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Light Is Not Good / Literature

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  • See how many of the titles of Arthur Machen's novels have titles with a white or luminous thing in them,(such as The White People)then read how that thing causes the protagonist's spiral into madness or extremely painful death.
  • The aesopian fable of The Frogs And The Sun is generally considered a cautionary tale against tyranny. The frogs beg the gods to not let the Sun marry or else another Sun will appear and kill them by drying away their marshlands. One version even has Helios ask the gods for counsel in marriage and they waste no time telling him to not even think about it.
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  • Discussed by Ishmael in Moby-Dick, in relation to the creepiness of albinism in spite of the good symbolism of white. Moby Dick itself is an albino whale, which Ishmael considers to be part of what makes it so primally terrifying.
  • In Harry Potter: Dolores Umbridge. Besides her obsession with Tastes Like Diabetes imagery, she, unlike the main villains, can summon a Patronus like the protagonists. Even better, she can do so while wearing an evil Soul Jar on her neck that everyone else can't. In other words, an animal-shaped avatar of light powered by her utter sadism. Yeah.
  • Crenshinibon, The Crystal Shard from the Drizzt Do'Urden-centric Forgotten Realms stories, is a psychotically evil artifact with the power to do almost anything—as long as it bathes in the light of the sun every once in a while. The liches made the thing work on those principles because they liked the irony. Then, just to prove its own badass credentials, Crenshinibon ate them.
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  • In The Riftwar Cycle by Raymond E. Feist, the Valheru Ashen-Shugar dressed in golden armour with a white tabard and rode a golden dragon. And while he may have had some faint feeling of responsibility for the land and the people enslaved under his rule, he was still Valheru all the way.
  • In Neverwhere, the Big Bad turns out to be soft-spoken, kind and caring angel Islington. Well, not that kind and caring, actually. They don't kick you out of Heaven for nothing.
  • Very much present in the Alex Verus series. The "Light Council" aren't necessarily bad guys, but there's a reason Alex doesn't trust them. The author even lampshades the trope in one of the world-building articles here.
  • The villain (well, he starts out good and gets steadily more villainous) of Janny Wurts' Wars of Light and Shadow is a handsome, blond, blue-eyed guy who wears white and gold and wields the elemental power of Light. He sets himself up as a deity and has the hero (who has black hair, green eyes and the elemental power of Shadow) hunted down as the embodiment of all evil.
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  • In Albert Camus' noir novel The Stranger, strong sunlight generally accompanies unpleasant moments in the narrator's life. The day of his mother's funeral and his murder of the Arab that eventually sees him sentenced to death both take place on bright, brutally hot days.
  • In Robert Jordan's The Wheel of Time, the Children of the Light believe themselves to uphold the 'will of the Light' when, in fact, they generally do more harm than good. Particularly the Questioners.
    • There's also one of the series main villains, Lanfear, who always wears white and silver and surrounds herself with light, but is the second-most powerful of the Forsaken (only Ishamael beats her) and generally one of the most infamously evil people in history. Ironically, her name means "Daughter of the Night", so she legitmately uses light and dark symbolism.
  • A borderline case that nonetheless is a good illustration: A recurring theme in Susan Cooper's The Dark Is Rising series is that, although the Light is Good, in the sense that everything it does is to protect humankind, it's not nice. This comes up most explicitly in The Grey King, in a conversation between Will Stanton (a representative of the Light) and John Rowlands (an ordinary human): "At the center of the Light there is a cold white flame, just as at the center of the Dark there is a black pit bottomless as the universe."
    • That conversation also causes Will Stanton to suspect that the Light is what originally caused him to become so severely ill he was sent to Wales to recuperate... making him conveniently available to do the Light's work.
    • One of the powerful lords of the Dark is the Black Rider. In the final book, we meet his partner, The White Rider: robbed in white and riding a white horse. Will muses this may represent the evil in beings totally "blinded by their shining ideas".
