Jon Stewart: EVERYBODY?
The story ends on a happy, upbeat note, with all the problems resolved and everyone getting back to leading happy, fulfilling lives ... but only if they're main characters. The characters the audience know and care about get their happy ending, but it comes at the expense of minor characters who get stuck with a Downer Ending.
Note that the term "minor characters" does not include villains, even of the Mook variety, since we expect them to wind up worse off in the end (and it is considered more shocking if they get away, are Easily Forgiven, or win).
Related to Protagonist-Centered Morality, Inferred Holocaust, Esoteric Happy Ending, Everybody's Dead, Dave, and Dwindling Party. If an Adam and Eve Plot is both apocalyptic and presented as having an upbeat ending, it's also this.
See also: What Happened to the Mouse?, where minor characters are forgotten about entirely.
Note: This is a Spoilered Rotten trope, that means that EVERY SINGLE EXAMPLE on this list is a spoiler by default and most of them will be unmarked. This is your last warning, only proceed if you really believe you can handle this list.
- The first series of Hungry Days ends with a couple confessing to each other and reciprocating, blissfully unaware of the apocalypse happening around them and the meteor about to claim their lives. While the two are at least soon to be Together in Death, they're the only two still standing at the end. Even worse, the cameos from some of the couples from previous commercials during this sequence imply their stories end in fiery demise.
- GoLion, with all the death and destruction, and Princess Amue losing her love in a Senseless Sacrifice.
- Inverted in Code Geass, where Lelouch dies and Suzaku fakes his death and forever takes on the identity of Zero, while the surviving main characters move on with their lives - Kallen gets to finish school without having to hide her identity, Ohgi and Viletta have Babies Ever After (and probably both go back to teaching school after Ohgi's term as prime minister), Tamaki opens a bar, and Empress Nunnally, Chairman Kaguya, and Tianzi Lihua rule over a peaceful world. And C.C. rides off in a cart to who-knows-where... and no, Lelouch wasn't driving it. Well, even though he's confirmed to return in next installment, it could still be someone else.
- Fushigi Yuugi. Yeah, Miaka and Tamahome get their happy ending... Too bad the other Guardians of Suzaku are either trapped in a book or dead. Ultimately subverted in Eiko Den with the Suzaku warriors being reincarnated into the modern world.
- This is sadly common for Yuu Watase's work. Consistently expect only the Official Couple to get a Happy Ending (or a Bittersweet Ending if that's the best the characters can hope for in that story), while all the other characters wind up dead, emotionally scarred, on the losing side of a Love Triangle, and whatever other unsatisfying conclusion you can think.
- In Wolf's Rain, the only characters shown in the Bittersweet Ending are the wolves (sans Blue) and Cheza. The implication is that human characters do not get to be reincarnated in the future.
- The Elfen Lied anime ends with the director of the facility laughing hysterically and the fate of the other diclonius isn't made clear. However, Kouta, Yuka, Mayu, and Nana all survive to the end and there is a chance that Lucy may have survived also.
- Depending on your perspective, it's either inverted, averted or played straight in Bokurano. The pilots' home universe survives, but all of them die, except for Kana and Seki in the anime. It's also discussed when Kirie talks with Tanaka about how it bothers him that people can consider a movie as having a happy ending if many unnamed characters suffer but the hero gets a happy ending, and he seems to consider such stories as having Esoteric Happy Endings unless the hero acknowledges the suffering of others.
- More or less inverted in Tengen Toppa Gurren Lagann. While humanity progresses and moves forward, the protagonists take big hits. The supporting section of the group survives but must deal with the deaths of the gunman pilots (especially the Black sisters with Kittan's death and Leyte and her children with Makken). They do rescue Nia, only for her to die a week later, after her marriage with Simon. Simon ends up Walking the Earth with Boota and Yoko returns to her isolated life as a teacher and later principal. Considering the overall messages, this is pretty jarring.
- The movies aren't as bad. While Kittan still dies, the other pilots still live. Nia's death still occurs and Simon's and Yoko's fates are still the same, if not played out mildly more optimistically.
- At the end of Episode: Hope of Danganronpa 3, Makoto and the survivors of class 78's killing game (plus Komaru) all survive the final killing game, and restart Hope's Peak Academy. Meanwhile, the former Remnants of Despair, while all alive and cured of the effects of Junko's Brainwashing Despair Video, are unlikely to be able to return to society ever again, due to their actions as Junko's lackeys and the fact that they helped to cover up the Final Killing Game, and due to the fact that Mitarai is now associating himself with them, he's in the same boat. Literally. Meanwhile, Munakata's off to do who knows what all alone, with the knowledge that the woman he loved was a member of the movement he hated so much, and that his best friend's death is partially his fault. And everyone else is dead.
