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Unintentionally Sympathetic

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"When a show makes you feel sorry for potential child rapists, you know it's doing the wrong thing."

This is a case of Misaimed Fandom, possibly with justification. When a character is Unintentionally Sympathetic, it means they get a lot more sympathy from the audience than the writers were expecting. Such a character was purposely created to be disliked or viewed as wrong by the viewers, whether be a villain, a jerk, or someone disliked by the other characters. Bonus points if the audience roots for this character over the so-called hero. Possible reasons for unintentional sympathy include:


This can sometimes cause a bit of realism to come into it because, after all, different people have different standards, and the author can't necessarily account for reader reactions. It is also worth noting that the un part of the title is important here. Characters only belong on these lists if they were intended for the audience not to like them. Sometimes the writer(s) intend for the villain to be sympathetic; this would entail Cry for the Devil.


Compare with Strawman Has a Point, where a character who is intended to be unsympathetic makes a point that's better than the author's intended, and doesn't necessarily become more sympathetic in the process (although the two may overlap). Contrast with its inversion, Unintentionally Unsympathetic, although both are very beneficial when occurring together. For example, if a character is written to be cheered by the viewers but fails to do so, the character who's meant to be unfavored for opposing them tends to be Unintentionally Sympathetic.

Not to be confused with Rooting for the Empire, which is about liking characters in spite of the fact that they're explicitly bad guys), although they can overlap.


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  • The Trix Rabbit. Seriously, is there a person alive who doesn't want to see him get his bowl of cereal? Case in Point: In both 1976 and 1990, Trix held a vote where kids could cut a ballot out of the box, write whether or not they wanted the rabbit to get some Trix, and send it in. The results? Overwhelmingly "yes" in both cases, with over 80% saying yes in 1990. Of course, the cereal was quickly snatched away again after a single bite.
    • At one point, the Trix Rabbit actually just buys some for himself - and the kids immediately steal it, simply saying that it's for kids. It's hard not to side with him afterwards.
    • And of course, the infamous "Got Milk?" commercial, where he's just about to finally eat some... only to have no milk.
    • And a commercial where he won an ice skating contest and tried to celebrate with Trix, only for the kids to pop up from out of nowhere and take away not just his Trix, but his trophy that he earned fair and square.
  • The "ditch the old broom" commercials by Swiffer, which were filmed in such a way to make the "dumped" broom/mop/wiping implement seem morbidly depressed and their human "ex" seem callous. Almost all the new commercials in the campaign feature the dismissed broom meeting a new house-hold implement partner.
  • Lucky from the Lucky Charms commercials, given how constantly he keeps being harassed by the kids.
  • The Mac vs PC ads invoked this since the PC guy comes off as a lovable loser woobie, while Mac comes off as very smug, which ironically ties directly into certain stereotypes of Mac users. Mac is basically a particularly arrogant hipster, while the PC is a put-upon everyman, at worst he's a bit of a Small Name, Big Ego in response to Mac talking about his own popularity. This ultimately meant that the ads backfired on Apple to the level that Microsoft started releasing "I'm a PC" ads. Only the hardcore Mac devotees would be aware that "PC" John Hodgman is actually a Mac user.
  • There's a commercial for Frosted Mini-Wheats depicting a boxing match between a Mini-Wheat and a Honey Nut Cheerio. The Cheerio is half the size of the Mini-Wheat, showing it lacks fiber. As the match begins, the Cheerio faints before a punch is thrown. The problems? One: not just the boxer, but the announcers, the referee, the press, and every single member of the audience is also a Mini-Wheat, so the odds of the Cheerio getting a fair treatment come across as nil; if it somehow won, the riotous crowd would probably kill it. Two: this is a boxing match, but the Cheerio has no arms or hands. Three: upon proclaiming his "victory," the Mini-Wheat tries to act modest but just comes across as smugly falsely modest. It's not hard to feel that the Cheerio either fainted from terror at being stuck in a match it can't win surrounded by a huge horde of enemies, or that it threw the fight to get out of there alive. Then again, it doesn't even have eyes or a mouth. It could have just fallen over because it was a regular, non-anthropomorphic Cheerio. Who the hell booked that match, anyway?
  • A line of commercials for Comcast's "Xfinity" cable TV/home Internet/digital phone service features a tired, tangled, grumpy bundle of phone lines (representing ATT's competing "U-verse" service) who repeatedly advises a family complaining about his slow speeds to get a new, better service (i.e., Xfinity). Though we're meant to feel sorry for the family, they come off as incredibly Ungrateful Bastards who refuse to even acknowledge all the years and years of service he's given, whining because he can't instantly download movies and other petty complaints. In one ad, he wistfully talks about the good old days, and tries to tell the eye-rolling teenage son to enjoy his youth... only to turn around and find the impatient Jerkass walked out.
  • There's a ad with a grey car crying because it got a bad review while a red car with a good review was being a complete Jerk Ass. It makes you just want to go out and buy that poor grey car.
  • An ad for yogurt shows two women on an airplane. One is on a laptop doing work, the other is eating yogurt, saying that it's almost bikini season. The woman on the laptop tells her that with all the work they're doing, they're not likely to ever even go to the beach (nevermind that they're both Hollywood Pudgy anyway). In the next scene, the plane has crashed, and as both women are sitting there looking shocked, a handsome, muscular man invites one of them to help get fresh water; the yogurt-eating woman jumps up, takes off her shirt, and smugly volunteers, leaving her friend to cope with surviving a plane crash on a desert island by herself while she goes off with some guy and "gets wet". It's hard not to feel bad for the woman who is apparently supposed to feel inadequate and embarrassed for not slacking off and sucking down yogurt.
  • An old ad for car insurance featured a number of people standing in front of a judge, trying to explain why they decided to do something incredibly stupid while driving. For the most part, they all acted foolishly, until we get to a middle-aged man who simply explained that there had been a hot cigarette lighter on his pants. The judge's expression and the ad's narration make it clear that we're supposed to see him as just an idiot, but considering that we never hear how serious or minor whatever he did was and how easily having a hot object like that could cause him to lose his concentration, it's not hard to take the side of the man or at least think he doesn't deserve a harsh penalty.
  • An advertisement from Carl's Jr. sandwiches features a robot coming home to an apartment, feeding its pet goldfish, sitting down at a table, and attempting to eat a sandwich. The problem with this being that the robot can't eat anything because it has no mouth. After getting frustrated, its pet goldfish swallows a bubble, which the robot evidently takes to be mocking it. It attempts to shoot the goldfish with lasers from its eyes, only for the lasers to bounce off its tank and destroy most of the apartment, with the commercial ending with the dejected robot's arm falling out of its socket where it was cut. The slogan? "Machines can't eat sandwiches, so they shouldn't make them, that's just the way it is". Even with the attempted goldfish murder, it isn't that hard to feel sorry for the poor robot and find the slogan more than a bit condescending (or even racist) given the context.
  • The Axe's astronaut commercials, where a guy risks his life to save a girl— only for her to run to the astronaut.
  • An Xfinity commercial depicts a man calling his friends and asking them to help him move, with them badly lying to get out of it (a woman shopping, but pretending to be sick; a man on the beach, but pretending to be swamped at work). The concept ignores that he is calling them last minute, expecting them to drop everything with no notice to come do intensive work for him.
  • The KiaOra Crow. All he's doing is asking the boy and his dog if he can have a drink. The boy is quite happy to share it with everyone else he meets but, for some unexplained reason, he just won't let poor old Crow have any.
  • The commercial for Dr. Scholl's skin tag removers, which feature a mother and daughter lovingly complimenting each other's looks as they hang out. The little girl suddenly exclaims "ew, what's that!" and points to her mother's skin tag, causing the mother to lament about wanting to get rid of it. Many audience members found the daughter's comment to be rude and insulting. The commercial started some heated flame wars online over the little girl's behavior, and subsequently the product advertised started getting bad reviews. (Many of said reviews bringing up the commercial.)
  • The commercials for Abilify, an anti-depressant, chose to personify clinical depression as a cartoon bathrobe with sleepy Muppet eyes that a regular cartoon woman can take off once she's on medication, but the depression robe is adorable. As a nod to how it is in real life, she takes depression everywhere she goes as a constant companion. It even helps her fill out paperwork for itself! When she finally takes the bathrobe off, it dejectedly slumps in its seat. You know this trope is serious when a commercial can make you feel bad for depression itself.
  • Buddy the dog from the infamous commercial that was separated from his owner and trekked a ridiculous length to get home. Buddy's owner was happy beyond belief... because she had just sold him on her website. It didn't make people want a website, but it did make people feel so bad for Buddy that they wanted to punch the owner in the head and adopt Buddy themselves. Needless to say, the commercial was taken off the air.
  • Oh, so much the Knock Off Nigel adverts of England. The first one features Nigel minding his own business in a pub, when the singer starts harassing him, and his uptight bitch girlfriend throwing the watch in his drink when she finds out that he found it in the street. Then they all join in with the song. The second advert featured him at work, and being treated much the same. Playground bullying much?
  • The "Don't advertise your phone to burglars" advert definitely makes the so-called burglar seem like he's minding his own business, while the so-called victim won't shut up about the great phone he has, making him seem like a dodgy salesman, and therefore the real criminal.
  • There's an advert depicting a dirty, polluted city of strange, round spud-like creatures, where this glowing blue substance lands in it. One, a worker, touches it, and after an outing at the bar with his friends, just hanging out, he coughs, and starts sweating blue liquid. He even starts to glow blue. On a bus, he explodes into the blue liquid, covering everyone around him in it, and then they start exploding. Things begin to spiral out of control as the apocalypse begins for these spud things, with more glowing blue stuff falling from the sky, and causing the spuds to explode into the blue stuff. Government collapses, it's practically every one for themselves. The end shot is of the president on a rooftop, yelling no as he too explodes. Then it zooms out to reveal a human scientist looking through a lens as he squirts the blue stuff onto some cancer cells.

    Anime and Manga 
  • Katsuhiko Jinnai from El-Hazard: The Magnificent World is either this or intentionally sympathetic, given his status as The Resenter, tendency to wobble between impressive and ineffectual (often purely based on unforeseeable chance events like the heroes deciding to climb a cliff instead of taking the path he expected because one of them is a crazy mountain climber), and the fact that his bug-like allies are more funny than threatening. It's really the fact he tends to lie and cheat that causes one to wonder if this sympathy was not meant to happen. Admittedly, for some viewers, the fact that Jinnai is leading an invasion and unleashed an ancient Weapon Of Mass Destruction first undercuts the sympathy somewhat.
  • Yuzuha in Tenchi Muyo!: Daughter of Darkness; you could spend days drawing up alternative character interpretations due to the disappointingly short runtime of the movie, which allows for quite a bit of freedom since so much is raised and so little actually touched upon, and 70% of them would either result in Woobie, Destroyer of Worlds or an angry petulant demon child without the proper understanding of emotion.
  • Pokémon:
    • Ursula. She does get a fair bit of Draco in Leather Pants, but even many of those who won't deny that she's a Jerkass think she would have been an interesting character, and would have liked her to get more development. Plus, some disgruntled fans don't understand why they're supposed to boo and hiss at a girl who is at least shown to love and respect her Pokémon, while at the same time they're supposed to admire Paul, who is repeatedly shown to abuse or release Pokémon he deems as weak.
    • And of course Team Rocket. Very often the show liked to play on their pitiful qualities more than their actual villainy, and in some cases they even get condemned for taking Pokemon and goods through legitimate means (just they have a more dastardly demeanour about it). The Running Gag for each episode is the trio getting viciously barraged with Pokemon attacks until they go "blasting off", and depending on how provocative they are, this can often be applied for very petty reasons or even after doing little to nothing wrong at all. Alternately, only one or two team members play up while one is uninvolved or even opposes, something the heroes very rarely make exception for. This generally happened a lot more in the Hoenn and Sinnoh eras, due to undergoing the worst of their Villain Decay and Straw Loser roles.
    • At the end of the Indigo League, Ash is scolded for moping about his loss and not to make excuses. However, this results in some of the audience siding with Ash more, for the previous episode had Ash getting kidnapped by Team Rocket and being forced to use his more powerful Pokémon to get away...and fight Richie using Squirtle, Pikachu, and a disobedient Charizard. Thus, some people feel that his sadness at the loss of the league (which he fought pretty hard for) is justified.
    • May comes off as this in the second half of the Rubello Contest Two-Part Episode. She did yell at Ash just for giving her a helpful tip with her Bulbasaur, which then suffers from Performance Anxiety during the battle against Savannah's Lairon. Not helping May's case was her blindness to her Seed Pokemon being paralyzed by a Shock Wave of all moves note , which results in her losing. But then the judges quite harshly call her out for her attitude towards her Bulbasaur, making her run off crying. It isn't as excusable a loss as the one above with Ash, but still...
  • Seita, the main character from Grave of the Fireflies, is not supposed to be likable in the slightest, according to the author. You're supposed to blame him for everything that goes wrong, as a result of his shirking his duties and retreating from society. Partly due to Values Dissonance, many audiences see him as a kid who's in over his head and trying the best he can to deal with a horrific situation. That, and the fact that he's based on the creator, who ostensibly felt his best wasn't good enough.
  • The Computer Club from Haruhi Suzumiya. When they first appear, Haruhi steals a computer from them using false blackmail. In a later episode, they challenged them to a game in order to get it back, but attempted to cheat in doing so. Tanigawa wants you to see them as bastards for cheating, but it becomes a Broken Aesop when the computer was taken from them because Haruhi did some cheating of her own.
  • Nami from The Girl Who Leapt Through Space was clearly intended to be seen as a whiny, spoiled brat who turns evil when she doesn't get her way. This doesn't work so well though, considering how her sisters treat her callously, ignoring her obvious depression and pleas for help and attention, which causes Nami to slide more and more into despair. A lot of the mess could have been avoided if someone would have bothered to listen to Nami for once.
  • Neon Genesis Evangelion:
  • Durarara!!: In the light novels, Izumii Ran was a sociopathic Big Brother Bully to Aoba. However, in the anime, his abuse towards Aoba was only mentioned in passing, which makes Aoba setting his room on fire and sub sequentially getting him beaten by their abusive father look less like Laser-Guided Karma and more like Disproportionate Retribution. Of course, in the light novels, it's also explained that the reason Izumii was abusive towards Aoba was because he was under the belief that he was The Un-Favourite, and considering that his father was more concerned about him smoking than the fact that his room was on fire before breaking his nose, it looks like a case of Jerkass Has a Point.
  • Mobile Suit Gundam SEED has ZAFT launch a Roaring Rampage of Revenge in Panama after losing 80% of their forces in Alaska, with their (except for Yzak) slaughtering hapless, surrendering Earth Alliance forces treated as He Who Fights Monsters. But by this point, The EA was shown to have racist, corrupt leadership who murdered their allies there to seize their political influence and used the attack to gain support for a Final Solution against ZAFT. It implied that most of the forces in Panama were evacuated from Alaska due to being loyal to said racist agenda. This made it come off more as a Kick the Son of a Bitch.
  • The World of Mana in Cross Ange displayed extreme Fantastic Racism against the Norma due to their lacking magic, thus the ending where they lose magic and have their civilization destroyed forcing them to go though what they imposed on the Norma is treated as Laser-Guided Karma. But this belief was created by the omnipotent creator of the world, Embryo, who programmed them to be hostile to the Norma, which the few who learned the truth were shown to be able to overcome. In short they're being punished for what was imposed upon them as opposed to anything they brought on themselves.
  • In Gundam Build Divers, Game Master and the administration are treated as villains heading for the Moral Event Horizon for wishing to delete Sarah, who was revealed to be a living digital being born from within Gunpla Battle Nexus Online, to save the game. We're supposed to be siding with Riku and the rest of Build Divers as we and the team has watched Sarah from the beginning and thus we know she's just as alive as they are. However, due to a combination of Sarah's existence threatening to destroy the entire game meaning she'd die anyway and Riku's immaturity over it (his friends Momoka and Yukio show restraint on the low probability of saving her, but Riku's completely gung-ho on the idea), many fans see this as a pragmatic Shoot the Dog instead.
  • Swim Swim from Magical Girl Raising Project is responsible for the deaths of a lot of characters, some fan favorites, with a pregnate woman being one of them. Her actions are meant to be seen as a Moral Event Horizon and several fans do hate her for the things she's done. However, there are other fans who see her as an Unwitting Pawn who just doesn't know any better, especially given that she's only 7 years old. It also doesn't help that everything she does she did it to emulate Ruler who she admired as a princess. To put simply, Swim Swim's actions are only due to being surrounded and influenced by truly bad people.
  • Manjoume from Yugioh GX comes across this way regarding Asuka's brainwashing in season two. Late in season two, before Judai is about to duel Asuka, he gets yelled at by Sho, Kenzan, and Fubuki, who blame him for Asuka getting brainwashed, completely ignoring the fact that at the time, Manjoume was Brainwashed and Crazy because he lost to Saiou, the Big Bad of season two. Making things worse is the fact that Fubuki, one of the people mad at Manjoume, was brainwashed by Darkness in season one, almost ended up killing Sho when he was brainwashed, yet never faced any hostility from anyone else for his actions.
  • Hanebad!: Ayano is meant to be seen as going down the Jerkass route as the story progresses and her teammates believe she makes lame excuses for her loses. None of them ever find out that she suffers from serious abandonment issues.
  • Akihisa from Baka and Test: Summon the Beasts seems to get it really bad in as far as protagonists of such shows go. Even when he does nothing wrong he always find himself in bad situations because of chance or someone else's spite. Not to mention in episode 10 of the second season where Miharu accuses Akihisa of treating Minami horribly. Note that Miharu is a notorious man-hater who always attacks Akihisa out of fits of jealousy, while Minami always assaults and belittles Akihisa through the slightest provocations. What makes this worse is that Akihisa is forced to double down and admit his feelings for Minami, making what was ment to be a heartwarming moment only look like a kid finally succumbing to Stockholm Syndrome.

