Now the story of a wealthy family who lost everything — and the one son who had no choice but to keep them all together. It's Arrested Development.
Arrested Development is a single-camera Sitcom, debuting in 2003, which was hailed by critics (and Emmy voters) during its initial run as the best new comedy in years, but ended up becoming the best TV show nobody was watching. However, since its cancellation, it managed to get a large, rabid fandom.The show follows the farcical exploits of a wealthy family grappling with the loss of their fortune as the family patriarch is arrested for numerous dubious dealings involving the family business. The show's tone is quick-witted and fast-paced, tempered with a voice-over documentary-style narrationnote provided by producer Ron Howard and coupled with Running Gags, Brick Jokes, nested flashbacks, and other complex narrative structures.Michael Bluth is the Only Sane Man in a family that doesn't know how to live frugally; he is trying to keep the company afloat and the family together, but his siblings live their lives on a whim. His older brother GOB (George Oscar Bluth II — pronounced "jobe", like the biblical Job) is a mostly incompetent magician who performs illusions. Michael's twin sister Lindsay is a fair-weather activist for whatever cause happens to catch her attention at any given moment; her husband, Tobias, is a disgraced psychiatrist turned disgraceful actor (and is in denial about his obvious homosexuality). Michael's younger brother, Buster, is a bizarre Man Child who still lives with his mother, Lucille (who is constantly drinking and critical of everything and everyone). Michael's father, George, is enjoying his time in prison. Michael's well-behaved, but also quite awkward and confused son, George-Michael, and Lindsay's rebellious and Street Smart daughter, Maeby, frequently steal the show; the rest of the family is ignorant of the USTbetween them.Arrested Development garnered critical acclaim (and Emmy awards) during its run, but it struggled with low ratings and numerous schedule changes. While it's considered Screwed by the Network by some (a common occurrence with Fox shows), the show did manage to get three seasons and fifty-three episodes under its belt before ending (rather than being cancelled). Series creator Mitch Hurwitz was offered the opportunity to move the series to Showtime, but he declined, since he felt the show had run its course.A movie based on the series, which will involve the show's original cast and many of the same writers and producers, is currently in production.A fourth season — consisting of Days in the Limelight which will bring the audience up to speed with the five missing years of the family's lives — has been produced to lead into the movie. In an interesting twist, the fourth season is exclusive to Netflix. It was released all at once on May 26, 2013. Mark spoilers for season 4.The show has a Wikion Wikia in addition to the in-universe-styled fansite The Balboa Observer-Picayune. The wiki with the most comprehensive coverage of Arrested Development, however, is often Wikipedia itself.There is a Recap page listing the show's episodes and the tropes used in each of them (still in development).
Arrested Development in general provides examples of the following tropes:
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Aborted Arc: Many plot twists from the first three seasons are dropped, and often never mentioned again. For instance:
"Hand to God". The epilogue revealed that Maggie Lizer is apparently pregnant with Michael's baby.
"Spring Breakout", which ended with Kitty coming into possession of a cooler containing George Sr.'s sperm.
"Exit Strategy": The real Saddam Hussein was hiding in the Model Home in Iraq after all.
Abusive Parents: George Sr. and Lucille Bluth have treated all of their children with varying degrees of abuse, which continued (to an extent) well into their adulthood:
Michael and Gob were constantly played against each other (and occasionally manipulated into physically fighting each other. Said fights were videotaped and sold later as Boyfights) because George believed it to be a way of preparing them for conflict in life. They were also constantly undermined to keep them working for George's approval (Gob' desire to pursue a career in magic is constantly mocked, and his parents make it clear that he is The Unfavorite; Michael had a ridiculously extreme work ethic instilled in him, and George would often shoot down his ideas for the family business, regardless of what he thought of them).
Lindsay is often reminded of the fact that she has never really achieved anything, and Lucille constantly makes cracks about her weight since she was very young. Her abuse is probably the darkest when it is learned that she is adopted, and Lucille admits they didn't want her and only adopted her to spite Stan Sitwell, who had been trying to adopt her himself.
Buster was made to have a crippling overdependence on his mother, only for her to discard him whenever she considers him to be an inconvenience or imposition; George is also highly disdainful of his lack of independence and maturity.
George would also traumatize his children by making them associate certain unwanted behaviors with severe mutilation, in order to teach them "lessons" (such as leaving a note when they run out of milk).
They have also spoiled all of their children except Michael to the point that they have virtually no work ethic, which most of the siblings seem to consider a form of abuse.
Tobias and Lindsay neglect Maeby so much she practically ruins her own life just to get their attention.
The episode in which Justine Bateman appears is called Family Ties.
In the episode "In God We Trust", Lucille Two says the line "There's places to go! People to see!" before falling down due to her vertigo and old age. This is a reference to when she starred in a production of "Forbidden Broadway". Costar Ann-Margaret sings a spoof of the song "Bye Bye Birdie" called "Bye Bye Thirty", which is about aging.
There are actually several brilliant references to Liza Minelli's musical and stage career in scenes involving Lucille Two.
In the episode "Queen For A Day", Liza's Lucille Two character goes into Tobias's nightclub and hears him singing "New York, New York". She exasperatedly says, "Everybody thinks he's Frank Sinatra." This is a reference to how Liza actually recorded the song two years before Frank Sinatra.
A Season 4 flashback features Mort getting into trouble while the riff from Curb Your Enthusiasm plays, in a nod to Jeff Garlin's longtime role on that show.
A convoluted Actor Allusion occurs during season 4, as various characters are seen eating a weird and disgusting mixture made of Parmesan cheese and mustard. Martin Mull, who plays Gene Parmesan in the show, also played Colonel Mustard in Clue.
In the Season 3 episode "The Ocean Walker", Buster is shown jamming to the Styx song "Mr. Roboto" in the stair car. Actor Tony Hale appeared in a Volkswagen commercial featuring that song.
On-show couple Sally Sitwell and Tony Wonder are played by real life married couple Christine Taylor and Ben Stiller.
Accidental Murder: In 'Off the Hook', Buster kills quite a few people through a remote-controlled drone in Afghanistan without realising that he wasn't just playing a video game.
It's also a possibility that this is what happened to Lucille Austero.
Ron Howard, Brian Grazer, Conan O'Brien, and Andy Richter in Season 4.
Aesop Amnesia: Michael frequently learns that he shouldn't be so overbearing toward George Michael and should let him have fun. He forgets this just as frequently. Probably deliberate since Michael is kind and well-functioning compared to his family, but is still pretty flawed.
Similarly, there are several occasions when it dawns on Lindsay that she should actually pay attention to her daughter. By the next episode, she's gone back to being obliviously neglectful.
Adults Are Useless: Almost everyone in the Bluth family is a dysfunctional incompetent who either deliberately or unconsciously destroys everything good that ever happens to them. The exceptions? The teens. George Michael almost single-handedly runs the frozen banana stand that's the family's only steady source of income while Maeby bluffs her way into a studio producer job which she succeeds in until discovered (through George Michael's gaffe, so even the kids aren't perfect)
She gets it back when Hollywood execs go nuts over the teenage wonder, so in this case the adult cluelessness works in her favor.
(running into members of their family while skipping work)
Maeby: What are they doing here?
George Michael: They're grown-ups, they're allowed to have fun whenever they want! We're kids, we're supposed to be working!
Aluminum Christmas Trees: In season 4, one of the running jokes is a terrible, cheaply shot, early '90s movie about the Fantastic Four. Many fans assume it's fake, but that's an actual movie, and in fact the circumstances of production in-universe are similar to what actually happened, although the actress who played Sue Storm is actually named Rebecca Staab.