- The "Military Uniform Princess" /Altair of Re:CREATORS is pretty unusual because she's both the Big Bad and an In-Universe invocation of this trope, meaning it's also a case of The Bad Guy Wins. The titular Creators bring back her own Creator as a fictional character and have the two talk out her Suicidal Cosmic Temper Tantrum that is impossible to stop otherwise because she has become an in-universe Villain Sue, and they both walk away into the sunset as the only couple of people unambiguously happy and untraumatized from the Curb-Stomp Battle massacre that was the Elimination Chamber Festival.
- Weathering With You ends with Hodaka saving Hina so he can be together with her... except that doing this resulted in her powers flooding all of Tokyo, and possibly the entire world will follow suit.
- In some Chick Tracts, the main Christian will talk to one non-believer, who gets more focus than the rest of the cast and goes to heaven in the end, while the other non-Christians are implied to go to Hell. One example is "The Trial"; the twist is that the plaintiff's daughter accepted Jesus when her friend, the defendant, told her, and the girl's mother and the witnesses called in to testify (authorities from other religions) go to Hell. Then again, it's just as common to invert this, as in "Busted" the main prosecutor goes to hell while his secretary gets converted (however, we don't hear whether the suspect at the beginning was convicted, much less whether he deserved the outcome).
- Mutopia X has a happy ending for Ortega and Armena. Thanks to the ending of House of M, Armena is no longer a mutant, does not project a forcefield around her when she sleeps, and the happily married couple can finally share a bed and sleep together. Oh, that's so sweet... if we forget about the death of their daughter and the mass depowering of the mutants in Mutant Town that we had seen in the previous pages.
- Watchmen is about halfway between this trope and a full Kill 'Em All: of the five main characters, only Rorschach dies, while Dr. Manhattan reaches an epiphany that convinces him life can have value, Veidt's plan goes just as he wanted, and Dan and Laurie start a new life together. The supporting cast basically all died as part of Veidt's Genghis Gambit or had met some terrible fate long before that. And how good an ending this is for Veidt, Dan, Laurie or the rest of the world depends on how well said plan works out in the long run. Doomsday Clock eventually showcases that the public found out about Veidt's scheme and things went From Bad to Worse in a hurry for him, but Dan and Laurie are never seen so the assumption the audience normally has is that they had (and still have) a better ending.
- Whatever Happened to the Man of Tomorrow?: Nearly the entire supporting cast of Superman die (including Lana Lang, Jimmy Olsen, Perry White, Supergirl, and Krypto), but with his entire Rogues Gallery permanently dealt with in one way or another, Clark is able to willingly De-Power himself to retire with Lois under an assumed identity.
- Inverted in Rainbow Rowell's Runaways, where the only Runaway who is guaranteed a happy ending is Klara, who quit the team prior to the beginning of the series and got adopted into a loving family. Meanwhile, her former teammates are stuck dealing with the ramifications of their various previously-dead members all being resurrected, which has included the rise of a new generation of the Gibborim and the activation of Victorious, Gert's future mortal nemesis. Unknown to the rest of the Runaways, a lot of the miseries that they suffered that made them decide to get back together were the result of Gert's manipulations to force them to do so. She really hated being alone after coming Back from the Dead, you see.
- The Undertale fic Betrayed has two mutually exclusive endings, one of which plays this straight (for a given value of only the leads) and the other inverts it. In the first ending, Chara and Asriel are both brought back to life and reensouled, and Frisk and Chara have gotten together as a couple and redeemed themselves after the events of the Soulless Pacifist Ending, bringing everyone else that Chara had killed before her ensoulment back as well, and stopped Gasters scheme to become the god of all timelines and Ret-Gone the Frisks of all possible worlds, but the inhabitants of Ebott Village were all killed beyond all hope of revival and all the other Neutral and Soulless Pacifist timelines are as bad off as they were before, all of which we see were worse off than the storys main timeline from the beginning. Its implied that none of this would have happened if Frisk had refrained from the Genocide Route at the beginning and just accepted that Chara was stuck as a disembodied spirit. In the second ending, all of the above is still true, but all of the other characters (except Toriel, Asgore, and Asriel) tell Frisk and Chara that they can never forgive their actions, and that the devastation was all their fault, and that they deserve to never be happy again. Frisk and Chara agree with them and commit suicide under Mount Ebott together.