    Comic Books 
  • Chick Tracts:
  • Rayek in ElfQuest comes off as this in the first book. Yeah, he's an arrogant Jerk Ass, but Cutter won the trial of wits by openly cheating, and the judge let him skate on a flimsy technicality based on the fact that he didn't know any better. Nothing breeds sympathy like watching a competitor being unfairly mocked because he had the audacity to follow the rules while his opponent was ruled the winner for being ignorant.
    • The other two trials aren't any better. The first trial is a hand-to-hand, blindfolded wrestling match, where Rayek is a hunter for a peaceful village that has no enemies, and Cutter is a seasoned veteran of an endless conflict between humans and elves for his entire life. In the third, Savah lays it out that Rayek's fear of losing is a more difficult one than Cutter's fear of heights to overcome, but she chose a contest for both that only tested a fear of heights and made Cutter go first, meaning that the best Rayek could do in that trial was tie for winner, depending on whether Cutter succeeded or failed.
  • The author of Watchmen was genuinely surprised to find out that everyone loved Rorschach. This is despite the fact that he wrote the character as a paranoid nutcase and exactly the opposite to Alan Moore politically. The most likely explanation is that, 1) even though Rorschach's methods are excessive, they're still cool to watch, 2) Walter Kovacs is very clearly traumatized, and 3) most of the people he fights are even worse than he is.note 
  • There is a very old comic story starring The Spectre back when he was just a normal superhero and not the personification of the wrath of God, which opens with a scientist who receives telepathic messages telling him to build a rocket and follow the source. He does, only to be tricked into freeing the villain, and is rewarded by being immobilized forever by the ray which had trapped the villain. And he isn't freed at the end, since the villain never tells anyone how he escaped. The scientist has a German name and the story was published in The '40s, so contemporary readers would have taken for granted that he was a Nazi and deserved what he got. However, the story forgets to show any actual evidence of this, so modern readers would just feel sorry for the guy.
  • Marvel spent a lot of effort to destroy Cyclops's legacy as a hero during their push of The Inhumans as essentially a replacement for The Xmen, which all came to a head during the infamous Terrigen Mists storyline. Essentially, the Inhumans released Terrigen Mists into Earth's atmosphere, creating two large clouds that floated around the Earth. Terrigen Mists caused two things to happen. Firstly, they unlock superpowers in any human that has the inhuman gene, making the Mists important (and even holy) to the Inhumans as a whole. Secondly, they cause infertility and eventually death in anyone who has the X gene. Over the course of months, many many mutants died from the Mist. Cyclops, in an attempt to save the rest of mutantkind led a mission which ultimately destroyed one of the clouds. In retaliation, Black Bolt and Medusa killed him on the spot. Then somehow, society as a whole came to see Cyclops as a monster for this act, with one character explicitly comparing him to Hitler for destroying the cloud. That's right; the character opposed to gassing innocents to death is compared to Hitler. And it's clear that the audience is supposed to agree, even though the Mists were killing Mutants while the Inhumans didn't really care at all. And to top it off, the Inhumans don't need the Mists to survive. They can live their whole life without ever being exposed, they simply don't develop any powers.
  • Terra in The Judas Contract is referred to repeatedly as an insane, unrepentant monster who has no one to blame but herself for her behavior. It's hard to believe this one-sided characterization for her. There are several signs towards Freudian Excuses for her. She had a bad home life, was ran out of her home country, and ultimately met Deathstroke. Their sexual relationship is supposed to make Terra seem gross, however instead many view Deathstroke (who is at least thirty years older than her and an adult) as grooming her and manipulating her. Terra being unintentionally sympathetic is a large reason why DC retconned her later on. A 2000s issue implies that Deathstroke drugged her into being how she was, while Rebirth depicts Deathstroke seducing Terra as a Moral Event Horizon.

    Fan Works 
  • Supergirl story Hellsister Trilogy would have us to believe that Superman is being irrationally overprotective when he comes to blows with Dev-Em... no matter what Dev-Em acknowledged he looked to pick up a fight with him. No matter what Superman may feel less than thrilled to hear his cousin has become lover of a former delinquent who screwed him up purely for fun. No matter what Superman of 2499: The Great Confrontation hints their relationship will leave Kara broken-hearted.
  • How I Became Yours does this to Mai. She was supposed to be the bitchy Woman Scorned standing in between Zuko and Katara's Super True Love, but she did have a good point as a reason for keeping the news that Katara was pregnant with Zuko's kid (namely, that the Fire Nation would collapse if news of the Fire Lord having an illegitimate child with a Waterbender got out, and Zuko was cheating on her when that poor kid was conceived), and there's still no discussion on how Mai didn't deserve to be bloodbended to death by a badly Out of Character Katara, when she could've easily restrained her with said technique so she could be sent to trial.
  • Britney in My Immortal. After all, her only "crime" was liking Hilary Duff and not shopping at Hot Topic.
  • Ash Ketchum in Cori Falls's fanfiction. We're supposed to believe he's a self-centered psychopath with the social skills of a drunken ape, but the more the "heroes" take such smug pleasure in beating and humiliating him, the easier it is to feel sorry for him. Especially if you read closely enough to realize that this version of Ash has a legitimate mental illness that's basically wrecked his entire life... and it's being Played for Laughs!
  • In The End of Ends, the other Teen Titans and Terra are seen as this, especially in relation to Beast Boy. The narration indicates that they are to blame for everything that happened to Beast Boy (the latter for wanting to move on and live a normal life without him, and the former for not being supportive of him). However, since Beast Boy ends up essentially stalking Terra, steals a book from Raven's room, and ultimately becomes the villain known as Count Logan, who destroys entire worlds, including Tamaran for the purpose of spiting Starfire and Robin for being a couple, one has to suspect that they're right and that Beast Boy really should move on.
    • Terra's friends in chapters 1 and 2 are also this. They're treated as antagonists for keeping Beast Boy from seeing Terra. Consider the Titan in question's willingness to stalk Terra which, understandably, creeps the girls out. When he refuses to let up, they beat up on him like they'd promised earlier, and Terra accidentally gets hurt in the crossfire, causing Beast Boy to uncontrollably go into beast mode and nearly rip the poor girls a new one. You're supposed to feel justified in sticking up for Beast Boy when his fellow Titans yell at him and see the girls as Jerkass Victims, but it comes across as two girls protecting their friend from a potential creeper and physically suffering for it.
  • In Princess of the Blacks Lily Potter was initially intended to be a Jerkass who couldn't accept that her daughter wanted nothing to do with Lily or James. Instead she became The Woobie who was willing to stay away from Jennifer in the hopes she'd one day be willing to reconnect. Word of God states that Lily is the equivalent of a kicked puppy whereas James has become the Jerkass.
  • Many of the celebrities in the Gunge Male Celeb stories can come off as this, as the celebrities lose their dignity, and occasionally hair, over the fact that they are cocky, while the characters and narration remind us that they deserve it. It doesn't help that their captors take perverse glee in humiliating them, and they are presented as perfectly good people.
  • According to the author of ARTICLE 2, you're not supposed to like the immature jerk that is Major Shane T. Doran. However, him being a Sole Survivor with severe survivor's guilt that is unused to the kind treatment he receives from the Equestrians, takes no shit even from the Princesses, and oftentimes pulls Crazy Awesome and funny stunts, it's hard not to like him.
  • While not as harsh as Cori Fall's fanfic, Ash in this fanfic is treated as a bumbling idiot by the author, who can't even knock out one of Alexa's Pokemon at all (Granted, she says that her Pokemon were hurt, but the first 3 battles shown have her Pokemon turn them into dust almost immediately). Alexa keeps singing her own praise about how she's so much better than Ash, gets pissed when Pikachu keeps using Volt Tackle just so they can get at least one KO on her Charizard (They don't), and when Ash compliments her by saying he enjoyed the battle, she outright bitches about how he let his Pokemon get hurt (Even though she basically dished out heavy amount of damage towards them, and battles are not outright cockfights where they need to slaughter each other), how he's an arrogant jerk (never shown, he was complimenting her), and all of Alexa's Pokemon root for her and agree with her. However, it's not hard to feel sorry for Ash, when he basically gets chewed out for the heinous act of being a good sport, and even though you know even if Pikachu defeats the Charizard, Ash is very unlikely to win the entire battle. He needs a hug ASAP.
  • Aang in The Stalking Zuko Series. Katara and the author often take the least favorable interpretation of his actions and motives, such as suggesting that he deliberately ran away before the Grand Finale and spared Ozai only to keep with Air Nomad teachings- Katara refuses to hear Aang's arguments in his own defense, and virtually everyone agrees that he owes her an apology for what he's done. While Katara claims to view Aang as a friend, she often seems to view him with a great deal of pity and reluctantly interacts with him, even when it seems as though he doesn't fully deserve that treatment. As a result, while some viewers believes this is necessary for Aang's Character Development, others believe that the story is too harsh on him.
  • Natsu in Lucy's Unwanted House Guest. He's a jerk to Lucy, but that doesn't mean he deserves to be framed for beating her up, given Fake Memories of actually doing it, and being barred from the S-Class Examnote  for five years as punishment. To make matters worse, he has no idea that he person who framed him is none other than his girlfriend Lisanna, and all the while, he's struggling with his unrealized feelings for Lucy. All in all, this makes him more of a Jerkass Woobie than a straight-up Jerkass, but the story never seems to consider this.
  • Buffy in Silent Reproach. We're meant to conclude that Captain America gave her as a well-deserved case of Quit Your Whining by pointing out that in World War II, both the draftees and the volunteers simply did their job. However, the speech falls flat because, as quite a few reviewers point out, Cap fails to realize that Buffy was given a much more difficult and thankless battle to fight with less help and at a much younger age than most draftees.
    • A fanmade sequel has Xander rip Cap a new one by pointing out how much worse Buffy had it than a war draftee, including that she died twice to save the world.
  • In the Creepypasta Clockwork: Your Time is Up, after the protagonist, Natalie, snaps and becomes a Jeff the Killer Expy as a result of doctors experimenting on her, she murders her entire family in a disturbingly lovingly-detailed fashion. The author tries to portray this as justified by making her suffer massive abuse from them as a child, with her father being an Abusive Parent and the brother being an incestuous child rapist. Problem is, Natalie's brutal, over-the-top murders of her family easily cross the Moral Event Horizon, with the tamest one (her mother's) involving her paralyzing her, cutting her chest open, and ripping out her heart and waiting until she bleeds out (the more gory ones are certainly NSFW). Suffice to say, with how Natalie remorselessly butchers her family, it makes them surprisingly pitiable (yes, even the incestuous child rapist) and makes Natalie look a lot less likeable.
  • Morgan Fey in Transplanted Character Fic Tales of Attornia. She's evil, because she demanded that Phoenix kills Maya. Except Maya blew up her hometown almost killing her and her daughter, and killing everyone else (except Athena). Phoenix actually wanted to kill Maya for exactly that. But then he found out that Maya is his mentor's sister, and suddenly Maya is the victim and Morgan is the villain (who gets immediately executed without trial) who "used" Phoenix to do something he intended to do anyway.
  • The author of The Grinning Snake clearly dislikes Shizuru and believes she got her long-overdue comeuppance for killing the First District when the daughter of one of her victims makes a contract to send her to Hell. However, some, such as Shizuru's fans, sympathize more with her, and may not believe she deserves to go to hell for massacring an evil organization.
  • Hyp from Secret Love gets this pretty hard. While it is undeniable that him knocking Ducky into the tar pits with his tail was bad, that's when things go south when Ducky and Petrie's mothers come to scold Hpy alongside his own father, which turns from scolding him for endangering someone to outright screaming at him for not liking Ducky and Petrie's secret relationship. So instead of seeing a bully getting scolded for his bullying ways, we basically see more of a repentant bully getting yelled at for not supporting a secret forbidden couple.
  • The Longest Road has a very particular case of this in Chapter 28. While the author, like many, was understandably angry for Erika's attitude in banning Ash from her Gym just because he didn't like her perfume, his attempt to get back at her for it ended up going a little too far. For some reason the story reveals that there's a rule in the Pokémon League that forbids anyone in the LGBT community from being a trainer, let alone a gym leader, and she's ousted from her job for that. This also ends up making Ash and the others looking arguably worse than Erika, especially considering that all of her staff (being lesbians too) will probably be out of a job because of that.

    Film — Animation 
  • Auto from WALL•E. Not only was he following his directive, but he was doing his best to keep all of humanity alive. After all, it would be a massive gamble to return to a potentially uninhabitable Earth under the premise that you found one plant growing on its surface.
  • Reeka and Draggle, the two antagonist daughters of Hydia in My Little Pony: The Movie (1986). Sure they're evil, but they have a seriously abusive mother, have genuinely sympathetic qualities, and have far more developed personalities than the really boring titular ponies. The Nostalgia Chick felt more towards them than the ponies, and even considered them to be the main characters because of how much of the film's focus is on them.
  • Vincent from Over the Hedge. He's spent the entire summer hoarding food to get him through the winter, only for all of it to be destroyed when RJ the raccoon tries to steal it (who, given his size, surely didn't need to take all of it). The two come to an agreement: RJ has to replace everything that he lost, or else he'll be eaten. Vincent is portrayed as the bad guy simply because he's trying to survive — just like every other animal in the movie. Bears Are Bad News, but the fact that Vincent ends up in a Hannibal Lector gurney and mask feels like overkill for an animal that was just trying to reclaim what was rightfully his in the first place. The filmmakers seem to have realized this late in the production and gave Vincent an out-of-the blue monologue about how he got where he is by selling out, betraying, murdering, etc. all of his former friends. This (and Vincent's praise of RJ for being just like him) is of course the catalyst that starts RJ on the path to redemption, but remove those two lines and you've got no villain.
  • Pocahontas: Percy the pug, who is supposed to be a spoiled and unpleasant purebred dog. The film does this so badly that the only thing that really counts against him is one growl in agreement with Ratcliffe, his loving (to him) master. The rest of the time he's just enjoying the luxuries that come with being a governor's pet and getting justifiably angry at — similar to Over The Hedge — raccoon stealing his food.
  • At test screenings for Toy Story 3, the filmmakers were surprised how many people sympathized with Lotso and wanted to see him have a Heel–Face Turn. They responded by going back and adding in some things that increased his cruelty to show that, while he had a sympathetic backstory, the way he reacted to it was no excuse, and he got what he deserved in the end.
  • Tai Lung, the Big Bad of the first Kung Fu Panda. He is raised up for most of his life believing that he is destined to receive the legendary Dragon Scroll, a belief that his master Shifu actively fed and encouraged. When he is denied that right and Shifu says nothing in his defense, he unsurprisingly goes completely ballistic, attacking Shifu and then rampaging through the village. Interestingly, in the original script Tai Lung's only crimes were a) trying to take the Dragon Scroll and b) attacking his master and father. While this latter crime, filial impiety, was extremely serious in ancient China (and to some extent still is), Values Dissonance caused test audiences to sympathize greatly with Tai Lung since he hadn't hurt anyone else and was only taking out his anger on the one who, arguably, had failed him by not teaching him proper humility while at the same time raising his hopes too high. So the rampage was added in precisely to make him less sympathetic. And since we don't know for sure whether or not he actually killed or hurt anyone, twenty years of imprisonment locked in a restraining device and unable to move just for damaging some property still seems like Disproportionate Retribution.
  • The Carnotaurs in Dinosaur were intended to be portrayed as insane, nonstop killing machines in DVD bonus features, but in the film many fans see them as minor, but developed characters. They seem to be a mated couple who only kill for hunger, are smart enough to know when not to attack the herd, and after one's death, the other goes insane with grief.
  • My Little Pony: Equestria Girls:
  • Two of the shorts in Mickey's Twice Upon a Christmas feature characters who are supposed to be jerks at first learning An Aesop, but their pre-Character Development behaviour ends up being too understandable:
    • In "Donald's Gift", Donald suffers through a stressful day of Christmas-related annoyances. When he gets home and tries to relax with a cup of hot chocolate, Daisy drags him to the mall against his will. Once there, he's bombarded with sound effects that seem to play "We Wish You a Merry Christmas", which stresses him out to the point where he finally snaps and destroys a Christmas exhibition. This causes Daisy and his nephews to ditch him, and a security guard chews him out for having no Christmas spirit. He's supposed to be a grumpy, unlikable Christmas hater, but it's easy to feel sorry for him when many of his Christmas-related grievances are in fact legitimate, and no one ever seems to care about how he feels.
    • In "Christmas Maximus", Max is portrayed as selfish for resenting Goofy's antics instead of accepting Goofy the way he is. However, Max's reaction is a lot more understandable when you consider that Goofy almost seems to go out of his way to embarrass him (which includes showing his current girlfriend one of his baby pictures for no reason), and the song used in the short suggests that his antics have already ruined Max's previous chances for romance. It also helps Max's case that he's never outright rude to Goofy — the worst he does is saying things like "this embarrasses me, so stop doing it" and rejecting Goofy's offer to have cookies inside when he wants to go for a walk.
  • Shunack, the Big Bad of Origin: Spirits of the Past. While he is a Well-Intentioned Extremist who wishes to undo the damages done to Earth by the apocalypse and correct his mistake as he is the one who unwillingly caused it, he's still supposed to be in the wrong as he advocates for dangerous and extremist measures. However, some fans end up siding with his cause, arguing that it would be a good thing to destroy the sentient Forest that has a bit of a Blue and Orange Morality. His decision to destroy Neutral City as well out of spite marks the point where he loses the audience's sympathy.
  • Captain Hook, the Big Bad of Peter Pan ends up coming across more as a woobie. Portrayed as a sinister threat, he never actually accomplishes anything, being effortlessly outclassed by Peter Pan in every fight, and even his own crew makes fun of him.
  • Marcel's rivals in Ratatoing. They only cut off his source of fresh ingredients (stealing food from a human restaurant) because they believe his restaurant is hurting their business, and that having to risk their lives once a week just to get ingredients is unreasonable. When they find out that sabotaging Marcel's restaurant didn't really help their business, they're forced to try to steal food anyway. Sure, they encounter the "heroes" and want to take their cheese, but they immediately agree when Greg tells them to get their own cheese because there's enough for everyone... and then the "heroes" decide to capture them and have them sent to a lab anyway.