Subverted as this is a fictionalized version of it with the poster being remade using new actors.
Anachronic Order: Season 4 follows this. Several events are skipped or revisited from another character's point of view, and one episode's context can be completely changed by a future episode that happened at the same time.
As You Know: Lampshaded in season 4. Tony Wonder and Sally Sitwell keeps wondering why they are constantly discussing the details of their scheme out loud since they have already talked it over enough times to know it by heart.
Attack of the Political Ad: When George Michael lets Gob do an ad for his school president campaign, Gob pretty much attacks George's rival, Steve Holt, on the grounds that he doesn't even know who his father is. It turns out Gob is Steve Holt's biological father.
Bed Trick: During season 4, Oscar plays this on Lucille, pretending to be George. The Unfortunate Implications of this are pretty much ignored, as Lucille isn't particularly shocked to find out the truth.
Also during season 4, Ann plays a very complicated version of this on Gob and Tony, where both of them think they're having sex with her, while they're actually having sex with each other. This time the Unfortunate Implications are downplayed, as it seems both participants did in fact want to sleep with each other.
Big Bad: Lucille, who was behind pretty much all of the Bluth Corporation's illegal activity. Foreshadowed by her "dealing with" Michael's math teacher when he was a child, and stating that George Sr. is hardly a criminal mastermind.
Sally Sitwell is apparently shaping up to be this for the story arc started by season 4.
Birds of a Feather: GOB and Tony Wonder's relationship starts out as a revenge scheme, but end up developing feelings for each other because of how much they have in common.
Bittersweet Ending: The fourth season ends with George-Michael finally standing up to his father, who had just lied to him about not knowing that Rebel was with him, but it's implied that the relationship is so strained that they won't reconcile.
Blah Blah Blah: The lawyer's commercial sounds like "You don't need doublespeak; you need Blah Blah Blah!" He's actually saying "Bob Loblaw," who becomes a recurring character and also runs the Bob Loblaw Law Blog. Newspapers also occasionally have the headline "Bow Loblaw Lobs Law Bomb!"
Also, in the fourth season, chronologically listed, the earliest scene depicts George Michael punching GOB in the face after discovering he dates his girlfriend. Said season ends with George Michael punching Michael for the same reason.
GOB's girlfriend at the end of the third season: Ann, the third place contestant in the beauty pageant.
On seemingly dozens of occasions, Oscar very obviously insinuates that he is Buster's father rather than his uncle ("If only my father were here." "...Maybe he IS..."), but Buster remains completely oblivious until, offhandedly, Oscar refuses to "share his Pop Secret (brand popcorn)" with Buster. "Pop Secret? ...Is Oscar my real father!?"
In the first and last episode of the 1st season George Sr. says
George Sr.: I have the worst *Bleep*ing attorneys
In a throwaway line in the second season, Steve Holt upon discovering that GOB is his father, worries he inherited his receding hairline. In the fourth season, this is shown to be accurate.
In Season Four:
Barry Zuckercorn: Take to the seas!
Every joke on this show, really.
In the first episode of Season 1, George Sr says that he made Lucille the CEO because "they can't arrest a husband and wife for the same crime". When Michael tells him that this isn't an actual law, he responds with "I have worst *Bleep*ing attorneys". In the second episode of Season 4, in a flashback, we see the source of this idea:
Young Barry Zuckercorn: Yeah, because they don't have to be together, because you can't try a husband and wife for the same crime, right?
Barry's father: ...Sure.
Young George, Sr: We have the best *Bleep*ing attorneys!
Butt Monkey: Tobias, Buster — both before and after he lost his hand, Ann.
California University: A strange example of this occurs in Season 4, when the college George Michael attends is said to be UC Irvine, but the scenes were actually filmed at Occidental College. One wonders why they didn't just invent a fake university with a punny name, or mine the name "Occidental" for all of the multiple reference puns it was worth.
Can't Get Away with Nuthin' : Anytime Michael indulges himself or ever puts himself first (only a handful throughout the series) it has terrible consequences that are immediately revealed to his family who use the occasion to declare him just as bad as the rest of them (who ALWAYS indulge themselves and put themselves first).
Can't Get In Trouble For Nuthin': Maeby's attempts at teen rebellion tend to fail miserably. At best, they're not even noticed. At worst, her parents want to be included.
Casting Gag: One episode had Tobias roleplaying with a relationship counselor played by Mr. Show co-star Bob Odenkirk.
A late episode has Michael believe a prostitute is in fact his sister. She's played by Justine Bateman, Jason Bateman's sister.
Bob Loblaw, played by Scott Baio, replaces Barry Zuckercorn, played by Henry Winkler.
It started when somebody pointed out that she seemed a little young to be a movie executive.
When she needed to look younger, it was "Babysit me!"
She realized she probably needed a new one when somebody responded "Okay!"
She once tried to use it on her uncle Michael... which wasn't as bad as when Michael used it (see Cast Incest).
She says "shit" a lot in season 4.
Oscar's cries of "I'm Oscar! ...Dot Com!", after George Sr tricks him into getting sent to jail.
The Saddam Hussein lookalike at the end of 'Exit Strategy' says something similar when trying to explain that he is only a Saddam Hussein lookalike, and the real Saddam Hussein had a scar on his forehead: "I'm No Scar! ...Dot Com!"
Kitty: "Say goodbye to these, Michael!"
"Because it's the last time you're going to see them."
Steve Holt: * arms raised* "STEVE HOLT!"
His mother Eve Holt used to do the same thing with her own name.
Also, each member of the Bluth family (Buster excluded, Tony Hale says that Buster has too much respect for chickens to imitate one) has their own impression of how a chicken sounds and moves.
Michael: "Has anyone in this family ever even seen a chicken?"
"Is she really?" or "Really?" Michael's response to anything positive George Michael has to say about Bland...I mean Ann
Michael saying "And I have no problem with that"
"No touching!" and variations of it gets used a lot in the prison scenes.
Barry is "very good"
"Well, that was a freebie."
"Don't call it that." anytime someone calls Orange County "The O.C."
Season 4's specific theme seems to be deconstructing the Fawlty Towers Plot by exploring all the effects of lying egregiously in relationships and to oneself regarding relationships.
Cerebus Syndrome: Happens with the fourth season. While there still are comical hijinks like in the previous three seasons, there's less focus on them, and more on the characterization and drama. The season ends with Lucille 2 disappearing, while it's implied that one of the Bluths murdered her, and with George Michael punching his father in the face, and neither of these is played for laughs.
Cliff Hanger: Season 4 ends with almost all of its plot points unresolved with the intention of continuing them in the next chapter (Season 5 or a possible movie):
George Sr, because of a drop in testosterone and a rise in estrogen suddenly is acting like a woman.
Lindsay is going to run for Congress after Herbert Love fell into a coma.
Sally Sitwell's scheme with Tony Wonder.
GOB and Tony Wonder's relationship
Tobias was caught in Marky Bark's explosion.
Lucille had just requested a real divorce with George Sr.
We're still not done with Lucille's arrest just yet.
Lucille was going to return to rehab after Tobias called her The Invisible Girl.
Maeby is arrested for statutory rape of a student who she believed was an undercover cop who was of age.
There was also a throwaway scene where the Spanish woman George-Michael had sex with during his stay as an exchange student in Spain shows her friends George-Michael's "Star Wars Kid" video before standing up to reveal a baby bump. Is George-Michael the father? Will Michael become a grandfather?
George Michael and Maeby's potential relationship.
George Michael seems to have been targeted by Anonymous.
George Michael punched his father and they were at a stare down.
