
* CircusOfFear: They are bad places, especially the second one after Merrick has been spirited to Belgium.
* ComeToGawk: One of the film's themes. Treves has an attack of conscience after realizing that the highborn society people visiting Merrick are gawking in just the same way that the commoners in TheFreakshow did.
* CreatorCameo: David Lynch is in the mob chasing Merrick around a London train station.
* CreepyCircusMusic: Much of John Morris's score. Though it's not so much "creepy" as it is "heartbreaking."
* CutHimselfShaving: When Treves is summoned to treat Merrick, Bytes claims that Merrick's injuries came from falling down. Treves sees Bytes's heavy walking stick, and is not fooled.
* DeliberatelyMonochrome: Interestingly, one of two black-and-white flms to get nominated for Best Picture of 1980, the other being ''Film/RagingBull''.
* DreamSequence: Provides the surreallism, since most of the film avoids the MindScrew Lynch is known for.
* EveryoneHasStandards: The onlookers in Belgium were very disgusted by Merrick's treatment.
* TheFreakshow: Where Merrick was exhibited.
* GrayRainOfDepression: Occurs when Merrick is being exhibited in the squalid Belgian freak show.
* TheGrotesque: Merrick, naturally.
* HeelRealization: Dr. Treves is shaken by the Head Nurse's observation that the arrangement he set up for John Merrick, which include receiving respectable callers, means he is still being treated as a freak on display, albeit in a high class cushy style.
-->"Why did I do it? Am I a good man or a bad man?"
* HeroicBSOD: Merrick in the train station. See below for PunctuatedForEmphasis
* HistoricalVillainUpgrade: While Bytes was a CompositeCharacter, the real-world Merrick's managers for most of his life were not bad people, and he was generally grateful to them.
* HumansAreBastards[=/=]HumansAreSpecial: The whole movie questions "What does it mean to be human?"
* IJustWantToBeNormal: Merrick is disappointed when Treves admits that he can't cure him. And John eventually dies after deciding to lay down and sleep like a normal person.
* InspirationallyDisadvantaged: An UnbuiltTrope here, and it could easily be read as a deconstruction, since a big part of the movie's point is that he's still being exploited. As Mothershead the nurse points out, "he's just being stared at all over again." In RealLife, Treves himself was in fact accused of exploiting Merrick for this reason.
* JerkWithAHeartOfGold: Mothershead. She's stern, strict and humorless, but clearly comes to like Merrick, even giving Treves a WhatTheHellHero speech for exploiting him.
** Arguably the entire mob at the train station. Sure, they've ComeToGawk, but once he gives his ShamingTheMob speech, they immediately have a collective HeelRealization and decide to help him out.
* KarmaHoudini: Sadly, we never get to see Bytes get any kind of ass-kicking for his treatment (and eventual abduction) of Merrick.
* LighterAndSofter: Played with in regards to the rest of Lynch's repertoire. There's no violent crime, murders, NightmareFuel, [[MindScrew general mindfuckery]] or swearing in ''The Elephant Man'', but it's also '''by far''' the [[TearJerker saddest]] film that Lynch has ever made, if not ''anyone's'' ever made.
* LittlePeopleAreSurreal: Invoked but averted, with a pair of little people working at the Belgian circus who help John escape. They're portrayed as very normal, good people. Lynch would later play this one [[Series/TwinPeaks famously]] [[Film/MulhollandDrive straight]], though.
* ManiacMonkeys: The big mean baboons at the circus.
* MonstrosityEqualsWeakness: TruthInTelevision for the real Merrick, sadly.
* NotSoDifferent: Bytes accuses Treves of being just as exploitative of John.
* OscarBait: A downplayed version. It was a tragic biopic about a physically disabled man shot in black and white, which certainly covers several typical OscarBait traits, and was nominated for seven different Oscars. However, [[AwardSnub it won none of them.]]
* PassedInTheirSleep: The title character has a large tumor on his face [[BodyHorror that greatly disfigured his face]] and causes him to be [[HumansAreBastards mistreated by the public.]] When he finally [[TemptingFate tries to go to sleep like a normal person]] (laying down instead of upright) he ends up [[TearJerker dislocating his neck as he sleeps and dying.]]