- Pinocchio ends with the titular character being returned to Geppetto and transformed into a real boy like he always wanted. However, over the course of the film during his trip to Pleasure Island, he narrowly escapes being turned into a donkey with several other boys. We never hear of the island again, leaving us to assume the countless other boys were transformed, sold into slavery (unable to even call for help), and (like Lampwick in the original story) worked to death.
- Cabin In The Woods: Because the main characters refused to kill each other in order to give the dark gods their required sacrifice, those vengeful forces will likely destroy the world (including the main characters) in retaliation, but the two leads are at peace with that because at least they stood by their principles and didn't perpetuate the evil sacrificial cycle.
- Saturday Night Fever: Tony heads to the big city to dance on Broadway and gets the girl, but the other one was treated like dirt, raped, and then forgotten about. And let's just forget Tony's friend Bobby C, who falls (whether accidentally or on purpose) off the Verrazanno-Narrows Bridge during an act of depressed recklessness.
- The 1998 movie version of Les Miserables ended the story before Jean Valjean dies, making it a happy ending as long as you're Jean Valjean, Marius, or Cosette and not any of the rest of the revolutionaries, who all died on the barricades.
- The Ring: Rachel and Aiden make a copy of the cursed videotape, thus passing on the evil. Someone else will certainly watch the video and die, but it's OK because the main characters are safe! Then again, it's a horror movie. The only way to survive is to doom other people, and the only way to get out of the movie alive is to harden yourself to that. (Note that in the original, the person being set up to die is the lead's father.)
- The end of The Birth of a Nation, with the main characters happily married and the Klan firmly in control of the South, is this, with heavy Values Dissonance.
- Invoked and ultimately subverted in Saving Private Ryan; the members of the squad who are Saving Private Ryan discuss and express discontent over the fact that their lives are being risked to save the life of one man who, from their frame of reference, is no more important than they. Subverted in that, while James Ryan is saved at the expense of nearly every man in the squad, he is left with a mere bittersweet ending as a result of this, being stuck with survivor's guilt for the rest of his life due to his saviors' deaths.
- In Hellboy II: The Golden Army the movie ends with Liz and Hellboy planning on their future together with their children. Abe Sapien, on the other hand, gets to mourn the death of his lost love, Princess Nuala, who killed herself to stop her brother from destroying the human world, and Hellboy is still destined to destroy the world.
- Avatar: Jake Sully and his alien catgirlfriend Neytiri get to live happily ever after. The last two humans on the planet (both friends of Jake's, remember) are likely going to starve or suffocate soon, and there's the fact that thousands of Na'vi are now dead (including Neytiri's father and former boyfriend), but at least the love-birds are together, right?
- Not to mention what will happen in a few years when the RDA returns, this time with modern weapons and a real army...
- Signs: Millions or billions of people have been killed or enslaved by the alien invasion, but God smiled on this one family and saved them so yay! Or not; all we really hear about the rest of the world is that the invasion was very quickly defeated. In fact by the time the family confronts the one in their house the main force is in full retreat according to the radio, so maybe the other aliens were just as incompetent and there were very few human losses.
- In Memoirs of a Geisha, Chiyo manages to unite with her beloved Chairman. Pumpkin is never heard from again, Mameha lives alone and continues her work as a geisha, and General Nobu just stays away because "he can't forgive [Chiyo/Sayuri]".
- Red Riding Hood: The village continues to live in fear even though the Wolf never returned. Valerie's mother has no one left, except Valerie who now lives in her dead grandmother's house and it's unknown if they see each other. Peter, after being bitten by the Wolf on a Blood Moon and thus becoming one every full moon returns to Valerie at the end of the movie after running away for some time to learn to control his werewolf power and the end credits show them being happy together.
- 2012: The main characters and several thousand others survive - the entire rest of the world (except, it's revealed, Africa) drowned.
- Knowing actually one-ups the above. Aliens save two children (not the leads, but significant characters) and transport them to another planet before a solar flare wipes out every living creature on Earth.
- In the Film of the Book of War Horse, only Joey and Albert (and his family as well) get a happy ending. The other characters die or are left with nothing to live for (Like Emilie's grandfather)
- At the end of 12 Years a Slave, Solomon is freed and reunited with his family in New York, but the other slaves owned by Edwin Epps are no better off than before. In fact, more than one historian has wondered what became of Patsy after the events of the movie but couldn't find any solid answers.
- Killer Klowns from Outer Space: All of the five main characters survive, three even get a Disney Death when they're shown to have survived the explosion of the klown spaceship after all. At the same time, their entire hometown has been wiped out by the klown invasion, which is ignored with a pre-credits pie gag.