Buster is arrested for Lucile 2's murder
We have no idea who played The Thing in Fantastic 4: The Musical, since Tobias gave the costume to Buster, and Buster left it on the ground.
All of the main characters have motives, so we have no clue who's responsible for Lucille Austero's disappearance and probable murder.
Cluster F-Bomb: Buster gets one in Season 1, GOB gets one in season 2 and Maeby, of all people, gets one in Season 4.
As is Larry, George Sr's surrogate in the third season.
Coattail-Riding Relative: Virtually the entire family coasts on George Sr.'s and Michael's business successes. Tobias, being especially pathetic, even occasionally tries to jumpstart his nonexistent showbusiness career by exploiting GOB's equally nonexistent fame.
Colon Cancer: John Beard's To Catch a Predator rip-off, which has the full title of "John Beard's To Entrap a Local Predator: Orange County Edition: Super Creeps"
Though later episodes made painstaking efforts to sum up the episode thus far when returning from act breaks, presumably to catch viewers who might have been flipping channels.
The Continuity Lockout is less about the plot and more about missing those sneaky little hidden jokes. For instance, if you miss the first couple episodes, you'll have no idea why the family is always driving a staircar everywhere.
Darker and Edgier: Season 4 takes a lot of the characters pretty dark places, most notably making Michael and George Michael as pathetic and unlikable as the rest of the family.
Dawson Casting: Averted in the original run, but becomes jarring in flashbacks in season 4. Events that took place right after season 3's finale have characters looking much older than they looked even hours before. Even Michael Cera is not immune looking years older when confronting GOB after the Yacht party than he did when he confronted him not long earlier.
Deadpan Snarker: The narrator becomes increasingly sarcastic throughout the second and third seasons.
Michael has his moments as well:
Michael: Well, I’m sorry. It’s just too late. I’m moving to Phoenix. I got a job. Something you apply for, and then they pay you to, uh... never mind. I don’t want to ruin the surprise.
Decoy Protagonist: Double-Subverted. Michael appears again to be the protagonist of season 4, but then the episodes switch to character-centric episodes, and then George-Michael becomes the clear protagonist.
Gob's comment after getting a shock from seeing a picture of Jesus in a dark room.
Gob: "For a second I thought that was a real guy."
Double Meaning Title: The show is about a family with several children in different degrees of arrested development, who own a development company whose president gets arrested. Character development that ensues only after this arrest. Also, said development company struggles for three years with a deadlocked development project.
The model home, the penthouse, and George's prison are not the sets we see from episode 2 on, but locations that look vastly different.
The Narrator spoke in a much more subdued tone of voice in the pilot, without the playful intonation that would become his trademark.
John Beard has a mustache.
El Spanish O: In one episode, George Bluth is mistaken for his brother while in Mexico. He tries to explain that they want his "brothero." It's even funnier that he puts the accent over the "e" (like you would if it were a real word in Spanish), so he's saying "bro-thero" instead of "brother-o".
End of Series Awareness: through out the whole run, as its viewership was small enough that it was always on thin ice.
Everyone Knew Already: Tobias' "Mrs. Featherbottom" act isn't fooling anyone. It doesn't help that it's a transparent rip-off of Mrs. Doubtfire (with a bit of Mary Poppins thrown in). But the family agrees to humor him because he is actually quite effective at doing all the housework.
Michael: (Looks inside bag) "I don't know what I expected."
Tobias is a never-nude, which the narrator points out is exactly what it sounds like.
Michael: I thought he just liked cut-offs.
Failure Is the Only Option: The adult cast is never going to grow up and accept responsibility. Similarly, every season finale ends with Michael and his son fleeing the family only to somehow get drawn back into their mess.
Faux Documentary: The show is shot with handheld cameras, and nothing is shown outside the realm of what could be captured with a camera crew following the main characters and supplementary photography (at one point Kitty's claims that George Sr. was going to give her the company result in the series' only "footage not found" (apart from a callback at the end of the episode and a reference to the "great times" in Lindsay's and Tobias' marriage). The idea was much more explicit in the first half-season, when the "footage" briefly went static in a car accident, and a judge forced the camera to leave the courtroom.
The show more or less abandons the concept temporarily whenever they want to feature flashbacks of the adult characters as children. The clips are shown with a fake super 8 filter. This is probably a stylistic choice.
In commentary on the pilot they discuss the documentary style they wished to mimic since it was so popular at the time. Although it wasn't held very strictly, they used digital cameras and had a rule to follow the action rather than lead it. There's at least one instance of a boom mic being used as a gag.
Fauxtivational Poster : George Michael has a poster thats says "Fun and Failure: They both start out the same way"
Fearful Symmetry: George and Oscar Bluth attempted to fight for Lucille once, but quickly gave up after every move made was identically countered.
Foreshadowing: For example, count how many times in the 1st and 2nd season we see Buster alongside artificial hands.
Including his hand chair. After discovering that it was given to Lupe's family, Buster says "I never thought I'd miss a hand so much"- a full six months before he does.
In the very first episode, Michael's mother complain that someone cut the foot off her fox fur.
Also in the second season premier, George Michael mistakenly thinks Michael is saying Aunt Lindsay is not his real aunt when he was only talking about her nose being fake.
The second season premier features a newscast which briefly mentions a seal attack.
He also wins a stuffed seal from a claw machine. And briefly imitates the claw with his left hand
And let's not forget the season two episode where Gob "helps" George-Michael by attacking his candidacy opponent (Steve Holt), by pointing out that Steve doesn't even know who his father is, while simultaneously reminiscing about the anti-abortion girlfriend he had didn't have in high school. Well, Steve Holt's parentage gets revealed during The Tag. Guess who....
"For British Eyes Only" manages to doubly foreshadow a later reveal.The episode begins with a flashback to an earlier conversation where Michael responds to his son telling him he has a stupid girl problem with: "I don't even have a girl, much less a stupid one." Later in the day Michael meets a women named Rita. Who is mentally retarded.
Another incidence foreshadowing the same reveal is when Rita sits on a bus stop bench that says "Wee Britain" in a way that it ends up appearing as "Wee Brain".
And also when Trevor confronts Michael, asking "How would you like someone going after some stupid person in your family?"
Maeby is introduced as "[George Michael]'s cousin, Maeby," which could also be written as "[George Michael]'s cousin, maybe" since they weren't actually biological cousins.
George Michael: Aren't you my cousin? Maeby: Maebe/maybe!
Gob says he "could be a father" in "Best Man for the GOB". He is.
Michael noticing similarities between the model home and the palaces of Saddam Hussein in Season One.
Repeatedly through the seasons, it is hinted that Maeby isn't George Michael's cousin, which turns out to be true, but not in the way in which it was repeatedly hinted. In the last season, there are several foreshadows revolving around Michael's mysterious sister N Bluth which resolves to be that Lindsy is really 3 years older than Michael and adopted, therefore making Maeby biologically unrelated to the Bluths.
The first mention of Tony Wonder in "Good Grief" foreshadows his and GOB's relationship in season 4. He doesn't appear in the episode except for a picture in Poof magazine - which GOB holds up, saying "I should be in this Poof!", right after obliviously (?) and repeatedly hitting on a male employee. For a Freeze-Frame Bonus, the magazine article text compares Tony Wonder to Liberace.
Gob foreshadows his entire plot arc for Season 4 in "Flight of the Phoenix" while trying to guess why Michael is in such a panic.
Gob: If you were ashamed of being in love with a man, suddenly discovered these new feelings, then I might say something like, 'Homo much?'
Fake Buzz: Maeby drinks some virgin martinis and thinks she's drunk. George Michael tries to explain that "virgin" means non-alcoholic, but the venture is fruitless. Another time when Maeby and George Michael find some of Gob's fake wine (wine bottles filled with water). They drink it and think they are drunk. This leads them to get to second base.