    Film — Live-Action 
  • Although Michael Palin's character in A Fish Called Wanda spends much of the film trying to assassinate a mean old lady, audiences invariably saw him as The Woobie. This is probably a combination of Palin being a nice guy, the fact his character is an an animal lover, and that he is more likable than the film's antagonist, Otto, who consistently torments him.
  • Ray Finkle, the deranged kidnapper and murderer from Ace Ventura. Anyone would turn out at least a little screwed up after what he'd been through. Seeing as he was the only professional athlete to come out of his small town, you'd think he'd be a beloved folk hero. Instead, he misses a field goal at the biggest football game of the year, causing his team to lose the game and ending his football career... and the townsfolk never, ever let him live it down. They even vandalize his parents' home, driving his mother to irreversible insanity and making his father so paranoid that he has to get his shotgun every time he answers the door! It's no wonder that Ray's room is covered with hateful graffiti blaming Dan Marino for what happened and has Ray's traumatic blunder playing on an old movie projector at all hours of the day - or that Ray was eventually committed to a mental institution and suffered one hell of a gender-identity crisis.
  • Colonel Miles Quaritch of Avatar. Many viewers found his actions and motivations understandable, to the point that he's regarded by some as the true hero of the movie. He plays A Father to His Men totally straight, making his dislike of the Na'vi somewhat justified due to their penchant for killing his Marines. He's forced to sit idly by while his men are picked off one-by-one by the Na'vi because his higher-ups insist on attempting diplomacy with an enemy that he clearly (and correctly) believes aren't interested in diplomacy. Then, around the midpoint of the movie, a Marine he had trusted betrayed him and started gathering an army to drive humans off the planet, and you can kind of understand Quaritch's motivations for stopping it.
  • Dr. Noah Faulkner in Bio-Dome was probably meant to come off as the bad guy, but no matter which way you look at it, Bud and Doyle are ridiculously obnoxious, stupid beyond belief, and they might as well have been actively sabotaging the experiment. It's no wonder he went psychotic in the end.
  • The Birth of a Nation. We're supposed to take it for granted that Gus is trying to rape Flora (he was stalking her, though), but all we actually see him doing is asking her to marry him, then chase her to allegedly apologize, after which she promptly jumps off a cliff. This makes it hard not to feel sorry for him, Scary Black Man or not, especially given his punishment.
  • Bride Wars has Emma's fiancée Fletcher, who's supposed to be seen as controlling. Yet some viewers saw him as the Only Sane Man who realized that both Emma and her best friend Liv had become selfish bridezillas. The fact that Emma dumps him for Liv's brother Nate at the end is by some seen as the story "punishing" him for not bowing down to his bride's whims.
  • In Caveman, Tonda is the bad guy, and no question he's a jerk ass... but at least he's looking out for his tribe, and he was also shown to be genuinely upset when he lost Lana to the river (despite that because of his status he would be able to easily get another mate), so did he really deserve the beating (and possible death) he got in the end?
  • The monster from Cloverfield. It was big, it was scary, and it went on a rampage in New York City. But for some, the entire movie takes on a whole new perspective when they find out that the monster is a terrified, newborn baby looking for its mother. For others, that knowledge causes precisely the opposite reaction.
  • Diary of the Dead ends with Debra watching footage of a hunting party using zombies as target practice and wondering if humans were really worth saving. But since the film takes place in a Zombie Apocalypse where anyone who does not kill the zombies becomes their next meal, the hunters seem sensible rather than the Fantastic Racists the film suggests they are.
  • Tamir in The Dictator. Despite his plans to use the land of Wadiya's oil resources and sell them to the highest bidder, he actually comes off as a competent leader who actually seems to care about improvement and has a rightful stake as a ruler (while Aladeen is a terrible ruler who schemed his way to the throne and runs the land as an Egopolis).
  • White Goodman from Dodgeball is a chauvinistic Jerkass who takes his fitness regime and business to extremes, but his backstory is that he was a morbidly obese man who decided to get his act together and used the means by which he lost weight as the basis of his business. His antagonism towards Peter is mostly because he slept with several of White's trainers, and sent a male stripper to the one-year anniversary of his gym.
  • The Sean Young movie Dr. Jekyll & Ms. Hyde (a Gender Bender take on Jekyll & Hyde) has this for Helen Hyde, the female, supposedly evil side. Dr. Jacks (the Jekyll character) is very much a Designated Hero, being a whiny, arrogant chemist who feels his job at a major fragrance company is beneath him. Helen, on the other hand - while certainly possessing a ruthless, ambitious streak - comes across as more proactive than Jacks, and while she does try to stop Jack from taking back control of their body, he is doing exactly the same to her.
  • Iris, the kaiju from Gamera 3: Awakening of Irys, is actually pretty sympathetic because its motives aren't really explored. Sure, it's stated from the beginning that it would probably destroy the world, but the old lady who said that was quoting a legend with plenty of room for error, as far as we know. It does indeed suck the life juices out of people, but that's just how it eats, as it doesn't have a mouth. It tried to merge a schoolgirl with itself to become more powerful.
  • Godzilla in the film Godzilla, Mothra, King Ghidorah: Giant Monsters All-Out Attack! was intended by director Shusuke Kaneko to be a malevolent monster (hence, why his eyes are a pure soulless white). However, as this Godzilla is a reanimated zombie containing the souls of people killed during WW2's pacific theater, many fans do not view Godzilla's actions as driven by his own will and volition. To them, Godzilla is merely an empty vessel or puppet controlled by another force. Then again, considering that this is Godzilla we're talking about, the fandom ended up rooting for him more than they did for the heroic monsters (IE: Baragon, Mothra, and, ironically enough, his arch-nemesis King Ghidorah).
  • In Jurassic Park, the audience is supposed to see Dennis Nedry, the corpulent computer programmer of the titular park, as a corrupt, greedy traitor who deserved his grisly death at the hands of a Dilphosaurus. While he was a bit of an arrogant jerk, he was suffering from financial problems and never received a proper raise for his hard work, hence why he attempted to betray John Hammond for BioSyn. Hammond's hypocritical boasting about "sparing no expense" as he pinches pennies with the salary of the guy who built and manages his system completely singlehandedly also increases the unintentional sympathy viewers may feel for Nedry.
  • Joe, the Christian fundamentalist antagonist of The Ledge, is supposed to be presented as a close minded religious fanatic and a domineering husband. But even with these flaws, he is shown to be truly devoted to and in love with his wife Shana, and when he discovers that she is cheating on him, Joe is shown to be really devastated and heartbroken... the exact same reaction a lot of people would've had in his place.
  • This happens to Professor Kaman from the pro-creationism film A Matter of Faith:
    • He is set up as the villain since he advocates evolution, but he doesn't really do anything the average viewer would consider outright evil or even mean. In fact he seems to be one of the nicest characters in the film and shows far more tolerance to the creationist father, Stephen, than any Real Life professor would take.
    • He seems to make genuine efforts to make his classes interesting and seems well-liked by students.
    • When Stephen tells him about his faith, Kaman is completely fine with it and without a bit of sarcasm encourages him to keep believing if it helps him.
  • Imhotep in The Mummy remake comes off as far more sympathetic than an Omnicidal Maniac who wants to Take Over the World has any right to be, considering he did it all for love. Likewise, his Love Interest is also rather sympathetic considering she's the unwilling sex-toy of the Pharaoh and dies (the first time) shouting: "My body is no longer his temple!" This is perhaps why in the sequel, Anakh-Su-Namun gets portrayed as a manipulative Black Widow instead of an unwilling slave wearing touch-betraying body-paint. He also has a decidedly emotional final death scene in said sequel.
  • Rotti Largo from Repo! The Genetic Opera. He's terminally ill, was betrayed by the love of his life, and has had to deal with Luigi, Pavi, and Amber for years, on top of the stress caused by being the CEO of a multi-billion dollar corporation. One could also argue this for his children — growing up with Rotti as a father couldn't have been easy, and their reactions when he disowns them are pretty sad.
  • In Return of the Jedi, when Luke kills Jabba the Hutt's rancor. Its keeper Malakili comes out and mourns for his dead pet, and has to be led away in tears. The bloodthirsty, deadly pet used only for eating prisoners for Jabba's amusement. His four seconds of screen-time crying got an unintentionally large amount of the audience to sympathize with him, to the point that in the official novelization, Luke is shown to feel sorry himself for the beast's enslavement and is only putting it out of its misery; then, the man's story is further fleshed out in the tie-in novel Tales from Jabba's Palace, in a very A Boy and His X way. You won't be able to watch that scene without a sniffle again. In other EU material, rancors are characterized as being rather like pit bulls, in that they're very sweet-natured creatures when well cared for (the specific rancor at Jabba's palace was deliberately starved and equipped so that it'd provide a good show when people got thrown into the pit, as well as suffering other abuses from Jabba). It doesn't hurt that Malakili was days away from smuggling the rancor away to a peaceful life when Luke showed up.
  • RoboCop (1987): Bob Morton may be a Jerkass Corrupt Corporate Executive, but he's also the primary business rival of the film's Big Bad, Dick Jones. While motivated purely by self-interest, he's responsible for keeping the disastrous ED-209 off the streets and creating our hero, Robocop. All that said, the filmmakers didn't expect that audiences would feel so sorry for him when Boddicker brutally murders him in retaliation for crossing Jones.
  • The villains in Star Trek: Insurrection can be divided into two camps: corrupt Federation officials who want to make the Fountain of Youth qualities of the Ba'ku planet generally available to the galaxy at large and former residents of the planet who were exiled and now need the planet's qualities to stave off death. Both groups come across as quite a bit more sympathetic than the writers intended, despite their dog-kicking ways. It doesn't help that the Ba'ku only appear to occupy a few hundred square kilometers at most.
  • TRON: Legacy: Clu was a nasty piece of work who attacked his own creator, turned the title character into a attack drone, committed a full-blown genocide of the Iso species, ruled as a tyrant over his fellow Programs in full-blown Putting on the Reich, and planned to enforce his brand of "perfection" on the human world. Unfortunately, the fandom is (unsurprisingly) full of real-world IT staff who point out that Flynn forgot the first rule of programming - a program does what you tell it to do, not necessarily what you want it to do. Clu was operating on an impossible and stupidly-worded directive to begin with. The Expanded Universe material show that The Grid was on the verge of falling apart and taking everyone, Programs and Isos alike, down with it while Flynn was apparently oblivious to how bad things actually were, too distracted by his responsibilities in the analog world. Flynn was also a bit of a jackass User, frequently calling his world the "real" one (Clu calls him out on this in Betrayal), and treating the Programs as inferior to the Isos. As horrible as Clu's actions were, he was following his directive and may not have believed there were any other options to save the system and fellow Programs.
  • While Vanilla Sky is ambiguous about how much sympathy Julianna deserves, the fact that she genuinely loves the hero David to the point of killing herself earned her a lot of sympathy from the audience (she tried to take him with her, but he kind of has it coming as he cheated on her and coldly dismisses her feeling), as well as the fact some people thought that her supposed romantic rival Sofia isn't really particularly interesting. This couples with the fact that Julianna isn't really an obsessive stalker like her original counterpart Nuria (all of the stalker-ish actions is done by her dream form), and she is portrayed by Cameron Diaz, who has much more charisma and acting experience than Nuria's actress Najwa Nimri and Sofia's actress Penélope Cruz as well as arguably outshines Cruz, and you might have a clear picture why Julianna ended up being the one the audience roots for.

  • David from Animorphs was intended by the author to be a character that the whole audience could despise, being a dark reflection of the other Animorphs. However, considering that he lost his family to the Yeerks, was recruited by the Animorphs involuntarily, was forced to live in Cassie's barn instead of his former home, and was forbidden to go out in public. In addition, his ultimate fate, though a Karmic Transformation considering who he is, happens to be quite horrifying and can actually make you feel sorry for him. Having said that, some readers despise him for what he did to Saddlernote , though it's not too different from some of the things Jake and Rachel have done.
  • Zedar in The Belgariad is this if you take the interpretation that he was mind controlled the entire time. Forced by the God of Evil Torak to betray his former deity Aldur and his fellow sorcerers against his will, brainwashed by Torak into committing evil deeds for centuries, and reluctantly made to kill Durnik in self-defense in order to keep himself from being killed by the latter in his Unstoppable Rage, he is sealed away by his former comrade Belgarath in a rock for all eternity as if he had joined Torak and committed evil in his name of his own free will and killed Durnik in cold blood. Protagonist-Centered Morality at its finest, folks. (And let's not get started with the fact that the good guys would have actually lost if he hadn't defended himself...)
  • Susan Pevensie infamously from The Chronicles of Narnia. While there is more going on with her absence from the ending of The Last Battle than simply an interest in makeup and parties, many readers feel that her failings are not as bad as Lewis intended, and that losing both of her parents and all three of her siblings in a train crash (and the fact that nothing in the book acknowledges how this will affect her) is a disproportionately cruel ending to give the character.
  • Fifty Shades of Grey:
    • Christian Grey's deceased mother, Ella, is repeatedly called "the crack whore" by her son and he claims she made him go hungry and complains that she should have defended him from her pimp. However, judging by flashbacks, she couldn't defend herself when her pimp started attacking her, much less her son. Grey also mentions that she made a birthday cake for him, so she was obviously doing her best. She was also very young and might have given birth when she was a teen, possibly a runaway. Add in that some pimps get their hookers addicted to drugs to keep them from running and Ella comes off more as a hooker with a heart of gold than she was intended. Christian at one point says that he doesn't want to get in contact with Ella's family because they were probably like her, which, even if his claims about how she treated him aren't taken at face value, implies that she was abused by her family. So the abuse Christian claims to have suffered when he was too young to really remember it is supposed to excuse his own abusive behavior, but the reader is expected to hate Ella for using the abuse she experienced, while old enough to remember it unlike her son, as an excuse to abuse others.
    • Leila Williams, one of the previous subs, is an odd case. Grey keeps insisting she needs help due to being mentally ill, but Ana only treats her with contempt (because she thinks Leila is trying to lure Grey away from her) and envy (because she's a better submissive). There's also a strong indication that Leila's relationship with Grey led her to develop PTSD. Also, when she approaches Ana in Fifty Shades Freed to apologize for threatening her, Grey threatens to cut her off from psychiatric help she desperately needs and art school if she ever talks to Ana again. Leila also never actually threatened Ana during Fifty Shades Darker, only Grey... and she seems more suicidally depressed rather than a homicidal yandere. Also, Grey was the one who made it so that she got forced treatment even when it should be illegal in Real Life.
    • Perhaps ironically, a number of critics of the novel dislike the character of Ana but feel bad for her because she's in a relationship with a man who stalks and abuses her - the very thing readers are supposed to find romantic and enviable.
  • Julian May's Galactic Milieu Trilogy has one of these on an organisational level. The language used in the finale and elsewhere clearly indicates that the titular Milieu are the good guys and the Metapsychic Rebellion the bad guys. However, the actual events of the story fail to relate this to such an extent that it's a horrific Downer Ending on first reading. This is actually INCREASED if you read the other three books, and discover that the leader of the rebellion is exiled, becomes much more unambiguously a straight-up villain, and then founds the Milieu after his hard turn heel-wise. It also doesn't help that all the good things and superior characteristics of Milieu members are necessarily informed, since the books are written from the perspective of a species that hasn't joined yet.
  • Harry Potter:
    • J. K. Rowling was shocked that anyone could like Severus Snape. The first book had the simple idea that while he was not a nice guy and appeared to be the villain, he was ultimately revealed to be trying to stop the real one. He is the resident Sadist Teacher for most of the books, but his backstory reveals that he was antagonized by Harry's father, and the girl he love ultimately chose James over him, when James matured a bit, partially explaining why he bullies Harry so much. Snape had joined the Death Eaters as a teenager. It ultimately cost him his friendship with Harry's mother and indirectly led to her death. In the end, he is revealed to be part of a Zero-Approval Gambit that leads to his death and Harry finally understanding his motivations. Mind you, some people still think he gets too much sympathy from others as he was still a bastard to many students. Additionally, while James Potter often hexed him for fun, Snape gave as good as he got and went so far as to use dark magic to slash James' face in response to being hung upside down and pantsed (with the spell James used to hang Snape upside down being invented by Snape in the first place.) A flashback also shows Lily telling him about an incident where one of his Slytherin friends used dark magic on another student, which Snape defends as "a bit of fun."
    • There's the minor character of Marietta Edgecombe. She's Cho Chang's friend and rats the DA out to Umbridge. She's punished for this by having "SNEAK" permanently pock-marked across her face. As she's not developed enough as a character, fans often take a line from Cho about how she feels conflicted because her mother works for the Ministry as a good reason to sympathize with her. Further muddying this issue is the fact that she was dragged along to the meetings by Cho. Some fans feel as though her punishment was Hermione going too far. Needless to say it's a divisive issue.
  • The House of Night:
    • There's the briefly-shown Kayla. She was Zoey's friend when Zoey was human, and supposedly "betrays" her by dating Zoey's boyfriend, Heath, unfairly sending the police to investigate Zoey in the wake of several murders, and forming a "Bitch Posse" with a group of not-nice female classmates. Thing is, Kayla began dating Heath after Zoey repeatedly said how she had dumped him, her going to the police was logical since Zoey openly threatened to drink Kayla's blood (and Kayla saw her drinking Heath's blood), and the alleged "Mean Girls" she befriended are never introduced, so there's nothing to go off of, save Zoey's word that they're "hateful sluts".
    • In Chosen, Erik's reaction to finding out that Zoey slept with Blake is over-the-top, with him repeatedly calling her a slut and a two-timer, while she cries about how he's so different and hurting her so much. Later, Aphrodite accuses him of hating on Zoey just to boost his own ego, which is treated as her rightfully calling him out. The thing is, after Zoey spends the past book and all of Chosen sneaking around with two other men, Erik being angry with her comes across as pretty justified. Not to mention that everything he tells her (that Blake didn't actually love her, that he was obviously using her, that he'd dump her the instant he was tired of her, and that Zoey was kinda stupid not to notice) turned out to be true.
  • Marcie Miller from Hush, Hush series. We're supposed to hate her for having money, wearing short skirts, and dating Patch after he and Nora break up, but it doesn't change the fact that she's virtually the only one who sees Patch's stalking as disturbing, dealt with learning that her father never loved her, and comforted her mother after her parents got a divorce (which is more than Nora ever does for her own mother). Then, there's the fact that Nora goes full-on Yandere towards Marcie, and it's kind of hard not to pity the girl. And to add on top of it all, Finale reveals that Marcie died offscreen, several months before the epilogue (meaning she would have still been in her teens and not had a chance to do anything with her life) and that only five people, including her mother, attended her funeral. Vee's response to this is that she deserved it.
  • Too many characters in the Left Behind books to count, especially by comparison to the callous, misogynistic, self-satisfied way the alleged heroes act.
  • Rosaura de la Garza from Like Water for Chocolate was supposed to be seen as a selfish Jerkass bitch, but many readers ended up feeling sorry for her instead. Yeah, knowing that her husband only married her to be close to her little sister since the Evil Matriarch won't let him marry her is just the beginning to lots of humiliations coming from him, and one can't imagine how bitter such shit will make anyone in the end. Tita is very sympathetic, too, and a good part of the book is a genuine Break the Cutie for her, but it's very unsettling to see how the narrative takes Rosaura's actually quite understandable objections and makes her look like she's stupid, bitchy, or plainly evil in an attempt to make Tita and Pedro's deal better/worse, to the point of having her want Esperanza to stay there for her like Tita did to Elena for ZERO reason other than to make Tita throw a tantrum... followed later by a ridiculously humiliating death and a And There Was Much Rejoicing. (Especially considering that Gertrudis, when she said that Pedro and Tita were meant to be, also added that Rosaura understood it to some point.) In the end, once cannot help thinking that the author wanted any woman who didn't kiss Tita's butt to be the worst bitches ever whether they actually were bitches or not, and Rosaura ended up taking the "spot" without deserving it as much as her and Tita's Evil Matriarch ever did.
  • In Memoirs of a Geisha, though the main character is sympathetic herself, Pumpkin's revenge against Sayuri is meant to be a major Kick the Dog, but as she points out to Sayuri, Sayuri took her life goal of becoming officially adopted by the okiya and becoming one of the most successful geisha in Gion, and she didn't really even want that; it was all just "a stepping stone" to get to the Chairman. Under those circumstances, it's easy to feel like Pumpkin's revenge was justified, even if Sayuri hadn't meant to do that and was manipulated into it by Mameha and The Chairman.
  • John Milton's Paradise Lost. Because the poem starts off from his viewpoint, Satan comes across as more of a Designated Villain than an actual bad guy. However, as the poem progresses, it becomes clear that Satan is rationalizing his behavior, just like humans tend to do, and is ultimately a hypocrite. The reader is supposed to sympathize with Satan and feel the temptation of sin, but ultimately reject him. However, many who read the work miss the point and believe that Satan is in fact the hero of the story. This may be a case of Values Dissonance mixed with Cool People Rebel Against Authority.
  • Mary Bennett in Pride and Prejudice is supposed to be, in her own way, just as annoying as Lydia and Kitty due to her preachiness, Know-Nothing Know-It-All pretensions, and refusal to socialize. Values Dissonance comes into play here: in the time and place in which the book is set, there was little to no way other than marriage for a woman to be assured of having a home and a means to live, and socializing at balls and parties was practically the only way of meeting and getting to know prospective husbands. In this context, Mary's unsociable behavior could easily have serious negative repercussions on her future. However, the fact that she's the "plain" one who avoids going out because she doesn't want to be unfavorably compared to her sisters makes her an underdog from the start, and modern readers are likely to sympathize with her as an insecure, bookish introvert much more than Austen intended.
    • In a similarly-situated family in Spain or Italy, Mary would have entered a convent where she would have played the organ in the chapel and taught in the girl's school, and been very busy and happy. Protestant England at the time had no place for someone like her. (A generation or so later, she might have become a missionary and traveled to far-off lands.)
    • Kitty Bennet also qualifies. While unlike Mary, she is possibly meant to be something of a likeable character, she definitely is treated unfavourably by both her parents, despite being better-natured, if no smarter, than her obnoxious sister Lydia.
  • It's hard to find the villains in Redwall threatening when they look like this.
  • Twilight:
    • Through most of the series, Leah is meant to be seen as a heartless bitch who didn't bow graciously out for Sam hooking up with Emily, uses the pack mind to think of various scandals, and tell Jacob he's being overly angsty about Bella. Thing is, with all of the shit that Leah goes through (her fiance is essentially brainwashed into loving her cousin, her father dies of a heart attack at the sight of her and her brother turning into werewolves, she's the only girl ever to become a werewolf, the entire pack thinks she's bitter and weak, her own brother says that she ruins everything, etc), she comes across as an Iron Woobie. She comes across as this even more so when one considers that the same people who call her selfish and whiny all coddle Jacob for being even more self-centered and whiny over Bella, who he was involved with far less than Leah was with Sam.
    • The Volturi are supposed to be seen as the evil government for vampires and Aro is portrayed as an insane collector of special abilities of vampires, including wanting to get Alice and Edward into their coven. They're stated to have killed the Denali Sisters' coven-mother, because she created Immortal Children (biting a child and turning it into a vampire), fought a war with the Romanian vampires when they wanted to overtake the Volturi and repeatedly attacking and separating covens that spring up. They're meant to be villains, but their actions are all justified: creating Immortal Children is forbidden, as Meyerpires never advance once they've been bitten and Immortal Children cannot learn to control their bloodthirst and have eradicated entire villages, just to satisfy a bout of hunger. The Romanians were going to overthrow humanity and let vampires rule the entire world and the Volturi fight them down, to avoid any coven growing too large and being noticed by humans. The Volturi only put two rules onto the vampires in the entire world. 1) Do not let humans notice that you are a vampire and 2) do not create Immortal Children. Das Sporking even went in-depth into why the Volturi are actually good guys for both vampires and humans.
    • In an odd Meta example, Robert Pattinson interpreted Edward to be a suicidally-depressed creepy stalker with few sympathetic qualities, and played him as such, and was very surprised when he learned fans and the author saw Edward as a sympathetic romantic lead. Reportedly he would get into "passionate" arguments with Stephanie Meyer over the character's motivations and alignment and often played up the character's more negative qualities in spite of it, making Edward a character who was meant to be sympathetic but played to be unsympathetic and interpreted as sympathetic.
  • Warrior Cats:
    • Depending on who you ask, Mudclaw could be seen as a heroic warrior who deserved to be Tallstar's successor after his moons of loyal deputyship, and his rebellion as being in WindClan's best interest. This doesn't make Onewhisker any less sympathetic, as he was forced into the position and was only trying to follow Tallstar's dying wish; but it helps Mudclaw's case that Onewhisker was promoted so WindClan could "stay friends" with ThunderClan, which even Onewhisker knew would be bad for the Clan's reputation, and that the tree that killed him was confirmed to have not been StarClan's doing. Mudclaw later appeared as a member of StarClan, showing he was given some sympathy in-universe as well.
    • Other villains, like Mapleshade, Scourge, Thistleclaw, Tigerstar, Hawkfrost, and Brokenstar all have fans who see them as sympathetic characters due to either a sympathetic backstory or, in Thistleclaw's case, being little more than Bluestar's rival who didn't commit many evil acts on-screen yet still ended up in the Dark Forest. In Scourge's case, the author even made a note in his novella that his story wasn't meant to justify his actions, and yet many believe it in fact does.
  • In Robin Hobb's Liveships fantasy series, you are encouraged to hate the pirate Kennit, who does unspeakably evil things throughout. Then we are given his back-story and suddenly you find yourself getting all teary-eyed over the fact that he is killed, instead of cheering wildly as should be appropriate for the scum. It doesn't help that even before you know his backstory, his POV chapters show that he's mostly driven by pure terror that people are going to hurt him again, so even as you're disgusted with his actions, you can't help but feel sorry for his motives.
    • This also happens in-universe, thanks to Kennit's luck. Kennit works very hard to portray himself as a hardened, emotionless pirate captain, believing it will make him more powerful. But, his crew keeps interpreting non-emotional coincidences as shows of great kindness and honor, and absolutely love him for it. Early examples are when Kennit goes into a slave-hold of a ship, and tears up at the smell, only for his first mate (a former slave) to become utterly devoted to a captain who would cry over the plight of slaves, or when Kennit drops his load of newly-liberated human cargo at the nearest port town to be rid of a nuisance, only to discover that this was where they'd been originally stolen from. He's pretty freaked out by this new loyalty at first, but uses it to his advantage in the end. To do more evil things (or at least try to), of course.
    • A lot of characters in the series can fall victim to this, since the heroes have a tendency to be moralising scolds who often insist on doing everything by the Good Old Ways without offering much in the way of reason for why those ways are good and not just old, or a way to do so without becoming a Doomed Moral Victor. Many of them cross some sort of Moral Event Horizon before we can start sympathising with them too much note  but not always - Malta Vestrit, for one, is just a teenage girl who wants to wear pretty dresses, go to parties and flirt with boys, something that both the story and her family treats as the height of immaturity and moral bankruptcy.
  • Sisterhood Series by Fern Michaels: A number of villains in the series end up as this for the following reasons: 1. Moral Dissonance, to an intolerable degree. 2. The supposed heroines are witches or/and jerkasses. 3. The villain may not seem that villainous if you think about it, which the author didn't. 4. The villain gets their Laser-Guided Karma...and comparing what the villain actually did or was even trying to do with what happens to the villain, the "karma" feels more like Disproportionate Retribution. 5. The reasons you must sympathize with the heroines carry Unfortunate Implications.
    • Yes, this is copy-pasted from the top of the page.
  • Mrs. Snake in the first book of the Snugglepot and Cuddlepie series. The narrative constantly reminds us she's evil, and we are supposed to celebrate her demise by decapitation in the end because "she was very wicked and deserved to die." One problem: She's lost most of her family to Mr. Lizard preparing a feast, and is understandably bitter about it. Snugglepot and Cuddlepie telling her that "You eat birds, so birds eat you" doesn't help their case, when they don't tell off other snake-eaters for eating snakes in the first place, so she comes off more of a vengeful serpent looking for revenge than a generally wicked creature.
  • Whatever you think of female clergy, Victoria opens to a female bishop being burned at the stake rather than renounce her faith or position, a powerful image of moral courage. She is meant to be part of the destruction of society by accepting multiculturalism though she comes off far better than the protagonist who in the same chapter pitches a fit over female Marines existing.
  • Practically every Western actually written during the frontier times portrays the Native Americans as inhuman savages who want the heroes dead just for being there, and the characters and the narration will always remind the readers that the Indians are evil at every opportunity, even when they aren't actually doing anything at the time. (This is particularly bad in dime novels.) Yet modern readers would probably side with the Indians over the settlers, even when they actually are being villainous, because of how they were the victims in real life and the settlers struck first. This is also true of colonialist fiction in Darkest Africa, just replace "Native Americans" with "black people" and "settlers" with "Bold Explorers".
  • Kurt Vonnegut's satirical sci-fi short story Harrison Bergeron has the eponymous character, who is, according to Word of God, meant to be a satire of how the United States perceives itself relative to the rest of the world - a superhumanly strong, tough, and intelligent "emperor" amidst a sea of mediocrity. Unfortunately for Vonnegut, he chose to portray the world's non-American people as citizens of an ultra-collectivist dystopia where people's natural talents and skills are repressed by the government in the interest of absolute equality, with Harrison as the only one who's not drinking the Kool-aid, meaning he comes off far more heroic rebel than arrogant jingoist. This story is so commonly misinterpreted that Vonnegut had to come out and explain that it's not meant as a critique of collectivism or socialism (Vonnegut being a socialist himself) but rather Cold War America's (over)reaction to it.