- The Internship, the main characters' team wins and is the only one to get hired at Google. As this article points out, "in no previous America would it be considered a victory if 95 percent of your fellows were still left on the street."
- TRON: Legacy: It's somewhere between this and Downer Ending. Sure, Sam and Quorra escape The Grid alive, Quorra sees her first sunrise, and Sam is taking charge of Encom, hopefully driving the PointyHairedBosses and CorruptCorporateExecutives out. But The Grid (and all the wonders the "digital frontier" promised) are in ruins, two-thirds of the named characters in the entire franchise are confirmed dead or de-rezzed, most of the remaining third have dim survival odds at best. Alan and Roy's work in trying to find Flynn Senior was all for nothing, and they essentially gave up the best years of their lives. Quorra has no analog world skills or identity. Sam is pretty much seen as a proxy for his father. Oh, and that Sequel Hook - looks like Master Control isn't dead after all and Dillinger Junior is in its back pocket, meaning Here We Go Again!.
- Not Easily Broken has the main characters, a married couple that was previously going through marriage problems that were exacerbated by a devastating car accident that severely injured her, learning that they were having a baby and both being excited by it. However, this does nothing to work out the issues of the mother-in-law, whose misandry and disapproval of her apparently flawless son-in-law will linger on, impeding new grandchild or not, or the physical therapist that the husband developed feelings for whose own son received an out-of-the-blue traumatic brain injury during a swim meet and who was shortly afterwards taken off of life-support by the doctors over the desperate crying and pleas of his mother.note
- Done uniquely in The Big Short. The protagonists all make millions of dollars from the 2007 economic crash, but of course millions of people are going to be dead or broke in the coming years. The unique bit is that the protagonists are all aware of how many people got hurt while they got off scot-free, and with the exception of Vennett are all various levels of horrified about it.
- In Masques, the protagonist Aralorn gets a somewhat happy ending, but slavery is still commonplace, and of course Miss "I don't hate men, I just don't want the oppressive rules they make for women to apply to me" doesn't waste a thought on those women whose daddy didn't give them a sword, a horse, and a pat on the back when they told him that they want to be adventurers.
- Subverted and Lampshaded in Red Dragon. A family called the Leads is murdered, and Will definitely doesn't get a happy ending.
- In Pride and Prejudice, Elizabeth and Darcy are happily married, but Charlotte and Lydia not nearly as lucky in their marriages, and then there is the fact that there are lots and lots of women who had to marry for safety and a roof over their heads, just like Charlotte.
- In Pride and Prejudice and Zombies. Elizabeth marries Darcy. Nothing happens to stop the zombie apocalypse, though...
- Alexander McCall Smith's book The Careful Use of Compliments ends with the independently wealthy Isabel using her money to buy the journal she edits, firing the editorial board, and replacing it with her friends, all so she won't lose her editing job. Good for her, but sucky for the editorial board, the guy who was going to be the new editor, and all the journal's readers, since the journal will undoubtedly suffer a precipitous decline in quality.
- Juliet Marillier's Daughter of the Forest. The sorceress is defeated. Sorcha and Red finally get together, are completely content with their lives and get a Babies Ever After ending, but Simon is left out in the cold, Margary is left alone with a baby, Liam's one true love is dead, Colum has lost his self-confidence and Finbar is stuck with a swan's wing. Quite a Downer Ending for most of the cast.
- In Shadowleague all the main characters are pictured as looking at a bright future that they'll build together with everyone they met during the story, so everything must be going good... unless you're one of the many who died of the invading vampire-creatures, the plague or various other causes throughout the upheaval up until the main characters fix most of it.
- Maggie Furey seems to have a thing for pulling this off quite well. At the end of her Artefacts of Power series, if you're not a friend of Aurian, you're looking at a bleak life... and even then, two of her friends are stuck ruling a province for someone they don't like ruling under, too many people simply die, the Nightrunners don't really have a home anymore (and if Faerie rule has a bad effect on trade they might not have of a living either), and the three Xandim protagonists are outcasts of the to-be-brought-back-in-chains variant. Let's just say it's reasonable that Aurian wants to take some time off with her child, lover, and a couple of big black cats.
- In Breaking Dawn, Bella and Edward (and Nessie) get a ridiculously happy ending. Meanwhile, all of the other Cullens still have their original problems (Jasper still has bloodlust, Rose still can't have kids, etc.) and every other secondary character goes back to a nomadic life, presumably on the Volturi's target list for standing with the Cullens. We're supposed to believe that Jacob also got a happy ending but, as he was someone who hated imprinting, it sure doesn't feel like that.