The Narrator also suffered this in the third season to some degree, though this could arguably be seen as an (ultimately unsuccessful) attempt to prevent further Continuity Lockout.
Also, Gob was a much more competent magician in the first season.
But he seems to grow out of his habit of spilling his magic secrets every time someone asks how he does it. Probably why the Magician Alliance cuts him more slack.
Foregone Conclusion: From the moment Michael buys into the idea of a vote to decide who leaves George Michael and P-Hound's dorm room, it is instantly obvious that Michael is going to lose that vote. What makes it funny is that Michael is completely oblivious about how he unwanted he actually is despite George Michael's rather overt hints, uses several hours on (over)thinking about every possible outcome of the vote, boneheadedly insists on rules for the vote that only come back to bite him in the ass, and never considers for a second that he might actually lose.
Fully Automatic Clip Show: There's one of Maeby saying "marry me!" in the season-4 episode "Colony Collapse", in response to Gob accidentally proposing to Ann.
French Maid: In an episode preview Lindsay dresses as one thinking that she'll get to write off her debt to Bob Loblaw with a sexual favor...but finds herself performing actual maid duties.
Friendly Local Chinatown: The series has an unusual ethnic enclave in "Wee Britain", which is inspired by the German-themed Old World Village in Huntington, California.
Michael and George Michael, although growing further apart, do end up have a relationship with the same woman.
Tobias and Maeby both end up as registered sex offenders (although Tobias arguably didn't deserve this).
Lindsay's appearance and mannerisms match up closely with Lucille's when she becomes the new Republican candidate for Congress. She even has a rivalry with Lucille Austero's running mate Sally Sitwell, reflecting her father's with Stan Sitwell and her mother's with Lucille Austero.
Sally Sitwell is revealed to have alopecia, much like her father Stan Sitwell.
The season ends with Buster getting arrested like Lucille was earlier in the season.
Germans Love David Hasselhoff: When they were children, George Sr. instigated fights between Michael and Gob, filmed them, and released them. The tapes were very popular in Latin America. invoked
The same could be said about the cornballer. invoked
Golden Moment: Occurs almost entirely with Michael and George Michael, his son. Lampshaded when while making snacks with his father at the end of an episode George Michael remarks that he doesn't need his dad to stay out of his life, he's the biggest part of his life. Michael states, referring to the snack they are making, "That's a little cornball, son."
Hope Spot: The ending of 'Blockheads': Michael and George Michael finally forgive each other, and confess that they each didn't know that the other was dating Rebel Alley (which in Michael's case is a lie.) They hug, and just when we think the ongoing arc of their worsening relationship finally been solved... George Michael realises that something was weird about Michael's confession: 'How'd you know about the photo booth?' Michael, unable to respond with the truth thanks to the roofies GOB gave him the previous day, is lost for words, and George Michael lashes out and punches him in the face. Cut to credits.
Hypocritical Humor: Most lines spoken by GOB, Lindsay, and Lucille Bluth, with other members of the family getting a few here and there.
And, of course, Tobias's frequent claims that everybody else is a closet homosexual given the slightest provocation.
Done subtly with Michael: Despite his best efforts, he turns out to be just as meddling and arguably as abusive as his parents.
In the second season finale, the narrator explains how the Les Cousins Dangereux American remake was doing very badly due to the excessive bowdlerization, for example the film having to state constantly that the protagonists weren't biological cousins; later in the episode when George Michael and Maeby make out, the narrator, deadpan, reminds us that George Michael and Maeby might not be biological cousins.
"Public Relations": Michael hires a woman to handle public relations for the Bluth family, then after dating her finds their relationship becoming very public.
"Making a Stand": Gob makes a banana stand, then unites with Michael to make a stand against their father.
"Exit Strategy": The second-to-last episode, in which the Bluths go to war-torn Iraq (argued to be war torn due to a lack of an exit strategy) to find the evidence that exonerates their father (giving the show an exit strategy).
"Justice is Blind": Maggie Lizer's dog Justice is blind and Maggie can see.
"Queen for a Day": For the one day that Tobias owns the bar "The Queen Mary" he has it (accidentally) renamed "Tobias is Queen Mary".
Tobias: I guess I can have them remove the Mary.
"Missing Kitty": George Sr.'s secretary Kitty is missing.
The episode "Good Grief", centered around the Bluths' different reactions to hearing about the "death" of George Sr. This episode features homages to Peanuts including a beagle lying on the roof of a red doghouse, using music directly from the Charlie Brown specials, and being titled after main character Charlie Brown's catchphrase.
Don't forget the Charlie Brown Depressed Walk wherein the character walks slowly with their head down with the aforementioned music, just like in the specials.
"Family Ties": Michael Bluth (played by Jason Bateman) investigates into whether or not a woman he just met has family ties to him as his sister. She is played by Justine Bateman, who has family ties to Jason Bateman (she's his sister), and also starred as Mallory Keaton on the TV show "Family Ties".
George Sr. has a habit of swapping identities with his twin brother Oscar by force, either by putting on a wig or shaving his brother's head.
Tobias has treated himself to four thousand hair plugs, which resulted in him nearly dying as the transplant was rejecting his body. He also sported a classy wig while disguised as Mister Featherbottom. Erm, misses!
Their respective parents have this going on too. Even outside of Lindsay once coming onto Michael, there are occasional implications about the fuzzy line in their dynamic.
Then there's Buster and Lucille. On the episode "Motherboy XXX," note The XXX is actually a roman numeral 30, but the double entendre does not fall on deaf ears. Buster tells Michael, "Whenever she'd [Lucille] change clothes, she'd make me wait on the balcony until zip-up – and yet anything goes at bath-time".
Plus there's also:
Buster: Sister's my new mother, Mother! And is it just me, or is she looking hotter, too?
GOB: You know that Kitty is starting to sound pretty damn sexy to me. Maybe I oughta...
Michael: ...That was Lindsay.
In the final few episodes there are two other examples: Michael hires a prostitute (to manage the company) because he thinks she is his long-lost sister, and then in the finale we learn that Lindsey tries to make a move on Michael and GOB tries to move in on her. Also Michael and Tobias do some spooning (same-sex in-laws count as incest, right?).
The gag involving Michael's hired prostitute gets infinitely better when you realize the actress that plays her is Jason Bateman's sister, Justine Bateman. And even better than that when the show starts deliberately calling attention to the Casting Gag.
Another honourable mention would have to be Michael and Maeby singing "Afternoon Delight" together.. Only to find out a little too late what the subtext of the song is.
And Lindsay and George Michael doing the same thing later in the episode to get back at Michael and Maeby, not having stayed long enough to find out what the song is about. Although as of the season finale, neither of these pairings are technically incest.
Played with when Lindsay offers to be a mother-figure for George Michael and he mistakes it for a proposition.
"Gentlemen, start your engines!" Both Michael and George Michael toward a Lindsay they don't recognize in season 4. Doubles as a way of underlining the Like Father, Like Son theme the season has regarding those two.
And there's the fact that they both start hooking up with a woman who reminds Michael of his dead wife/mother of his child. How many kinds of incestuous implications does that have?
And there's also a scene where Gob hugs Michael, assuring him if he feels anything it's "just the dove" and the scene quickly shows that the dove is walking on the counter behind Gob. Yeah, it's that kind of show.
Indirect Kiss: When Lucille is confined by ankle bracelet to a non-smoking room, she hits on the idea of blowing the smoke into Buster's mouth and having him run onto the balcony to exhale it. It looks so wrong.