    Live-Action TV 
  • Arnold Rimmer from Red Dwarf is most frequently described in-series as a "smeghead" or a "git". He's petty, vindictive, spiteful, a backstabber, selfish, cowardly, hypocritical, a Know-Nothing Know-It-All, aggressively nerdy, two-faced and... well, he has a lot of character flaws. However, he does have some genuine, deeply buried noble aspects and his combination of stubborn determination to achieve his goals despite how hopeless they are, combined with how often he is made the Butt-Monkey, lead to many people sympathizing with him, despite the fact that in this case of Jerkass Woobie, the woobie part in no way excuses or justifies the jerkass part. He's pretty much the same in the novels as well. Yet the fans still love him.
  • The entire cast of Seinfeld, as revealed by the negative reaction to the finale in which they get their comeuppance. Possibly spurred by the ones that triumphed over them being the even more vapid and petty side characters. The audience may have wanted the main four to get what they had coming to them, but not by way of a weird judgment driven by people worse (in some cases far worse) than they were.
  • Tony Soprano in The Sopranos. Due to being the protagonist, genuinely funny, and masterfully acted, the audience was far more sympathetic to him than the creator expected. David Chase kept writing him as doing increasingly heinous crimes, but the audience never really stopped "rooting for" him and the writers were aware that his tragic circumstances build a compelling bathos.
  • Frank Burns from M*A*S*H is similar to Rimmer in that, though he's obviously supposed to be such a Jerkass we don't like him, the hints of a terribly abusive family life and the constant treatment as the Butt-Monkey make people sympathise with him anyway. And unlike Rimmer, there's a lot more evidence for Frank's malevolence (for example, Frank has several times tried to get Hawkeye charged with mutiny, at least once on trumped up charges, knowing that the odds of Hawkeye being hanged until dead if found guilty are quite high).
  • Cole Turner from Charmed is very much this. He spent most of his life working for the forces of evil but became good because he fell in love with Phoebe Haliwell. After a great deal of work, he became a normal human. He ended up being possessed by the Source of all Evil and the Charmed Ones had to vanquish him. After he came back, the sisters just flat out dismiss him as evil and didn't trust him from the start. Cole tried over and over again to prove that he was good until he snapped and become evil. This caused a lot of Phoebe fans to hate Phoebe and feel sympathetic to Cole. Furthermore, a despondent Cole even realised that he was losing the battle with his dark side and tried to trick them into killing him at one point, but Phoebe realises that he's trying to commit Suicide by Cop and refuses to do it out of petty revenge. Meaning that once again, every death he caused from that point on was technically her fault.
  • T-Bag at various points in Prison Break. This is partly because he had an egregiously awful childhood and partly because he was very well-acted by Robert Knepper. Late on in the show's run, he ends up showing more compassion for a wounded foe than Linc, but by the end he's turned despicable again.
  • Isabella from Robin Hood is clearly meant to be entirely unsympathetic by the end of the show's run, thereby justifying Robin and Guy's attempt to kill her (which ends up successful... at the cost of their own lives). In that case, it probably wasn't such a good idea to have her back-story consist of Guy selling her into an abusive marriage to a sadistic rapist at the age of thirteen, or to have Robin constantly breaking into her bedroom at night to make thinly-veiled threats, flip-flopping in regards to his attitude and feelings toward her, and breaking every promise he ever makes to her. And any woman who is put into a Betty and Veronica Love Triangle with Kate as their rival is inevitably going to look good in comparison. Even Isabella ordering the execution of Meg, which is meant to be her Moral Event Horizon, is somewhat understandable, considering that she frees Meg from an arranged marriage only to catch her releasing a prisoner that has already made at least two attempts on Isabella's life. Likewise, the fact that she is one of the few characters on the show to avoid carrying the Idiot Ball earned her extra points, and even when she's Ax-Crazy, she manages to outsmart everyone around her.
  • Alfred Tomson from The Pillars of the Earth mini-series. He starts off nice and sympathetic enough, but starts going downhill quick and picking up speed. He becomes a jerkass to Jack early on, accuses Jack's mother of witchcraft, starts stalking Aliena, eventually pushes her into marrying him, beats her when he can't get it up on their wedding night, screws up the construction of the church, accidentally causing over seventy deaths (though it is made to look like his fault due to his arrogance and incompetence), and throws Aliena out onto the street after she gives birth to a red headed son (Alfred and Aliana both have brown hair, Jack has red). With all of these horrible things he does, he certainly crosses the Moral Event Horizon, but what makes him unintentionally sympathetic is that all of this comes off as horribly unnecessary. It is as if the writers were trying to make him look as bad and pathetic as possible specifically to make Jack look better. He becomes a meta example of The Woobie.
    • Apart from the witchcraft accusation, most of this is how Alfred behaved in the book. However, his motivation for all this was better handled; he was shown to have a somewhat legitimate grounds to feel that his father showed Jack preferential treatment, and Jack himself wasn't especially likeable as a teenager. Alfred doesn't come off as sympathetic by any means, but his antagonist status never feels contrived.
  • Paul Young from Desperate Housewives has this. In season 1, his wife commits suicide. As it turns out, she was being blackmailed by Martha Huber, who didn't even care, she just wanted money. Paul then murders her with the blender she stole from him. After this, we meet her sister, Felicia Tillman, who knew Paul from the past. Suspicious of Paul, but lacking proof, she cuts off her fingers and spills blood in his house. He's caught, arrested, and sentenced to life in prison. During this time, not a single one of his neighbors, who were best friends with his wife and had known him for years, came to visit him. When Felicia is discovered, he is released. Unsurprisingly, he wants to ruin the lives of those who betrayed him. And, when you consider what the housewives have pulled, involving leaving a man to die, and that they have forgiven far greater acts, like Katherine Mayfair, who can honestly blame him?
  • Scott Baldwin from General Hospital. He was portrayed as a bad guy because he hated two of the show's heroes: Luke and Sonny. Why did he hate Luke? Luke raped his wife and then ran off with her. Why did he hate Sonny? Sonny got his under-aged daughter hooked on drugs, slept with her, and forced her to strip. Yeah, Scott did a lot of bad things, but his grievances were very valid.
  • Maria Joaquina from Carrusel. Granted, she was not always the friendliest person. But nobody would blame her for not liking Cirilo back. In no way is she obligated to return his love romantically for any reason. Sure, sure, his parents donated blood to her mother. And he was always showering her with unwanted gifts and attention. But is she truly required to be anything other than civil and respectful towards him? That, and she is nowhere near as cruel as her other rich classmate, Jorge.
  • On Summer Heights High, it would appear that we are meant to dislike Jonas's English teacher, a shrill and shrewish woman who on at least one occasion verbally humiliates Jonas. However, many viewers (especially teachers who have to deal with students like Jonas) found her sympathetic because Jonas is relentlessly disruptive in class. She's clearly not getting any support from the principal or the rest of the staff either, and most of the time she simply comes across as a teacher whose job is being made a living hell by one student who refuses to shut his mouth.
  • The 2002 - 2004 PBS show "American Family" (not to be confused with the 1973 PBS documentary "An American Family") has one of these in the character of Evangelina Gonzalez, played by Rachel Ticotin. The show tries to make you think of her as a shrewish and uptight traitor to her ethnicity simply because she's a motivated Type A-type businesswoman who speaks flawless English. Instead, you find yourself preferring her over her professional martyr weakling sister Nina.
  • Zig-Zagging Trope in Star Trek: Deep Space Nine, as the creators were deeply divided on exactly how sympathetic Gul Dukat was meant to be, with some advocating a full Heel–Face Turn and romance with Kira Nerys. By the time of "Waltz", however, the intention was clearly to remind the audience of how horrible he really was, clearly showing him as a deeply disturbed mass-murderer whose Affably Evil facade is a mere sop for his ego. Unfortunately, it just made some people sympathize more.
  • Strangers with Candy: If you actually take Jerri Blank's life into consideration — her history of prostitution, drug abuse, issues with her appearance, relationships with her family and the world at large, her lack of general common sense — it makes scenes like the end of "A Blank Stare" a bit poignant: Jerri, saved by her friends and family, but still rejected when she attempts to hug them, simply wraps her arms around herself while standing alone in a basement.
  • Whether Spike from Buffy the Vampire Slayer deserved the audience sympathy he got after being chipped, whipped, and generally getting his ass kicked by characters, writers, and the universe alike is still highly debatable. Some do stick with the writers' interpretation (and intended response) that it was karmic retribution, deserved or brought on himself. Others think of him as a Jerkass Woobie whose ongoing Humiliation Conga made the heroes look like bigger assholes than him!
  • Agents of S.H.I.E.L.D.:
    • A surprising number of viewers apparently felt sorry for Skye's ex-boyfriend, despite the fact that his selfish actions resulted in multiple deaths... because Coulson left him to fend for himself in Hong Kong while fitted with a bracelet that would prevent him from hacking at the end of the episode.
    • Grant Ward, despite being a killer and a traitor was shown to have deep emotional turmoil caused by having been abused as a child and then turned into a killer by a sadistic HYDRA agent when he was only 17. He seemed to grasp and understand the wrong in the things he did when he's imprisoned. Many fans got behind him and wanted him redeemed while the writers didn't share that same viewpoint. Any attempts they made to make him irredeemable either towed the line for many or came off as forced and only sought to alienate his fanbase and call the writers out on Villain Decay.
  • Everyone not named Ted Nugent on Surviving Nugent. A likely good reason that it only lasted one barely-noticed season was that instead of the usual band of reality show contestants that could at least make it Jerkass vs. Jerkass Sadist Show was the fact that they were a cherry-picked list of all the kind of people he didn't like (gays, minorities, metrosexuals and PETA) and basically said as much whether it was kicking off a guy fresh off the bus that never even gave his name or said a word because "he smelled like a French whore on fire" or how he outed the Manly Gay big enough to curb-stomp him and stated he didn't like the guy due to said homosexuality despite said guy never doing/saying anything related to his sexuality. The PETA member hyped to be the Sitcom Archnemesis never achieved such status and was only memorable for wearing her shirt and being a strict vegetarian, so she went out with a whimper instead of a boom. Hell, even his family proved to arguably be the biggest Woobies on the show because they have to live with him as his wife went out of her way to personally cook for the case, including a vegetarian meal for the PETA woman and his son got mocked for favoring the Black guy to win as "You only like him cause he's BLAAACK!" And yes, this show was an Early-Bird Cameo for a pre-Attention Whore Tila Tequila and yes, you fucked up when you can even make her a Woobie even in hindsight.
  • The Designated Villain of The Twilight Zone episode "Time Enough at Last", where a bookworm type who spends the whole episode being abused by every person he meets, and only wants to be alone with his books. Then a nuke wipes out the entire city while he's safe in a bank vault, and he's finally free to read his books in peace...until his reading glasses break. While Word of God says that this was his just punishment for his misanthropy, the character comes off as very sympathetic in a world where people act like such jerks. Serling's case is further hurt by one scene in which as a cruel joke, the bookworm's wife asks him to read poetry from one of his books to her; he eagerly obliges, only to find that she has drawn lines over the text on every page.
  • Glee:
    • Finn in the episode "Theatricality", who essentially got thrown out of his own home for using a bad word to refer to Kurt's interior design choices. We're supposed to hate him because he uses an anti-gay slur, but Kurt had been pursuing him over a long period of time knowing he was straight, even to the point of encouraging their parents to get together because he would have more opportunity to seduce Finn if they were stepbrothers. Kurt gets called out for his part in this situation later on, and it is also established to be a bad habit of Finn's: using offensive words when he's frustrated (i.e., calling Brittany stupid, using a slur to describe Sue's baby [who has Down Syndrome], etc.).
    • Also, Quinn. Yes, she starts out a bully who cheated on her boyfriend with his best friend and then lied to said boyfriend that he was the father of the resulting baby and then made him help pay her medical bills. However, she is only sixteen when all this happens, with two deeply religious and conservative parents who kick her out of her home when they find out. The best friend, a trouble-making bad boy, fed her alcohol until she agreed to sleep with him, and the timeline suggests that the cheating occurred early on in her relationship with the boyfriend, who cheats on her twice before he knows about her own indiscretion. As a result, she is one of the biggest reasons for the many splits in the fandom.
  • Romantic False Lead Kinu on A Different World. The viewer is supposed to hate her as she's an obstacle to Dwayne and Whitley getting together, and she does in fact get nastier as time goes on. But who can blame her with her boyfriend blatantly ogling and drooling over another woman who's constantly hanging around and trying to interfere in their relationship? As bitchy as she gets, she never says or does anything to harm Whitley, she just wants her to leave them alone.
  • As the World Turns Julia Lindsay, the Betty to Jack's Archie and Carly's Veronica. After several months with Jack, she leaves him when she realizes that he's still in love with Carly. After Carly leaves Jack at the altar, he goes running after Julia—who rebuffs him as (a) she's trying to get on with her life, and (b) she (correctly) suspects he isn't over Carly. He spends months courting her and convincing her otherwise. She finally gives in, only to have Carly resurface on their wedding day, and for Jack to promptly begin mooning over her at every opportunity, ignoring his wife. . .and ignoring the fact that all this is slowly driving her insane. When she miscarries and he dumps her right afterwards (and confides to Carly that he's relieved, as this means he has nothing to connect him to Julia) , it's the straw that breaks the camel's back. Basically every terrible thing that Julia does afterwards is clearly made to make the viewer feel sorry for Jack and Carly, but given their abhorrent treatment of her, it has the opposite effect. Not until Julia kidnaps and rapes Jack (desperate to replace the child she miscarried) did viewer sympathies shift.
  • Similarly with Guiding Light's Annie. As despicable as most of her actions were, they're pretty understandable when you consider how much Josh jerked her around regarding his feelings for and involvement with Reva and how often the two of them would practically taunt her.
  • Arrested Development sets up GOB as the least likable Bluth sibling, with the first few episodes emphasising his insensitive womanising and the fact that his "career" as a magician is basically an exercise in extreme self-delusion supported by his family's money. However, the fact that he's openly treated as The Un-Favourite by his (even less-likable) parents, and that his constant attempts to interfere with Bluth Company business show a deep insecurity about the fact that he was passed over in favour of his younger brother from a very young age, got this trope going quite early on. By Season 3 it's increasingly obvious that most, if not all, of his front is a lie: that he is not only a "Well Done, Son!" Guy but so desperate for the approval of anyone in his family that he'll do nearly anything they ask him to without question; and that most of his "conquests" actually involve him breaking down about his family problems while the woman in question looks bored and ignores him. Never has the title of Jerkass Woobie been more well-earned. The fact that he's often contrasted with Michael, who is often regarded as Unintentionally Unsympathetic by fans, actually just makes this trope more noticeable.
  • Law & Order: Criminal Intent has Dr. Kelmer from “The Good Doctor” is a depicted as an abusive, Jerkass, Control Freak and while that is true throughout the episode he generally comes across as just a guy whose wife has repeatedly disappeared before and he’s just tired of dealing with her and her enabling friends and family. His wife is shown to be cheating on him, repeatedly disappears on binges and has a history of drugs abuse, multiple affairs and suicide attempts. Her enabling family who don’t deny any of this while claiming he was abusive yet nothing is ever shown onscreen instantly suspect him when he calls looking for her don't even seem to care about finding her body making him the only one actively looking for her. They had no body, no forensic evidence; they couldn’t even prove that she was dead. Goren even flat out stated that he wanted to prosecute the guy because of how smug he is. Even the circumstantial evidence they did have didn’t hold up to Audience Awareness Advantage. His flight was shown but he didn’t have a body as the attendant was there with him when he took off. Her cousin said her therapist told her that he was going to harm her yet the therapist stood behind doctor patient confidentiality. In the end it is out right said that he was convicted for being a Smug Snake. While he wasn’t a nice guy nothing shown proved that he was a killer and given the Moral Myopia he had to deal with his actions come across as far more understandable.
  • The Twilight Zone (2002): In the segment "The Pool Boy", a guy is murdered over and over again by a man he doesn't know. It's eventually revealed that he's trapped in a Lotus-Eater Machine as punishment for murdering the husband of one of his clients. It is stated to be a fitting retribution for him, but the episode's Sympathetic P.O.V. (he doesn't actually remember committing the crime, the circumstances of which are somewhat ambiguous as well) and unending torture he goes through just makes it come off as Disproportionate Retribution instead.
  • Ashley from the "Ask Ashley" sketches on All That. The joke about her is that she seems cute and friendly, but whenever she reads a letter from one of her viewers, she explodes with rage at them. The thing is, her reaction isn't that unreasonable—the kids she gets letters from are almost always blithering idiots who needed help with the simplest of tasks (for instance, one of them didn't know how to dress himself—literally). This is actually lampshaded in one episode, wherein a therapist tries to get her to tone down her aggression a little, only to explode with rage herself upon reading one of the letters a viewer sent to Ashley.
  • Carmen Mesta from The Young and the Restless. When she came to town, she quickly took up with Neil Winters, who was estranged from his wife Dru, having just discovered that she cheated on him with his brother and that he's actually the uncle of the daughter he's raised for 15 years. When Dru returned to town, she was enraged to discover Neil and Carmen's fling and promptly broke into Carmen's apartment and trashed it. When Carmen filed charges and a restraining order against Dru, somehow SHE was made into the bad guy. Her and Neil's mutual relationship was suddenly retconned as her being The Vamp out to wreck a blissfully happy marriage and her filing a complaint against Dru was made to look like the vindictive act of a Woman Scorned. When Dru put her in a headlock following another argument and she filed new charges regarding the physical assault and violation of the restraining order, this attitude was ramped up even more until Carmen became the supposed Asshole Victim in a murder mystery that had every member of the Winters' family as a suspect. Dru was clearly supposed to be the sympathetic person in the whole mess, despite her hypocrisy repeated criminal actions, but given that Carmen suffered the consequences of Dru's crazed behavior and had every right to press charges, plus spent the last few weeks of her life receiving unjustified The Reason You Suck Speeches from Neil, Dru and their two children, it seems far more obvious that she was.
  • On Sesame Street, there's poor, poor Bert. He's admittedly a stick-in-the-mud, likes dull things, and can be cranky, but there are some occasions where Ernie, who is (presumably) the character kids are supposed to relate to more (Ernie is the FUN one! Bert is boring!), goes from doing silly things to just plain being rude. In one particular example, Bert plans to give his nephew Brad a bath, and Ernie criticizes him for not giving the baby any toys to play with. Bert agrees with Ernie and tells him that it's certainly OK to put a few toys in the tub...only for Ernie to throw countless inflatables, boats, and other trinkets into the water. Bert politely tells Ernie to stop, grows increasingly frustrated, and finally SCREAMS, which is the only way to get Ernie to listen to him. He then points out that with all of the toys Ernie's put into the tub, there's no way that he can safely bathe Brad, which means all of the preparation was for nothing (any caretaker will tell you that running a bath that's just the right temperature and getting a child settled down enough to take it is a challenge). So does Ernie remove some of the toys and apologize? Nope—he jumps in the tub himself and says that he doesn't want to waste the water, which may have been his plan all along. And we're supposed to laugh at this?

