Film / Black Christmas (1974)

"If this movie doesn't make your skin crawl, it's on TOO TIGHT!"

A 1974 slasher, redone in 2006, and one of the Trope Makers for the slasher genre.

The story is about a group of sorority girls who are staying over for Christmas break. Each one has their problems, but they don't know it's about to get worse, as a psychotic bastard sets up home in the Sorority House attic... And starts his reign of terror, terrorizing the girls with disturbing phone calls before killing them...

The 1974 movie was directed by Bob Clark, who is better known for directing a very different Christmas-themed movie...

Not to be confused with Silent Night, Deadly Night; another Christmas-themed slasher flick. (The fact that Warner Bros. released it under the title Silent Night, Evil Night in some markets doesn't help.)

This film has examples of the following tropes:

  • Asshole Victim: Mrs. Mac and Barb aren't exactly the most pleasant people. And Jess intends to have her and Peter's baby aborted despite him begging her not to.
  • Bi the Way: Barb talks about having sex with men, and is seen looking at a porno magazine with a naked woman in it.
  • Big Bad: Billy, the Ax-Crazy murderer terrorizing the sorority.
  • Book Safe: One of Mrs. Mac's many, many booze stashes.
  • Creepy Blue Eyes: Billy is revealed to have them in two particularly creepy scenes.
  • Creepy Doll: Billy leaves one with Clare's corpse.
  • Curiosity Killed the Cast: Clare and Mrs. Mac die looking for Mrs. Mac's perpetually lost cat, Claude. Phyllis is killed after spotting someone enter Barb's room.
  • Death by Sex: Averted. The list of victims (in order of killing) goes; the virgin, the (middle aged) house mother, a little girl, the promiscuous Hard-Drinking Party Girl, a cop, the nice girl, the red herring and then (probably) the final girl. And the final girl is having an abortion. And, unlike most later slashers, nobody is killed during -or just after- sex.
  • Downer Ending: Peter is mistaken for the killer, is killed by Jess and then we find out that the killer is still in the house with Jess.
  • Evil Phone: As soon as the girls realize the caller is the killer, this trope comes in full force.
  • Exact Eavesdropping: How killer knows to say "just like having a wart removed" to Jess during one of the phone calls, providing more Red Herring fuel against Peter.
  • Extreme Melee Revenge: After doing poorly at his recital, Peter smashes his piano.
  • Flipping the Bird: Mrs. Mac, behind Mr. Harrison's back. A picture in the house also depicts an old lady giving it.
  • Freudian Excuse: It's hinted that Billy has one. They should never have left him alone with Agnes!
  • Genki Girl: Barb - in a drunken, promiscuous way.
  • Giving Someone the Pointer Finger
  • Good Girls Avoid Abortion: Averted. The idea that the girls are getting killed as a result of Jess's vengeful boyfriend gets proven false. And she dies last.
  • Gory Discretion Shot: Barb being stabbed with the unicorn figurine isn't directly shown.
  • Harassing Phone Call: Billy constantly calls the girls with dirty language and wanting to do perverted things to them. It annoys the ladies until the kills start to pile up.
  • Harmful to Minors: Patrick and Barb swear like sailors in front of young children (Patrick even does it while dressed as Santa). A little while later, Barb gives one of the kids alcohol.
  • Missing Mom: Barb's drinking problems are caused by her distant mother.
  • Missing White Woman Syndrome: Averted at first. Sergeant Nash dismisses the concerns of the missing Clare's friends, telling them she's probably just shacked up somewhere with her boyfriend.
  • Murderer P.O.V.: The audience gets to see Billy's view, most notably when he has a complete breakdown and trashes the attic.
  • Nothing Is Scarier:
    • We're never shown or told exactly what Billy (if it was him) did to Janice, the little girl.
    • The very ending where Billy continues to call a sedated Jess as the camera pans away from the house. It seems to be building up to a scream from the house where Billy makes his final strike, only it never happens. Instead the credits roll in complete silence, save for the phone continuing to ring.
  • Novelization: It's rare as Hell.
  • Oh Crap!: Lt. Fuller's reaction to learning the calls are coming from inside the house.
  • Phone-Trace Race: When the calls get creepier, they decide to trace them.
  • Plucky Comic Relief: Mrs. Mac and Barb, when they're drunk. Sgt. Nash's dimwittedness also provides laughs.
  • Police Are Useless: Largely averted. Only the Irish-American is always incompetent, although one has to wonder why the officers rely on him so much, when he's clearly not to be trusted.
  • Pun-Based Title: It's a subversion of the song White Christmas, here black not standing for African-American, but for evil... or for utter despair.
  • Red Herring: Peter is mistaken as the killer.
  • Say My Name: The killer calls Barb Agnes before he kills her.
  • Screaming Woman: When Janice's body is found.
  • Serial Killer: Billy, since there's the minor implication he committed some rapes and murders before the ones featured in the film.
  • Team Mom: Mrs. Mac, who is literally the house mother. Also, Phyllis, to a lesser extent.
  • Too Dumb to Live: Jess makes a few poor decisions during the climax:
    • When the police finally realize that the calls are coming directly from the house, the dispatcher calls Jess and tells her to quietly leave as soon as possible. Instead of listening, she refuses and demands to know why. When he finally relents and tells her the truth, she still doesn't leave the house and instead tries to wake everyone up to get them to all exit, catching Billy's attention as he's already killed everyone else still in the house.
    • Despite earlier remembering that Peter was present during one of the phone calls which meant he was innocent, her panic from being chased by the killer causes her to mistakenly assume he's the killer when he shows up again and kill him, as a result causing the police to leave early while she's unprotected, alone, and sedated in the house with the real killer who will likely kill her as well.
  • Trashcan Bonfire: Clare's father, Jess and Chris are warming up to one when the little girl's body is found in the park.
  • The Un-Reveal: We never know who Billy is, why he's murdering people, or even what he looks like.
  • Vader Breath: At the very beginning, as Billy closes in on the sorority house.