Insistent Terminology: They're not tricks. They're illusions. Used to G.O.B.'s chagrin in "Family Ties," among other episodes.
Though oddly enough, he eventually talks about a prostitute "turning illusions," the exact reason he gave in the pilot for why he doesn't like to say "tricks."
As much as he insists that they're "illusions" rather than "tricks" during actual magic shows, he tends to not have an issue with them being called "tricks" (and even does so himself) in casual conversation, implying that the whole thing is actually just a poor attempt to make himself seem more sophisticated while performing, rather than an actual preference.
Illuminated in Season 4: G.O.B offers up his Insistent Terminology, but when it's clear his bar tab is riding on the issue, he has no problem shouting, "Who wants to see a trick?"
Intercourse with You: Afternoon Delight. After figuring it out, George-Michael and dad find it too vague to mind singing it.
Irony: A Real Life example. A factor that greatly contributed to Arrested Development's humor and uniqueness (and eventual cult status) was the high level of Continuity between episodes and the innumerable brick jokes, callbacks, and running gags present throughout the series that rewarded longtime viewers and, in the process, helped set it apart from the myriad of other sitcoms it competed against. However, many people now believe that it was this level of continuity that at least partly accounted for Arrested Development's perpetually low ratings. Most sitcoms, due to their episodic nature, allow a viewer to jump right in and enjoy the humor without being confused by the plot. On the other hand, many first-time viewers may have abandoned Arrested Development after getting lost in the plot and/or being confused by the self-referential jokes.
Lady Drunk: Lucille is almost never seen without a drink in her hand.
Lampshaded the Obscure Reference: The episode "S.O.B.s", Tobias brings up someone named Freddie Wilson while talking, prompting the other characters to say they "don't get that reference". This doubled as an in-joke about how some people thought the show's inability to gain mainstream appeal was caused by its numerous and sometimes obscure jokes about pop-culture and topical references.
Lemony Narrator: The amount of times Ron Howard breaks the fourth wall probably counts in the hundreds.
He also takes considerable offense to the bad narration of Scandalmakers.
Leno Device: Jim Cramer is shown talking about the Bluth company on his show and in a later episode makes a live appearance. John Beard is an actual Fox local anchor and is presented as an exaggerated version of himself. Beard has been cast in several series either as a generic anchor or As Himself.
In a variant, Joel Hodgson and Trace Beaulieu appear in Season 4 to reprise their roles as Joel and Crow to riff on Debrie's Fantastic Four movie, to show that the movie was that bad.
Lethal Chef/Cordon Bleugh Chef: Lindsey, who starts off with such delights as Hot Ham Water and "Cream Soda" (soda water with cream in it), before "advancing" to raw chicken served in the water it was defrosted in. Not to mention her tendency to leave the stove on and then wander off...
Let The Past Burn: An episode ends with Michael and his son, George Michael burning down the family banana stand while they watched as a means of putting the days where they miserably had to work there behind. Their father is not pleased because he had hidden a secret stock of cash in there and the two of them failed to find it.
Lies to Children: Thanks to Lucille's insane lies to cover up her alcoholism, Lindsay has grown up believing that vodka goes bad if not finished the day it's opened and that wine only becomes alcohol if left to sit.
George Michael's cousin Maeby. As in, his cousin, maybe. (Turns out she's not.)
George Sr., while under house arrest, hires a man to wear a camera and a microphone and relay his words to the rest of the family during a consultation with a lawyer. The guy's name is Larry Middleman.
In the Grand Finale it is revealed that Annyong's real name is Heh-Loh.
Tobias in the fourth series dates a (recovering) junkie named DeBrie. Lampshaded when Tobias ends up discarding her quite literally in a pile of debris.
Metaphorgotten: Gob, on after the seal that bites off Buster's hand gets its flipper eaten by a shark.
"Poor little guy. He's probably out there somewhere, swimming around in circles, freaking out his whole family."
Mid Battle Teabreak: In a season 4 episode, Michael and GOB get in a fight in a padded children's play area after agreeing it is the safest place to fight. Shortly after the fight begins, they crash through the wall of the knife store next door. At this point, they stop the fight long enough to return to the play area.
Misplaced Wildlife: The vulture that's hanging around Sudden Valley doesn't look like any American species.
Muscles Are Meaningless: Lucille seems to be stronger than she looks, she can break through a barricaded door with little difficulty.
Buster: It's not the pronunciation I was worried about.
No Bisexuals: Played for Laughs with Tobias and played disturbingly straight with GOB and Tony Wonder, two straight-identifying men who have sex and share some sort of confusing feelings.
No Celebrities Were Harmed: The season 4 character Herbert Love is a pretty clear imitation of former presidential candidate Herman Cain.
Pop singer Mark Cherry appears to be a takeoff on Justin Bieber.
Not Blood Related: George Michael desperately looks for evidence that he and Maeby are Not Blood Related. In the end, it turns out that they're not... because Lindsay isn't.
Also, the Bluth's "uncle" Jack Bullet, who they exclusively refer to throughout the episode as as "Fake Uncle Jack", likely because a major plot point of the episode is his sexual desire for Lindsay.
"...and remember, he's not really their uncle."
When it's revealed that Lindsay is adopted, she comes on to Michael and Gob comes on to her.
Not Cheating Unless You Get Caught: Most of the conniving characters have no qualms about their schemes and are only concerned by the repercussions if they get discovered. As Bob Loblaw summarizes it "Why should you go to jail for a crime somebody else... noticed?".
Not So Different: Michael tries to be a good father to his son, but unfortunately in practice he's every bit as domineering and controlling as his own parents were.
Once More with Clarity: Several scenes in Season 4. The negotiation over film rights between Michael and George Sr. being the most prominent example.
One Steve Limit: Averted. Lucille Bluth's best friend/social rival is Lucille Austero, played by Liza Minnelli. When the name confusion is not being Played for Laughs, the show refers to her as Lucille Austero, or Lucille Two. To a lesser degree, there's a bit of a theme with the names of most of the male Bluths. There's George Sr, Oscar, George Oscar (GOB), Michael, and George Michael. The only one to escape this is Buster.
Tobias also has a brief relationship with a transvestite (whom he believes to be a woman) bodybuilder named Michael.
There is, however, only one Steve.
One-Woman Wail: Parodied in the latest season. 'Co-oo-o-oooooo-oooooo-oo-ooo-incidence.'
On the Next: subverted; they're almost always one-off jokes based on hanging plot threads of the episode they accompany. Of course, there are a few Double Subversions where the preview is actually true...
Police Brutality: A running gag in which George Sr. or Oscar (or one disguised as or mistaken for the other) gets tackled by police and a second later, one officer clubs him on the head with a nightstick. (Also, it's always the same two cops, each switching off on nightstick duty.)
In one first season episode, George Michael is revealed to have watched an episode of Oz as a small child (having confused it for The Wizard of Oz), and is terrified of visiting his grandfather in prison as a result.
In the third season of Arrested Development, George Bluth complains about being under house arrest with his wife (after having spent most of the first two seasons incarcerated):
"In prison I just had to lie there and take it. Here, I have to lie there and give it."
In the same episode, George gives a speech to troubled youth about life in prison in order to scare them straight (i.e. off of drugs or gangs or whatever), but ends up describing prison rape to a group of gay youth who are expecting to be scared straight (i.e. into becoming heterosexuals). Needless to say, they are excited by the prospect of sweaty groping in the dark by buff men.
It's also made fun of when Lindsay visits her father in prison during a previous season and he's explaining why he wants her to stop coming:
George Sr.: I'm paying thousands of dollars in Krugerrands. Lindsay: What? (Pause) George Sr.: Gold Krugerrands. Your mother snuck them in here, stuffed them in energy bar wrappers to keep me from getting strangled in the shower or worse. Lindsay: Stabbed? George Sr.: In a way.
