He came back to settle the score with someone. Anyone. EVERYONE.
Desperado (1995), a.k.a. Pistolero in Spanish, is an action thriller film starring Antonio Banderas. It is the second movie in Robert Rodriguez's Mexico or Mariachi Trilogy , following El Mariachi and followed by Once upon a Time in Mexico. Has the interesting distinction of being one of very few sequels to be in an entirely different language from the first movie.Our No Name Given Protagonist has lost his love and killed her killer. That's just not enough for him. So he's trying to find her killer's boss and kill him, too. Unfortunately for El Mariachi, he'll have to use every gun in his guitar case against Mooks in seedy bars, thugs after his life, a knife throwing assassin, to do it. And all of this while keeping Carolina (Salma Hayek), his new love interest, friend and informant, and random bystanders alive.Not to be confused with Desperados.
"Blind Idiot" Translation: To the annoyance of all Spanish-speakers everywhere the word "desperado" is horribly mangled Spanish. The correct spelling should be "desesperado".
However, the word "desperado" has its own connotations in English (likely borrowed from Spanish itself) that quite befits El Mariachi. And one can hardly accuse Robert Rodriguez of not knowing Spanish — the movie's title in Spanish is the more appropriate Pistolero, or "pistoleer."
Cain and Abel: It is revealed when Mariachi and Bucho finally face off that they are brothers.
The Cast Showoff: That's really Antonio Banderas playing and singing with Los Lobos in the dream sequence.
Chekhov's Gunman: Campa and Quino, the two mariachis that El calls in for backup during the final act, appear as his band in the film's opening credits. Navajas can also be seen flipping a knife in his hand in the background early on when the last guy from the Tarasco bar is stalking El down the street.
Confessional: Mariachi is a good Catholic, so he goes to confession after cleaning out Tarasco in the bloodiest shootout in the entire film:
Mariachi: Bless me Father, for I have just killed quite a few men.
Buscemi: No shit!
It also gets Lampshaded a bit later, when the actual priest comes up to El Mariachi.
Priest: Would you like to come to confession, my son?
Mariachi: Maybe later, father; because where I am going, I would just have to come right back.
Then he calls them, and... RealityEnsues. Sure, they're badass and able to cause lots of damage, but the town is pretty much still there. They wreck havoc for a while, then they get dispatched rather easily. How anti-climatic.
Good People Have Good Sex: The movie has an extended, passionate love scene — one of the hottest in mainstream cinema — between El Mariachi (Antonio Banderas!) and Carolina (Salma Hayek!). Cut to the villain Bucho lying on his bed, smoking a cigar and looking bored while a prostitute bounces up and down on him. Then she kisses him and he blows smoke into her mouth, sending her into a coughing fit.
Harbinger of Impending Doom: Subverted: Buscemi trolls the same story of El's massacre of a Bad-Guy Bar to shady bars in different towns, and gauges the patrons' reactions. Annoyed disinterest in an annoying stranger's rambling? Move on to the next one. Mass "Oh, Crap!" from legitimately bad guys? Call in El.
Hollywood Silencer: Subverted. It helps if your silencer is made to go with the gun you're using.
Nothing Up My Sleeve: El Mariachi keeps dual Ruger KP90s up his sleeves. The KP90 is a large pistol, so the prop guns had their grips cut off to fit up his sleeves, which you can briefly see when he draws them.
Pillow Pistol: Mariachi does this with one of his Rugers, which concerns Buscemi:
Buscemi: One day, you're gonna lay down too hard on that thing and blow your brains out.
Retcon: At the end of El Mariachi, the Mariachi said his injury would pretty much certainly doom his career as a musician. Uh, maybe not...
On the other hand, the screenplay does acknowledge this: when showing a child some guitar tricks, The Desperado says, "ignore the left hand. The left hand is not important." The only time he plays more with more flexibility is in a dream sequence.
He also starts to sweat when playing with the guitar and stops abruptly, as if the pain has become too much.
The movie also suggests that the pain is in his head and the only thing injured is his confidence.
Right Hand Versus Left Hand: The bad guys engaging in this saves the Mariachi's life. Danny Trejo's master knife-thrower is seconds away from killing him when a bunch of gunmen drive up, mistake Trejo for the Mariachi, and shoot him full of holes. When they get back to base, their boss is on the phone to his bosses, who are telling him about their master knife-thrower whom they've sent to town.
A Tankard of Moose Urine: The Bad-Guy Bar has terrible beer, to keep casual customers away (it's a front for the drug smuggling operation). After one of the customers says that the beer tastes like piss, Tavo makes a crack about pissing in the beer, and based on some of the reactions people have when drinking it, it's very possible he wasn't joking.
Took a Level in Badass: In the first movie, "El" was an Action Survivor who spent most of the time on the run and only made a single kill. By the time this movie starts, he is clearing out bars and making a name for himself.
Two Shots from Behind the Bar: The opening shootout ends with the bartender pulling a shotgun to try to take out the Mariachi as he was walking away. As for how it turned out...
Buscemi: ...No, man. The bartender got it worse than anybody.