  • In Steven Erikson's Malazan Book of the Fallen, the Tiste Liosan are the Children of Light, have light-themed powers and worship a deity known as Father Light. Despite that, they are isolationist, bigoted Knights Templar, to the point where nobody takes them seriously — and especially their fixation on being the arbiters of justice. For a long time in the series, the only Tiste Liosan to make an appearance are a group of four knights too self-absorbed to be of any consequence, but Beware the Silly Ones. Like their cousins, the Children of Darkness, they used to have a Warrior Prince to lead them, but even he pulled a Screw This, I'm Outta Here!
  • Lord Rahl, the villain in the first Sword of Truth novel is a Villain with Good Publicity who dresses in white robes, talks a lot about peace and harmony, and generally does a pretty good job at convincing everyone that he's a Messianic Archetype. The impression is somewhat ruined by the fact that Lord Rahl's first name is "Darken"...
    • The sisters of the light, while well intentioned, are often seen as a hindrance throughout the first half of the series, especially when many of them are captured and enslaved by the Big Bad and used for evil.
  • Evangeline Walton's Prince of Annwn (a very loose adaptation of Welsh legend) features as its primary antagonist Havgan, a god of light and beauty — but also sterility and disease. He is heavily implied to be an Expy of real-world Babylonian mythology's Nergal, who had a similar portfolio; his heroic opponent, by contrast, works for Arawn, Lord of the Dead and poster boy for Dark Is Not Evil.
  • The gods of Order in Louise Cooper's Time Master Trilogy are hardcore Knight Templar fundamentalists with an insane lust for power and worship. Tarod and the gods of Chaos range from slightly Chaotic Evil tricksters to fairly Chaotic Good, going through almost every shade of Chaotic Neutral, but they're always portrayed in a much more positive light than the always psychotic gold-and-white-clad gods of Order.
  • Discworld novel Thud! does this a fair bit when describing the philosophical beliefs of the Dwarfs. As a subterranean race, light and darkness have very different connotations for them, so that "becoming enlightened" is not a good thing.
    • The fundamentalist dwarfs have reduced the tenants of their culture into simply sitting in the mines and pretending that light of the surface does not exist. Others, like Grag Bashfulsson, consider darkness a state of mind, not a lifetime spent sitting in a cave. He and those like him are still 'endarkened', which to dwarfs is the same as 'enlightened' to humans.
    • In Witches Abroad Lady Lilith A.K.A.Lilly Weatherwax is every inch the good fairy god mother, save for the moral compass.
    • In Wintersmith, after Tiffany Aching dealt with the crush the Wintersmith had on her that threatened to turn at least the continent dark and cold forever by properly releasing the summer, she is shown what the opposite would have been—the deep, deep desert, so bright and hot that nothing can survive.
    • Also, elves, largely thanks to their Glamour. One of the names used to refer to them is "The Shining Ones".
  • Good Omens, by Terry Pratchett and Neil Gaiman, plays with this theme. Aziraphale and Crowley often squabble over who does what, heavily implying that good and evil are all perspective. The forces of light are also destructive and more than happy to bring about the Apocalypse, especially the Metatron.
    • Another example would be Pollution, one of the Four Horsemen of the Apocalypse (having taken over from Pestilence), who is described as being pale and white-haired.
  • L.E. Modesitt Jr's The Saga of Recluce pits "black" Order against "white" Chaos, with the first few books coming down firmly on the side of "black" Order.
  • In C. S. Lewis' The Lion, the Witch, and the Wardrobe: The White Witch. To a lesser extent, the Lady of the Green Kirtle also qualifies, sharing Jadis' beauty, when not disguised as a snake at least. It's an Unusual case that comes paired with Light Is Good. Aslan is always associated with light, but his lands are fertile and gentle whereas Jadis' and the Lady's are sterile and poisonous.