    Similarly, there are multiple occasions where Bert is engaged in some quiet activity, only for Ernie to barge into the room and loudly tell him exactly what he wants them to do. When Bert disagrees, he almost always does so courteously, pointing out that he's already doing something and would not like to play (he's never rude about it—more like a "no thank you, Ernie"). Ernie's activities may be nominally more relatable, but Bert genuinely seems to enjoy what he's doing and is having fun in his own way, so why should he have to stop his own leisure time to accommodate his roommate?
  • Game of Thrones: Stannis Baratheon was this for many viewers, admittedly due to his more nuanced portrayal in the source material. He's viewed as a monster both in-universe and by the showrunners for killing Renly, despite the fact that Renly explicitly plans to kill Stannis and makes fun of him for his personality, which comes off as insulting to audience members who aren't socially adept. Other factors are his nature as a badass frontline general and Reasonable Authority Figure to the Night's Watch (in contrast to everyone else in the show) and his intense commitment to duty and law. Oh, and also the fact that by law he is Robert's heir. His burning of Shireen, his daughter, is seen either as his Moral Event Horizon or as a plot contrivance. It also doesn't help the writers' case that Stephen Dillane is considered one of the best actors on the show.
    • Considering that one of the first thing Daenerys does when she invades Meereen is crucify his father, who spoke out against butchering the slave children but was overruled, then pretty much forces him to become her fiancé so that Meereen will accept her as a Queen, it can be really easy to feel sorry for Hizdahr zo Loraq, especially after he's unceremoniously slaughtered by Harpies during the Season 5 finale and nobody seems to care.

  • Modern audiences usually view most of the gods of Classical Mythology as Jerkass Gods. Both of the gods often viewed as sympathetic by modern audiences, namely Hades and Hephaestus, were The Scrappy to the Ancient Greeks. Hades was so hated and feared that there were no temples officially named for him, Greeks would avoid speaking his name, and they'd turn away if they ever had to make offerings towards him. Why? Because he's the god of death, and the Greeks didn't like dying. Hephaestus was hated simply because... he was an ugly cripple (the Greeks were big believers in Beauty Equals Goodness). Poor guy.
    • Not limited to modern times: Ares was originally one of two gods of war, the other being Athena. Of the two, Athena was the skilled general and protector, and Ares was a slavering bloodthirsty madman that just wanted to see the world burn... and he usually lost when the two came into conflict. In fact, he usually lost in basically any interaction with any other god, and occasionally with mortals. However, the Romans later came to identify Ares with their own god Mars who had both aspects in his portfolio, along with being the protector of soldiers, farmers, and Rome itself (among many other things). This caused them to see the character in a much more positive light.
  • Plenty in The Bible, due to Values Dissonance.
    • Ishmael and his mother Hagar are treated badly by Sarah because Ishmael is Abraham's bastard son, despite his conception having been Sarah's idea in the first place. Because their presence caused tension in the community, they are forced to leave. Fortunately, they are not forsaken by everyone, and God helps them both survive in the wilderness.
    • Leah, Rachel's older sister, is forced to marry a man she knows does not love her (her father tricked Jacob into marrying her instead of Rachel, who Jacob really loved, because of a custom that the oldest daughter must be married first) and is forever The Un-Favourite, despite giving Jacob six sons and one daughter as opposed to Rachel's two (the other four sons were the children of Leah and Rachel's handmaids). None of this is her fault, and she can come across very sympathetically to modern audiences. Though she was apparently sympathetic to God- he made sure she had kids while Rachel was barren to try to get Jacob to treat her better. Not only that, but two of her sons were Judah and Levi—the fathers of the Royal and Priestly tribes, respectively.
  • For that matter, in modern religions, there are people with genuine sympathy for the devil. This may actually have some roots in earlier mythologies. In Classical Mythology, Prometheus was a hero who challenged the gods and stole fire (forbidden knowledge) for humanity and in effect allowed humanity to progress beyond what the gods would have us do. As a result, Prometheus was punished by the gods for all eternity. Many parallels exist in the story of the devil, but with the obvious exception that he's not supposed to be viewed as the hero.
    • Hell there's an entire sub set of Christianity that operates on this belief referred to as Gnosticism, that believes that there are in fact two gods, the evil Demiurge that created the world and the true god Aeon that blessed man with knowledge of right and wrong with the serpent as his avatar.

    Newspaper Comics 
  • Therese, Anthony's ex-wife in For Better or for Worse, is portrayed as being a needlessly vindictive harpy toward Liz, openly expressing discomfort whenever Anthony even tries to speak to her for a few minutes. Her rudeness seems bad, except... well, it's obvious to anyone reading between the lines that there's still latent attraction between the two, which is confirmed when Anthony asks Liz to "wait for him" when the marriage seems to be going south. Unusual among examples in that Lynn Johnston later devotes a few weeks to strips explicitly making her sympathetic — it's in these that we find out that Anthony and her parents pressured her into having a child when she really didn't want one, and that she had suffered from post-partum depression after the birth.
    • Note that the above was revealed by Anthony while begging Liz to wait for him — he even explains that he made false promises to Therese so she'd have his child, assuming having a baby would make her fall into line. He thinks this makes him more sympathetic.
    • As The Un-Favourite, April also falls into this. Supposedly a rebellious teen, she constantly gets the short end of the stick and is supposed to be grateful for it. One week-long arc involves April not immediately going downstairs when Elly announces that dinner is ready. Is she playing video games or chatting with her friends? Looking at Internet porn? Shooting heroin? Nope - she's finishing her homework. Elly reacts like this is the end of the world and sends John to loom threateningly over April until she comes down and apologizes.
  • Cobra in Rip Haywire. It's highly likely the only reason she's evil is because people hate her and mistreat her. It's possible that she wouldn't be so bad if she was treated with more respect.

    Professional Wrestling 
  • A good example would be Kane, who is one of the few pro wrestlers whose gimmick has lent itself to a deeply fleshed out back story. Even when they try to turn him heel and act like a monster, people will still often be behind him, if often only just because of how fucked up his life has always been.
  • American Angel was an Evil Foreigner in LLF and one of the few to actually keep the seemingly inevitable Heel–Face Turn from sticking. Still, fans were taken aback enough by Ayako Hamada's ruthless approach to dealing with her they ended up cheering Angel.
  • At the end of TNA Impact's "The Whole F'n Show," while the ECW EV2.0 group were gathered in the ring, Fourtune jumped them from behind as they delivered a No-Holds-Barred Beatdown to them with Ric Flair yelling at Dixie Carter that it was her fault. While Fortune are supposed to come off as heels, even before hearing AJ Styles and Kazarian's comments on "Reaction" about Dixie bringing in Ring Oldies rather than using (established) home grown talent (they even got their own PPV that was a tribute to the old ECW), many fans believed that the "heels" were justified. The chants of "THIS IS AWESOME!" during said beatdown didn't help at all.
    • What else didn't help was the fact that that episode of Impact was the second time (behind the aforementioned PPV) the Hardcore Originals took center stage just "one more time" to say "thank you". What ELSE didn't help was the fact that the EV2 guys were being treated as faces for taking the spotlight out of the gate at the expense of TNA's homegrown and long-term talent, something that Paul Heyman never allowed outsiders to do in ECW at least without earning it in the company first — which is ironically part of the reason they loved working for him.
    • Then Fortune joined Hulk Hogan and Eric Bischoff's Immortal conspiracy upon The Reveal, which not many people thought would last and even fewer wanted to. Not only was Immortal doing the same thing Fortune was accusing EV2 of, not only were Hogan and Ric Flair always portrayed as enemies until that point, but there were a few subtle and/or inadvertent hints being thrown out there that TNA was at least thinking of having Fortune turn on Immortal somewhere down the line. Cue Immortal and Fortune working together to basically end EV2, Fortune grabbing a couple titles, Bischoff mistreating AJ Styles some (who qualifies for this trope every time he turns heel anyway), and finally, Main Event Mafia members going to WWE instead of signing on for a plan to reunite as Crimson's "them" outfit and Fortune finally got that Heel–Face Turn, officially recognized as the good guys fans viewed them as all along, and went on to make 2011 a collection of awesome moments for themselves, mostly at Immortal's expense. Between this and Jeff Hardy's infamous issues, Immortal never recovered.
    • Fortune are actually a greater example of this trope. They went from just unintentionally sympathetic, to unintentionally the heroes.
    • Then again, this is standard fare for AJ Styles. A heel turn for him is really nothing more than a phase to slowly transition him into a stronger babyface.
  • In WWE, there's Daniel Bryan's 2012 heel run, or at least the start of it (some may debate that it continued past this or to this day, but that's for another discussion). At the time he won the title, the two other guys in the World Title picture were The Big Show and Mark Henry, two guys who are each literally twice his size and the first match featuring all three of them was a goddamn steel cage match. Even putting aside the fact that Bryan is hugely popular among "Smarks" while the other two generally get the opposite reaction (at least Show was; Henry's was very well-appreciated at the time), it was a little hard to really get against Bryan, if only because of how massively out-muscled he was.
  • In 2013, Act Yasukawa betrayed Trouble 2 Maker by smacking Yoshiko with a chair and joining Kimura Monster Gun, where she climbed to the top by busting open baby faces, then reformed it into Oedo Tai with further purpose of making STARDOM a vehicle to show the world her horror. Yoshiko took a similar path, forming her own gang, the difference between them being Yasukawa showed complete contempt for her fans along the way. Presumably, Yoshiko forcing Act to beg and publicly humiliate herself for a shot at the title out of Oedo Tai's reach was for these fans, problem being they had been cheering Act the entire time and were mostly confused as to why Yoshiko was being such a jerk all the sudden. The supposed climactic match quickly degenerated into a such a one sided affair it made every previous STARDOM beating look like a pillow fight in comparison and completely overshadowed everything prior to it on the card, Act's minions audibly pleading with her to throw in the towel before doing so themselves. It got mainstream Japanese media attention, also in the worst possible way, being described as "ghastly". Yasukawa's documented health issues were now also being nationally publicized as she had to be hospitalized again. STARDOM as a business splintered because its founders couldn't agree on how to discipline Yoshiko for going into business for herself, Yoshiko herself retiring from pro wrestling because of the backlash(though she quickly resurfaced in SEAdLINNNG, the splinter from STARDOM more sympathetic to her). Yet, Act's return promo didn't suggest a heel face turn, even though it was only when she stepped back from wrestling to become a manager that she could even begin to get the desired heat.
  • Suzuki-gun and Bullet Club were both eviler than thou counterparts to New Japan Pro-Wrestling's resident heel stable CHAOS during the time period Kazuchika Okada was it's centerpiece. Minoru Suzuki proved so unlikeable though that the rest of Bullet Club was cheered when they interfered in his match with AJ Styles on the latter's behalf and cheered more for AJ after it was over.
  • The Bella Twins against AJ Lee and Paige. While they have done some petty things in their time, AJ and Paige's main argument against them seems to be to invoke Slut-Shaming and Real Women Don't Wear Dresses. Likewise despite being beaten fairly in a title match, Paige demanded a second and came across as an Entitled Bastard. Notably one promo Nikki cut responding to one of AJ's Slut-Shaming speeches had to be edited down because it sounded too sympathetic.
  • Anyone who opposes the McMahon family, regardless of the reason. Even when they're faces, has any member of that family (Triple H excluded, since he's not a blood relation) ever performed a single justifiable act that wasn't in some way selfish? They look out for each other, but big deal; mobster families look out for each other, too.
  • As 2015 neared its end, WWE's entire main roster got this, especially after Survivor Series that year. Not in the conventional sense, mind you — many fans are displeased with the creative direction of the company as a whole, and feel sorry for the performers who are trying to make a decent show out of the half-baked booking they're being given. This is especially prevalent in the booking of the former members of the Shield: Roman Reigns is stuck trying to get over with a character that doesn't fit him and no one likes because Vince McMahon sees him as John Cena 2.0 (he isn't, and he shouldn't have to be), Seth Rollins got booked as a chump, as champion no less, and Dean Ambrose, who is arguably the most popular of the three, got busted down the card, forced to drift aimlessly in the upper midcard either because he doesn't have the look Vince likes or Vince simply doesn't see what everyone else sees (including, reportedly, his own son-in-law, who was rumored to have pushed for Ambrose to be champion the week of Survivor Series), or, the most likely reason, is because he'd outshine Reigns (who corporate obviously wants to be the new face of the company). So instead of getting invested with the product, fans are instead outright protesting it out of legitimate hatred of the company, causing a massive ratings drop. Many of those still watching admit to doing so out of Bile Fascination, cynically wondering how much the company is going to screw up booking come WrestleMania season.
  • Despite his scrappy status Michael Cole is subject to this, considering that he's been a Butt-Monkey for years to just about everyone, Heel or Face, so it's not surprising that he decided to Take A Level In Jerkass knowing how far he's been pushed around. His Face–Heel Turn coupled with his hatred of Jim Ross is Fridge Brilliance if you remember back to 1999 when J.R. was antagonizing Cole (which was an ultimately futile effort to make J.R. a heel). And on the June 4th, 2012 Raw, after calling John Cena out about the whole situation with The Big Show and John Laurinaitis (in which Cole actually did raise a few good points), Cena managed to earn a match against Cole in the main event of the night, which consisted of Cole getting the snot beaten out of him, being covered in barbecue sauce and blasted with a fire extinguisher. While to many casual fans it may have come across as a Kick the Son of a Bitch moment, many others are calling hypocrisy on Cena's part, given that Cole is in his forties and not in Cena's league and Cena is supposed to be the face of WWE's anti-bullying campaign. Of course it didn't help matters when Cole was shown to be a massive Troll and Jerk Ass with a Small Name, Big Ego.
  • Rusev and Lana in almost every feud they're put in, especially Rusev. The reason behind this is largely because they're portrayed as faces in the Russian broadcast, and his opponents the heels, so the actions of them and their opponents are usually kept more morally gray to allow both. However, they went too far with it and his opponents often outright come off as smug villains even to the American audience. Rusev's opponents have done things like attack him 2-against-1, desecrate his country's flag, seduce his girlfriend while his leg is broken, interrupt and ruin his and Lana's wedding segment, and once again attempt to seduce Lana, this time when they're married. Rusev, for his part, is guilty of being a Foreign Wrestling Heel and sometimes taking his revenge for these actions a bit too far. Even the American fans who are supposed to hate him often say he's the most heroic character on the show.