* PlayingTheHeartStrings: That old standard, "Adagio for Strings", as John lays down to die.
* PunctuatedForEmphasis: "'''I'''! AM NOT! AN '''ELEPHANT! I''' AM NOT! AN '''ANIMAL!''' I! AM A '''HUMAN! BEING!''' I! AM! ...a man." This exclamation works; the mob immediately becomes more sympathetic.
** "Where - ''is'' - he?"
* PromotionToLoveInterest: Mrs. Kendall is treated as a love interest for John, in a very chaste sort of way. In real life, it's doubtful they ever met, and his autographed photo of her was actually delivered by her husband.
* ReasonableAuthorityFigure: Carr-Gorm, Treves' boss.
* RoaringRampageOfRevenge: After Merrick's abduction, Treves is absolutely livid, tossing the JerkAss night porter responsible around like a rag doll (and actually trying to kill him in the novelization!).
* ShamingTheMob: "I AM NOT AN ANIMAL!" does the trick.
* ShoutOutToShakespeare: Mrs. Kendall and John together read a scene from ''Theatre/RomeoAndJuliet''.
* SingleTear: Treves's reaction upon first seeing Merrick.
* SirNotAppearingInThisTrailer: Executive producer Creator/MelBrooks deliberately kept his name off the film, for fear people would expect it to be a comedy. He did the same with ''Film/TheFly1986'', among other films in the '80s.
* SmarterThanYouLook: Merrick is initially assumed by Treves and the other hospital staff to be an imbecile only capable of understanding basic instructions; the slow revelation that he is a gentle, under-socalized man of normal intelligence comes as a shock. As Treves admits to Fox early on, part of him wanted to believe the assumption because he didn't want to imagine what it would feel like to [[AndIMustScream be cognizant but trapped in such a body]].
* SpotOfTea: Merrick breaks down weeping at the Treves house, unused to people being nice to him. What does Mrs. Treves do to help him feel at ease? Offer him some tea, of course.
* SuicideIsPainless: It almost seems pleasant.
* TakeOurWordForIt: For the first chunk of the movie, we never get a good look at John. It helps build the suspense as we only see the reactions of others to poor Merrick's [[BodyHorror physical deformities]]. To make it even more effective, the film averts TrailersAlwaysSpoil- both the posters and the trailer only show Merrick with his head covered or in a position where you can't clearly see him. You have to watch the movie in full to find out what the main character actually looks like.
** For starters, the man's name was Joseph. The name "John" here is probably due to Frederick Treves, who for some unknown reason changed Merrick's name to "John" in his memoir.
** Bytes is a CompositeCharacter, with evidence indicating that Merrick was actually well-treated in the British sideshow. The Belgian one was probably about as bad as the movie suggests.
** Mrs. Kendal probably never met Merrick.
** The freak show where Merrick earned his living was (fortunately) most likely ''much'' better in real life than in the movie. He was actually good friends with his owner, who never beat him like Bytes does. In addition, it was Merrick's own decision to join the sideshow.
** The cruel porter is an invention, and the kidnapping of Merrick never happened. In RealLife the unfortunate Belgian tour (which was bad, with Merrick being robbed and abandoned, but not locked in a cage with baboons) happened before Merrick was permanently admitted to Treves' hospital.
** The speech impediment caused by Merrick's facial deformities [[https://www.youtube.com/watch?v=CejyfdIaCQ0 was even worse than in the film.]] Visitors generally could not understand him, although Treves and the hospital staff learned to understand Merrick's speech. This didn't stop Merrick from sitting at his hospital window, as he became less shy, and hailing passersby and engaging them in conversation.
** Merrick really did build a lot of cardboard model churches, houses, etc. However, he was buying these as kits from local toy shops and not dumpstering boxes. He also wove baskets and sent them to friends. His model of Mainz Cathedral still exists.
* VictorianLondon: The setting for most of the film.
* YouBastard: The second half of the movie makes you feel bad for wanting to get a good look at him in the first half.