  • Dorian Gray of The Picture of Dorian Gray is blond and angelic looking in very sharp contrast to his actions. Problematically, a number of book covers as well as the derided The League of Extraordinary Gentlemen film present him as Tall, Dark, and Snarky. Gray actually starts out as a very angelic and pure person, only to be slowly corrupted as the book goes on. And while he does remain blond and angelic, his painting makes it pretty clear that his inside looks quite different. When he stabs the painting at the end, his body does change to look as horrible as his personality and actions have been.
  • Because of the 19th century belief that Beauty Equals Goodness, other writers also used the angelic-villain idea such as Benedetto/Andrea of The Count of Monte Cristo (and especially his evil version in Gankutsuou) as well as Montparnasse, one of Thenardier's Quirky Miniboss Squad in Les Misérables.
  • In Waywalkers and Timekeepers, the Light is the most powerful weapon in existence, and the only one able to defeat the Big Bad Cronus. To use it, the protagonist Satan has to tap into the fear of every human on earth, and may lose his own mind in the process.
  • In Andre Norton's Janus duology, the heroes are members of a nocturnal, forest-dwelling people (moonlight is okay), and their enemy rules the daylight and the sun-scorched desert.
  • Saruman the White in The Lord of the Rings.
    • Although it's implied that when he was still actually 'The White', he wasn't evil yet (though starting to lean in that direction). When he takes the actual step to become evil (while maintaining that he's doing it 'for the greater good'), he breaks the White and becomes Saruman of Many Colours. Even that continues the symbolism, echoing the way white light splits into a rainbow when shone through a prism.
    • As well as Sauron in his guise as Annatar in The Silmarillion.
    • From the same author, Roverandom has The Great White Dragon, although admittedly he's not as impressive a villain as Tolkien's famous dark lords.
    • Tolkien was well aware of that darkness and light can be used as metaphors of evil and good, but also the reverse, more rarely. For ex, there are moments when Frodo and Sam find themselves thankful for the omnipresent cloud and shadow of Mordor, since it helps to hide them from the Eye of Sauron and lesser evils. Minas Morgul radiates a sick, corrupted light that is so terrifying and maddening that simple familiar shadow and darkness become a welcome source of shelter and protection when they hide you from it. In that case, darkness was good and light evil.
      • Also, in some accounts of the Silmarillion, Melkor the Morgorth originally manifested himself physically as a brilliant, beautiful light. Tolkien himself was well aware that 'Lucifer' means 'light bringer' or 'light bearer'.
      • In the context of Tolkien's mythos, the Sun is not good for the elves, who see it as symbolic of the triumph of men over them (it is outright stated that the Sun symbolises the waning of the elves, and Galadriel implies in The Lord of the Rings that they see the dawn in the same way mankind sees the dusk - as symbolic of the end).
    • Even Galadriel, who in The Lord of the Rings appears to be nothing short of an angel of pure goodness, is a lot more complex when considering her entire character biography. When the Noldor elves returned to Middle-Earth to destroy Melkor and his forces, she did not make an oath of eternal vengance like her brothers and cousins, but came along because she wanted to get her own personal kingdom to rule. And after almost all the elf lords had been killed by the end of the war, she was one of the most powerful people left in Middle-Earth, and became even more so when she had one of the three elven rings made for her and probably the biggest Chessmaster after Sauron. When she tells Frodo that the one Ring would corrupt her and turn her into an evil queen, she is not speaking hypothetically. She knows exactly what she really wants above everything else, and what she always had wanted.
      "In the place of a Dark Lord you would have a Queen! Not dark but beautiful and terrible as the Morn! Treacherous as the Seas! Stronger than the foundations of the Earth! All shall love me and despair!" - Galadriel, in the films, while starting to glow brightly and terrifyingly from within.
      "“In place of the Dark Lord you will set up a Queen. And I shall not be dark, but beautiful and terrible as the Morning and the Night! Fair as the Sea and the Sun and the Snow upon the Mountain! Dreadful as the Storm and the Lightning! Stronger than the foundations of the earth. All shall love me and despair!” She lifted up her hand and from the ring that she wore there issued a great light that illuminated her alone and left all else dark" - Galadriel from the book.