In season 4, the activist/terrorist Marky Bark expresses fear of being imprisoned, commenting that prison is like [a restaurant running on the barter system], except there's only one thing to swap.
Racist Grandma: "Oh Gob, you could charm the black off a telegram boy!"
And several of Lucille's remarks towards her housekeepers and other Latino hired help. She also has said a few negative things toward Asians.
Season 4: George Sr. and Lucille state they don't tip black people, and are confused at others who see a problem with that.
Reality Subtext: A number of examples. Besides several Actor Allusion(s), there's the fact that Portia di Rossi is a lesbian and her character on the show is married to Transparent Closet resident Tobias. There's also frequent references to the show's declining ratings coupled with Biting-the-Hand Humor toward Fox. The episode S.O.B.s is one of the more blatant examples. Finally, the character Nellie, whom Michael apparently erroneously believes is his long-lost sister, is played by Jason Bateman's sister Justine.
More examples: the season 2 subplot about the development being cut from 22 houses to 18 refers to the second season being cut to 18 episodes, and the several references to musicians having rights to certain titles (Motherboy, Use Your Illusion, etc) is in regards to a lawsuit from the band Arrested Development.
Remember the New Guy: Franklin, GOB's puppet was apparently used sometime before the beginning of the series. However, the cast as a whole seemed to suddenly remember him all at the same time, on the episode of his debut.
The Resolution Will Not Be Televised: The movie seems like the likely stage for resolution and results of major plot threads such as Kitty making off with a great deal of George Sr's sperm.
Season 4 leaves several plot points dangling with the intention of them being wrapped up with the possible movie. (See Cliff Hanger above)
Running Gagged: Maeby used to say "Marry me!" whenever her coworkers thought she looked too young to be working to remove suspicion. One of her coworkers takes the offer a little too seriously, and she stops afterwards.
GOB did not get the message, as he accidentally proposes to Ann in Season 4.
Share Phrase: On top of the show's numerous Borrowed Catchphrases, Lucille, GOB, Michael, and Maeby all say "That was a freebie" in the third season, with about equal distribution (Maeby says it in two separate episodes, but Michael said it in the first season).
Season 4: The story mentions a couple of horrible (fictional) movies. Clips from these movies are shown with some very familiar audience silhouettes in the foreground. Turn up the sound and you'll hear some high-quality MST 3 K riffs - delivered by Joel Hodgson and Trace Beaulieu!
In one Season 4 episode, Gob is seen with some friends at a club called "and Jeremy Piven", a reference to the opening from Entourage.
The infamous sitcom My Mother The Car is playing in the background of an early season 1 episode.
The scene at the end of "Blockheads", where Gob is wiping off shaving cream from his face, mimics the final scene of Cruising. This can be seen seen as a commentary on the unexpected homosexual relationship between Gob and Tony Wonder, as well as a possible hint that Gob is the one who killed Lucille Austero.
In "Off the Hook", the way Buster, a child-like idiot savant, is fooled by the Army into thinking he's playing a flight simulator, while he's in fact controlling a remote plane and killing real people, is quite similar to what happens in Ender’s Game.
Sibling Rivalry: Quite a few, among them Gob and Michael, George and Oscar, Buster and Annyong.
Side Effects Include...: When Tobias and Lindsay performed as a singing hippie duo hawking drugs for a pharmaceutical company a years ago, a young Maeby would deliver the side effects in between songs.
Sixth Ranger: Oscar, who first appears late in the first season.
Standardized Sitcom Housing: One of the most surprising aversions, considering the family business and how self-aware the show is. The couch is off in a corner and it's possible to go from the front door to the kitchen without passing through the living room. The actual model home used in the pilot had a grand spiral staircase...leading to an unfinished attic.
Stealth Insult: Michael can't go two lines without laying one of these down on his family.
Lucille: It's so nice not to have to worry about contraception anymore. The doctor says that I couldn't be a mother now if I tried.
Verbal Tic Name: Parodied with "Annyong", who always repeats this name back to anyone who says it- since it's Korean for "hello". Lucille actually just didn't care enough to actually learn his real name: Hel-Loh.
Narrator: Michael was trying to include his brother in the business, at his father's request. Michael: So, the last couple of months have seen us hemorrhaging money... (piles of change suddenly burst from Gob's sleeves) Narrator: But he was finding himself overwhelmed by the change.
"Well Done, Son" Guy: Subverted in that right until the end they keep working for approval from their father (or in GOB's case for both his father's and Michael's).
There is also the fact that George deliberately undermined his sons to keep them working for his approval, as he believed it built character.
Wham Episode: The Grand Finale, naturally. It concluded most of the major plot points brought up in that season. Lucille is responsible for all of the corruption in the Bluth company, Lindsay was adopted at an early age and is the illusive 'Nellie' that Michael has been trying to find, GOB's christian girlfriend is revealed to be Ann, Annyong, whose real name is Hel-Loh, is a mole for the CIA, and has been spying on the Bluth family from inside the walls of the penthouse, Lucille is arrested for her crimes, and Michael and George-Michael finally leave the family to fend for itself.
'Top Banana' gives us a hilarious one in its final moments:
George, Sr: There was $250,000 lining the walls of the banana stand.
Quickly followed by:
George, Sr: How much clearer can I say... There's always MONEY... IN... THE BANANA STAND!
'Out On A Limb':
Buster: I'M GOING TO WAR!
From the end of 'Mr. F':
Narrator: But there was one piece of intelligence that Michael didn't have.
Agent 1: Interesting...
Agent 2: Don't even think about it J. She's an MRF.
Agent 1: MRF, what's that?
Agent 2: Mentally Retarded Female.
Stan Sitwell: 5%? Lucille actually gave you less than her natural children?
From the same episode:
Lucille: Well I know it was someone in this family...
Annyong: Or someone who used to be!
George Michael: How'd you know about the photo booth?
Wham Shot: Annyong hiding in the walls in the epilogue of 'Mr. F'.
White Sheep: Michael, George Michael and Buster are generally this in relation to the Bluth family. They are by far the most decent and the least manipulative and selfish. Contrasted to the others who are greedy and power-hungry, and generally hold very few morals. Tobias also fits into this trope, although slightly less so since his ideas of this don't necessarily comply with other people's ideas of this.
In Season 4, this trope is deconstructed with all three of them: Michael becomes much more frustrated and selfish, abandons his family and eventually kicks almost all of them out of the movie, Buster is pushed far past his limits, and eventually punches Herbert Love in the face, and George Michael begins to show his natural Bluth traits, most notably the power of lying, and ends up digging himself deeper and deeper, and eventually punches his father in the face after he finds out that he was lying to him. Not to mention the fact that they're all implied to have motives for Lucille 2's murder.
Your Cheating Heart: Herbert Love has a wife and kids, but has also been in lots of sexual harassment lawsuits during his campaign. Then again, his wife is having an affair on him, with Buster.
And in a weird variation on Season 4, Oscar, George's twin brother, manages to have sex with Lucille while the Bluths were still married, but Lucille had no idea it was Oscar as he was pretending to be George.
Batman Gambit: Michael attempts several of these. A failed example includes when Michael tries to break up GOB with Marta by putting her in the magic act.
Becoming the Mask: In Season 4, GOB sets out to get revenge on a newly uncloseted, flirty Tony Wonder by winning his heart and then breaking it. Tony is secretly straight and just pretending to flirt, because he thinks GOB is gay as well and has a boyfriend with money. They both end up truly enjoying each other's company and developing feelings for each other - the Narrator says this is confused friendship, but after they're tricked into sex with each other GOB says the experience has confirmed he's in love. Troper bonus: literal full face masks are involved.