- The epilogue of Lois McMaster Bujold's Shards of Honor starkly emphasizes that the leads may have gotten their happy ending, but a lot of innocent people died along the way.
- Discussed in Witches Abroad, where a voodoo priestess fights a fairy godmother who's manipulating the Theory of Narrative Causality for her own ends; the priestess thinks to herself at one point that she's fighting for all the exploited and down-trodden everyday people who "never got a happy ending" because they're just extras and side characters.
- In Worm, the heroes are victorious at the price of trillions of deaths and of civilization across most of the multiverse being destroyed. Taylor gets to retire to normal life in one of the few pockets of civilization and the rest of the heroes go on to happy lives heroically rebuilding civilization wherever they are, but if you're one of the few people who survived and you don't happen to live on a part of the world near the protagonists, your life is going to be nasty, brutal and short.
- Very common in the novels of Paula Volsky. Her settings are grim and dangerous, and many characters wind up dead or with other bleak fates. The protagonists tend to turn out OK—alive at the end, and often with romance as well.
- Completely inverted in Animorphs, where a Time Skip reveals a world which is brighter and kinder than is usual for the series, and lead characters who've all but fallen apart. The long-enslaved Hork-Bajir are free and living in Yellowstone, the Yeerks and Taxxons have escaped their bodies and live in other forms, there is peace and trade between humans and Andalites. Eva, Alloran, and other hosts get to live free. But Rachel is dead, Jake is mired in depression and self-hatred, Tobias lives as a hawk in isolation, Ax has gone Blood Knight and recklessly pursues trouble, and Marco keeps himself busy and claims happiness but jumps to throw it all away for a suicide mission. Cassie calls herself and Marco the "only two survivors" among the Animorphs, but she's the only one who's managed to move on and make a new life and find love. The last several books in the series feature these characters looking at their options and choosing again and again to work for that world above their own personal interests, so perhaps it's not surprising.
- An extremely dark example in Things We Have In Common, crossing over with Esoteric Happy Ending due to an Unreliable Narrator. The object of Yasmin's obsession, Alice, gets raped and murdered, and her body is probably never going to be found. Yasmin's family is destroyed by the accusation that Gary is a murderer, which is probably never going to lift. However, Yasmin and Sam get away with everything and the story ends with them getting together romantically and probably planning to abduct a victim together.
- 24 frequently inverts the trope by having Jack Bauer save the day while refusing to grant him a measure of peace. Day 1 ends with the murder of his wife and Live Another Day ends with him surrendering himself to the Russians. He loses another three significant women in his life along the way.
- Doctor Who, in Horror of Fang Rock. The Doctor and Leela have killed the alien Rutan that was threatening a lighthouse and destroyed its mother ship. They leave safely in the TARDIS, but the Rutan managed to kill all the other characters first.
- The finale of Season 3 in The Good Doctor is a perfect example of this trope: Morgan ends up damaging her hands, ruining her career as a surgeon; Park fails to save a teenager's life, and is so traumatized by the tragedy that he decides to leave the city and have more contact with his family; and Melendez ends up dying due to the injuries he got during an earthquake, much to the horror of his ex Lim and his co-worker Claire, who had just realized that she was in love with him. The only ones who end up having a happy ending are none other than the protagonist Shaun and his Love Interest Lea, who survive the earthquake and finally take the courage to start a love relationship with him. The final scene of the episode shows the two kissing in the sunrise, without having the slightest idea of the tragedies that occurred to their friends.
- At the end of the second season première of It's Always Sunny in Philadelphia, Frank very conspicuously says "The important thing is that nobody important got seriously hurt'' after the gang got in a car accident. The camera then pans over to an unnamed character who was with the group at the time lying in a full body cast in a hospital bed calling them jerks.
- This helped lead to a Broken Base for the ending of Lost. After everything that had happened and a final confrontation that isn't fully explained, only a handful of the most popular lead characters manage to survive and escape. The creators claim the ending was supposed to be about the characters and not the unexplained mythology, but pretty much every character that appeared, from recurring characters to background extras, were killed, including another plane-full of people that never mattered and were mass-murdered off-screen near the end of the series. Meanwhile, what they all died for is never really explained, but the ending still tries to be uplifting and hopeful because the popular leads made it out.
- This sort-of happens in Robin Hood. Both Robin Hood and Marian end up dead, but they are given a Together in Death scene that suggests that they have an eternity in Heaven to share. Everyone else? Shot, stabbed, dead, buried, abandoned, forgotten, or stuck with Kate.