  • The His Dark Materials trilogy:
    • God, angels, the Catholic church and the kingdom of Heaven as a whole are evil. Indeed, this is the reason why the (real-life) Catholic Church hates the books and why they picketed the Golden Compass movie. Given that the author flat-out admitted that he wanted "Narnia for atheists" and that he has nothing but distaste for religion, it's not hard to see why.
    • Mrs Coulter, who is a beautiful, charismatic person and yet probably the most fucked up villain to ever show in the series. The movie made her a blonde, only to stress this trope. Also, her monkey daemon is golden in colour.
    • The tualapi, which are white birds that cause destruction on the mulefa's world.
  • In Stephen King's The Mist, the most religious character is also an insane murderer.
    • The villain in It, who has her dead lights.
  • A Song of Ice and Fire
    • R'hllor is the Lord of Light and a god of fire, who supposedly stands in contrast and eternal conflict with the Great Other, the icy and evil god of darkness. However, judging from the actions of his clergy, such as Melisandre, the religion comes across as far from pure and good. Melisandre in particular uses blood magic and human sacrifice to perform miracles, and is an altogether ruthless Knight Templar. When called to task, however, she does give persuasive justifications for her actions, which she sincerely believes will save lives. The fact that R'hllor's apparent enemies are Obviously Evil also helps justify her cause, but it might be a question of Evil vs. Evil. The darkness and cold versus fire and light conflict, as well as the name of the series, call up Robert Frost's poem "Fire and Ice," in which both extremes are equally destructive.
    • The Kingsguard are supposed to be paragons of chivalry. They wear pure white cloaks and shields to show that they have renounced all familial ties, but the additional connotations of purity and goodness are obvious. Unfortunately, they are tasked with serving the king unquestionably, which sometimes makes them brutal enforcers of a mad despot.
    • After Cersei grants Qyburn a lordship, he starts wearing an outfit that's a combination of a maester's garb and a Kingsguard outfit (so monastic robes but in elegant white and gold). Qyburn is a depraved Mad Doctor and Torture Technician that is Mengele in medieval clothing.
  • In Dan Abnett's Warhammer 40,000 Eisenhorn novel Hereticus, the Daemon Prince Cherubael appears in his natural form. Eisenhorn in fact lampshades it:
    I had always presumed white light to be pure and somehow chaste, to be noble and good. But this whiteness was unutterably evil, chilling, its purity an abomination.
    • In what would be a hilarious situation in another context, a preacher who had joined Eisenhorn at the time mistook this trope for Light Is Good, and approached Cherubael with a holy icon and singing praises, thinking it was a manifestation of the Emperor. He drove off Cherubael, and confused, the preacher chased after it. It would have been comedic if it had left off there, but it lasted until Cherubael could summon the power to turn on the preacher and melt the metal icon in his hands. This staved off death just long enough for Eisenhorn time to sacrifice his acolyte to put Cherubael into a vessel in which it could be controlled.
  • In Graham McNeill's Warhammer 40,000 Ultramarines novel Dead Sky Black Sun, a city in the Eye of Terror contains "strange creatures of light".
  • In Laurell K Hamilton's Merry Gentry series, most humans automatically assume the "Light Court" of the Seelie is good and the "Dark Court" of the Unseelie is evil. In truth, things are much more complicated.
    • In particular the King of the Seelie Court, Taranis, "Lord of Light and Illusion" who is a batshit insane rapist willing to let his people die rather than give up power.
  • The White Court vampires in The Dresden Files. No, they won't drink your blood. They just want all of your emotions, will and life force, but by then you won't care.
    • Also, the Wizards White Council is theoretically a force for good, but being riddled with political backstabbing, dealmaking and abiding rigidly by it's traditions means that it falls somewhere between True Neutral and Lawful Neutral. At best.