Beware the Nice Ones: In one episode, Tobias (best known for homosexual innuendo), enters the same prison as George Sr. Tobias uses his therapist training and counseling skills to unintentionally convince the most powerful inmate to kill himself, and then heads a new prison gang centered around Wizard of Oz imagery, whose members were called "friends of Dorothy."
He was certainly the most feared analrapist in the prison.
In the final episode of Season 3, George Michael punches GOB out cold when he realizes that his uncle has been dating Ann behind his back.
In the Season 4 episode 'Off the Hook', Buster punches Herbert Love in the face and knocks him out, and then possibly murders Lucille 2.
In the final episode of Season 4, George Michael punches his father for dating Rebel Alley while he still knew the discovery that George Michael was dating her as well.
Bilingual Bonus: The painters reminiscing about the Baby Buster videos such as "Too Old To Breastfeed"
G.O.B.: Lindsay’s been staying at the Four Seas for, like, a month— she’s probably charging the company.
Michael: Lindsay’s been in town for a month?
G.O.B.: I don’t think so.
Body Double: Turns out that the houses in Iraq that the Bluth company built were housing a group of Saddam doubles. Though for double spoilers one on of them may be the real Saddam and a double was killed in his place.
Book Ends: The finale, "Development Arrested", is filled with them.
Gob: Please refrain from discussing or engaging in any sort of inter-office *bleep* ing, or s*bleep* ing, or finger*bleep* , or *bleep* sting or *bleep* eeing or or even *bleep* . Even though so many people in this office are begging for it. And if anybody does anything with my sister Lindsay, I'll take off my pants, I'll sh*bleep* . And I'll personally *long bleep* .
Buster:(Impersonating Lucille) I'm an uptight *bleep* BUSTER! *longer bleep* YOU OLD HORNY SLUT!
Nellie: We're gonna have some ground rules first, OK? No *bleep*ing, *bleep* *bleep*ing, or *bleep*asting. And no *bleep*ing unless you're wearing a *bleep* *bleep* or you *bleep* before you *bleep* me. And if this winds up on the web, I will *bleep* you in the *bleep*.
Coincidental Broadcast: Subverted. Wayne Jarvis tells Michael that GOB is "on the news! Right now!", and turns on the TV. They then wait several minutes for the segment about him to come up.
Cold Turkeys Are Everywhere: Parodied after a loose seal with a yellow bow tie bites off Buster's hand: he sees reminders of it everywhere, from his hand chair to his stuffed seal with a yellow bow tie to the words on his clock "ALARM OFF" minus the first two letters.
The representative trying to keep him alive does it too.
Gambit Pileup: In "Making A Stand", George Sr. attempts to carry out a illegal deal with a Columbian cartel by using GOB to unwittingly launder the money and distracting Michael by playing him against GOB. In response, Michael makes a plan to convince his father that the cartel have kidnapped him after Michael caught on and called the deal off to teach him a lesson. However, after GOB tells George Sr. the full details of the plan less than a minute into its setup, George Sr. plants his go-to scare tactic amputee J. Walter Weatherman in the group to give him a means to teach them a lesson about teaching their father a lesson. After finding out that GOB ruined their scheme, Michael gets into a fight with him which spills onto the balcony, where Michael falls over the railing. Once George Sr. runs out to the balcony in shock, Michael comes up from his hiding place behind the railing to teach George Sr. the lesson about pitting GOB and him against each other that they had originally planned... at which point the police, investigating the commotion upstairs, break in and shoot Buster's hand off- his fake hand, which he had been passing off as his good hand by concealing his real hand under his hook all along, teaching them all the lesson he'd been trying to teach the entire episode about using amputees to scare people.
"Development Arrested", to a lesser extent.
Hit Me, Dammit!: Buster spends an episode trying to get into a fight only to drop and curl into a ball when the time finally comes.
Homosexual Reproduction: Maggie Lizer was a surrogate mother of a gay couple, who used a material mixed from the sperms of both of them.
Rita: (A Brit, played by the South African Charlize Theron) I just hate when they get Yanks to play British people.
Incestuous Casting: Justine Bateman, sister of Jason Bateman, plays a character who falls in love with Jason's character. It's also played with, where Jason's character believes that Justine's character is his sister (which turns out to be false).
"Marry me!" (Pause) "That's weird on so many levels."
Leaning on the Fourth Wall: The late season three episode S.O.B.s is chock full of references to the show's failing ratings and involves the characters pleading for support and trying to seem more relatable, while simultaneously stating that they would not be able to do a Channel Hop should they ultimately be canceled, and, by the end, openly accepting the show's impending cancellation.
When they discuss the idea that there is a mole with a listing device in the company in 'Mr. F', the cameras focuses on each cast member, ending with George Sr.'s surrogate and then finally with a wide cast shot of the conference room with a studio mic hanging overhead that gets quickly pulled away.
In Season 4, whenever footage from the original run is used, a watermark for "Showstealer Pro Trial Edition" is seen over it - a nod to the reduced budget on Netflix
Left Hanging: Nearly every single plot and subplot in season 4 is left unresolved.
For another little bonus, take a look at the name of the man George Maharis was caught in the bathroom with. That's right: Perfecto Telles.
Littlest Cancer Patient: Parodied in the first season: Maeby pretends to be a terminally ill student named Surely Fünke so that the school will hold fundraisers for "her" and she can abscond with the money.
Meaningful Name: Sitwell repeatedly has problems with the adjustment of his eyebrows.
Lucille: Michael, I was almost attacked last night in my own home! I walk in, and there's a colored man in my kitchen. Michael: "Colored"? What color was he, exactly? Lucille:Blue!
No Such Thing as Bad Publicity: In-universe. Maeby produces an American remake of a French film about cousins dating. A religious group (led by the girlfriend of Maeby's cousin George-Michael) protests the film and turns it into a hit.
Played with: An attorney who can actually see claims to be blind in order to get the sympathy of her jurors; the Bluths try to expose her fake disability, but fail spectacularly because (only) on the day that they decided to prove she was not blind, she actually was temporarily blind due to an accident. She regained her sight in full the following day.
Maeby pretends to be a disabled girl called Shirley spelled Surely to get people to give money to her. Also Buster pretending to be in a coma to avoid testifying against the family.
Out-of-Character Alert: Michael goes to visit his father in jail. However, George Sr. tricked his twin brother Oscar into taking his place, and Oscar tries to convince Michael of this. When Michael doesn't believe him, and leaves to follow through on his plans with George Michael, Oscar tells him "I understand. Your child comes first." This is proof enough for Michael.
Peking Duck Christmas: Not the holiday precisely, but a similar idea. The setting has two Punny Name restaurants. One is called Skip Churches and is a Sunday Brunch place where Christians go in lieu of church. The other is Miss Temple's, a Chinese restaurant frequented by Jews in lieu of synagogue.
Platonic Prostitution: In "Family Ties," Nellie's customers never seem to want to have sex with her, and just need to talk about their deep-seated emotional problems: George Bluth sobs about his inability to make Oscar jealous with his money, GOB sobs about his inability to get Michael's approval, and, when she is inadvertently hired as an in-house prostitute for the whole Bluth company, she is concerned about the company's morale because the employees all just wanted to cry to her.
Possibly subverted, depending on the truthfulness of a phone call: "Away. She blew you away."
Plucky Office Girl: Kitty has used her position as one of these to get enough information on everyone to perfectly manipulate them all. Problem is, she's crazy, so how well this works is left up to the viewer.
