is a 2012 indie Dramedy
film by Noah Baumbach
, starring Greta Gerwig. Gerwig plays Frances Halladay, a 27 year old aspiring dancer living in New York with her best friend Sophie. The problem is that her dancing career has not been as successful as she had hoped, and her relationship with Sophie is becoming increasingly strained. Frances breaks up with her boyfriend Dan because she is not ready to move out of the apartment she shares with Sophie, yet unknown to her, Sophie is about to move out anyway. This is only the beginning of a long, difficult journey to adulthood for Frances.
The story is mainly told in an episodic, Slice of Life
fashion. We get glimpses of Frances' life as she hangs out (and/or argues) with her friends, works with the dancing company, visits her parents and dances all the way home after getting a tax rebate. Frances sees the people around her growing up, settling down, finding careers and getting married, while her own life doesn't seem to be going anywhere. She symbolically revisits her youth at her parents' house in Sacramento, then by working for a while in her old college, with the constant question being when and how Frances is going to find her place in the adult world.
This film provides examples of:
- Bittersweet Ending: Frances has to learn to live away from and grow up without Sophie, who's moved on with Patch regardless of how truly happy the two are together. Frances still considers her her best friend even though they'll inevitably move apart, but she's satisfied with her new clerical work, her own apartment, and a possible relationship with Benji.
- Break Up Make Up Scenario: Between Frances and Sophie, friendship-wise, though their getting back together as friends seems neither permanent nor the making of a happy ending— it's clear that Frances has to move on without Sophie.
- Coming of Age Story: The film follows Frances as she struggles to cope with life as an independent adult. By the end of the film, Frances' life seems to be on something resembling the right path, but she still has trouble wholly adapting to the adult world. And she's much older than typical character going through such story.
- Country Matters: Frances describes Sophie's new (unseen) room-mate Lisa in these terms several times.
- Cringe Comedy: Quite often, such as Frances' behaviour around her college's donor (she takes the instruction to shadow the woman somewhat too literally).
- David Bowie: Provides much of the soundtrack.
- Deliberately Monochrome: The film is entirely in black-and-white, as an artistic choice.
- Fallen-on-Hard-Times Job: Needing to earn some money, Frances works several unwanted jobs, as a waitress and a volunteer at her old college.
- Growing Up Sucks: One of the major themes of the film, even if Frances is close to 30. She struggles to adapt to the adult professional world, for a while symbolically revisiting her youth by getting humiliating work at her old college.
- Heterosexual Life-Partners: Frances is convinced that this is how she and Sophie will turn out. Sophie, on the other hand...
- I'm Not Here to Make Friends: Lampshaded at a dinner conversation that it never really happens in real life.
- Ironic Echo: After getting drunk and having an argument with her fiancÚ Patch, Sophie stays the night at Frances' dorm. They share the bed, and Sophie asks Frances to remove her socks, mirroring one of the first scenes in the film.
- Like an Old Married Couple: Frances and Sophie joke that they're like an old lesbian couple that doesn't have sex anymore. Frances and Benji later say the same thing about themselves, implying that Frances doesn't have to feel like Sophie's the only one in the world for her.
- Man Child: Frances is 27, but has yet to learn much about financial responsibility and making sacrifices.
- While at her parents house in Sacramento, Frances spends a long time philosophising in the bathtub. When her mother gets fed up waiting to use the bathroom, she asks Frances how much longer she's going to take. This serves as a pretty good metaphor for Frances' life in general.
- During her trip to Paris, Frances misses much of her first day in the city by staying up all night in her room, then ignoring the alarm clock well into the afternoon.
- Nerd Glasses: Sophie sports a pair, which along with her being a brunette and Frances being a blonde seems to lead people to assume she's an intellectual. In fact Frances is the much better read of the two (or so she claims, at least).
- Perpetual Poverty: Financial constraints are a regular concern for Frances, as a combined result of her lack of meaningful employment, her living in New York City and her spendthrift nature. However, when she complains about being poor, Benji points out that she's not really that poor, and that saying so is offensive to actual poor people.
- Poor Communication Kills: A recurring theme.
- Frances breaks up with Dan (among other reasons) because she is unwilling to move out from her and Sophie's place, yet Sophie moves out anyway.
- Frances travels to Paris for the weekend on a whim, hoping to meet a friend of hers there (and getting into massive credit card debt in the process). When she gets there, she fails to reach her friend, then finds out that Sophie is holding a farewell party that very evening (in New York) before moving to Japan. When on her way to the airport to fly to back to the US, her friend finally calls her back, asking if she's free that night.
- Frances spends only two days in Paris (not really doing anything), because she has a meeting with her dance teacher the following Monday. When she has her meeting, her teacher points out that Frances could always have postponed it, and that she almost did so herself on account of a sniffle.
- Shout-Out: It's tough to recognize just from the audio, but one of the movies Frances watches with Benji is The 400 Blows, another Deliberately Monochrome Slice of Life movie.
- Slice of Life: While there is definitely a story arc (primarily a character arc for the protagonist), much of the film consists of individual snippets of Frances' life.
- Third Wheel: Frances to Sophie and Patch, with Sophie being the one who wants to move on from her friendship with Frances.
- Title Drop: At the end of the film, Frances moves into a new apartment and, perhaps as a metaphor for her settling down and growing up, she puts up a name tag on her own letter box. Unfortunately, she doesn't yet seem to have gotten the hang of the concept entirely, as her name tag does not fit the slot perfectly. "Frances Halladay" is shortened to "Frances Ha".