    • The Summer fae also have elements of this. Yes, they're The Fair Folk, but they're somewhat benevolent and generally on the side of life. Except Aurora, the former Summer Lady, was so pissed off at the state of suffering engendered by Summer and Winter that she wanted to bring about the end of the world so it would all stop, and Titania, the Summer Queen, keeps finding ways to fuck with Harry for killing her, even though he saved the world in the process.
      • That and while the Winter Court represents the bad things of darkness, freezing cold, and death, the Summer Court represents equally bad things like scorching heat, infestations/plagues from too many harmful living things, and unending, uncontrolled life (like, you know, cancer).
    • The Archangel Uriel ("Light of God"), while presented as a good guy, is distinctly not a nice guy. In fact, he is more accurately described as heaven's "spook": the assassin of Heaven who took the first born of Egypt, among other shady aspects of the business of safeguarding humanity and free will.
      • Played for all it's worth in Ghost Story. When Harry calls Uriel "Uri", the the Archangel nearly annihilates him. "Uri" or in english "my light" can mean something very different than "Uriel" The Lord is my light. Still scared out of his spirit mind, Harry decides to call him "Mr. Sunshine". Uriel bemusedly accepts it.
      • Harry also realizes during that conversation that Uriel could probably annihilate everything with a thought. When Harry jokes that there must be rules preventing Uriel from giving Harry a straight answer, Uriel assures him that there are several, and that they're for the good of foolish wizards and other sundry.
      • It goes without saying that you don't become the spymaster of the Archangels, in a universe where knowledge and power are at times one-and-the-same, by collecting bottlecaps.
  • Jacen Solo, the most self-righteous and annoyingly philosophical of the Solo kids becoming the next Sith Lord. His reasons for doing so are completely unselfish. At first.
  • Hyperion is the titan of light in Percy Jackson and the Olympians, but he is evil through and through.
    • And we have another, mortal example in Luke. At the height of his cocky, assured evil, he wears a lot of pale, clean clothes like tailored pants and white button-downs, in contrast to his down-to-earth style pre-betrayal. Tellingly, when Percy has a dream-vision of him communicating with Kronos, he's dressed in a pure-white toga and bathed in light.
  • In the Magnus Chase and the Gods of Asgard, Magnus and his friends visit Alfheim, the world of elves. The sun is shining brightly there, but as Magnus notes, it seems to highlight every imperfection. And the elf world is revealed to be extremely toxic and judgemental behind the opulence and brightness of their world.
  • The Forces of the Light from Grunts!! are perfectly willing to kill female and young members of the Dark races for no apparent reason other than that that is what Light warriors do and are monumental jerks about it. Then again, seeing as the dark races tend to kill and eat members of Light and Dark races for no reason...
  • Something of a point is made of this in Zilpha Keatley Snyder's Green-Sky Trilogy. The tree-dwelling Kindar are ruled by a priestly class who are the only ones allowed to wear pure white clothing. The priests — and the reason for their existence — are what's killing off the psychic powers and the three principles the culture needs to survive. In the third book, they all get kicked out of their palaces, but a few hang onto their principles and their white outfits until both are filthy, tattered rags.
  • Katherine Neville's The Eight, a historical fantasy novel about alchemy, espionage and chess, has the "good guys" representing the black pieces on the chess board, and the evil guys representing the white pieces.
  • Diana Henstell's NEW MORNING DRAGON. When the Devil comes to New Morning, he always dresses in bright white suits.
  • In the Dune mythology, a woman in mourning wears yellow. Because the desert is death during the day, or something.
  • 1984: "The place where there is no darkness" is not a place you ever want to end up. Ever.
  • While the forces of Light are more often the heroes than the villains in Night Watch (Series) and its sequels, their Utopia Justifies the Means mindset occasionally makes them as bad or worse than the selfish, but not necessarily sadistic, forces of Darkness. For example, both Nazi Germany and The Soviet Union were the results of failed Light-side social engineering, and Gilles De Rais (the world's first known Serial Killer) is stated to have been a Light Other.