  • In The Men from the Ministry, the General Assistance Department's boss Sir Gregory is a Bad Boss to the core, being a mean and unnecessarily cruel as well as occasionally violent towards his underlings. However the General Assistance Department is also the most incompetent office in the whole Whitehall, so his anger is often more than justified.

  • In Dino Attack RPG, when Atton Rand wrote the fight scene between Snake and Plastic Serpent, he'd intended it to be representing Snake Plissken getting revenge on Solid Snake for what he saw as the latter ripping him off.note  In order to get this message across, he tried to write Plastic Serpent to sound like a low-life criminal scumbag that made Snake look honorable by comparison, complete with references to him screwing Snake over and trying to steal credit for his actions. Players still found themselves relating to him, though, the reason being that Atton Rand was already writing Snake as an unsympathetic jerk. Furthermore, instances of Plastic Serpent screwing Snake over have Noodle Incident status since we never actually saw any of that happen in-game. Instead, all we saw was Snake inflicting a seemingly unprovoked No-Holds-Barred Beatdown. Given all that, it's infinitely easier to sympathize with Plastic Serpent in this scenario.

  • It's really, really hard not to be sympathetic to Harry Beaton in Brigadoon, given that all he wants to do is leave a village where he is utterly miserable - he can't marry the girl he loves, and he can't go to seek a better life elsewhere - and in which he has been essentially imprisoned for all eternity without his consent.
  • Shylock from The Merchant of Venice to modern readers, who are much more prone to sympathize with an oppressed Jew getting some payback on an antisemitic society and see his final fate- losing most of his wealth as a result of the court's judgment against him and his daughter stealing from him, and being forced to convert to Christianity- as quite tragic. While Shakespeare gave Shylock some sympathetic motivation, he very possibly did not intend the audience to root for him. Shylock is, after all, a heathen who wants to murder a Christian over injured pride.
    • In modern productions, he is often intentionally portrayed as sympathetic and sometimes even as the victim.
    • There are those who believe that Shakespeare may have intended exactly this interpretation, having written the play as a veiled attack on anti-Jewish bigotry.
  • Many fans of the musical Wicked think of the Wizard as sympathetic and think that Madame Morrible is the real villain. It's not entirely without reason; his songs are entirely about how he wants to make people, including Elphaba, happy, and he's genuinely heartbroken when it's revealed that he was Elphaba's father. Plus, his Fantastic Racism towards the animals is actually a Genghis Gambit. Therefore, it's hard to determine if he even qualifies here and was actually meant to be sympathetic despite his antagonist status.
  • My Fair Lady: When it was first made, Eliza Doolittle came across as much more unacceptably uncouth to theatre-goers, and therefore just as bad as Henry Higgins. But nowadays, it's getting more and more common to see Eliza as being put down by Henry the misogynistic, snobbish villain. Basically, they're both meant to be a Jerk with a Heart of Gold, but current values don't look favorably on characters like Higgins.
  • The Phantom of the Opera: Carlotta is hated by lot of fandom, just like intended, but some fans have pointed out that she is harassed and physically attacked by the Phantom, then lashes verbally Christine - falsely but genuinely thinking that Christine is in cahoots with her tormentor - and is then "punished" for this crime.

    Tabletop Games 
  • Warhammer 40,000:
  • A recurring problem for orcs, goblins, kobolds, and other evil races in Dungeons & Dragons is that they can end up being this. Many of these races live in caves and wastelands and swamps, with limited technology and magic and no stable society, making their habits of raiding and conquering seem less like brutality and more like survival. They hate Good races, sure, but the Good races hate them right back. It's hard not to look at them and see an oppressed minority driven to extremes by circumstance, even in the cases where the "good guys" aren't wiping them out for the sake of XP. Add in decades of players mining "good member of an evil race" for drama with their Monster Adventurers, and feats and prestige classes and abilities dedicated to murdering those races start to look pretty suspect. Because of the Values Dissonance, material released after the 80s has begun rolling with the sympathy, showing these races with detailed cultures and personal values on their own terms - even if the average member isn't someone you'd want to have a drink with, it doesn't excuse genocide.
    • That said, it's not always rolled with; it heavily depends on the setting being used as a base as well as the sourcebook in question. The Forgotten Realms based "Volo's Guide to Monsters" portrays kobolds in a very sympathetic light and fleshes out orcs a fair bit, but has the least sympathetic portrayal of gnolls of virtually any edition to date.
    • Undead in D&D often have such miserable unlives it's pretty hard not to feel bad for them even if they are evil. Killing them seems more like a Mercy Kill than anything else.
  • In Witch Girls Adventures, the organization Malleus Maleficarum are supposed to be a Fantastic Racism murder-cult who have dedicated their lives to the complete extermination of all Witches, even small children — the power can awaken in 6 year olds at the youngest. The problem is that, thanks to the source material's extremely Unintentionally Unsympathetic portrayal of witches, killing them all actually comes off as the most rational thing to do, much as was the case with the Dicloni in Elfen Lied.

    Video Games 
  • Kingdom Hearts II: The Nobodies. They are played as disposable monsters without hearts, incapable of any emotion. Still, despite their blatantly evil acts, some fans empathize with the Nobodies' desire to obtain hearts. It doesn't help that they act out what they remember of their emotions, making it easy to forget that they're technically uncaring. It also doesn't help that Roxas is a Nobody, and definitely seems to still have feelings, though he's said to be a special case because he was created with Ven's heart.
    • Interestingly, there are two scenes where the Nobodies straight out acknowledge that they are emotionless. Twice, one of them gets a big speech on how they're in the right, one talking about the pain of not having a heart... then Sora points out that they can't have pain, as they don't have a heart. The response? To completely shift out, and basically tell Sora, "Okay, ya got me." This behavior mimics that of real-life sociopaths.
    • This has been addressed by the creators; the Nobodies got a game revolving around them (Kingdom Hearts: 358/2 Days), and Kingdom Hearts 3D: Dream Drop Distance also revealed that the stronger Nobodies tend to gain new hearts over time, so Xemnas lied to them to make them think that what they were feeling was a lie. Several former Nobodies have come back to life, and it's strongly implied that Roxas and Namine will as well, so all but four of them are unaccounted for.
    • Eraqus in Kingdom Hearts: Birth by Sleep. He's supposed to come across as a King Triton-like Knight Templar for Light and against Darkness, respectively. However, given the series's rather-infamous Broken Aesop about Balance Between Good and Evil, he can come across as Properly Paranoid instead (and it doesn't help that his harshest critic In-UniverseXehanort — is a blatant Unreliable Narrator). Likewise, his Jumping Off the Slippery Slope moment — trying to Shoot the Dog on Ven and Terra, his own pupils, to stop Xehanort's apocalyptic plans for them — arguably comes across as just a general Idiot Ball and/or Jerkass Ball instead of anything actually supporting Black and White Insanity, and he still shows remorse after it's all said and done. It doesn't help that Ven and Terra later end up with Fates Worse Than Death, thus making Eraqus's aforementioned moment seem like a double-Mercy Kill by comparison.
  • Gears of War 3 barely averts this. While the Locusts were portrayed as genocidal monsters in the first two games, the third finds them teetering on the edge of extinction like humanity, struggling against an insane mob of their own mutated kin and a glitchy human superweapon that will render their entire species extinct. On top of this, there are strong implications that Adam Fenix initially cooperated with the Locusts against the Lambent years before the start of hostilities between the two species and is now (albeit reluctantly) firing said superweapon because it will save his own species while it destroys theirs. Sympathy is averted only because of brutal, unrelenting hostility and disregard for human life shown by the Locusts, both their loyal remnants and savage encampments, but especially by Queen Myrrah herself.
  • Valkyria Chronicles: Faldio. Faldio was wrong to shoot Alicia and the game makes us very, very aware that we are not supposed to like him. Unfortunately, they didn't do a very good job of setting that up: it was bad, but there was no other way to save Gallia and it worked. This might have gone over better if his reasoning were faulty, but his logic was pretty sound, and preserving the game's moral stance and the titular premise could not have accommodated his simply asking, whether she agreed or not.
    • The same goes for Gallia's military. General Damon is probably the least sympathetic character in the game, if only because the people who are bigger assholes than he is don't spend as much time on-screen as he does. He's also the only representative the Gallian main army has because the rest are all Cannon Fodder. The story wants us to believe that every non-militia soldier is an aristocratic Jerk Ass because of Damon's example, and because only a Jerk Ass would choose to join the army full time (rather than serving under conscription like the militia). That's why no one gives even a fraction of a damn when they're murdered en masse.
  • Miles Edgeworth in the first Ace Attorney game, a prosecutor who only cares about winning because his father was killed and he was raised and mentored by an even worse prosecutor, while seeing the man he thought had killed his father get off because of an unethical defense attorney. Shu Takumi commented that Edgeworth was supposed to be seen as tragic, yet unlikeable in that game. Possibly as a result, he got Character Development in subsequent games and became a more intentionally likeable character.
  • Can happen towards Luke in Tales of the Abyss. Luke comes off at first as a Spoiled Brat Jerkass who never thinks things through, treats everyone horribly or like servants and all-round getting a nice big dose of extra arrogance when he's made the Ambassador on a mission to Akzeriuth. But as more is revealed about him, his behavior makes him a lot more sympathetic. Luke is spoiled because he's the third-in-line for the throne of Kimlasca and lives in an amazing mansion, being served on hand and foot and his lack of knowledge from the world comes about because he has never left the mansion in 7 years due to a previous kidnapping incident when he was 10 years old that had rendered him so traumatized that he had to re-learn everything. The fact that his lack of knowledge on the basics of the world are Played for Laughs at first until he reveals just how difficult just learning his parents' faces was just pushes him further into being sympathetic to the player. He becomes more sympathetic when the events at Akzeriuth happen and the whole party is blaming him for everything and being jerks to him. Luke, following his mentor Van's orders, unwittingly caused the city to fall into the Quliphoth and kill everyone aside from the party who was in the city. The part that makes the party so unsympathetic is that they knew things about Van and Luke that, had he known beforehand, might have stopped him from blindly following Van's words and yet not one of them even bothered to try to mention this to him, instead putting all the blame on him. And then things go worse when Luke finds out he's actually a replica of the real Luke and his whole life is a lie, which he finds out shortly after his mentor Van basically dropped him like a hot potato. The writers wanted the player to heavily dislike Luke before and after the events of Akzeriuth, but it's difficult to not be on his side, given the circumstances and events.
    • Tales of Vesperia has this in regards to Yuri. Throughout the game, we're supposed to look down on his vigilantism and side with Flynn, a man who wants to (reasonably) try the villains in the courts of law rather than kill them as well as to prevent Yuri from Jumping Off the Slippery Slope. However, Yuri's not out to kill anybody who crosses him or violate a simple law; but Yuri only kills two people; both horrendous monsters who are explicitly feeding innocent civilians to monsters. Consequently, when they try to do it by the books; it ensured that one of the victims got to walk away from his crimes scot-free. While the game does want us to understand vigilantism is bad (and many players did want to side with Flynn), the examples the player was forced to deal with were so bad that many ended up siding with Yuri.
    • Tales of Symphonia has this in regards to Presea, when it is revealed late in the game that she still harbours a grudge against Regal for killing her sister and seems swayed by Alicia's illusion insisting Regal should be punished - even Regal himself doesn't resist when the sisters turn on him. When Lloyd appears and calls Presea and Regal out for being selfish, it can be hard to side with him in regards to Presea, as Alicia herself insisted Presea forgive Regal without thinking at all about Presea needing time to process her sister's death and grieve for her (bearing in mind Presea had only recently regained her true self and didn't even know Alicia was dead, having not seen her for years), and earlier in the game when Regal requests to join the group, it's entirely optional if you pick either "Of course!" or "If it's all right with Presea". Though Regal obviously didn't want to kill Alicia and is truly remorseful for his actions, Lloyd's admonishment comes off as kind of harsh considering Presea was never given time or an option to deal with her feelings, and it's almost treated like it was mandatory for her to forgive Regal and it's implied she's been stewing over this for a long time before Welgaia.
  • DmC: Devil May Cry has Lilith, a demonic woman who is pregnant with the villain's baby. During the course of the story, the protagonist Dante attacks her to use her as part of a hostage exchange. During the entire cutscene, Lilith is incredibly afraid, and when things appear to be okay, Vergil shoots her in the stomach to kill the baby (an act that Dante briefly calls him out for before things quickly go south). Lilith's horrified reaction to the baby's death before she is killed by Vergil left a bad taste in players' mouths. Then there is Mundus himself, who is incredibly (and justifiably) angered over what happened and calmly asks Dante why they killed his unborn child. (Of course, there is hypocrisy in that Mundus essentially did the exact same thing by killing Dante and Vergil's mother Eva and attempting to kill the twins, but Dante going along with Vergil's suggestion to mock Mundus over the deaths of his loved ones didn't help in the slightest.)
  • A rare heroic example is Snow from Final Fantasy XIII. While the game slightly deconstructs his ideals and reveal him as all talk, no action, he's at least willing to try. Snow seems to be the only one willing to DO something about the situation as opposed to murdering everybody in sight or despair at his losses. It's telling that for two-thirds of the game that he's the only one not willing to give up hope (the concept, not the 14 year old); and that he garnered quite a bit of sympathy despite the annoying moments; even if he's really just grasping for straws.
    • The Final Boss Orphan is portrayed by Lightning as a monster, who gave up on life before he was even born and sat waiting for someone to come and kill him, despite knowing that his death would cause something very similar to The End of the World as We Know It. Despite this, the Fal'Cie manages to garner some sympathy for his plight. To summarise, at creation Orphan was sealed away from the rest of the world in an alternate dimension and trapped in a state of unbirth. Orphan languished in there for five hundred years, self-aware but unable to act, move or die, all the while being used as a living battery keeping a floating city aloft - and bear in mind, nobody except the Big Bad knew about Orphan until the closing chapters of the game. The kid has had a pretty rough time and can be described as a Woobie, Destroyer of Worlds. Bearing all this in mind, Lightning's biting speech about hope and giving up on it falls a little flat.
  • Until Dawn left people feeling sympathetic towards The Psycho. Despite The Psycho having spent his on-screen time knocking out Ashley and Sam, subjecting Chris to two sadistic choices, and generally terrorized the characters at the lodge, it was Josh performing a very elaborate prank against the people, whose pranks resulted in his two sisters disappearing a year ago. The Psycho's Freudian Excuse and a late cutscene giving insight into his mind left players feeling bad for him, since regardless of how horrendous his actions were, it was never his goal to actually cause physical harm to anyone. The fact that The Psycho ends up being an unsaveable character, with Josh either getting killed by a Wendigo or being dragged off and becoming a Wendigo himself, left people feeling sympathetic and wishing he was actually saveable.
  • The Vaadwaur in Star Trek Online: Delta Rising. Yes, they're basically Space Nazis and their leader Gaul has no qualms about gunning down civilians in cold blood. But neither did the Romulans, Klingons, or Cardassians, and the Federation had a detente with them for decades. The Vaadwaur are also an endangered species who used Human Popsicles to escape extermination by an alliance fighting back against their imperialism. The real problem, though, is that their enemies the Kobali come off as the Designated Hero. While they're the Alpha Quadrant nations' ally against the Vaadwaur, the Kobali come off as Holier Than Thou with a Culture Justifies Anything attitude, and for all practical purposes contribute little of worth to The Alliance (their population is going to be fairly low for various reasons and their only modern warship was built with Alpha Quadrant technology). Plus, their method of reproduction, basically necromancy, has drawn many rape comparisons, especially given that they're holding several thousand Vaadwaur cryo tubes and using the failed ones for more stock, along with making use of Vaadwaur battlefield casualties. Gaul jumps off the slippery slope in "All that Glitters", but the storyline reveals that the Vaadwaur high command are all infested with Puppeteer Parasites except for Gaul, suggesting they wouldn't have willingly gone along with his plans.
  • Leon Magnus in Tales of Destiny was supposed to be a Jerkass with a deserved death. However, much of his jerkass behaviour involved picking on The Scrappy of the game, he had a pretty depressing backstory, making him come off as more of a Jerkass Woobie with a Freudian Excuse, and was quite attractive, which made him into a Draco in Leather Pants. Namco took notice and not only gave him a large role in the sequel, but rewrote him into less of a Jerkass. Surprisingly, it works wonders, as Leon becomes legit sympathetic and a much more likable character because of that without losing his cold attitude. Though he's still not spared from his canon death.
  • Quite infamously, Daisy Fitzroy, the face of the anarchist Vox Populi in Bioshock Infinite. While the story certainly tries to make her out as just as bad as Comstock and the other Founders, a lot of players find this an incredibly difficult-to-swallow false equivalence considering that a) her own sympathetic backstory and the plight of the lower classes in Columbia's deeply racist and reactionary society are both firmly established while the Founders have next to no redeeming qualities, b) her crossing of the Moral Event Horizon (wanting to shoot an industrialist's infant son in the head) is given a ham-fisted execution with all the subtlety of a speeding big rig, and c) her end-goal (Killing the Founders) isn't really much different from what the player/Booker ends up shooting for anyway. Burial at Sea goes a way towards rectifying it by revealing that Daisy was all along an agent of the Lucetes and deliberately engineered her own Moral Event Horizon crossing and subsequent death at Elizabeth's hands to harden the sheltered girl's personality.
  • In the neutral run of Undertale, the human child can come off as this. The first monster they encountered was Flowey. He gave the impression the underground is a dangerous “kill or be killed” place with monsters popping out of nowhere to attack the child and the talk of collecting human souls doing nothing to disprove the monstrous flower’s words. They do not harm monsters on the map, showing they do have a distinction of combatants and non-combatants. Also, while they can resurrect from death, this would not undo any mental trauma that would happen from the event, especially considering the child’s young age. While they do leave the Underground a worse place and become a bit more sociopathic at the end of their journey, the violent actions the child takes to escape the underground can come off as not as unjustified as the game tries to paint.
  • World of Warcraft: The Horde player is this in the Change of Command Quest in Mists of Pandaria. The dwarf character High Marshall Twinbraid calls the player a monster as the Horde killed his son, and destroyed his home, saying they take innocents lives, and can't live in peace with others. His death is supposed to be a Kick the Dog by the player complete with his death quote being calling out the player as persecuting the Alliance one last time. However the quest-writer seems to have forgotten that in vanilla Twinbraid committed a unprovoked mass killing of the native tauren in the barrens, forcing the few survivors to leave into the dangerous wilds. Twinbraid's home was a giant cannon fortress which he used to firebomb a tauren town in Cataclysm until it was destroyed by a tauren survivor of the earlier attack. His son was an adult soldier complicit in the aforementioned crimes, and Twinbraid used his death as an excuse to murder goblin civilians (even killing hired courtesans). All things considered its a massive stretch to say the Horde player killing this unrepentant war-criminal was unjustified, especially when players of both factions have killed NPCs for far less.
  • The culprit of Nancy Drew Sea of Darkness, Soren. He was bullied by the people in a small Icelandic town and was never truly accepted as one of them because he was not actually born in the town... he was born not one or two miles outside the town and that alone made the town treat him as an outsider. He did all sorts of things to help the town out, and wanted the treasure so he could get out of the town. Given the way the townsfolk have treated him, it really really is understandable why he would want to go Screw This, I'm Outta Here!. However, the game does allow Nancy to actually sympathise with him and help him get a lesser sentence for what he did, which is a good example of some reality being used with this trope.
  • Zenos, the main antagonist in Final Fantasy XIV for the Stormblood expansion, was intentionally designed to be unlikable as much as possible; he casually kills his own troops when they fail him, gets off on using his power to bully his higher ranking soldiers to bow to his will, and when it comes to attacking the protagonists, he seems incredibly disinterested in them. Zenos begins taking interest in the player character when he realizes just how strong they were and encourages them to get even stronger. After defeating Zenos in his Shinryu primal form, he expresses joy that he was able to finally feel truly alive having battled the player character and sees them as his first friend (and enemy) that is strong and possibly bloodthirsty like he was. That exact moment caused a lot of players to see Zenos as a tragic character that had no one to support him while he had undergone experiments on his own body (which explains why he was so godly powerful in previous encounters).
  • Shin Megami Tensei centers around Law vs. Chaos with both sides supposed to be reprehensible enough that the Golden Endings requite rejecting both extremes. But Law tends to be Holier Than Thou, hypocritical Knight Templar asshats that Chaos is rebelling against, while Chaos tend toward Affably Evil and respecting you even if you oppose them. Chaos seems so much less worse than Law, or at least stick it to them, that many fans are as happy to play Neutral or Chaos paths.
  • Persona 5:
    • Ryuji comes across this way when Morgana leaves the team in September. What drove Morgana to do this was Ryuji insulting him, which results in everyone placing Ryuji at fault. While it could be argued Ryuji went too far with the insults, Morgana always insults him for every mistake he makes, no matter how minor it is, and never gives any of the other members as much flak as he gives Ryuji, so Ryuji can come across as getting annoyed with Morgana's attitude, and Morgana looks like a Hypocrite who can't take what he dishes out when Ryuji decides to fight back. When the group tries to confront Morgana about it and get him to rejoin the team, Ryuji is the only one forced to apologize for his insults, and when all is said and done Morgana continues to berate Ryuji without anyone calling him out on it. It reaches its apex when Ryuji seemingly sacrifices himself to let the other thieves escape after destroying the Cruise Ship Palace; when he shows up alive and well, he tries to poke fun at the situation, only to get beaten up by the female thieves and is left to rot by the rest.
    • Madarame is the Arc Villain sandwiched between Kamoshida and Kaneshiro. His main crime is plagiarizing the work of his students, which pales in comparison to what the other two have done. While his actions apparently led to a former student being Driven to Suicide, the protagonists don't address that, and the calling card they send him only mentions his plagiarism. Although the main characters do learn that Madarame killed Yusuke's mom via Murder by Inaction, that's only revealed just before his Shadow's boss fight, so it had no impact on the Thieves deciding to change his heart or sending the calling card. Yusuke's Confidant also reveals that he was desperately searching for someone to treat Yusuke when he fell ill as a kid, implying that despite taking credit for his work, he did care for Yusuke to some degree beyond exploiting his talent.
  • Final Fantasy III has Xande, who was a student of the archsage Noah along with Doga and Unei. Noah granted each of his powerful, immortal students a gift. Doga was granted dominion over magic, making his powers even more potent. Unei was basically granted complete control over the world of dreams. Xande was given... mortality. Sure, trying to freeze the whole world into temporal stasis is overreacting to the sudden threat of mortality. That said, many gamers tend to think that Noah screwed Xande over royally, even if Doga and Unei think Xande got the best gift.
  • In Donkey Kong Country 2: Diddy's Kong Quest, some fans can't help but pity Krow. After already dying once, he later comes Back from the Dead as Kreepy Krow for Revenge... only to get beaten Deader Than Dead on top of it. And his ghost Mooks (implied to be his children) tend to give him Even Evil Has Loved Ones points with said fans, too.