- In Salem the Official Couple (John and Mary) get to leave the township for a better life together, whilst every other main cast member has either been murdered (Mercy), sold into slavery (Tituba), damned to hell (Cotton), corrupted beyond recognition (Anne), or not mentioned at all (Isaac).
- The play Life Is A Dream by Pedro Calderon de la Barca ends with the main couple having a beautiful wedding! Never mind the pointless war the protagonist and his father were having.
- Older Than Steam Shakespearean examples:
- Henry V ends with the wedding of the eponymous King and Princess Katherine of France after Henry fights a bloody war of conquest against his soon-to-be father-in-law. However, Shakespeare lampshades the trope by pointing out in the epilogue that Henry's conquests will be short-lived and his premature death will lead to a bloody civil war.
- In A Midsummer Night's Dream, Demetrius is given the love-in-idleness, thus forcing him to fall in love with Helena. While this is definitely good for Helena, it's not really a happy ending for Demetrius, given that he doesn't have a choice in the matter. He doesn't even seem to be aware that anything's out of the ordinary, making this a subversion.note
- Some interpretations of Twelfth Night play the ending this way. Viola and Sebastian are reunited and happily married to the Duke Orsino and the Countess Olivia, respectively. However, Olivia's whole marriage is based on the fact that she actually fell in love with her husband's twin sister, Sir Andrew leaves Illyria in disgrace and heartbreak, Anthony the pirate has lost the young man he loved and has been arrested while trying to help him, Toby Belch and Maria are trapped in a loveless marriage, and Malvolio has sworn revenge on the whole cast. Feste's sad song "For the rain it raineth every day" doesn't help.
- Agatha Christie's theatre adaptation of her own novel And Then There Were None has Vera and Lombard, the closest people the story has in the role of the protagonist, survive the murder spree and escape the island.
- Zig-zagged in Les Misérables. By the end of the show, most of the main characters are dead, including the lead, Jean Valjean. However, most of them (barring Javert) are living happily in heaven, which in the film version is portrayed as is an idealized version of Paris where their dreams have been realized. Likewise, in the real Paris, the poor are still as downtrodden and oppressed as before. Of the four main characters who do survive the show, the despicable Thénardiers get away with all their crimes scot-free, while Marius and Cosette are Happily Married but probably scarred for life after witnessing the deaths of various friends and family.
- The Takarazuka Revue production of Elisabeth gives this to the leads (Death and Sisi). They are Together in Death (well, when one's love interest/Stalker with a Crush is Death...), and the show ends with Death showing Sisi the underworld that she will (implicitly) be queen of, and he having gotten the girl. How do the other major characters fare? Franz Joseph outlives his wife (who he loved unconditionally, but she eventually ceased to return his affection) by decades. Sophie dies without much fanfare. The Hungarian revolutionaries are arrested. Rudolf has been Driven to Suicide.
- Fable II. The Needs of the Few ending resurrects your dog, sister, spouse (if you married), and children (if you had any). The countless hundreds of people who perished over the twenty years of the Spire's creation? Still goners.
- Taken Up to Eleven with the Needs Of the One ending, where you get a mountain of gold, but everyone who died stays dead.
- In The Secret of Monkey Island, if you sink your ship with the catapultic rock thing, Herman Toothrot will take you back to Melee island instead of your crew, and in the ending you'll get a nice sequence about how they're trapped in the cannibal hut. Escape from Monkey Island also treats this as canon and plays the trauma for laughs.
- Star Ocean and Star Ocean: The Second Story both have Multiple Endings based on hidden relationship meters between the characters, the Main Characters of course get their happy ending no matter what, but.. for those who have bad scores the endings can edge on Tear Jerkers.
- Inverted in Dragon Age: Origins for a non-human noble female Warden who was in a relationship with Alistair and didn't harden him, or for a male Warden who was in a relationship with Morrigan. Everyone but the leads (in your party anyway) gets a happy ending.
- A male Warden who romanced Morrigan has the opportunity to disappear with her into the Eluvian in the DLC Witch Hunt, and a female Human Noble who romanced and didn't harden Alistair can marry him at the Landsmeet and accept Morrigan's ritual, meaning they do get a happy ending... for now.