The Problem with Pen Island: Tobias is an analyst and a therapist, and describes his profession with the self-coined portmanteau 'analrapist'. Needless to say, Tobias was mostly unaware of this trope being in effect when people reacted with shock upon seeing his business cards as he pronounced it differently than you'd imagine, so he didn't see it as an issue until later.
And in Season 4, he decides to show off his determination for a new start with a Vanity License Plate: ANUSTART (a nu start). He's finally learned his lesson about "analrapist", though, and now refers to himself as a "theralyst".
Prison Episode: The first season has George, Sr. in prison. However, as part of an "illusion," his son GOB goes to prison for an episode to prove he can escape in 24 hours time. He escapes when an inmate shivs him and he's taken to a hospital.
Lampshaded when Tobias and Carl Weathers go to Burger King. "It's a wonderful restaurant!" Narrator and show producer Ron Howard immediately adds "It sure is!"
"Have you seen the new Mustang? You can hump that hood!"
Two references to Netflix appear the season broadcast by the service.
Ratings Stunt: Lampshaded and abused in the fifth-to-last episode "S.O.B.S":
Tonight Someone Dies: Subverted: the narrator reveals that it's going to be a racist background character halfway through the episode.
Celebrity Star: the episode features several Guest Stars, but a large portion of the plot revolves around getting Andy Richter, who George Sr. didn't even want.
Real Life Writes the Plot: The circuitous, Hyperlink Story-ish nature of season 4 is due to difficulties coordinating the actors' schedules. Tony Hale's schedule conflicts with Veep in particular were so difficult to work with that Buster's focus episode is mostly self-contained.
Really Seventeen Years Old: Maeby gets a job as a producer where she constantly has to hide the fact that she's still in high school.
Recognition Failure: When Lindsay is trying to meet men, she is enticed by a bearded homeless fellow described as having the rugged, unkempt appearance of a movie star. When she finds out he's just homeless, she leaves. However, it turns out that the homeless man is actually Real Life actor Thomas Jane, doing some Method Acting character research for a couple upcoming movies by posing as homeless. When Lindsay finds this out, she is enticed again. Tom Jane is confused that she doesn't know who he is, but seems pleased that she thinks he's gross.
Red Herring: The Mr. F the CIA is using as a mole is Mr. Fünke.
Right Hand Versus Left Hand: A good handful of episodes has the family business being messed up by this happening within the Bluth Company, but this trope is at it's most noticeable when the finale reveals that the CIA East put George Sr. up to building houses in Iraq and the CIA West pressed charges against George Sr. for building houses in Iraq, both without consulting each other.
"Risky Business" Dance: In "Development Arrested", Ted is dressed like Tom Cruise (sunglasses, collar up, no pants) under the "Risky Business" banner. He can be heard saying "I couldn't see through the glasses and I slid into the ladder", implying he (unsuccessfully) attempted to re-create the famous "sliding in front of the stairs" scene from the movie, in front of the ladder.
Rummage Sale Reject: Rita's style of dress veers in this direction. But it's to be expected, due to "MR F"
Gob: So, a young neighborhood tough by the name of Steve Holt's gonna be here any minute...
Michael: Your son.
Gob: According to him...
Michael: And a DNA test.
Gob: I heard the jury's still out on science.
Seamless Spontaneous Lie: Lucille uses a lie like this to cover up the fact that her children's Nana died, and she's been keeping the inheritance money they want for herself. By this point in their lives, the kids know not to believe her. This just makes Lindsay try even harder to find out what happened in order to get the money.
Shout-Out: Tobias gets license plates made in the name of his hopeful roles, one of which says "DR HOUSE" .
George Sr. apparently has seen Astro Boy. He certainly would fit the age range when it came out.
George Michael is being threatened by Anonymous. Yes, that Anonymous.
In Season 4, produced by Netflix, Tony Wonder and Sally Sitwell mention that they don't want their plan to be a House of Cards, a reference to Netflix's first original series.
Sitcom Archnemesis: Lucille II is this in Lucille's opinion and Stan Sitwell is this to George Sr. In both cases, the detested person is a really decent person, but is treated as a nemesis because the Bluth in question attributes their own kind of motivations to them.
Take That: Done in-universe, oddly enough, when the narrator spends a good bit of an episode knocking the narration of a rivaling show, Scandalmakers.
In the Season 2 blooper reel, you can hear David Cross tell off Fox's marketing team for its failure to market the show despite its great reviews and numerous awards and nominations. The best part is that he does it while half-dressed in his Mrs. Featherbottom costume.
Talking to Himself: Jeffrey Tambor whenever George Sr. and Oscar are in a scene together. This is even lampshaded in a season 4 episode when George encounters Oscar at the country club:
That Came Out Wrong: The show specializes in these, usually half a dozen per episode from Tobias (who doesn't realize what he's said), but often from Michael as well (who only notices it half the time).
In "Justice is Blind," a veterinarian reveals to Michael that...
Vet: Mr. Bluth, Justice is blind.
Subverted a few times in season 4. One example is when the camera is focused on a bin labeled "active development," before panning out to reveal the bin next to it labeled "not going forward development".
Translation By Volume: Talking unnaturally loudly or slowly tends to be how the Bluths attempt to communicate with the various Spanish-speaking characters.
Twin Switch: George Sr. often tricks his twin brother Oscar into serving prison time in his place. Despite the frequency with which this happens, both Oscar and the police fall for it every time.
Oscar: Oh, stupid Oscar, when are you going to learn that there's no such thing as free shrimp?
George Sr. finds himself on the receiving end when the mexican police confuse him for Oscar, wanted for drug charges. He eventually convinces them of his real identity. That's when they remember he's the cornballer.
Twincest: Lindsay tells Michael she's "always been attracted to [him]" seconds after finding out they aren't blood relatives.
Unusual Euphemism: When George Michael says that he has Pop-Pop in the attic, Michael thinks he's talking about sex. Later episodes show that Michael may have been justified in assuming this, since other characters use it to mean exactly that.
Invoked and subverted by Maeby, who wants Steve Holt to think Lindsay is her father, not her mother. She goes so far as to buy her mother a shirt with a label "in French":
Maeby: It's pronounced 'Shemalé'.
Barry Zuckerkorn apparently seeks out this trope, exclusively:
Barry: Hey, you’re not one of those silly men that’s dressed like a woman, are you?
Prostitute: No, baby, I’m the real thing.
(Barry floors it and drives away.)
Unsympathetic Comedy Protagonist: With the exception of Michael and George Michael, everyone is a lazy, self-involved Jerkass. Michael, for all he really, really tries to be a good person and caring father, occasionally succumbs to hypocrisy and selfishness. This is Lampshaded in "S.O.B."
In Season 4, without the rest of their family to make them look better by comparison, both Michael and, to a lesser extent, George-Michael succumb to this.
Wallpaper Camouflage: Reoccurring trope. Tobias' blue paint, from his stint as a Blue Man Group understudy, allows him to camouflage against any blue background. He also camouflages himself against a glitter background using Lindsay's diamond lotion in order to spy on her.
Buster's Milford Academy training allows him a high degree of skill in blending into the background of any situation.
We Should Get Another Tape: Trope Namer is George Michael's eventual response to the running gag where any recording always runs on to footage he shot of himself re-enacting scenes from The Phantom Menace.
What Happened to the Mouse?: Parodied. Annyong disappears between the first and second seasons, never to be seen again... until one On The Next gag toward the beginning of the third season reveals that he had been hiding in the walls note but you have to wait for it.. He reveals himself as a spy in the final episode.
Played straight with Cindy the Ostrich, who isn't seen again chronologically after attacking Lucille 2.