    Web Animation 
  • GoAnimate:
    • The troublemakers in the infamous "X Gets Grounded (or otherwise punished)" videos made with the program. While one can't deny that many of these troublemakers have it coming, in other cases the punishment is too disproportionate. A character getting grounded for a absurdly long time over doing something like hitting their schoolteacher, breaking a car, or turning their peers into Kirby characters could still be funny. A character being executed for saying something stupid or causing a mess on accident? Not so much.
    • Some fairly more specific examples would be anyone who is a "baby show" character such as Caillou or Dora the Explorer. Yes, they have taken levels in Jerkass, and yes, oftentimes they truly have their groundings coming. But in some videos, the Disproportionate Retribution that the "Grounded" videos are famous for gets too disproportionate, if it isn't just extremely mean-spirited towards Caillou and others of his ilk. In still other videos, everyone in the world, including their own families, hate their guts just for existing and will be all to happy to punish or even kill them for the pettiest of slights. Add the fact that some users' interpretations of their parents, family, and friends are just as jerkish as them, if not worse, and it makes sense why Caillou and Dora are considered Jerkass Woobies to some facets of the fandom (both ironic and non-ironic).
    • Macusoper, while he does have a bit of a temper problem, he frequently suffers back luck, nobody listens to him, and he has an abusive dad, so it's easy to see why he has a temper problem in the first place.

    Web Comics 
  • Syphile from Drowtales is treated like The Woobie by many fans, despite her mistreatment of Ariel since the latter was only an infant and treating many of her friends and servants poorly. This is due in part to her background as a "Well Done, Son!" Guy to her adoptive mother Quain'tana, who she was never able to satisfy, and the apparent abuse she suffered at the hands of Sil'lice, because she was tainted (and to top it off, the only reason she became tainted was to please Quain'tana, who then immediately rejected her). The author said that she was "not meant to have much redeeming features, she lost them all over time. I wouldn't portray her as anything else", but given her recent death it's obvious that a lot of people felt for her. This is further compounded by the Continuity Snarl of the canon, where certain elements like stories where Quain'tana explicitly beat her or Sil'lice and Mel'arnach raped her are no longer considered canon. In other words, she certainly wasn't treated well, but not nearly as horrifically as was formerly portrayed.
  • Angelica from Jay Naylor's Original Life was meant to be the personification of everything the author didn't like. She ended up being the most likeable character in the entire strip, especially because everyone else is such an unrepentant tool to her, she comes across as The Woobie.
  • Naylor's prequel, Better Days, has Lucy's former college housemate, Rachael. Rachael is portrayed as a shallow, obnoxious party girl who annoys the rest of the housemates and cheats on her boyfriend, Tommy. While her cheating is understandably condemned, it's hard not to feel a bit sorry for her when Lucy decides to counter this by immediately stealing Tommy for herself, taking him into the woods, and giving him a blowjob, then laughing about it in Rachael's face when she finds out. Rachael is dragged up several times in later chapters, once in which she begs Tommy to return to her only to be coldly brushed off and another where Lucy sees that Tommy based the over-sexed evil sorceress Big Bad of his D&D game after her (which Lucy agrees is completely appropriate). It gets worse when despite Rachel being condemned as an evil cheater, a later storyline has Lucy herself considering cheating on Tommy just because she feels trapped being in a monogamous relationship (which was pretty much why Rachael philandered - she wanted to have fun before tying the knot with Tommy), and the same people who hated Rachael just are mildly concerned about Lucy possibly putting her relationship in jeopardy. She ultimately doesn't go through with it, but the amount of sympathy she's shown compared to Rachael is pretty jarring.
    • When Lucy tries for a broadcasting internship, there are two girls she competes against. One is an incredibly, cartoonishly unethical journalist. The other... tells bad puns. This is played up as an incredibly annoying trait and a reason to dislike the girl, even though it's not like the other characters tell bad jokes, she has no other dislikeable things about her shown, and she's believed to have been drawn simply as a Take That! to a real life person who annoyed Naylor online.
  • Pablo, introduced in The Fall of Little Red Riding Hood, came across as way more sympathetic than the sociopathic, cold-hearted protagonist, mostly due to all the crap he's put through in the story. Naylor apparently never intended for readers to like him, so he made a follow-up comic where he pines for Mary Ann Huckleberry — who completely ignores him while having sex with a well-hung horse — while espousing his personal philosophy of selflessness (which is supposed to be despicable, by Naylor's Objectivist standards). It only made him even more tragic and relatable.
  • Zenith in Commander Kitty. Despite spending much of the comic as a perfection-obsessed megalomaniac who spliced together who knows how many victims in an attempt to create her perfect mate, the final frustration of her plans along with her ultimate fate manage to push her into Woobie territory - note that the latter is after her Heel–Face Brainwashing!
  • Jim from Girls with Slingshots: According to a tweet from the author, she intended to portray him as a hypocritical Dogged Nice Guy, unfortunately there were several problems with his portrayal:
    • In one of his first appearances in "Members Only" (aka Guys' Night Out) had him confiding in Angel about how he seemed to either be invisible to women, or easily glossed over as soon as they saw another guy, and that only other guys and lesbians seemed interested in talking to him... only to then realize that he's sitting by himself.
    • The scene that followed the aforementioned tweet put him next to Chris who was just bragging about getting laid with Melody, painting him as a loser to whom it's okay to rub in its face that you are getting what he is not, and if that was not enough, when Jim snaps for this he is then portrayed by other guys as making the false dichotomy that since a Nice Guy can't get laid, then all guys who do must be Jerkasses
    • It came up again when Chris mentions that he's stopped hanging out with him because Jim can't stand to hear him talk about his relationship with Melody, implying that he's still gushing about his relationship and how much sex he's getting to someone who's lonely and having trouble meeting women. With the rest of the guys snarking about him and the fact they stopped hanging out with him after one frustrated blow-up that was taken out of context, they don't come off looking any better than Jim.
    • After the webcomic ended, during the colored re-release of the strip, the author, Danielle Corsetto, admitted in the comments that Jim's characterization came out a little too sympathetic, and that she wished she would have conveyed more clearly what was wrong with him.