  • Believe it or not, the Cthulhu Mythos invoked this trope occasionally. One of Yog-Sothoth's avatars is Aforgomon, a being worshipped as the god of time who only manifests himself to those who anger him, accompanied by blinding light. Among Nyarlathotep's forms there is the White Man, an angelic looking blond man with white robes, and the Black Pharaoh, who despite the name dresses himself in brightly coloured clothes.
    • The titular abomination in The King in Yellow is often depicted as an angel with yellow robes.
  • The false Lightbringer in the Reign of Istar Dragonlance trilogy. Though he started out the ultimate good, and grew to be consumed by a bright light aura, he quickly turned on the followers of the Neutral Gods after he'd removed the followers of the Dark Gods from his kingdom (or continent). After they were out of the picture, he soon turned on the followers of the Gods of Light that were not devout followers of his specific god.
    • Dragonlance in general develops a really weird version of this towards the end, where it's revealed that the Good isn't Good. Neutral is implied to be the ultimate Good while Good and Evil are equally evil. Somehow. It resulted in a minor case of Broken Base.
  • In The Heart of the World series, the predominant color of the Darwinist religion of Mann is white.
  • In The House of Night, one of the books actually has the line "Remember, darkness doesn't always equal evil just as light doesn't always equal good." And later in the book Burned, there are two bulls, so the white one is evil and the black one is good, meaning it's bad when Stevie Rae accidentally summons the white bull thinking it's the good one.
  • Glael the Guardian of Light in Chronicles of the Emerged World appears as lightbeams and is quite childish and dangerous (resorts to Demonic Possession) but is just because it's extremely lonely.
  • In the first book of the Coldfire Trilogy, Senzei is tricked into consuming the Fire (water laced with solar fae) by a demon masquerading as Ciani who tells him that it will turn him into an adept. It doesn't end well for him at all.
    "Daylight can't hurt you" she had said, but Senzei realized it could, in enough quantities. It could dehydrate, burn, inspire killing cancers...
  • Sol from Warrior Cats. His name means Sun, but make no mistake, he was the Big Bad for a while.
  • Lucifer in the Left Behind series, when he departs from Nicolae Carpathia to take on his pure form. The Other Light faction also see God in the same...uh, light as the Christians see Lucifer because of His 100 years of age life limit for unbelievers, hence the name of their group.
  • Many (though not all) Free Magic creatures (which are the equivalent to Eldritch Abominations or demons, depending on type and magnitude) in the Old Kingdom books are extremely hostile to life as we know it, and are often white in color and/or surrounded by a kind of fierce white light (Mogget's unbound form being a prime example). The other main type of antagonistic beings, the Dead, are generally presented as creatures of smoke and shadow, so Dark Is Evil is in effect as well.
  • Although not strictly a villain, the Seventh Doctor in the Doctor Who New Adventures was a lot more of an Anti-Hero than he had been previously in the series, being a ruthlessly manipulative Chessmaster fond of using his Omniscient Morality License to justify committing all sorts of morally sketchy acts. To juxtapose against this, the writers changed his costume from the shabby clothing he'd worn on TV to a smart cream / off-white suit.
  • Raphael de Mereliot of Kushiel's Legacy is a beautiful blond White Mage with Healing Hands...who's a power-hungry demon summoner and eventually a mad, bloodthirsty Evil Overlord who controls an army of carnivorous ants.
  • The Futilist cult from The Tenets of Futilism. They dress in white and idealize honest living, but are not the book's good guys.
  • Valentine Morgenstern from The Mortal Instruments is white-blond, handsome, talented...and very evil.
  • In Dark Heart, Kyrian's magic powers are light-based, and he mostly uses them to hurl huge, glowing fireballs that burn people to ashes. He's also bloodthirsty, sadistic and utterly consumed by his desire for revenge.
  • In Hive Monkey, the Gestalt all wear white. They are a Hive Mind cult who believe in The Evils of Free Will and the Big Bad of the book.