- Among all potential Grey Warden Player Characters, only the main Human Noble can get an unambiguously happy ending. They don't deal with deeply ingrained and inescapable societal racism like most other Wardens (mage, elf, casteless dwarf), and unlike the dwarf noble they're allowed to kill the traitorous bastard who destroyed their family without consequence. The Human Noble is also the only Warden allowed to marry Alistair or Anora and become King or Queen. Even the Dwarf Noble is not allowed to marry the Ferelden monarch because of their race, OR clear their name and become King/Queen of Orzammar. A Dwarf Commoner can also get an unambiguously good ending if they made Bhelen king, becoming a Paragon and noble in their own right and also in-laws with the king who reforms the oppressive caste system.
- Appears in Dragon Age II in the Templar ending, where Kirkwall has been devastated, Thedas is rapidly approaching its first world war, and the entire band of heroes has been split up...except for Hawke and his/her Love Interest. If you side with the mages you end up fleeing your home. Again.
- The best ending of Valkyrie Profile: Covenant of the Plume has Wylfred finally find peace, his mother regain her sanity, and Tilte learning about Ancel's death and being able to grieve him properly instead of just sensing that something's plain wrong. The rest of the cast, however, don't get featured at all in the ending and most of the characters that don't you meet but don't recruit get rather depressing ends. It doesn't help that the two other endings are Downer Endings.
- Downplayed in Knights of the Old Republic II: The Sith Lords. The Exile's team goes off to found the new Jedi Order, fix the damaged Republic, and shut down the HK-50's while she is condemned to flying off to die at the hands of the True Sith. It's implied in The Old Republic MMO that she did manage to do enough to set back the invasion for almost 300 years, but she still misses out on the opportunity to see all of her actions come to fruition or pursue a relationship with Atton or the Disciple.
- Inverted in Final Fantasy X: Sin is destroyed and the people of Spira are finally freed from the cycle of death and suffering that had dominated their lives for a thousand years, but Tidus fades away into nothingness as the power of the spirits who created him vanishes, leaving his friends saddened and his Love Interest Yuna heartbroken.
- Split fifty-fifty for the main characters in Final Fantasy XIII: Lightning and Snow get Serah back (though the sequel takes Lighting away from Serah immediately thereafter), Sazh has his son back, but Hope's mother is dead and Fang and Vanille are turned into crystals for all eternity.
- Also split fifty-fifty for the rest of humanity (or rather, the handful survivors). They lost their homes and are forced to live under the harsh conditions of Gran Pulse and are no longer protected by the Fal'cie. Then again the Fal'cie were trying to kill all of them. The main characters' final act plan was to stop the Fal'cie and, failing at that, to mitigate the damage.
- Averted by the end of Lightning Returns, where all of humanity gets to move on and be happy in a new world.
- Xenogears: Hooray, the two leads have finally found each other and reunited with the rest of the party, after killing Deus and freeing everyone from its control, making them able to lead their own lives! Unfortunately, "everyone" doesn't include the approximately 95% of the human race who either got turned into mutants and absorbed into Deus or straight-up killed.
- Played very darkly in The Last of Us: Joel and Ellie both survive and seemingly find a stable place to live together. The rest of the cast besides Bill, Tommy, and Maria die. Humanity lost its biggest hope at recovering from the Zombie Apocalypse because Joel refused to let Ellie be sacrificed to make a cure. The writers' stated intention for the ending subverts this trope: Ellie hated that Joel made that decision for her so that she lost all respect for him and would inevitably leave him. So not even the leads got a happy ending.
- To the Moon gives a "happy ending" in the form of a Dying Dream to the main character Johnny, in which he re-lives another version of his life in which his twin brother, Joey, never died and where he travels to the Moon with his soulmate River, but there's the fact that this never happened in reality, and that the real world counterparts died after suffering great pain for years.
- This may happen in Star Control 2 depending on how well you do. It's possible to win the game with every single planet except Earth wiped out.
- In Zero Time Dilemma, not only do only the leads get a happy ending, but only one dimension's version of the leads gets a happy ending. They do not succeed in stopping the end of the world. They only succeeded in transferring themselves into the consciouses of themselves in a dimension where the plague that causes the apocalypse never happens. The other versions of themselves die in other dimensions or watch helplessly as humanity is brought to its knees, and the people in the dimension the leads end up in weren't "saved" since they were never in any danger in the first place.
- Seraphic Blue inverts this. Vene, the main party member, is still struggling with nihilism and barely survives a rare disease in the ending while the other party members seem to have found far more peace of mind.
- Pikmin has the third game end with Koppai's food shortage remedied, but Hocotate Freight is back in debt with a missing ship (thus losing more money) and Louie seems to have gone insane.