    Web Video 

    Western Animation 
  • The Powerpuff Girls:
    • Rainbow the Clown. While he did suck the color out of Townsville, his transformation into Mr. Mime was clearly not in his control, so the beatdown he received from the heroes after he was turned back to normal was a bit harsh. Justified, as this ending was made by the writers in protest specifically to make the audience feel sympathy for Rainbow and cry foul. Originally, Rainbow was supposed to join in an ending musical number singing happily with the Powerpuff Girls thanking them for rescuing him, but the network refused to air an episode that supposedly showed such a destructive villain going unpunished. His cameo appearance in a later episode suggests he was eventually released from jail.
    • Buttercup in "Cover Up". Somehow the writers want us to think she's crazy for having a Security Blanket, but that's an okay age for having a blanket. When she bawls her eyes out when it is lost makes her even more sympathetic. At the end of the episode she is forced to give up her blanket. Now remember, Bubbles is allowed to keep Octi for some reason even though he's also an emotional crutch like Buttercup's blanket was to her.
  • Tom of Tom and Jerry fame. While mostly he instigates the conflict, he sometimes gets attacked by Jerry without having provoked him, and is still viewed as the villain (on the other hand, he sometimes wins against Jerry).
  • Many Looney Tunes villains fall under this category, particularly Sylvester. While they are willing to eat the good guy, in terms of eliciting sympathy, the agony they go through far outweighs any harm they want to do. Especially the ones that begin with Sylvester out in the cold hungrily digging through empty garbage cans and his only motive is needing food.
    • This is particularly true for Elmer Fudd. The director Friz Freleng realized that he was more sympathetic than Bugs Bunny in some shorts. So Freleng created Yosemite Sam, who is more of a jerk and far less sympathetic than Elmer.
      Freleng: I didn’t quite feel that Elmer filled the bill. He wasn’t really a villain. He was a pitiful character. He had a duty to perform as a hunter. He had to go shoot a rabbit. But there wasn't a mean streak. He didn’t really like to shoot the rabbit. You wondered why you didn’t hate Bugs for doing what he did to him.
    • In the Daffy/Speedy series of cartoons, Daffy could sometimes come across as this. For example, in "Daffy's Diner", he's simply trying to protect himself from a vicious bandito cat who threatens to blow Daffy's brains out if he can't produce an authentic mouse-burger for him. He may have been trying to cheat his customers with rubber mice but he didn't deserve this. And yet, even though the cat is the real villain of the cartoon, it's Daffy who loses in the end. While, in "Feather Finger," Daffy's a homeless street rat who's just trying to earn enough cash to survive. And yet, in this cartoon, he also winds up being the big loser in the end. Nevermind that Mayor Katt was not only the one who really wanted Speedy captured but essentially conned Daffy into doing this deed for him.
  • In the Classic Disney Shorts, Donald Duck's multiple failures are meant to be deserved, especially when he encounters the likes of Chip 'n Dale. The problem is that most of the time they are the ones who start the trouble by stealing Donald's belongings or messing with his attempts at, well, having a life. When he does begin the fights, he gets royally screwed by the cartoon's end. Yet the audience is clearly meant to be rooting for Don's adversaries all the time, even if the duck has done no wrong whatsoever in the picture and the pests just felt like ruining his day for laughs and giggles.
  • Clayface from Batman: The Animated Series. Despite being a Jerkass who routinely emotionally abuses the friends who care about him, not being above theft and attempted murder to get what he wants, and his transformation into Clayface coming about mostly as a result of his own selfish actions, Matt Hagen is looked upon by some fans as a Tragic Villain in part due to said backstory of being screwed by a Corrupt Corporate Executive and in part due to Batman's admittedly unheroic actions in his second appearance (shutting down an experiment attempting to restore Hagen's humanity). It took him killing his own "daughter" (actually a piece of him that had split off and gained sentience) and laughing it off after the series was re-vamped into The New Batman Adventures for the fans to finally turn against him.
  • Mala from Superman: The Animated Series in her first appearance "Blast from the Past". A Phantom Zone criminal who had participated in a failed revolution led by Not!Zod Jax-Ur actually fulfilled her sentence due to only being an accomplice. She's released by Superman who, in hope that she's fully reformed, attempts to train her to be a hero like him. Mala tries her damnedest but overdoes it during a robbery breakup by showing just a bit too much power. Then later she's more or less harassed by Lois Lane over being a Kryptonian woman, and finally she overhears Superman and Professor Emil Hamilton discussing putting her back into the Phantom Zone because she's not instantly the perfect Superwoman. Understandably she doesn't take this well and goes full villain by releasing her friend former boss Jax-Ur and attempting to conquer Earth. The end result was clearly just to give Superman some Kryptonian villains, but the set up is so moronic and demonzing that it's not hard to feel a bit sorry for Mala.
  • Hoggish Greedly from Captain Planet, to some, because some of his motivation is humanly understandable. His grandfather was, we are told, a nature-lover who treated him harshly; he was a self-made man who turned against environmentalism in the process. Anti-environmentalists the world over can relate. He also never completely understood the long-term damage he was causing, unlike most of the villains who loved what was happening.
  • Swiper the Fox from Dora the Explorer is probably the most beloved character on the show, with some people feeling sorry for him due to his kleptomania and being shunned by Dora. This is probably why he ended up becoming less of an antagonist as the series went on.
  • Family Guy: Meg can come off as this in a lot of post-revival episodes due to her Butt-Monkey status coming off as unwarranted and the unfortunate trauma she goes through coming off as upsetting rather then funny.
  • SpongeBob SquarePants:
    • At the start, Plankton was a sort of evil, yet mildly successful business rival of skinflint but basically good-hearted Mr. Krabs. In the space between the two movies, he's a full on Woobie who can't catch a break and is routinely mentally and psychologically tortured by the total Jerk Ass Designated Hero Krabs.
    • Squidward Tentacles came off as this mostly in the aforementioned. While he may be a Jerkass, and half the things that happen to him is his own fault, when SpongeBob comes out of nowhere to harass him in his own home just because, it's hard to pin Squidward as the one with the problem, for all his being an asocial Narcissist.
  • Tiny Toon Adventures:
    • In the episode, "Prom-ise Her Anything", Montana Max is being legitimately stalked by Elmyra, who wants him to go to the prom with her. He does not have any romantic feelings for her, and does not even want to go to the dance, but because Max is the Designated Villain, he is shown as being in the wrong for rejecting Elmyra.
    • In the Spring Break Special, Plucky becomes this in the climax. He is minding his own business and just tries to get a girl duck to like him. Buster and Babs are running from Elmyra, who is under the impression that Buster is the Easter Bunny and in The Stinger, she's right, and just as Plucky's about to kiss the girl duck, they plant fake rabbit ears on him to trick Elmyra into thinking he's the Easter Bunny. Usually, Plucky is an Asshole Victim, getting punished for trying to do things like upstaging Buster and Babs and trying to make a quick bucknote , but this time, he didn't do anything to deserve Elmyra catching him. It also doesn't help that Buster and Babs joke about the situation rather than showing concern for Plucky's well-being.
  • Total Drama:
    • Ezekiel in World Tour. He was kicked out first due to his Stay in the Kitchen upbringing, and turned into a Gollum-like creature, which has been his form for three seasons now.
    • Heather in World Tour. Despite being willing to be a team player, she is treated like she is plotting against the others. Especially evident when Heather tried to warn Leshawna about Alejandro, Leshawna attacked her.
    • Anne Maria to the older fans. She was supposed to be The Hate Sink because of getting in the way of Mike & Zoey's relationship. However, Because of having a distinct personality and interactions with others, many of them preferred her to Zoke. Especially when Zoke became the Spotlight-Stealing Squad in All-Stars and both became scrappies.
    • Scott in All-Stars. The constant abuse he suffered despite not being an active antagonist came off as unwarranted and unfair, his stories about how poor his family is seemed more depressing than humorous, and his PTSD fear of sharks being played for laughs was widely considered distasteful.
  • Transformers Animated: Blackarachnia. She was written to be a pitiful character, but the writers went a little too far by making her Left for Dead by her True Companions, romance with Optimus Prime, and a poor girl driven mad by her freakish mutation and having to join the Decepticons just to survive, then told by an old buddy it would have been better if she died and hints that there was still some goodness in her. However, Word of God seems to imply the Heel–Face Turn the audience was hoping for was kind of in their heads.
  • Lemongrab was this in the Adventure Time episode "Too Young," because he appears to be severely mentally handicapped and had a job he was incapable of doing right (ruling a kingdom). Finn and Princess Bubblegum are disproportionately hard on him, up to the point of actually beating him up and making him cry. Averted in later episodes, where A) Princess Bubblegum helps Lemongrab, and B) Lemongrab is genuinely being a horrible person and deserves what's coming to him.
  • The Urpneys of The Dreamstone, the abused lackeys of Zordrak sent to steal the stone so as to make nightmares. They are abused regularly for any screw ups and contradictions to their bosses' plans (multiple mooks have in fact been killed as punishment) and, as with many Harmless Villains, usually face humiliating and merciless defeats from the Land Of Dreams (which is saying something considering how sacharrine the place usually is). Especially applies to Frizz and Nug, who spend a lot more time being pitiful Nervous Wrecks than doing anything particularly dastardly.
  • My Little Pony: Friendship Is Magic:
    • "The Great and Powerful" Trixie, while bringing it upon herself with her boasting, ends up losing her reputation and probably almost everything she possessed at the end of her introductory episode, which some people believe was disproportionate to her wrongdoings. Part of the sympathy may arise from the fact that the main ponies antagonized her because she's so obnoxious, that most of her obnoxious boasting was in response to Rainbow Dash and Rarity's heckling, and because Twilight exposed her without meaning to. Season 3 actually refers to this later on, when Trixie returns to Ponyville to get revenge for having her livelihood ruined. It also makes Trixie far less sympathetic, punishing the entire town for the actions of a few, and using Snips and Snails as slave labor. It should be noted that she was corrupted by a powerful amulet at that time and that she apologized after she was freed from its influence.
    • Queen Chrysalis. Even though she happens to lack Nightmare Moon's backstory or Discord's wackiness, and could arguably be considered worse than both of them, some fans tend to look upon her attempted takeover of Equestria as her merely doing what she thinks is right for her species, or possibly that Changelings operate on Blue and Orange Morality rather than Always Chaotic Evil and Chrysalis herself has a particularly sick sense of humor.
    • The changelings species tends to get a lot of leeway and sympathy from the audience. While opinions on their boss go either way, most fans consider the changelings to be doing what they have to do to eat, a Henchmen Race that's Just Following Orders, or even a Woobie Species taking orders from a Bad Boss. The one lone changeling attending the wedding in Slice Of Life, who was dubbed "Loneling" by fans and ultimately released as a friend-class in the CCG named "Kevin", show's that even in canon they're Not Always Evil.
      • Season Six elaborated on this with Spike befriending a friendly Changeling named Thorax while explicitly showing changelings eating love is a definite case of Horror Hunger. Then, in the Season Six finale, the Changelings found out that not only could they end their Horror Hunger for good by sharing love with one another, but that Chrysalis knew this all along and manipulated all of them for her own selfish gain, making the changeling species as a whole more sympathetic while making Chrysalis herself much less sympathetic. The changelings earn a much better life by following Thorax's example and metamorphize into complete beings while under the benevolent and new King Thorax, and end up getting much better relations with Equestria and the Crystal Empire, as they're shown wandering in the background shots past Season 7 with no one else minding.
    • Rainbow Dash in "The Mysterious Mare-Do-Well." The episode is notorious for making it look like the rest of the cast goes overboard in trying to teach Dash humility, thinking that Dash's actions weren't bad enough to merit the treatment she got. Conceited about it or not, Rainbow saved no less than six lives.
    • Lightning Dust from "Wonderbolts Academy." Her recklessness and lack of regret for nearly killing Rainbow Dash's friends by accident led to her being booted from the team. But between Lightning's superiors encouraging this attitude prior, Lightning's heartbroken reaction to being booted, and many other characters being Easily Forgiven for as bad or worse, she topped the poll for villain fans wanted redeemed. This would have happened in the original ending where she merely got demoted to Rainbows wingpony instead of being booted from the team entirely and stayed friends with her.
    • The Pinkie Pie clones in "Too Many Pinkie Pies". Their exact nature is still left up for debate: the writers tried to make it clear that the clones are just purely magical manifestations of Pinkie's basic personality, but they are also shown apparently having actual feelings and emotions. Theories crop up all the time, and it makes the climax of the episode with all the clones getting sent back to the pool without the ponies even considering alternatives feel far too morbid for many. The fact that at least one clone apparently survived doesn't help.
    • "Putting Your Hoof Down" tries to push Iron Will as a jerkass who deliberately turns Fluttershy into a bully, but his advice isn't quite as mean-spirited as the episode would like you to believe and Fluttershy makes her own choice to take his teachings too far. He also proves rather reasonable when she refuses to pay up, quoting his "satisfaction guaranteed or you pay nothing" policy. Accordingly, when he returns in "Once Upon a Zeppelin", he is much more overtly sleazy.
    • The Cutie Mark Crusaders in "One Bad Apple". They came off as such since they were genuinely hurt by Babs Seed's bullying, even more than her Freudian Excuse would have covered for it. Since she treated the CMC far worse than Diamond Tiara and Silver Spoon ever did up to that point, some fans wished they would have gone on with their plan to send her down the hill in the sabotaged parade float. The show painted them in the wrong for doing it but even as they tried to pull back their punch, Babs continued to push them around anyway.
      • Diamond Tiara and Silver Spoon come off as this in the same episode. After entering the episode with their typical "Blank Flanks" bullying routine (which is what leads to Babs joining them so that she won't be bullied herself), they don't really do much of anything except laugh about the bullying that Babs is doing to the CMC. Yet at the end of the episode when Babs tells them off for picking on the CMC, they fall into mud and get laughed at by Babs and the CMC. We're supposed to see this as their comeuppance, but not only did it not feel earned but it creates a Broken Aesop since Babs and the CMC are now bullying the bullies, the very thing that was framed as being wrong when the CMC tried to do it to Babs (and what made them Unintentionally Sympathetic.)
    • Spike in "Just for Sidekicks" is the Butt-Monkey whos treatment is supposed to be karma for pawning off his responsibilities on others and taking on more than he can handle. Unfortunately, the episode begins with him not being invited back to the Crystal Empire which he helped save, which makes it hard not to feel sorry for him, and led several fans to feel his Butt-Monkey treatment was in poor taste. The next season revealing that he suffers from self-esteem issues didn't help.
    • In "What About Discord?", many felt this way about Twilight. The episode paints Twilight as being mean and distrustful for being suspicious of Discord and accusing him of manipulation (her friends also criticize her for this), but the fact is that Discord has been duplicitous and dangerous in every one of his past appearances, so Twilight would have good reason to suspect him. Throughout the episode, her friends spend a long time laughing excessively hard at jokes which Twilight (and the audience) don't get due to a lack of context, which leads to her breaking down in tears. In the end, she turns out to be Properly Paranoid; Discord is manipulating events (albeit without magic) specifically to leave her out of her friends' fun, and although he claims to be trying to teach her a lesson about jealousy, he clearly takes pleasure in making her break down.
    • Applejack in "Hearthbreakers". The whole episode is supposed to be about her learning that she was being too closed minded about Pinkie's family and their Hearth Warming traditions, to the point where even her own family worn her that she shouldn't be interfering. However this glosses over the fact that the Pie family can easily be accused of the exact same thing, seeming to expect the Apples to follow their traditions without question and never allowing an alternative point of view. In fact, Applejack was the only one who did try and embrace the other's way, forcing herself to eat their rock soup when the rest of her family only complained.
    • "Parental Glideance" had Rainbow Dash depicted as being totally in the wrong for snapping at her Amazingly Embarrassing Parents, even though she had good reason to be upset at them cheering on every little thing she did, including interrupting a Wonderbolt show with fireworks. While Dash handled her conflict badly by screaming at them, Dash's mom and dad were the ones antagonizing Rainbow, while she was just supposed to grin and bear it.
    • Like the Pinkie Clones, the "Mean" clones of the Mane Six get a similarly morbid hand dealt to them that garnered some pity. It's not to say they're not genuinely bad ponies (especially the clone of Twilight Sparkle) but their entire existence is spent basically being slaves of Queen Chrysalis and threatened with death every step of the way if they don't do her dirty work. They also never get the chance to do much villaining outside of scheming to free themselves from Chrysalis (or anyone's) control, prompting them to attack the tree and be unceremoniously and graphically destroyed for it. Evil or not, it's hard not to sympathize with six villains Born into Slavery, threatened every step of the way by an Evil Queen, and ultimately killed for trying to free themselves from it.
    • As evil as Cozy Glow is, some people think her punishment of being locked up in Tartarus without trial instead of a normal prison despite being a child while adults, who should have had the maturity to know better, receive leniency puts her into this. Note the equally unrepentant Queen Chrysalis was allowed by the heroes to flee despite still having the power to be a threat unlike Cozy, who no longer had clear means to be threatening. Jim Miller stated that "It seemed fun and subversive at the time" but acknowledged how some would take offense.
  • Dragon Tales gave us a one-shot character Mr. Pop, who only made an appearance in "Wheezie's Last Laugh." He is meant to be obnoxious, with an Annoying Laugh and hamming up everything for no reason at all. His shtick is taking sounds and swapping them; he takes a liking to Wheezie's laugh in particular, and steals it without her permission. The problem here is that Wheezie is The Scrappy to many viewers, especially those outside the target age range, with her laugh being one of the major reasons. Since her laugh comes off as actually annoying whereas Mr. Pop's laugh sounds comical, you end up rooting for Mr. Pop instead.
  • Planet Sheen has Dorkus Aurelius, the Big Bad of the series. Not only did Sheen destroy his house at the beginning of the series, but he also replaced Dorkus as the Emperor's top advisor (keep in mind that Sheen isn't smart enough to pass the fourth grade). Now, Sheen regularly receives glory and praise for saving the planet (always from disasters he caused), while Dorkus is always trying to expose Sheen for the idiot he is. Not helping matters is how Sheen constantly makes fun of Dorkus's name.
  • Despite the writers' best effort to solidify him as a villainous character in Ben 10: Omniverse, Albedo still manages to become even more sympathetic than before due to Azmuth and Ben both being incredibly dickish to him by turning him into an 11 year old child after his defeat and laughing at his own misery. It doesn't help that, the one time Albedo seemed like he was about to have a Heel Realization, Ben chose to seize the opportunity to attack him. Granted, Ben pointed out that the newly found wisdom came at the cost of having stolen Azmuth's intelligence in the first place and added it to his own.
  • Dexter's Laboratory:
    • The numerous times that the titular character is depicted as a Jerkass for yelling at Dee Dee don’t hold up due to the Made Out to Be a Jerkass usually being in play. Not to mention that when she isn't destroying his lab, a lot of problems are caused because of her merciless teasing of him.
    • Mandark as well, to some extent. He's supposed to be Dexter's rival that we Love to Hate. But aside from the episodes where he's not being evil, it's later revealed that his Hippie Parents tried to over-feminize him and named him Susan. They didn't approve of his love of science either. Add to that the fact that it's a cartoon where almost everyone is funny and that Mandark and Dexter are Not So Different and could have been friends, and it all becomes Unintentionally Sympathetic.
  • The title character from Arthur in the episode "Arthur's Big Hit" is supposed to be the bad guy when he hits D.W. However, not only was she told not to touch his plane countless times, she chose to deliberately disobey him, throw the plane out the window and blames him for "making a plane that can't fly" instead of apologizing for what she did. D.W's never even told she did anything wrong by their parents. Given that this is a pretty famous episode, a lot of people view the episode as one of the worst. And what's even worse is that later in the episode, Arthur is hit by Binky, who's trying to impress his friends, and Arthur's parents' response is basically: "Well, how do you think D.W. felt?" So to recap, Arthur hitting D.W. in a fit of passion for breaking his plane is treated as the worst thing ever, but when Arthur is hit, his parents essentially imply that he deserved it.
  • Raiden in Mortal Kombat: Defenders of the Realm seemed intended to be the typical role for Raiden in the franchise: a Jerkass God who makes the protagonists sort out everything, best shown by the fact that whenever he refuses to come on a mission, someone makes a remark calling him out for his lame excuses. Thing is, Raiden doesn't refuse for some nebulous moral reason or honor code; he doesn't come along because most of the time, the protagonists are in Outworld, where he loses all his godly powers and could very easily get killed. Plenty of times, even that doesn't stop him from trying to help, and even then the protagonists whine about how he isn't doing ''enough''. Add in the fact that the other characters are generally bickering idiots, and most of Raiden's Deadpan Snarker moments being Actually Pretty Funny, and Raiden comes off as less of a Jerkass God and more the group babysitter.
  • The Legend of Korra:
    • Book One has the unnamed Equalist protester who harasses Korra in the pilot. Many fans thought he came off as annoying but harmless, which made Korra's hostile treatment of him seem unjustified. When Bolin is later kidnapped by the Equalists, Korra seeks him out and physically threatens him for information, despite having no reason to believe this particular guy would know anything about that. Moreover, it's repeatedly stressed throughout the season that despite the horrific methods employed by Amon and his minions, the Equalists are actually right about the treatment of non-benders in Republic City. A non-bender supporting them is understandable, especially since at the time, Amon wasn't doing anything openly villainous to begin with. The season finale showed the protester gleefully cheering as Amon announces his plans to completely destroy airbending by De-Powering the last remaining airbenders, which definitely lost him the sympathy points, but this comes off as the writers attempting to retroactively justify the protagonist's actions by revealing the "victim" was Evil All Along -and not very effectively, since she still didn't know that at the time.
    • Book 4 has Kuvira. Yes, she's the Big Bad of the season and her goals eventually shift from wanting to restore the Earth Kingdom to conquering the United Republic, but it's really hard to see her as a villain when her arguments for her actions are so reasonable that even the heroes begrudgingly agree she has a point. Not helping is that her worst actions were never actually shown while we do see the good she brought. And the series finale revealing that she truly wanted to help the Earth Kingdom, but allowed her unresolved Parental Abandonment issues to get in the way doesn't help diminish this view of her character. Suyin's cold treatment of her after she genuinely apologizes for her actions, effectively disowning someone who considers her a surrogate mother, made Kuvira even more sympathetic. This extends to the comics, where Kuvira and others (including Korra) point out that she was the only one willing to even take on the job of fixing the mess the Earth Kingdom had become after Zaheer's actions, and that she accomplished a great deal of good before becoming Drunk with Power at the end of her campaign.
  • The Grim Adventures of Billy & Mandy:
    • Jack O' Lantern in the Halloween Episode "Billy and Mandy's Jacked-Up Halloween", at least to some. He wants to ruin Halloween and get revenge on Grim for cutting off his head, and the reason why Grim did so was because the two made a deal that Jack would be given immortality, as the townsfolk attempted to execute him. There are two reasons as to why he comes of as sympathetic: 1) the fact that he no longer has a normal human head has taken a toll on his social life, as he can't live in the normal world without being viewed as a freak, and 2) he was executed only because he kept pulling petty pranks on the townsfolk.
    • Irwin is also this. He's a Stalker with a Crush who is infatuated with Mandy; this usually results in him getting beaten up, especially when he takes it too far. The problem is that Irwin, being The Chew Toy, is also punished relentlessly for no reason on almost an episode-to-episode basis. Thus, he's no longer just a Butt-Monkey whose injuries are hilarious and is getting his comeuppance for not leaving Mandy alone; he's a Woobie whose misfortunes are sad and, at many times, pointless. No wonder he was made the protagonist of Underfist; by the time it aired, the fans who liked Irwin were dying to see him win for once.
  • Super Mario World: Of all characters, Hip and Hop get this treatment in "A Little Learning". In this episode, Hip and Hop want to attend Dome City's school despite the protests of King Koopa and the parents of the cave children. The sympathy hits during the science fair when they coordinate a volcano experiment. After Koopa accidentally blows up the school with it, Princess Toadstool expels them which many fans feel was unjustified. They never meant any harm with their volcano as evidenced by Hip's reaction when it goes out of control. The Humiliation Conga they endure, where they get Swallowed Whole by a piranha plant and Yoshi before being spat into a warp pipe, doesn't help.
  • Kaeloo: Mr. Cat in the episode "Let's Play Justice Masters". All he really wants is a chance to relax, yet the others' Unwanted Assistance leads to him being hit in the stomach with a kick scooter, possibly breaking his back and getting dunked in acid, and the abuse is yaken to the point where he's on the verge of tears. A lot of fans found this episode a little too cruel to be funny.
  • Skeletor from He-Man and the Masters of the Universe (1983). He was meant to be the Big Bad, but he lost so often and had such terrible employees that viewers and even some of the writers started to feel bad for him, even when he was trying to do horrible things. Kids would actually send in letters asking if the showrunners could let Skeletor have a win or two, just to Throw the Dog a Bone. This is why later episodes included more Enemy Mine episodes; the writers decided to give Skeletor a few victories at fan request, but the only way the censors would allow it was if he helped He-Man defeat a mutual threat.
  • Dib Membrane of Invader Zim sometime falls into this. While he is a Jerkass Failure Hero who usually causes more problems than he actually solves and has a noticeable selfish streak, he is still a 12 year old boy Surrounded by Idiots trying to stop a centuries old alien invader from destroying his planet. Add in the way his peers treat him, coupled with a father whose barely there for him and routinely brushes his son off as "insane", and it's no wonder he's such a screwed up individual. It makes his numerous humiliating failures come off as all the more cruel.
  • While Lincoln Loud of The Loud House has a bit of reputation for undeserved retribution, there are times when the times he does deserves negative karma come off as unwarranted in the harshness.
    • One such example is the episode "Sounds of Silence" where he bought earplugs to ignore his sisters: while it is true that this was rude and did cause problems, many question if it was worthy of the punishment that ensued (namely being tricked into believing he had promised to do various tasks for/with them with many on pain of horrific actions by the resident borderline evil sister).
    • Another infamous example is "No Such Luck", where Lincoln is supposed to be in the wrong due to spreading the rumor that he's bad luck so he can have some free time, and thus deserve being excluded from all family activities, even the ones he does like. However, his family goes way too far in their reactions to his supposed "bad luck" (like kicking him out of the house and selling his furniture), and up to the very last scene continues to treat him poorly, even after he proves he's not bad luck (forcing him to wear a squirrel suit for 'good luck'). So it's not surprising many viewers feel sorry for Lincoln instead and hate the rest of the family for what they did.
  • Horrid Henry: While Peter along with Henry's Mom and Dad may be scrappies to the fandom, they do have shades of this:
    • While no one would argue that Peter isn't a whiny, pompous brat who rubs his perfectness in Henry's face every chance he gets, he's often bullied by Henry and there were times where he ratted out Henry for legitimately bad behavior, not to mention there were a few occasions where Henry got him into trouble and got away with it.
    • Henry's Mom and Dad are often treated as Abusive Parents for telling off Henry for his bad behavior and favoring Peter over him, but one needs to keep in mind that Henry isn't exactly a paragon of well behaved children, so they can come off more like stressed parents having to deal with a destructive child, plus there were a few occasions where they have punished Peter.
  • Winx Club: The first time we see Princess Diaspro, she is just attending an event with Prince Sky and is attacked by Bloom, who assumes she is Icy because Icy would want to mess with her. Diaspro had no idea her fiance had been flirting with another woman and Bloom doesn't explain herself in any reasonable manner, so of course the Princess defends herself. We are supposed to side with Bloom on this, but the real issue here is Sky didn't tell Bloom he was already engaged and flirted with her anyways. Sky not only gets off scot-free for this, but immediately dumps Diaspro. It's easy to feel sympathy for her since while she's not the nicest person, no one deserves to be cheated on. The writing team seemed to be aware of this and in her next major appearance wrote Diaspro into a Psycho Ex-Girlfriend with much less sympathy points.
  • Skunk Fu!: The Big Bad of the show Dragon, as mentioned in the show's opening and on the official website, was horrifically punished by heaven for doing his duty of protecting the valley animals and making it rain during a drought without heaven's permission. While it was still his own doing to blame the animals and get himself stuck inside Long Mountain, the show seems to agree with heaven that Dragon is evil, as if this was what made him evil and not his blaming of his old friends.