  • The Radiant Church rules the Holy Union in Coiling Dragon, so it might be expected to be one of the good guys. However, most people don't know that they maintain their power, in part, by abducted strong-bodied people and destroying their souls so that angels can take them over.
  • Princess the Destroyer from The Bad Unicorn Trilogy is this in spades, until her Heel–Face Turn.
  • In Patricia Duffy Novak's short story Robes, the land over which white mage!Kaitlyn presides is decidedly sunny...but it's also a cold and desolate wasteland where no plants grow or wildlife live. The vision scares the real Kaitlyn right out of studying white magic as she'd originally intended.
  • In The Goblin Emperor, elves have white hair and white skin, and their emperor wears white clothes in public ... and they are just as bad as humans in similar cultures. The recently deceased emperor was something of a jerk, and grey-skinned half-goblin Maia, the heir to the throne, is a much nicer person. Some of the nastiest people in the novel are full-blooded, pale elves.
  • King Galbatorix from The Inheritance Cycle wields a pure white sword which he retrieved from the corpse of Vrael. Eragon observes that even the darkest black could not convey the same sense of evil that the white blade could, and that white is the real color of death.
  • This is one of a number of twists in Richard Brautigan's novel The Hawkline Monster. The monster, created by Prof. Hawkline from his vat of Chemicals, is actually a tiny speck of light. The light is cruel, vindictive and plays evil pranks — and it's followed by a little shadow made of love and joy, which wants to bring pleasure and good times to the Hawkline sisters.
  • In The Traitor Son Cycle, de Vrailly's "angel" - who has the traditional angel look of white robe, white wings and blond hair, as well as a nimbus of light surrounding him - eventually turns out to be this world's equivalent of Satan.
  • The White Queen in The Unexplored Summon://Blood-Sign, who’s body and clothing are entirely white (except for the black eyes), and powers include the ability to shoot Frickin' Laser Beams. She's worshipped as a goddess all around the world. But she doesn't care about humans at all, except the main character Kyousuke, who really doesn't want her attentions. The White Queen manages to also be an example of Dark Is Evil, through her alter ego, the Black Maw.
  • In Void Domain, rank and file of the local group of Church Militants wear white habits. While they're generally seen as good guys, being hunters of undeath and necromancy, they tend to take their operations to extremes. It isn't unheard of for them to attack people on suspicion or start a battle while innocents are nearby.
  • The Stormlight Archive: Odium, the Cosmic Principle of Hatred, is symbolized by white and gold.
  • The name "Lucifer" literally means "light-bearer" in Latin and in Paradise Lost, it turns out Lucifer was the brightest angel before his fall. When waging War in Heaven, Satan rides in a chariot as bright as the sun adorned with cherubs and gold, showing that the Devil worships himself in the place of God.
  • In Shadow of the Conqueror, Dayless the Conqueror is a master sunforger, devoutly follows the Lightseeking religion, wields a sunblade with a golden hilt stylized to resemble a flaring sun, founded the Dawn Empire, fought against and helped stop The Night That Never Ends in his youth, and is the archenemy of the Shade. Even so, his enemies gave him the name "Dayless" due to the setting's intense adherence to Light Is Good and Dark Is Evil.
  • Dr. Greta Helsing: The Big Bad of Strange Practice is a malevolent entity that manifests through the glow of a mercury-arc light; its new cultists are ordered to stare into the light until it burns out and replaces their eyes. The entity itself is a rogue, degenerate fragment of the Light of Creation that's become obsessed with purity and has its followers assassinate those it deems impure.
  • Villains by Necessity: The Good and Light side, after beating Evil/Darkness, has grown an obvlivious, fanatical zealotry. Not only do Light wizards brainwash criminals now and thus rid them of their evil desires, entire evil (or just neutral, even misblamed) peoples or species have been wiped out. They don't realize their effort to eradicate all evil not only makes them like this, but also it's imbalancing things such that it will destroy the whold world if not halted.
  • The Angels who appear in the Merkabah Rider stories make it clear they exist to punish humanity.


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