- Fate/stay night's Central Theme is that a hero has to choose who he wants to save, and illustrates it during its three main scenarios. In each scenario Shirou gets a little more selective and selfish about who he chooses to save, giving the main characters a bit more self-realization but also increasing the collateral damage to the city and its inhabitants. In Fate, the trope is inverted as Shirou gives up his own happiness and is (potentially) set down a very self-destructive path, but no innocent people die. Meanwhile, in Heaven's Feel, the main human characters get a happy ending while several hundred innocents die (off-screen) during the scenario.
- Red Dead Redemption II inverts this trope. Arthur Morgan dies. John Marston is able to settle down with his family, but anyone who played the first game knows it won't last long. Meanwhile, though some gang members like Strauss and Karen come to bad endings, the others are able to move on and lead successful lives.
- The Neutral Endings of Undertale. Frisk returns to the surface, but the Underground is in shambles, and depending on how murderous the player was, any number of innocents could be dead. The Pacifist Ending is a straight happy ending, and the Genocide Ending an unambiguous Downer Ending for all involved.
- In Family Guy, Lois is targeted for assassination by the Mafia by putting a bomb in her car. But Peter convinces the kingpin to spare her life; and the episode ends with Peter saying "all that matters is that nobody important got hurt." (As the parking valet's clothes come floating down from the sky in little pieces.)
Peter: I guess being a hero isn't always about saving lives. Sometimes it's just about caring for the people you love.
- And in another episode:
Random Woman: Help! Someone just stole my purse!
Peter: Who cares? I don't even know you!
Brian: Well, it's a relief that everyone's been vaccinated, and the quarantine has been lifted.
- In Season 15, "Hot Shot":
Lois: Well, I'm just happy that Stewie is healthy, and only 150 people died, but not anyone we knew personally.
- In My Little Pony: Friendship Is Magic episode "The Best Night Ever", after trashing the Grand Galloping Gala and ultimately having their dreams of the best night ever ruined, Princess Celestia comes in and reassures them that she had always found the Gala dreadfully dull and invited her friends in the hopes that they could spice things up a bit, and the episode ends with them having a good laugh about it. On the other hand, many other ponies who were perfectly happy with the way things were had their night wrecked by the Mane Six's antics.
- In TaleSpin, Baloo is declared the heir to a rich family and inherits their fortune. The reason he is the sole heir is that all the others were killed by the cook and the butler in a scheme to inherit the fortune, but all their attempts on Baloo's life fail and the cook and the butler are arrested. So all live happily...except for the rest of the family members, who were murdered.
- Done several times on Futurama, where the main characters resolve their issues while the city gets destroyed in the background. One episode had Fry and Leela making up after Fry put a humiliating video of her on the Internet, meanwhile all of Bender's and Fry's Twitcher subscribers get brainwashed by M.O.M.. Thankfully, they were brainwashed into buying more of her products. Another had Bender being saved from execution by going on a murderous rampage with Santa Claus (It Makes Sense in Context).
- Star vs. the Forces of Evil ends with the protagonists destroying magic to neutralize the threat of Mina's army of Solarians (and future abuses of magic), even if it will leave Star, Marco, and others stuck in their respective dimensions of The Multiverse. Then, Earth, Mewni, and possibly all other dimensions become one Merged Reality, letting Star and Marco stay together, but drastically altering both worlds in ways that will be difficult to adjust to, especially for all of the people (mostly on Earth) who aren't already familiar with other dimensions. Also with no magic, all beings that were made of magic were erased from existence, including the entire Magic High Commission, and who knows how many others.
- Happens in the Tangled: The Series special "Queen For a Day". Rapunzel manages to end the deadly blizzard curse that would destroy Corona and reunites with her parents, and Eugene comforts her when she doubts becoming queen and will be with her when the time comes. However, her friend Varian's father got frozen in amber thanks to a failed attempt to get rid of the black rocks, and since she couldn't come to help him because of the blizzard, he undergoes a Start of Darkness and vows revenge on her (and by extension, all of Corona) for turning away from him.
- In Harley Quinn (2019), the first season ends with Harley defeating the Joker and finally breaking free of her toxic relationship with him. She reconciles with her crew and Ivy (who was killed during the previous episode) is resurrected. However, the Justice League is also presumably still stuck in the Queen of Fables' book, Batman has disappeared, and Gotham has been ravaged by the mutated trees' rampage then by an earthquake caused by the Joker, presumably killing countless civilians. The episode (barring the cliffhanger) ends with Harley, Ivy and their friends watching Gotham in flames. Since the main characters are Villain Protagonists, they consider it a happy ending.